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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #450F47 it is the complementary color #BAF0B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #450F47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #450F47 shade: #4A0F42, #5B2155, #6C3368, #7D457B and #8E578E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #450F47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #450F47 shade: #450F47, #340034, #230021, #12000E and #010000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #450F47 shade: #450F47, #470F3A, #470F2B, #470F1B and #470F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #450F47 shade: #450F47, #360F47, #270F47, #170F47 and #0F0F47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #450F47 shade matches the following richer shades: #450F47, #4C084E and #520155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #450F47 shade: #450F47, #3F1640, #381D39, #312432 and #2B2B2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #450F47 shade: #260F47, #350F47, #440F47, #470F3B and #470F2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #450F47 shade: #030003, #240725, #450F47, #661669 and #871D8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #450F47 shade: #450F47, #47170F and #0F472E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #450F47 shade: #450F47, #47440F and #0F4744

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #450F47 shade: #450F47, #47170F, #11470F and #0F3F47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #450F47 shade: #450F47, #47280F, #11470F and #0F2E47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 79 / 0 / 72

HEX #450F47

RGB 69 15 71

HSL 297.86, 0.65%, 0.17%

LAB 15.81, 33.3, -21.94

 

Complementary color

CMYK 23 / 0 / 23 / 6

HEX #BAF0B8

RGB 186 240 184

HSL 117.86, 0.65%, 0.83%

LAB 89.96, -27.67, 21.6

 

CMYK 0 / 80 / 11 / 71

HEX #4A0F42

RGB 74 15 66

HSL 308.14, 0.66%, 0.17%

LAB 16.46, 33.69, -17.37

 

CMYK 0 / 64 / 7 / 64

HEX #5B2155

RGB 91 33 85

HSL 306.21, 0.47%, 0.24%

LAB 23.56, 33.91, -18.96

 

CMYK 0 / 53 / 4 / 58

HEX #6C3368

RGB 108 51 104

HSL 304.21, 0.36%, 0.31%

LAB 30.77, 33.39, -19.92

 

CMYK 0 / 45 / 2 / 51

HEX #7D457B

RGB 125 69 123

HSL 302.14, 0.29%, 0.38%

LAB 37.93, 32.63, -20.59

 

CMYK 0 / 39 / 0 / 44

HEX #8E578E

RGB 142 87 142

HSL 300, 0.24%, 0.45%

LAB 44.97, 31.82, -21.1

 

CMYK 3 / 79 / 0 / 72

HEX #450F47

RGB 69 15 71

HSL 297.86, 0.65%, 0.17%

LAB 15.81, 33.3, -21.94

 

CMYK 0 / 100 / 0 / 80

HEX #340034

RGB 52 0 52

HSL 300, 1%, 0.1%

LAB 8.81, 31.94, -19.78

 

CMYK 0 / 100 / 6 / 86

HEX #230021

RGB 35 0 33

HSL 303.43, 1%, 0.07%

LAB 4.22, 21.21, -12.85

 

CMYK 0 / 100 / 22 / 93

HEX #12000E

RGB 18 0 14

HSL 313.33, 1%, 0.04%

LAB 1.45, 7.22, -3.64

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 3 / 79 / 0 / 72

HEX #450F47

RGB 69 15 71

HSL 297.86, 0.65%, 0.17%

LAB 15.81, 33.3, -21.94

 

CMYK 0 / 79 / 18 / 72

HEX #470F3A

RGB 71 15 58

HSL 313.93, 0.65%, 0.17%

LAB 15.42, 31.45, -13.41

 

CMYK 0 / 79 / 39 / 72

HEX #470F2B

RGB 71 15 43

HSL 330, 0.65%, 0.17%

LAB 14.71, 29.17, -3.7

 

CMYK 0 / 79 / 62 / 72

HEX #470F1B

RGB 71 15 27

HSL 347.14, 0.65%, 0.17%

LAB 14.18, 27.37, 7.27

 

CMYK 0 / 79 / 79 / 72

HEX #470F0F

RGB 71 15 15

HSL 0, 0.65%, 0.17%

LAB 13.92, 26.48, 14.95

 

CMYK 3 / 79 / 0 / 72

HEX #450F47

RGB 69 15 71

HSL 297.86, 0.65%, 0.17%

LAB 15.81, 33.3, -21.94

 

CMYK 24 / 79 / 0 / 72

HEX #360F47

RGB 54 15 71

HSL 281.79, 0.65%, 0.17%

LAB 13.11, 29.47, -26.4

 

CMYK 45 / 79 / 0 / 72

HEX #270F47

RGB 39 15 71

HSL 265.71, 0.65%, 0.17%

LAB 10.76, 25.94, -30.33

 

CMYK 68 / 79 / 0 / 72

HEX #170F47

RGB 23 15 71

HSL 248.57, 0.65%, 0.17%

LAB 8.81, 22.81, -33.59

 

CMYK 79 / 79 / 0 / 72

HEX #0F0F47

RGB 15 15 71

HSL 240, 0.65%, 0.17%

LAB 8.11, 21.63, -34.77

 

CMYK 3 / 79 / 0 / 72

HEX #450F47

RGB 69 15 71

HSL 297.86, 0.65%, 0.17%

LAB 15.81, 33.3, -21.94

 

CMYK 3 / 90 / 0 / 69

HEX #4C084E

RGB 76 8 78

HSL 298.29, 0.81%, 0.17%

LAB 16.8, 38.74, -25.11

 

CMYK 4 / 99 / 0 / 67

HEX #520155

RGB 82 1 85

HSL 297.86, 0.98%, 0.17%

LAB 17.79, 43.32, -28.22

 

CMYK 3 / 79 / 0 / 72

HEX #450F47

RGB 69 15 71

HSL 297.86, 0.65%, 0.17%

LAB 15.81, 33.3, -21.94

 

CMYK 2 / 66 / 0 / 75

HEX #3F1640

RGB 63 22 64

HSL 298.57, 0.49%, 0.17%

LAB 15.49, 26.75, -17.63

 

CMYK 2 / 49 / 0 / 78

HEX #381D39

RGB 56 29 57

HSL 297.86, 0.33%, 0.17%

LAB 15.57, 18.53, -12.68

 

CMYK 2 / 28 / 0 / 80

HEX #312432

RGB 49 36 50

HSL 295.71, 0.16%, 0.17%

LAB 16.23, 9.24, -6.79

 

CMYK 0 / 0 / 0 / 83

HEX #2B2B2B

RGB 43 43 43

HSL 0, 0%, 0.17%

LAB 17.53, 0, -0

 

CMYK 46 / 79 / 0 / 72

HEX #260F47

RGB 38 15 71

HSL 264.64, 0.65%, 0.17%

LAB 10.62, 25.72, -30.56

 

CMYK 25 / 79 / 0 / 72

HEX #350F47

RGB 53 15 71

HSL 280.71, 0.65%, 0.17%

LAB 12.94, 29.23, -26.69

 

CMYK 4 / 79 / 0 / 72

HEX #440F47

RGB 68 15 71

HSL 296.79, 0.65%, 0.17%

LAB 15.62, 33.04, -22.25

 

CMYK 0 / 79 / 17 / 72

HEX #470F3B

RGB 71 15 59

HSL 312.86, 0.65%, 0.17%

LAB 15.47, 31.62, -14.03

 

CMYK 0 / 79 / 38 / 72

HEX #470F2C

RGB 71 15 44

HSL 328.93, 0.65%, 0.17%

LAB 14.75, 29.3, -4.37

 

CMYK 0 / 100 / 0 / 99

HEX #030003

RGB 3 0 3

HSL 300, 1%, 0.01%

LAB 0.23, 1.2, -0.86

 

CMYK 3 / 81 / 0 / 85

HEX #240725

RGB 36 7 37

HSL 298, 0.68%, 0.09%

LAB 5.97, 19.68, -13.24

 

CMYK 3 / 79 / 0 / 72

HEX #450F47

RGB 69 15 71

HSL 297.86, 0.65%, 0.17%

LAB 15.81, 33.3, -21.94

 

CMYK 3 / 79 / 0 / 59

HEX #661669

RGB 102 22 105

HSL 297.83, 0.65%, 0.25%

LAB 25.01, 45.21, -29.71

 

CMYK 3 / 79 / 0 / 45

HEX #871D8B

RGB 135 29 139

HSL 297.82, 0.65%, 0.33%

LAB 33.76, 56.26, -36.93

 

CMYK 3 / 79 / 0 / 72

HEX #450F47

RGB 69 15 71

HSL 297.86, 0.65%, 0.17%

LAB 15.81, 33.3, -21.94

 

CMYK 0 / 68 / 79 / 72

HEX #47170F

RGB 71 23 15

HSL 8.57, 0.65%, 0.17%

LAB 15.42, 22.44, 16.89

 

CMYK 79 / 0 / 35 / 72

HEX #0F472E

RGB 15 71 46

HSL 153.21, 0.65%, 0.17%

LAB 26.17, -24.76, 10

 

CMYK 3 / 79 / 0 / 72

HEX #450F47

RGB 69 15 71

HSL 297.86, 0.65%, 0.17%

LAB 15.81, 33.3, -21.94

 

CMYK 0 / 4 / 79 / 72

HEX #47440F

RGB 71 68 15

HSL 56.79, 0.65%, 0.17%

LAB 28.14, -6.05, 30.8

 

CMYK 79 / 0 / 4 / 72

HEX #0F4744

RGB 15 71 68

HSL 176.79, 0.65%, 0.17%

LAB 26.81, -18.27, -3.36

 

CMYK 3 / 79 / 0 / 72

HEX #450F47

RGB 69 15 71

HSL 297.86, 0.65%, 0.17%

LAB 15.81, 33.3, -21.94

 

CMYK 0 / 68 / 79 / 72

HEX #47170F

RGB 71 23 15

HSL 8.57, 0.65%, 0.17%

LAB 15.42, 22.44, 16.89

 

CMYK 76 / 0 / 79 / 72

HEX #11470F

RGB 17 71 15

HSL 117.86, 0.65%, 0.17%

LAB 25.74, -29.84, 27.27

 

CMYK 79 / 11 / 0 / 72

HEX #0F3F47

RGB 15 63 71

HSL 188.57, 0.65%, 0.17%

LAB 24.04, -12.62, -9.5

 

CMYK 3 / 79 / 0 / 72

HEX #450F47

RGB 69 15 71

HSL 297.86, 0.65%, 0.17%

LAB 15.81, 33.3, -21.94

 

CMYK 0 / 44 / 79 / 72

HEX #47280F

RGB 71 40 15

HSL 26.79, 0.65%, 0.17%

LAB 19.6, 11.98, 21.95

 

CMYK 76 / 0 / 79 / 72

HEX #11470F

RGB 17 71 15

HSL 117.86, 0.65%, 0.17%

LAB 25.74, -29.84, 27.27

 

CMYK 79 / 35 / 0 / 72

HEX #0F2E47

RGB 15 46 71

HSL 206.79, 0.65%, 0.17%

LAB 17.97, -1.55, -18.89

 

Description

Color code: HEX #450F47 | qconv.com Color code: HEX #450F47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 15 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 15 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 79 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 79% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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