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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #454719 it is the complementary color #BAB8E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #454719. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #454719 shade: #4A4714, #5B5927, #6C6B3A, #7D7D4D and #8E8F60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #454719. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #454719 shade: #454719, #343506, #232300, #121100 and #010000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #454719 shade: #454719, #473D19, #473019, #472419 and #471919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #454719 shade: #454719, #394719, #2C4719, #204719 and #19471E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #454719 shade matches the following richer shades: #454719, #4C4F11, #535709 and #5B5F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #454719 shade: #454719, #3E3F21, #373828, #303030 and #292838

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #454719 shade: #473019, #473C19, #464719, #394719 and #2D4719

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #454719 shade: #0A0A03, #28290E, #454719, #636623 and #81842E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #454719 shade: #454719, #194724 and #361947

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #454719 shade: #454719, #194647 and #471946

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #454719 shade: #454719, #194724, #1A1947 and #47193C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #454719 shade: #454719, #194732, #1A1947 and #47192E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

Complementary color

CMYK 19 / 20 / 0 / 10

HEX #BAB8E6

RGB 186 184 230

HSL 242.61, 0.48%, 0.81%

LAB 76.33, 10.09, -22.67

 

CMYK 0 / 4 / 73 / 71

HEX #4A4714

RGB 74 71 20

HSL 56.67, 0.57%, 0.18%

LAB 29.44, -6.03, 29.9

 

CMYK 0 / 2 / 57 / 64

HEX #5B5927

RGB 91 89 39

HSL 57.69, 0.4%, 0.25%

LAB 36.96, -6.86, 28.82

 

CMYK 0 / 1 / 46 / 58

HEX #6C6B3A

RGB 108 107 58

HSL 58.8, 0.3%, 0.33%

LAB 44.25, -7.42, 27.5

 

CMYK 0 / 0 / 38 / 51

HEX #7D7D4D

RGB 125 125 77

HSL 60, 0.24%, 0.4%

LAB 51.34, -7.82, 26.19

 

CMYK 1 / 0 / 33 / 44

HEX #8E8F60

RGB 142 143 96

HSL 61.28, 0.2%, 0.47%

LAB 58.26, -8.13, 24.95

 

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

CMYK 2 / 0 / 89 / 79

HEX #343506

RGB 52 53 6

HSL 61.28, 0.8%, 0.12%

LAB 21.17, -7.23, 27

 

CMYK 0 / 0 / 100 / 86

HEX #232300

RGB 35 35 0

HSL 60, 1%, 0.07%

LAB 12.98, -5.52, 19.05

 

CMYK 0 / 6 / 100 / 93

HEX #121100

RGB 18 17 0

HSL 56.67, 1%, 0.04%

LAB 4.78, -2.19, 7.12

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

CMYK 0 / 14 / 65 / 72

HEX #473D19

RGB 71 61 25

HSL 46.96, 0.48%, 0.19%

LAB 26, -0.93, 23.41

 

CMYK 0 / 32 / 65 / 72

HEX #473019

RGB 71 48 25

HSL 30, 0.48%, 0.19%

LAB 22.03, 7.51, 18.74

 

CMYK 0 / 49 / 65 / 72

HEX #472419

RGB 71 36 25

HSL 14.35, 0.48%, 0.19%

LAB 18.68, 15.35, 14.6

 

CMYK 0 / 65 / 65 / 72

HEX #471919

RGB 71 25 25

HSL 0, 0.48%, 0.19%

LAB 16.03, 22.07, 11.2

 

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

CMYK 20 / 0 / 65 / 72

HEX #394719

RGB 57 71 25

HSL 78.26, 0.48%, 0.19%

LAB 27.97, -13.95, 25.3

 

CMYK 38 / 0 / 65 / 72

HEX #2C4719

RGB 44 71 25

HSL 95.22, 0.48%, 0.19%

LAB 27.05, -19.74, 24.01

 

CMYK 55 / 0 / 65 / 72

HEX #204719

RGB 32 71 25

HSL 110.87, 0.48%, 0.19%

LAB 26.4, -24.32, 23.09

 

CMYK 65 / 0 / 58 / 72

HEX #19471E

RGB 25 71 30

HSL 126.52, 0.48%, 0.19%

LAB 26.18, -25.77, 19.92

 

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

CMYK 4 / 0 / 78 / 69

HEX #4C4F11

RGB 76 79 17

HSL 62.9, 0.65%, 0.19%

LAB 32.19, -9.99, 34.05

 

CMYK 5 / 0 / 90 / 66

HEX #535709

RGB 83 87 9

HSL 63.08, 0.81%, 0.19%

LAB 35.35, -11.51, 39.93

 

CMYK 4 / 0 / 99 / 63

HEX #5B5F01

RGB 91 95 1

HSL 62.55, 0.98%, 0.19%

LAB 38.57, -12.39, 45.15

 

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

CMYK 2 / 0 / 48 / 75

HEX #3E3F21

RGB 62 63 33

HSL 62, 0.31%, 0.19%

LAB 25.83, -5.82, 18.22

 

CMYK 2 / 0 / 29 / 78

HEX #373828

RGB 55 56 40

HSL 63.75, 0.17%, 0.19%

LAB 22.98, -3.7, 9.89

 

CMYK 0 / 0 / 0 / 81

HEX #303030

RGB 48 48 48

HSL 0, 0%, 0.19%

LAB 19.87, 0, -0

 

CMYK 27 / 29 / 0 / 78

HEX #292838

RGB 41 40 56

HSL 243.75, 0.17%, 0.19%

LAB 16.87, 4.76, -10.12

 

CMYK 0 / 32 / 65 / 72

HEX #473019

RGB 71 48 25

HSL 30, 0.48%, 0.19%

LAB 22.03, 7.51, 18.74

 

CMYK 0 / 15 / 65 / 72

HEX #473C19

RGB 71 60 25

HSL 45.65, 0.48%, 0.19%

LAB 25.69, -0.3, 23.05

 

CMYK 1 / 0 / 65 / 72

HEX #464719

RGB 70 71 25

HSL 61.3, 0.48%, 0.19%

LAB 29.1, -7.64, 26.88

 

CMYK 20 / 0 / 65 / 72

HEX #394719

RGB 57 71 25

HSL 78.26, 0.48%, 0.19%

LAB 27.97, -13.95, 25.3

 

CMYK 37 / 0 / 65 / 72

HEX #2D4719

RGB 45 71 25

HSL 93.91, 0.48%, 0.19%

LAB 27.11, -19.32, 24.1

 

CMYK 0 / 0 / 70 / 96

HEX #0A0A03

RGB 10 10 3

HSL 60, 0.54%, 0.03%

LAB 2.6, -0.97, 2.65

 

CMYK 2 / 0 / 66 / 84

HEX #28290E

RGB 40 41 14

HSL 62.22, 0.49%, 0.11%

LAB 15.84, -5.3, 16.98

 

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

CMYK 3 / 0 / 66 / 60

HEX #636623

RGB 99 102 35

HSL 62.69, 0.49%, 0.27%

LAB 41.65, -10.89, 36.28

 

CMYK 2 / 0 / 65 / 48

HEX #81842E

RGB 129 132 46

HSL 62.09, 0.48%, 0.35%

LAB 53.35, -12.87, 44.44

 

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

CMYK 65 / 0 / 49 / 72

HEX #194724

RGB 25 71 36

HSL 134.35, 0.48%, 0.19%

LAB 26.28, -24.69, 16.45

 

CMYK 24 / 65 / 0 / 72

HEX #361947

RGB 54 25 71

HSL 277.83, 0.48%, 0.19%

LAB 15.14, 23.9, -23.16

 

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

CMYK 65 / 1 / 0 / 72

HEX #194647

RGB 25 70 71

HSL 181.3, 0.48%, 0.19%

LAB 26.85, -14.83, -5.22

 

CMYK 0 / 65 / 1 / 72

HEX #471946

RGB 71 25 70

HSL 301.3, 0.48%, 0.19%

LAB 17.81, 28.91, -18.05

 

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

CMYK 65 / 0 / 49 / 72

HEX #194724

RGB 25 71 36

HSL 134.35, 0.48%, 0.19%

LAB 26.28, -24.69, 16.45

 

CMYK 63 / 65 / 0 / 72

HEX #1A1947

RGB 26 25 71

HSL 241.3, 0.48%, 0.19%

LAB 11.76, 16.32, -28.78

 

CMYK 0 / 65 / 15 / 72

HEX #47193C

RGB 71 25 60

HSL 314.35, 0.48%, 0.19%

LAB 17.28, 26.95, -11.94

 

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

CMYK 65 / 0 / 30 / 72

HEX #194732

RGB 25 71 50

HSL 152.61, 0.48%, 0.19%

LAB 26.57, -21.55, 8.03

 

CMYK 63 / 65 / 0 / 72

HEX #1A1947

RGB 26 25 71

HSL 241.3, 0.48%, 0.19%

LAB 11.76, 16.32, -28.78

 

CMYK 0 / 65 / 35 / 72

HEX #47192E

RGB 71 25 46

HSL 332.61, 0.48%, 0.19%

LAB 16.66, 24.6, -2.96

 

Description

Color code: HEX #454719 | qconv.com Color code: HEX #454719 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 71 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 71 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 65 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 65% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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