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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45247E it is the complementary color #BADB81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45247E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45247E shade: #4A2479, #5B368C, #6C489F, #7D5AB2 and #8E6CC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45247E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45247E shade: #45247E, #34126B, #230058, #120045 and #010032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45247E shade: #45237F, #5E237F, #76237F, #7F236F and #7F2356

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45247E shade: #45237F, #2C237F and #23237F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45247E shade matches the following richer shades: #45237F, #41168C and #3E0999

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45247E shade: #45237F, #483172, #4C3E64, #4F4B57 and #53584A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45247E shade: #23337F, #2D237F, #45237F, #5D237F and #76237F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45247E shade: #22113E, #331A5F, #45237F, #562C9F and #6836BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45247E shade: #45247E, #7F234B and #267F23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45247E shade: #45247E, #7F4523 and #237F45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45247E shade: #45247E, #7F234B, #5D7F23 and #237F57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45247E shade: #45247E, #7F2330, #5D7F23 and #237F73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 71 / 0 / 51

HEX #45247E

RGB 69 36 126

HSL 262, 0.56%, 0.32%

LAB 23.78, 36.61, -45.4

 

Complementary color

CMYK 15 / 0 / 41 / 14

HEX #BADB81

RGB 186 219 129

HSL 82, 0.56%, 0.68%

LAB 83.28, -25.52, 40.65

 

CMYK 39 / 70 / 0 / 53

HEX #4A2479

RGB 74 36 121

HSL 266.82, 0.54%, 0.31%

LAB 23.99, 36.26, -41.85

 

CMYK 35 / 61 / 0 / 45

HEX #5B368C

RGB 91 54 140

HSL 265.81, 0.44%, 0.38%

LAB 31.24, 35.26, -41.93

 

CMYK 32 / 55 / 0 / 38

HEX #6C489F

RGB 108 72 159

HSL 264.83, 0.38%, 0.45%

LAB 38.42, 34.18, -41.88

 

CMYK 30 / 49 / 0 / 30

HEX #7D5AB2

RGB 125 90 178

HSL 263.86, 0.36%, 0.53%

LAB 45.48, 33.14, -41.79

 

CMYK 28 / 45 / 0 / 23

HEX #8E6CC5

RGB 142 108 197

HSL 262.92, 0.43%, 0.6%

LAB 52.41, 32.18, -41.71

 

CMYK 45 / 71 / 0 / 51

HEX #45247E

RGB 69 36 126

HSL 262, 0.56%, 0.32%

LAB 23.78, 36.61, -45.4

 

CMYK 51 / 83 / 0 / 58

HEX #34126B

RGB 52 18 107

HSL 262.92, 0.71%, 0.25%

LAB 16.62, 37.36, -44.97

 

CMYK 60 / 100 / 0 / 65

HEX #230058

RGB 35 0 88

HSL 263.86, 1%, 0.17%

LAB 9.5, 37.89, -44.14

 

CMYK 74 / 100 / 0 / 73

HEX #120045

RGB 18 0 69

HSL 255.65, 1%, 0.14%

LAB 5.04, 29.59, -38.4

 

CMYK 98 / 100 / 0 / 80

HEX #010032

RGB 1 0 50

HSL 241.2, 1%, 0.1%

LAB 2.14, 14.88, -29.35

 

CMYK 46 / 72 / 0 / 50

HEX #45237F

RGB 69 35 127

HSL 262.17, 0.57%, 0.32%

LAB 23.67, 37.45, -46.21

 

CMYK 26 / 72 / 0 / 50

HEX #5E237F

RGB 94 35 127

HSL 278.48, 0.57%, 0.32%

LAB 27.06, 42.71, -40.56

 

CMYK 7 / 72 / 0 / 50

HEX #76237F

RGB 118 35 127

HSL 294.13, 0.57%, 0.32%

LAB 30.85, 48.24, -34.28

 

CMYK 0 / 72 / 13 / 50

HEX #7F236F

RGB 127 35 111

HSL 310.43, 0.57%, 0.32%

LAB 31.49, 47.68, -23.04

 

CMYK 0 / 72 / 32 / 50

HEX #7F2356

RGB 127 35 86

HSL 326.74, 0.57%, 0.32%

LAB 30.37, 44.05, -8.62

 

CMYK 46 / 72 / 0 / 50

HEX #45237F

RGB 69 35 127

HSL 262.17, 0.57%, 0.32%

LAB 23.67, 37.45, -46.21

 

CMYK 65 / 72 / 0 / 50

HEX #2C237F

RGB 44 35 127

HSL 245.87, 0.57%, 0.32%

LAB 21.09, 33.16, -50.53

 

CMYK 72 / 72 / 0 / 50

HEX #23237F

RGB 35 35 127

HSL 240, 0.57%, 0.32%

LAB 20.41, 31.97, -51.68

 

CMYK 46 / 72 / 0 / 50

HEX #45237F

RGB 69 35 127

HSL 262.17, 0.57%, 0.32%

LAB 23.67, 37.45, -46.21

 

CMYK 54 / 84 / 0 / 45

HEX #41168C

RGB 65 22 140

HSL 261.86, 0.73%, 0.32%

LAB 22.27, 46.61, -56.69

 

CMYK 59 / 94 / 0 / 40

HEX #3E0999

RGB 62 9 153

HSL 262.08, 0.89%, 0.32%

LAB 22.01, 53.74, -65.18

 

CMYK 46 / 72 / 0 / 50

HEX #45237F

RGB 69 35 127

HSL 262.17, 0.57%, 0.32%

LAB 23.67, 37.45, -46.21

 

CMYK 37 / 57 / 0 / 55

HEX #483172

RGB 72 49 114

HSL 261.23, 0.4%, 0.32%

LAB 26.13, 26.07, -33.97

 

CMYK 24 / 38 / 0 / 61

HEX #4C3E64

RGB 76 62 100

HSL 262.11, 0.23%, 0.32%

LAB 29.16, 14.95, -20.17

 

CMYK 9 / 14 / 0 / 66

HEX #4F4B57

RGB 79 75 87

HSL 260, 0.07%, 0.32%

LAB 32.66, 4.33, -6.48

 

CMYK 6 / 0 / 16 / 65

HEX #53584A

RGB 83 88 74

HSL 81.43, 0.09%, 0.32%

LAB 36.58, -4.87, 7.45

 

CMYK 72 / 60 / 0 / 50

HEX #23337F

RGB 35 51 127

HSL 229.57, 0.57%, 0.32%

LAB 24.5, 21.21, -44.98

 

CMYK 65 / 72 / 0 / 50

HEX #2D237F

RGB 45 35 127

HSL 246.52, 0.57%, 0.32%

LAB 21.18, 33.31, -50.39

 

CMYK 46 / 72 / 0 / 50

HEX #45237F

RGB 69 35 127

HSL 262.17, 0.57%, 0.32%

LAB 23.67, 37.45, -46.21

 

CMYK 27 / 72 / 0 / 50

HEX #5D237F

RGB 93 35 127

HSL 277.83, 0.57%, 0.32%

LAB 26.91, 42.49, -40.8

 

CMYK 7 / 72 / 0 / 50

HEX #76237F

RGB 118 35 127

HSL 294.13, 0.57%, 0.32%

LAB 30.85, 48.24, -34.28

 

CMYK 45 / 73 / 0 / 76

HEX #22113E

RGB 34 17 62

HSL 262.67, 0.57%, 0.15%

LAB 9.71, 20.7, -25.71

 

CMYK 46 / 73 / 0 / 63

HEX #331A5F

RGB 51 26 95

HSL 261.74, 0.57%, 0.24%

LAB 16.84, 29.42, -36.71

 

CMYK 46 / 72 / 0 / 50

HEX #45237F

RGB 69 35 127

HSL 262.17, 0.57%, 0.32%

LAB 23.67, 37.45, -46.21

 

CMYK 46 / 72 / 0 / 38

HEX #562C9F

RGB 86 44 159

HSL 261.91, 0.57%, 0.4%

LAB 30.12, 44.86, -55.42

 

CMYK 46 / 72 / 0 / 25

HEX #6836BF

RGB 104 54 191

HSL 261.9, 0.56%, 0.48%

LAB 36.64, 51.66, -63.78

 

CMYK 45 / 71 / 0 / 51

HEX #45247E

RGB 69 36 126

HSL 262, 0.56%, 0.32%

LAB 23.78, 36.61, -45.4

 

CMYK 0 / 72 / 41 / 50

HEX #7F234B

RGB 127 35 75

HSL 333.91, 0.57%, 0.32%

LAB 29.97, 42.72, -1.99

 

CMYK 70 / 0 / 72 / 50

HEX #267F23

RGB 38 127 35

HSL 118.04, 0.57%, 0.32%

LAB 46.59, -44.54, 40.54

 

CMYK 45 / 71 / 0 / 51

HEX #45247E

RGB 69 36 126

HSL 262, 0.56%, 0.32%

LAB 23.78, 36.61, -45.4

 

CMYK 0 / 46 / 72 / 50

HEX #7F4523

RGB 127 69 35

HSL 22.17, 0.57%, 0.32%

LAB 35.77, 21.86, 30.82

 

CMYK 72 / 0 / 46 / 50

HEX #237F45

RGB 35 127 69

HSL 142.17, 0.57%, 0.32%

LAB 46.93, -40.38, 23.98

 

CMYK 45 / 71 / 0 / 51

HEX #45247E

RGB 69 36 126

HSL 262, 0.56%, 0.32%

LAB 23.78, 36.61, -45.4

 

CMYK 0 / 72 / 41 / 50

HEX #7F234B

RGB 127 35 75

HSL 333.91, 0.57%, 0.32%

LAB 29.97, 42.72, -1.99

 

CMYK 27 / 0 / 72 / 50

HEX #5D7F23

RGB 93 127 35

HSL 82.17, 0.57%, 0.32%

LAB 49.04, -26.71, 43.83

 

CMYK 72 / 0 / 31 / 50

HEX #237F57

RGB 35 127 87

HSL 153.91, 0.57%, 0.32%

LAB 47.27, -36.64, 14.21

 

CMYK 45 / 71 / 0 / 51

HEX #45247E

RGB 69 36 126

HSL 262, 0.56%, 0.32%

LAB 23.78, 36.61, -45.4

 

CMYK 0 / 72 / 62 / 50

HEX #7F2330

RGB 127 35 48

HSL 351.52, 0.57%, 0.32%

LAB 29.23, 40.2, 14.88

 

CMYK 27 / 0 / 72 / 50

HEX #5D7F23

RGB 93 127 35

HSL 82.17, 0.57%, 0.32%

LAB 49.04, -26.71, 43.83

 

CMYK 72 / 0 / 9 / 50

HEX #237F73

RGB 35 127 115

HSL 172.17, 0.57%, 0.32%

LAB 47.97, -29.33, -1.18

 

Description

Color code: HEX #45247E | qconv.com Color code: HEX #45247E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 36 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 36 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 71 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 71% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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