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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45163A it is the complementary color #BAE9C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45163A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45163A shade: #4A1635, #5B2848, #6C3A5B, #7D4C6E and #8E5E81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45163A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45163A shade: #45163A, #340427, #230014, #120001 and #010000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45163A shade: #45163A, #45162D, #451620 and #451616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45163A shade: #45163A, #441645, #371645, #2A1645 and #1D1645

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45163A shade matches the following richer shades: #45163A, #4D0E3E and #540742

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45163A shade: #45163A, #3E1D36, #362432, #2F2C2E and #28332A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45163A shade: #371645, #441645, #45163A, #45162D and #451621

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45163A shade: #070205, #260C20, #45163A, #651F54 and #84296F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45163A shade: #45163A, #452A16 and #16453D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45163A shade: #45163A, #3A4516 and #163A45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45163A shade: #45163A, #452A16, #164521 and #163145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45163A shade: #45163A, #453916, #164521 and #162245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

Complementary color

CMYK 20 / 0 / 15 / 9

HEX #BAE9C5

RGB 186 233 197

HSL 134.04, 0.52%, 0.82%

LAB 88.33, -22.04, 12.58

 

CMYK 0 / 70 / 28 / 71

HEX #4A1635

RGB 74 22 53

HSL 324.23, 0.54%, 0.19%

LAB 16.93, 28.35, -7.49

 

CMYK 0 / 56 / 21 / 64

HEX #5B2848

RGB 91 40 72

HSL 322.35, 0.39%, 0.26%

LAB 24.35, 27.8, -9.05

 

CMYK 0 / 46 / 16 / 58

HEX #6C3A5B

RGB 108 58 91

HSL 320.4, 0.3%, 0.33%

LAB 31.74, 26.97, -10.1

 

CMYK 0 / 39 / 12 / 51

HEX #7D4C6E

RGB 125 76 110

HSL 318.37, 0.24%, 0.39%

LAB 38.99, 26.12, -10.9

 

CMYK 0 / 34 / 9 / 44

HEX #8E5E81

RGB 142 94 129

HSL 316.25, 0.2%, 0.46%

LAB 46.1, 25.31, -11.56

 

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

CMYK 0 / 92 / 25 / 80

HEX #340427

RGB 52 4 39

HSL 316.25, 0.86%, 0.11%

LAB 8.68, 27.52, -10.29

 

CMYK 0 / 100 / 43 / 86

HEX #230014

RGB 35 0 20

HSL 325.71, 1%, 0.07%

LAB 3.68, 17.69, -3.62

 

CMYK 0 / 100 / 94 / 93

HEX #120001

RGB 18 0 1

HSL 356.67, 1%, 0.04%

LAB 1.18, 5.35, 1.46

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

CMYK 0 / 68 / 35 / 73

HEX #45162D

RGB 69 22 45

HSL 330.64, 0.52%, 0.18%

LAB 15.64, 25.34, -3.81

 

CMYK 0 / 68 / 54 / 73

HEX #451620

RGB 69 22 32

HSL 347.23, 0.52%, 0.18%

LAB 15.19, 23.62, 4.95

 

CMYK 0 / 68 / 68 / 73

HEX #451616

RGB 69 22 22

HSL 0, 0.52%, 0.18%

LAB 14.94, 22.64, 11.83

 

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

CMYK 1 / 68 / 0 / 73

HEX #441645

RGB 68 22 69

HSL 298.72, 0.52%, 0.18%

LAB 16.66, 29.35, -19.21

 

CMYK 20 / 68 / 0 / 73

HEX #371645

RGB 55 22 69

HSL 282.13, 0.52%, 0.18%

LAB 14.49, 25.48, -22.8

 

CMYK 39 / 68 / 0 / 73

HEX #2A1645

RGB 42 22 69

HSL 265.53, 0.52%, 0.18%

LAB 12.58, 21.76, -25.96

 

CMYK 58 / 68 / 0 / 73

HEX #1D1645

RGB 29 22 69

HSL 248.94, 0.52%, 0.18%

LAB 11.03, 18.43, -28.55

 

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

CMYK 0 / 82 / 19 / 70

HEX #4D0E3E

RGB 77 14 62

HSL 314.29, 0.69%, 0.18%

LAB 16.7, 34.23, -14.15

 

CMYK 0 / 92 / 21 / 67

HEX #540742

RGB 84 7 66

HSL 314.03, 0.85%, 0.18%

LAB 17.6, 38.9, -15.44

 

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

CMYK 0 / 53 / 13 / 76

HEX #3E1D36

RGB 62 29 54

HSL 314.55, 0.36%, 0.18%

LAB 16.35, 20.17, -9.27

 

CMYK 0 / 33 / 7 / 79

HEX #362432

RGB 54 36 50

HSL 313.33, 0.2%, 0.18%

LAB 16.88, 11.38, -5.76

 

CMYK 0 / 6 / 2 / 82

HEX #2F2C2E

RGB 47 44 46

HSL 320, 0.03%, 0.18%

LAB 18.38, 1.82, -0.81

 

CMYK 22 / 0 / 18 / 80

HEX #28332A

RGB 40 51 42

HSL 130.91, 0.12%, 0.18%

LAB 19.99, -6.88, 4.19

 

CMYK 20 / 68 / 0 / 73

HEX #371645

RGB 55 22 69

HSL 282.13, 0.52%, 0.18%

LAB 14.49, 25.48, -22.8

 

CMYK 1 / 68 / 0 / 73

HEX #441645

RGB 68 22 69

HSL 298.72, 0.52%, 0.18%

LAB 16.66, 29.35, -19.21

 

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

CMYK 0 / 68 / 35 / 73

HEX #45162D

RGB 69 22 45

HSL 330.64, 0.52%, 0.18%

LAB 15.64, 25.34, -3.81

 

CMYK 0 / 68 / 52 / 73

HEX #451621

RGB 69 22 33

HSL 345.96, 0.52%, 0.18%

LAB 15.22, 23.74, 4.27

 

CMYK 0 / 71 / 29 / 97

HEX #070205

RGB 7 2 5

HSL 324, 0.56%, 0.02%

LAB 0.9, 1.72, -0.68

 

CMYK 0 / 68 / 16 / 85

HEX #260C20

RGB 38 12 32

HSL 313.85, 0.52%, 0.1%

LAB 7.04, 16.84, -7.73

 

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

CMYK 0 / 69 / 17 / 60

HEX #651F54

RGB 101 31 84

HSL 314.57, 0.53%, 0.26%

LAB 24.91, 37.71, -16.07

 

CMYK 0 / 69 / 16 / 48

HEX #84296F

RGB 132 41 111

HSL 313.85, 0.53%, 0.34%

LAB 33.22, 46.63, -20.28

 

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

CMYK 0 / 39 / 68 / 73

HEX #452A16

RGB 69 42 22

HSL 25.53, 0.52%, 0.18%

LAB 19.96, 10.18, 18.07

 

CMYK 68 / 0 / 12 / 73

HEX #16453D

RGB 22 69 61

HSL 169.79, 0.52%, 0.18%

LAB 26.05, -18.12, 0.12

 

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

CMYK 16 / 0 / 68 / 73

HEX #3A4516

RGB 58 69 22

HSL 74.04, 0.52%, 0.18%

LAB 27.34, -12.61, 26.21

 

CMYK 68 / 16 / 0 / 73

HEX #163A45

RGB 22 58 69

HSL 194.04, 0.52%, 0.18%

LAB 22.4, -8.93, -10.65

 

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

CMYK 0 / 39 / 68 / 73

HEX #452A16

RGB 69 42 22

HSL 25.53, 0.52%, 0.18%

LAB 19.96, 10.18, 18.07

 

CMYK 68 / 0 / 52 / 73

HEX #164521

RGB 22 69 33

HSL 134.04, 0.52%, 0.18%

LAB 25.37, -25.14, 17.1

 

CMYK 68 / 29 / 0 / 73

HEX #163145

RGB 22 49 69

HSL 205.53, 0.52%, 0.18%

LAB 19.21, -3.01, -15.56

 

CMYK 0 / 68 / 16 / 73

HEX #45163A

RGB 69 22 58

HSL 314.04, 0.52%, 0.18%

LAB 16.23, 27.51, -12.18

 

CMYK 0 / 17 / 68 / 73

HEX #453916

RGB 69 57 22

HSL 44.68, 0.52%, 0.18%

LAB 24.48, 0.33, 23.33

 

CMYK 68 / 0 / 52 / 73

HEX #164521

RGB 22 69 33

HSL 134.04, 0.52%, 0.18%

LAB 25.37, -25.14, 17.1

 

CMYK 68 / 51 / 0 / 73

HEX #162245

RGB 22 34 69

HSL 224.68, 0.52%, 0.18%

LAB 14.08, 7.84, -23.65

 

Description

Color code: HEX #45163A | qconv.com Color code: HEX #45163A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 22 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 22 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 16 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 16% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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