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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #451876 it is the complementary color #BAE789. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #451876. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #451876 shade: #4A1871, #5B2A84, #6C3C97, #7D4EAA and #8E60BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #451876. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #451876 shade: #451876, #340663, #230050, #12003D and #01002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #451876 shade: #451876, #5E1876, #761874, #76185B and #761841

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #451876 shade: #451876, #2B1876 and #181876

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #451876 shade matches the following richer shades: #451876, #440C82 and #44018D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #451876 shade: #451876, #45236A, #462F5F, #463A53 and #474648

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #451876 shade: #181E76, #2B1876, #441876, #5D1876 and #761876

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #451876 shade: #1D0A32, #311154, #451876, #591F98 and #6D26BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #451876 shade: #451876, #761837 and #18761E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #451876 shade: #451876, #764418 and #187644

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #451876 shade: #451876, #761837, #4A7618 and #187657

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #451876 shade: #451876, #76181B, #4A7618 and #187673

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 80 / 0 / 54

HEX #451876

RGB 69 24 118

HSL 268.72, 0.66%, 0.28%

LAB 20.93, 40.47, -44.95

 

Complementary color

CMYK 19 / 0 / 41 / 9

HEX #BAE789

RGB 186 231 137

HSL 88.72, 0.66%, 0.72%

LAB 86.7, -30.25, 41.05

 

CMYK 35 / 79 / 0 / 56

HEX #4A1871

RGB 74 24 113

HSL 273.71, 0.65%, 0.27%

LAB 21.21, 40.13, -41.24

 

CMYK 31 / 68 / 0 / 48

HEX #5B2A84

RGB 91 42 132

HSL 272.67, 0.52%, 0.34%

LAB 28.24, 39.78, -41.81

 

CMYK 28 / 60 / 0 / 41

HEX #6C3C97

RGB 108 60 151

HSL 271.65, 0.43%, 0.41%

LAB 35.31, 38.98, -42.03

 

CMYK 26 / 54 / 0 / 33

HEX #7D4EAA

RGB 125 78 170

HSL 270.65, 0.37%, 0.49%

LAB 42.32, 38.04, -42.1

 

CMYK 25 / 49 / 0 / 26

HEX #8E60BD

RGB 142 96 189

HSL 269.68, 0.41%, 0.56%

LAB 49.24, 37.1, -42.11

 

CMYK 42 / 80 / 0 / 54

HEX #451876

RGB 69 24 118

HSL 268.72, 0.66%, 0.28%

LAB 20.93, 40.47, -44.95

 

CMYK 47 / 94 / 0 / 61

HEX #340663

RGB 52 6 99

HSL 269.68, 0.89%, 0.21%

LAB 14.18, 39.88, -43.71

 

CMYK 56 / 100 / 0 / 69

HEX #230050

RGB 35 0 80

HSL 266.25, 1%, 0.16%

LAB 8.45, 35.82, -40.4

 

CMYK 70 / 100 / 0 / 76

HEX #12003D

RGB 18 0 61

HSL 257.7, 1%, 0.12%

LAB 4.21, 25.72, -34.04

 

CMYK 98 / 100 / 0 / 84

HEX #01002A

RGB 1 0 42

HSL 241.43, 1%, 0.08%

LAB 1.57, 10.87, -24.19

 

CMYK 42 / 80 / 0 / 54

HEX #451876

RGB 69 24 118

HSL 268.72, 0.66%, 0.28%

LAB 20.93, 40.47, -44.95

 

CMYK 20 / 80 / 0 / 54

HEX #5E1876

RGB 94 24 118

HSL 284.68, 0.66%, 0.28%

LAB 24.77, 45.32, -38.54

 

CMYK 0 / 80 / 2 / 54

HEX #761874

RGB 118 24 116

HSL 301.28, 0.66%, 0.28%

LAB 28.81, 50.13, -30.55

 

CMYK 0 / 80 / 23 / 54

HEX #76185B

RGB 118 24 91

HSL 317.23, 0.66%, 0.28%

LAB 27.46, 46.2, -16.49

 

CMYK 0 / 80 / 45 / 54

HEX #761841

RGB 118 24 65

HSL 333.83, 0.66%, 0.28%

LAB 26.41, 42.99, -0.74

 

CMYK 42 / 80 / 0 / 54

HEX #451876

RGB 69 24 118

HSL 268.72, 0.66%, 0.28%

LAB 20.93, 40.47, -44.95

 

CMYK 64 / 80 / 0 / 54

HEX #2B1876

RGB 43 24 118

HSL 252.13, 0.66%, 0.28%

LAB 17.8, 36.41, -50.2

 

CMYK 80 / 80 / 0 / 54

HEX #181876

RGB 24 24 118

HSL 240, 0.66%, 0.28%

LAB 16.28, 34.38, -52.76

 

CMYK 42 / 80 / 0 / 54

HEX #451876

RGB 69 24 118

HSL 268.72, 0.66%, 0.28%

LAB 20.93, 40.47, -44.95

 

CMYK 48 / 91 / 0 / 49

HEX #440C82

RGB 68 12 130

HSL 268.47, 0.83%, 0.28%

LAB 20.45, 47.81, -53.38

 

CMYK 52 / 99 / 0 / 45

HEX #44018D

RGB 68 1 141

HSL 268.71, 0.99%, 0.28%

LAB 20.73, 53.28, -59.85

 

CMYK 42 / 80 / 0 / 54

HEX #451876

RGB 69 24 118

HSL 268.72, 0.66%, 0.28%

LAB 20.93, 40.47, -44.95

 

CMYK 35 / 67 / 0 / 58

HEX #45236A

RGB 69 35 106

HSL 268.73, 0.5%, 0.28%

LAB 21.97, 31.54, -35.51

 

CMYK 26 / 51 / 0 / 63

HEX #462F5F

RGB 70 47 95

HSL 268.75, 0.34%, 0.28%

LAB 24.2, 21.38, -24.78

 

CMYK 16 / 30 / 0 / 67

HEX #463A53

RGB 70 58 83

HSL 268.8, 0.18%, 0.28%

LAB 26.6, 10.94, -13.17

 

CMYK 1 / 3 / 0 / 72

HEX #474648

RGB 71 70 72

HSL 270, 0.01%, 0.28%

LAB 29.88, 0.86, -1.06

 

CMYK 80 / 75 / 0 / 54

HEX #181E76

RGB 24 30 118

HSL 236.17, 0.66%, 0.28%

LAB 17.6, 30.67, -50.58

 

CMYK 64 / 80 / 0 / 54

HEX #2B1876

RGB 43 24 118

HSL 252.13, 0.66%, 0.28%

LAB 17.8, 36.41, -50.2

 

CMYK 42 / 80 / 0 / 54

HEX #441876

RGB 68 24 118

HSL 268.09, 0.66%, 0.28%

LAB 20.79, 40.29, -45.18

 

CMYK 21 / 80 / 0 / 54

HEX #5D1876

RGB 93 24 118

HSL 284.04, 0.66%, 0.28%

LAB 24.6, 45.12, -38.82

 

CMYK 0 / 80 / 0 / 54

HEX #761876

RGB 118 24 118

HSL 300, 0.66%, 0.28%

LAB 28.94, 50.48, -31.63

 

CMYK 42 / 80 / 0 / 80

HEX #1D0A32

RGB 29 10 50

HSL 268.5, 0.67%, 0.12%

LAB 6.4, 19.58, -22.39

 

CMYK 42 / 80 / 0 / 67

HEX #311154

RGB 49 17 84

HSL 268.66, 0.66%, 0.2%

LAB 13.79, 30.78, -34.29

 

CMYK 42 / 80 / 0 / 54

HEX #451876

RGB 69 24 118

HSL 268.72, 0.66%, 0.28%

LAB 20.93, 40.47, -44.95

 

CMYK 41 / 80 / 0 / 40

HEX #591F98

RGB 89 31 152

HSL 268.76, 0.66%, 0.36%

LAB 27.77, 49.56, -54.97

 

CMYK 42 / 80 / 0 / 27

HEX #6D26BB

RGB 109 38 187

HSL 268.59, 0.66%, 0.44%

LAB 34.45, 58.45, -64.98

 

CMYK 42 / 80 / 0 / 54

HEX #451876

RGB 69 24 118

HSL 268.72, 0.66%, 0.28%

LAB 20.93, 40.47, -44.95

 

CMYK 0 / 80 / 53 / 54

HEX #761837

RGB 118 24 55

HSL 340.21, 0.66%, 0.28%

LAB 26.1, 42.02, 5.61

 

CMYK 80 / 0 / 75 / 54

HEX #18761E

RGB 24 118 30

HSL 123.83, 0.66%, 0.28%

LAB 43.13, -44.4, 38.9

 

CMYK 42 / 80 / 0 / 54

HEX #451876

RGB 69 24 118

HSL 268.72, 0.66%, 0.28%

LAB 20.93, 40.47, -44.95

 

CMYK 0 / 42 / 80 / 54

HEX #764418

RGB 118 68 24

HSL 28.09, 0.66%, 0.28%

LAB 34.09, 17.78, 34.42

 

CMYK 80 / 0 / 42 / 54

HEX #187644

RGB 24 118 68

HSL 148.09, 0.66%, 0.28%

LAB 43.61, -38.74, 20.17

 

CMYK 42 / 80 / 0 / 54

HEX #451876

RGB 69 24 118

HSL 268.72, 0.66%, 0.28%

LAB 20.93, 40.47, -44.95

 

CMYK 0 / 80 / 53 / 54

HEX #761837

RGB 118 24 55

HSL 340.21, 0.66%, 0.28%

LAB 26.1, 42.02, 5.61

 

CMYK 37 / 0 / 80 / 54

HEX #4A7618

RGB 74 118 24

HSL 88.09, 0.66%, 0.28%

LAB 44.91, -30.78, 43.56

 

CMYK 80 / 0 / 26 / 54

HEX #187657

RGB 24 118 87

HSL 160.21, 0.66%, 0.28%

LAB 44, -34.37, 9.64

 

CMYK 42 / 80 / 0 / 54

HEX #451876

RGB 69 24 118

HSL 268.72, 0.66%, 0.28%

LAB 20.93, 40.47, -44.95

 

CMYK 0 / 80 / 77 / 54

HEX #76181B

RGB 118 24 27

HSL 358.09, 0.66%, 0.28%

LAB 25.51, 40.14, 23.63

 

CMYK 37 / 0 / 80 / 54

HEX #4A7618

RGB 74 118 24

HSL 88.09, 0.66%, 0.28%

LAB 44.91, -30.78, 43.56

 

CMYK 80 / 0 / 3 / 54

HEX #187673

RGB 24 118 115

HSL 178.09, 0.66%, 0.28%

LAB 44.79, -26.36, -5.92

 

Description

Color code: HEX #451876 | qconv.com Color code: HEX #451876 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 24 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 24 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 80 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 80% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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