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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #452642 it is the complementary color #BAD9BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #452642. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #452642 shade: #4A263D, #5B3850, #6C4A63, #7D5C76 and #8E6E89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #452642. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #452642 shade: #452642, #34142F, #23021C, #120009 and #010000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #452642 shade: #452642, #452639, #452631, #452628 and #452626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #452642 shade: #452642, #3F2645, #372645, #2E2645 and #262645

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #452642 shade matches the following richer shades: #452642, #4D1D49, #561450, #5F0C57 and #67035E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #452642 shade: #452642, #3C2E3B, #333734, #2B402D and #224826

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #452642 shade: #372645, #3F2645, #452642, #45263A and #452631

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #452642 shade: #0F080F, #2A1728, #452642, #5F345B and #7A4374

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #452642 shade: #452642, #452E26 and #26453B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #452642 shade: #452642, #424526 and #264245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #452642 shade: #452642, #452E26, #264528 and #263C45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #452642 shade: #452642, #453826, #264528 and #263245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

Complementary color

CMYK 14 / 0 / 13 / 15

HEX #BAD9BD

RGB 186 217 189

HSL 125.81, 0.29%, 0.79%

LAB 83.83, -15.55, 10.38

 

CMYK 0 / 49 / 18 / 71

HEX #4A263D

RGB 74 38 61

HSL 321.67, 0.32%, 0.22%

LAB 20.75, 20.59, -7.29

 

CMYK 0 / 38 / 12 / 64

HEX #5B3850

RGB 91 56 80

HSL 318.86, 0.24%, 0.29%

LAB 28.46, 19.68, -8.13

 

CMYK 0 / 31 / 8 / 58

HEX #6C4A63

RGB 108 74 99

HSL 315.88, 0.19%, 0.36%

LAB 35.96, 18.85, -8.81

 

CMYK 0 / 26 / 6 / 51

HEX #7D5C76

RGB 125 92 118

HSL 312.73, 0.15%, 0.43%

LAB 43.24, 18.13, -9.4

 

CMYK 0 / 23 / 4 / 44

HEX #8E6E89

RGB 142 110 137

HSL 309.38, 0.13%, 0.49%

LAB 50.34, 17.48, -9.94

 

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

CMYK 0 / 62 / 10 / 80

HEX #34142F

RGB 52 20 47

HSL 309.38, 0.44%, 0.14%

LAB 12.19, 20.53, -10.79

 

CMYK 0 / 94 / 20 / 86

HEX #23021C

RGB 35 2 28

HSL 312.73, 0.89%, 0.07%

LAB 4.38, 18.9, -8.66

 

CMYK 0 / 100 / 50 / 93

HEX #120009

RGB 18 0 9

HSL 330, 1%, 0.04%

LAB 1.34, 6.46, -1.57

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

CMYK 0 / 45 / 17 / 73

HEX #452639

RGB 69 38 57

HSL 323.23, 0.29%, 0.21%

LAB 19.83, 17.81, -5.99

 

CMYK 0 / 45 / 29 / 73

HEX #452631

RGB 69 38 49

HSL 338.71, 0.29%, 0.21%

LAB 19.53, 16.34, -0.88

 

CMYK 0 / 45 / 42 / 73

HEX #452628

RGB 69 38 40

HSL 356.13, 0.29%, 0.21%

LAB 19.24, 14.91, 4.98

 

CMYK 0 / 45 / 45 / 73

HEX #452626

RGB 69 38 38

HSL 0, 0.29%, 0.21%

LAB 19.19, 14.63, 6.29

 

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

CMYK 9 / 45 / 0 / 73

HEX #3F2645

RGB 63 38 69

HSL 288.39, 0.29%, 0.21%

LAB 19.53, 18.1, -14.79

 

CMYK 20 / 45 / 0 / 73

HEX #372645

RGB 55 38 69

HSL 272.9, 0.29%, 0.21%

LAB 18.49, 15.16, -16.48

 

CMYK 33 / 45 / 0 / 73

HEX #2E2645

RGB 46 38 69

HSL 255.48, 0.29%, 0.21%

LAB 17.45, 11.97, -18.19

 

CMYK 45 / 45 / 0 / 73

HEX #262645

RGB 38 38 69

HSL 240, 0.29%, 0.21%

LAB 16.64, 9.31, -19.51

 

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

CMYK 0 / 62 / 5 / 70

HEX #4D1D49

RGB 77 29 73

HSL 305, 0.45%, 0.21%

LAB 19.79, 29.28, -16.94

 

CMYK 0 / 77 / 7 / 66

HEX #561450

RGB 86 20 80

HSL 305.45, 0.62%, 0.21%

LAB 20.27, 37.46, -20.83

 

CMYK 0 / 87 / 8 / 63

HEX #5F0C57

RGB 95 12 87

HSL 305.78, 0.78%, 0.21%

LAB 21.52, 43.49, -23.46

 

CMYK 0 / 97 / 9 / 60

HEX #67035E

RGB 103 3 94

HSL 305.4, 0.94%, 0.21%

LAB 22.85, 48.39, -25.91

 

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

CMYK 0 / 23 / 2 / 76

HEX #3C2E3B

RGB 60 46 59

HSL 304.29, 0.13%, 0.21%

LAB 20.94, 9.14, -5.81

 

CMYK 7 / 0 / 5 / 78

HEX #333734

RGB 51 55 52

HSL 135, 0.04%, 0.21%

LAB 22.6, -2.42, 1.29

 

CMYK 33 / 0 / 30 / 75

HEX #2B402D

RGB 43 64 45

HSL 125.71, 0.2%, 0.21%

LAB 24.86, -12.94, 9.04

 

CMYK 53 / 0 / 47 / 72

HEX #224826

RGB 34 72 38

HSL 126.32, 0.36%, 0.21%

LAB 27.06, -22.04, 16.31

 

CMYK 20 / 45 / 0 / 73

HEX #372645

RGB 55 38 69

HSL 272.9, 0.29%, 0.21%

LAB 18.49, 15.16, -16.48

 

CMYK 9 / 45 / 0 / 73

HEX #3F2645

RGB 63 38 69

HSL 288.39, 0.29%, 0.21%

LAB 19.53, 18.1, -14.79

 

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

CMYK 0 / 45 / 16 / 73

HEX #45263A

RGB 69 38 58

HSL 321.29, 0.29%, 0.21%

LAB 19.87, 18, -6.62

 

CMYK 0 / 45 / 29 / 73

HEX #452631

RGB 69 38 49

HSL 338.71, 0.29%, 0.21%

LAB 19.53, 16.34, -0.88

 

CMYK 0 / 47 / 0 / 94

HEX #0F080F

RGB 15 8 15

HSL 300, 0.3%, 0.05%

LAB 2.8, 3.1, -2.22

 

CMYK 0 / 45 / 5 / 84

HEX #2A1728

RGB 42 23 40

HSL 306.32, 0.29%, 0.13%

LAB 10.98, 13.02, -7.65

 

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

CMYK 0 / 45 / 4 / 63

HEX #5F345B

RGB 95 52 91

HSL 305.58, 0.29%, 0.29%

LAB 28.5, 25.82, -15.21

 

CMYK 0 / 45 / 5 / 52

HEX #7A4374

RGB 122 67 116

HSL 306.55, 0.29%, 0.37%

LAB 36.77, 31.39, -18.06

 

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

CMYK 0 / 33 / 45 / 73

HEX #452E26

RGB 69 46 38

HSL 15.48, 0.29%, 0.21%

LAB 21.43, 9.36, 9.38

 

CMYK 45 / 0 / 14 / 73

HEX #26453B

RGB 38 69 59

HSL 160.65, 0.29%, 0.21%

LAB 26.69, -14.29, 2.44

 

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

CMYK 4 / 0 / 45 / 73

HEX #424526

RGB 66 69 38

HSL 65.81, 0.29%, 0.21%

LAB 28.26, -6.93, 18.3

 

CMYK 45 / 4 / 0 / 73

HEX #264245

RGB 38 66 69

HSL 185.81, 0.29%, 0.21%

LAB 25.98, -9.63, -5.16

 

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

CMYK 0 / 33 / 45 / 73

HEX #452E26

RGB 69 46 38

HSL 15.48, 0.29%, 0.21%

LAB 21.43, 9.36, 9.38

 

CMYK 45 / 0 / 42 / 73

HEX #264528

RGB 38 69 40

HSL 123.87, 0.29%, 0.21%

LAB 26.22, -18.7, 14.02

 

CMYK 45 / 13 / 0 / 73

HEX #263C45

RGB 38 60 69

HSL 197.42, 0.29%, 0.21%

LAB 23.91, -5.86, -8.26

 

CMYK 0 / 45 / 4 / 73

HEX #452642

RGB 69 38 66

HSL 305.81, 0.29%, 0.21%

LAB 20.22, 19.66, -11.59

 

CMYK 0 / 19 / 45 / 73

HEX #453826

RGB 69 56 38

HSL 34.84, 0.29%, 0.21%

LAB 24.43, 2.76, 13.41

 

CMYK 45 / 0 / 42 / 73

HEX #264528

RGB 38 69 40

HSL 123.87, 0.29%, 0.21%

LAB 26.22, -18.7, 14.02

 

CMYK 45 / 28 / 0 / 73

HEX #263245

RGB 38 50 69

HSL 216.77, 0.29%, 0.21%

LAB 20.53, 0.81, -13.44

 

Description

Color code: HEX #452642 | qconv.com Color code: HEX #452642 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 38 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 38 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 4 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 4% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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