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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45227E it is the complementary color #BADD81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45227E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45227E shade: #4A2279, #5B348C, #6C469F, #7D58B2 and #8E6AC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45227E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45227E shade: #45227E, #34106B, #230058, #120045 and #010032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45227E shade: #44217C, #5C217C, #75217C, #7C216B and #7C2152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45227E shade: #44217C, #2B217C and #21217C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45227E shade matches the following richer shades: #44217C, #411489 and #3D0796

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45227E shade: #44217C, #472D70, #4A3A63, #4D4756 and #505449

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45227E shade: #21307C, #2A217C, #42217C, #5B217C and #73217C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45227E shade: #200F3B, #32185C, #44217C, #55299D and #6732BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45227E shade: #45227E, #7C2148 and #247C21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45227E shade: #45227E, #7C4221 and #217C42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45227E shade: #45227E, #7C2148, #5B7C21 and #217C55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45227E shade: #45227E, #7C212D, #5B7C21 and #217C70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 73 / 0 / 51

HEX #45227E

RGB 69 34 126

HSL 262.83, 0.58%, 0.31%

LAB 23.39, 37.7, -46.03

 

Complementary color

CMYK 16 / 0 / 42 / 13

HEX #BADD81

RGB 186 221 129

HSL 82.83, 0.58%, 0.69%

LAB 83.83, -26.48, 41.35

 

CMYK 39 / 72 / 0 / 53

HEX #4A2279

RGB 74 34 121

HSL 267.59, 0.56%, 0.3%

LAB 23.61, 37.33, -42.48

 

CMYK 35 / 63 / 0 / 45

HEX #5B348C

RGB 91 52 140

HSL 266.59, 0.46%, 0.38%

LAB 30.82, 36.4, -42.62

 

CMYK 32 / 56 / 0 / 38

HEX #6C469F

RGB 108 70 159

HSL 265.62, 0.39%, 0.45%

LAB 37.97, 35.34, -42.6

 

CMYK 30 / 51 / 0 / 30

HEX #7D58B2

RGB 125 88 178

HSL 264.67, 0.37%, 0.52%

LAB 45.02, 34.31, -42.52

 

CMYK 28 / 46 / 0 / 23

HEX #8E6AC5

RGB 142 106 197

HSL 263.74, 0.44%, 0.59%

LAB 51.94, 33.34, -42.44

 

CMYK 45 / 73 / 0 / 51

HEX #45227E

RGB 69 34 126

HSL 262.83, 0.58%, 0.31%

LAB 23.39, 37.7, -46.03

 

CMYK 51 / 85 / 0 / 58

HEX #34106B

RGB 52 16 107

HSL 263.74, 0.74%, 0.24%

LAB 16.32, 38.25, -45.47

 

CMYK 60 / 100 / 0 / 65

HEX #230058

RGB 35 0 88

HSL 263.86, 1%, 0.17%

LAB 9.5, 37.89, -44.14

 

CMYK 74 / 100 / 0 / 73

HEX #120045

RGB 18 0 69

HSL 255.65, 1%, 0.14%

LAB 5.04, 29.59, -38.4

 

CMYK 98 / 100 / 0 / 80

HEX #010032

RGB 1 0 50

HSL 241.2, 1%, 0.1%

LAB 2.14, 14.88, -29.35

 

CMYK 45 / 73 / 0 / 51

HEX #44217C

RGB 68 33 124

HSL 263.08, 0.58%, 0.31%

LAB 22.9, 37.47, -45.57

 

CMYK 26 / 73 / 0 / 51

HEX #5C217C

RGB 92 33 124

HSL 278.9, 0.58%, 0.31%

LAB 26.21, 42.49, -40.05

 

CMYK 6 / 73 / 0 / 51

HEX #75217C

RGB 117 33 124

HSL 295.38, 0.58%, 0.31%

LAB 30.22, 48.21, -33.4

 

CMYK 0 / 73 / 14 / 51

HEX #7C216B

RGB 124 33 107

HSL 311.21, 0.58%, 0.31%

LAB 30.48, 47.01, -22.1

 

CMYK 0 / 73 / 34 / 51

HEX #7C2152

RGB 124 33 82

HSL 327.69, 0.58%, 0.31%

LAB 29.37, 43.44, -7.56

 

CMYK 45 / 73 / 0 / 51

HEX #44217C

RGB 68 33 124

HSL 263.08, 0.58%, 0.31%

LAB 22.9, 37.47, -45.57

 

CMYK 65 / 73 / 0 / 51

HEX #2B217C

RGB 43 33 124

HSL 246.59, 0.58%, 0.31%

LAB 20.27, 33.22, -49.98

 

CMYK 73 / 73 / 0 / 51

HEX #21217C

RGB 33 33 124

HSL 240, 0.58%, 0.31%

LAB 19.5, 31.91, -51.27

 

CMYK 45 / 73 / 0 / 51

HEX #44217C

RGB 68 33 124

HSL 263.08, 0.58%, 0.31%

LAB 22.9, 37.47, -45.57

 

CMYK 53 / 85 / 0 / 46

HEX #411489

RGB 65 20 137

HSL 263.08, 0.75%, 0.31%

LAB 21.69, 46.58, -55.77

 

CMYK 59 / 95 / 0 / 41

HEX #3D0796

RGB 61 7 150

HSL 262.66, 0.91%, 0.31%

LAB 21.38, 53.39, -64.39

 

CMYK 45 / 73 / 0 / 51

HEX #44217C

RGB 68 33 124

HSL 263.08, 0.58%, 0.31%

LAB 22.9, 37.47, -45.57

 

CMYK 37 / 60 / 0 / 56

HEX #472D70

RGB 71 45 112

HSL 263.28, 0.43%, 0.31%

LAB 24.91, 27.73, -34.64

 

CMYK 25 / 41 / 0 / 61

HEX #4A3A63

RGB 74 58 99

HSL 263.41, 0.26%, 0.31%

LAB 27.8, 16.61, -21.68

 

CMYK 10 / 17 / 0 / 66

HEX #4D4756

RGB 77 71 86

HSL 264, 0.1%, 0.31%

LAB 31.25, 5.88, -7.99

 

CMYK 5 / 0 / 13 / 67

HEX #505449

RGB 80 84 73

HSL 81.82, 0.07%, 0.31%

LAB 35.06, -3.9, 5.88

 

CMYK 73 / 61 / 0 / 51

HEX #21307C

RGB 33 48 124

HSL 230.11, 0.58%, 0.31%

LAB 23.31, 21.84, -45.03

 

CMYK 66 / 73 / 0 / 51

HEX #2A217C

RGB 42 33 124

HSL 245.93, 0.58%, 0.31%

LAB 20.18, 33.07, -50.12

 

CMYK 47 / 73 / 0 / 51

HEX #42217C

RGB 66 33 124

HSL 261.76, 0.58%, 0.31%

LAB 22.66, 37.09, -45.98

 

CMYK 27 / 73 / 0 / 51

HEX #5B217C

RGB 91 33 124

HSL 278.24, 0.58%, 0.31%

LAB 26.06, 42.27, -40.29

 

CMYK 7 / 73 / 0 / 51

HEX #73217C

RGB 115 33 124

HSL 294.07, 0.58%, 0.31%

LAB 29.88, 47.75, -33.95

 

CMYK 46 / 75 / 0 / 77

HEX #200F3B

RGB 32 15 59

HSL 263.18, 0.59%, 0.15%

LAB 8.69, 20.52, -25.23

 

CMYK 46 / 74 / 0 / 64

HEX #32185C

RGB 50 24 92

HSL 262.94, 0.59%, 0.23%

LAB 16.02, 29.47, -36.04

 

CMYK 45 / 73 / 0 / 51

HEX #44217C

RGB 68 33 124

HSL 263.08, 0.58%, 0.31%

LAB 22.9, 37.47, -45.57

 

CMYK 46 / 74 / 0 / 38

HEX #55299D

RGB 85 41 157

HSL 262.76, 0.59%, 0.39%

LAB 29.29, 45.65, -55.56

 

CMYK 46 / 74 / 0 / 25

HEX #6732BE

RGB 103 50 190

HSL 262.71, 0.58%, 0.47%

LAB 35.76, 53.15, -64.64

 

CMYK 45 / 73 / 0 / 51

HEX #45227E

RGB 69 34 126

HSL 262.83, 0.58%, 0.31%

LAB 23.39, 37.7, -46.03

 

CMYK 0 / 73 / 42 / 51

HEX #7C2148

RGB 124 33 72

HSL 334.29, 0.58%, 0.31%

LAB 29.01, 42.25, -1.48

 

CMYK 71 / 0 / 73 / 51

HEX #247C21

RGB 36 124 33

HSL 118.02, 0.58%, 0.31%

LAB 45.5, -44.05, 40.2

 

CMYK 45 / 73 / 0 / 51

HEX #45227E

RGB 69 34 126

HSL 262.83, 0.58%, 0.31%

LAB 23.39, 37.7, -46.03

 

CMYK 0 / 47 / 73 / 51

HEX #7C4221

RGB 124 66 33

HSL 21.76, 0.58%, 0.31%

LAB 34.58, 22.15, 30.49

 

CMYK 73 / 0 / 47 / 51

HEX #217C42

RGB 33 124 66

HSL 141.76, 0.58%, 0.31%

LAB 45.81, -40.09, 24.19

 

CMYK 45 / 73 / 0 / 51

HEX #45227E

RGB 69 34 126

HSL 262.83, 0.58%, 0.31%

LAB 23.39, 37.7, -46.03

 

CMYK 0 / 73 / 42 / 51

HEX #7C2148

RGB 124 33 72

HSL 334.29, 0.58%, 0.31%

LAB 29.01, 42.25, -1.48

 

CMYK 27 / 0 / 73 / 51

HEX #5B7C21

RGB 91 124 33

HSL 81.76, 0.58%, 0.31%

LAB 47.94, -26.21, 43.48

 

CMYK 73 / 0 / 31 / 51

HEX #217C55

RGB 33 124 85

HSL 154.29, 0.58%, 0.31%

LAB 46.17, -36.14, 13.85

 

CMYK 45 / 73 / 0 / 51

HEX #45227E

RGB 69 34 126

HSL 262.83, 0.58%, 0.31%

LAB 23.39, 37.7, -46.03

 

CMYK 0 / 73 / 64 / 51

HEX #7C212D

RGB 124 33 45

HSL 352.09, 0.58%, 0.31%

LAB 28.28, 39.78, 15.51

 

CMYK 27 / 0 / 73 / 51

HEX #5B7C21

RGB 91 124 33

HSL 81.76, 0.58%, 0.31%

LAB 47.94, -26.21, 43.48

 

CMYK 73 / 0 / 10 / 51

HEX #217C70

RGB 33 124 112

HSL 172.09, 0.58%, 0.31%

LAB 46.85, -29.05, -1.06

 

Description

Color code: HEX #45227E | qconv.com Color code: HEX #45227E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 34 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 34 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 73 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 73% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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