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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45483C it is the complementary color #BAB7C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45483C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45483C shade: #4A4837, #5B5A4A, #6C6C5D, #7D7E70 and #8E9083

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45483C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45483C shade: #45483C, #343629, #232416, #121203 and #010000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45483C shade: #45483C, #48483C, #48443C, #48413C and #483E3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45483C shade: #45483C, #42483C, #3E483C, #3C483D and #3C4840

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45483C shade matches the following richer shades: #45483C, #4A5231, #505D26, #55681C and #5A7311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45483C shade: #45483C, #3F3D47, #3A3251, #35285C and #2F1D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45483C shade: #48443C, #48483C, #45483C, #42483C and #3E483C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45483C shade: #1A1B16, #2F3129, #45483C, #5A5E4F and #707561

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45483C shade: #45483C, #3C4841 and #463C48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45483C shade: #45483C, #3C4548 and #483C45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45483C shade: #45483C, #3C4841, #3F3C48 and #483C42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45483C shade: #45483C, #3C4845, #3F3C48 and #483C3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

Complementary color

CMYK 5 / 6 / 0 / 24

HEX #BAB7C3

RGB 186 183 195

HSL 255, 0.09%, 0.74%

LAB 74.98, 3.33, -5.69

 

CMYK 0 / 3 / 26 / 71

HEX #4A4837

RGB 74 72 55

HSL 53.68, 0.15%, 0.25%

LAB 30.32, -2.45, 10.53

 

CMYK 0 / 1 / 19 / 64

HEX #5B5A4A

RGB 91 90 74

HSL 56.47, 0.1%, 0.32%

LAB 37.9, -2.69, 9.41

 

CMYK 0 / 0 / 14 / 58

HEX #6C6C5D

RGB 108 108 93

HSL 60, 0.07%, 0.39%

LAB 45.23, -2.88, 8.41

 

CMYK 1 / 0 / 11 / 51

HEX #7D7E70

RGB 125 126 112

HSL 64.29, 0.06%, 0.47%

LAB 52.34, -3.04, 7.49

 

CMYK 1 / 0 / 9 / 44

HEX #8E9083

RGB 142 144 131

HSL 69.23, 0.06%, 0.54%

LAB 59.28, -3.18, 6.65

 

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

CMYK 4 / 0 / 24 / 79

HEX #343629

RGB 52 54 41

HSL 69.23, 0.14%, 0.19%

LAB 22.05, -3.64, 7.91

 

CMYK 3 / 0 / 39 / 86

HEX #232416

RGB 35 36 22

HSL 64.29, 0.24%, 0.11%

LAB 13.69, -3.44, 9.23

 

CMYK 0 / 0 / 83 / 93

HEX #121203

RGB 18 18 3

HSL 60, 0.71%, 0.04%

LAB 5.13, -2.35, 6.41

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

CMYK 0 / 0 / 17 / 72

HEX #48483C

RGB 72 72 60

HSL 60, 0.09%, 0.26%

LAB 30.25, -2.45, 7.22

 

CMYK 0 / 6 / 17 / 72

HEX #48443C

RGB 72 68 60

HSL 40, 0.09%, 0.26%

LAB 29, 0.07, 5.45

 

CMYK 0 / 10 / 17 / 72

HEX #48413C

RGB 72 65 60

HSL 25, 0.09%, 0.26%

LAB 28.07, 1.99, 4.13

 

CMYK 0 / 14 / 17 / 72

HEX #483E3C

RGB 72 62 60

HSL 10, 0.09%, 0.26%

LAB 27.16, 3.93, 2.81

 

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

CMYK 8 / 0 / 17 / 72

HEX #42483C

RGB 66 72 60

HSL 90, 0.09%, 0.26%

LAB 29.71, -5.06, 6.38

 

CMYK 14 / 0 / 17 / 72

HEX #3E483C

RGB 62 72 60

HSL 110, 0.09%, 0.26%

LAB 29.37, -6.75, 5.85

 

CMYK 17 / 0 / 15 / 72

HEX #3C483D

RGB 60 72 61

HSL 125, 0.09%, 0.26%

LAB 29.24, -7.37, 5

 

CMYK 17 / 0 / 11 / 72

HEX #3C4840

RGB 60 72 64

HSL 140, 0.09%, 0.26%

LAB 29.33, -6.7, 3.19

 

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

CMYK 10 / 0 / 40 / 68

HEX #4A5231

RGB 74 82 49

HSL 74.55, 0.25%, 0.26%

LAB 33.38, -9.46, 18.33

 

CMYK 14 / 0 / 59 / 64

HEX #505D26

RGB 80 93 38

HSL 74.18, 0.42%, 0.26%

LAB 37.25, -14.38, 29.44

 

CMYK 18 / 0 / 73 / 59

HEX #55681C

RGB 85 104 28

HSL 75, 0.58%, 0.26%

LAB 41.08, -18.94, 38.49

 

CMYK 22 / 0 / 85 / 55

HEX #5A7311

RGB 90 115 17

HSL 75.31, 0.74%, 0.26%

LAB 44.91, -23.01, 46.17

 

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

CMYK 11 / 14 / 0 / 72

HEX #3F3D47

RGB 63 61 71

HSL 252, 0.08%, 0.26%

LAB 26.3, 3.2, -5.8

 

CMYK 28 / 38 / 0 / 68

HEX #3A3251

RGB 58 50 81

HSL 255.48, 0.24%, 0.26%

LAB 22.91, 11.41, -17.65

 

CMYK 42 / 57 / 0 / 64

HEX #35285C

RGB 53 40 92

HSL 255, 0.39%, 0.26%

LAB 20.23, 20.02, -29.23

 

CMYK 54 / 72 / 0 / 60

HEX #2F1D67

RGB 47 29 103

HSL 254.59, 0.56%, 0.26%

LAB 17.75, 29.32, -40.53

 

CMYK 0 / 6 / 17 / 72

HEX #48443C

RGB 72 68 60

HSL 40, 0.09%, 0.26%

LAB 29, 0.07, 5.45

 

CMYK 0 / 0 / 17 / 72

HEX #48483C

RGB 72 72 60

HSL 60, 0.09%, 0.26%

LAB 30.25, -2.45, 7.22

 

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

CMYK 8 / 0 / 17 / 72

HEX #42483C

RGB 66 72 60

HSL 90, 0.09%, 0.26%

LAB 29.71, -5.06, 6.38

 

CMYK 14 / 0 / 17 / 72

HEX #3E483C

RGB 62 72 60

HSL 110, 0.09%, 0.26%

LAB 29.37, -6.75, 5.85

 

CMYK 4 / 0 / 19 / 89

HEX #1A1B16

RGB 26 27 22

HSL 72, 0.1%, 0.1%

LAB 9.49, -1.7, 3.31

 

CMYK 4 / 0 / 16 / 81

HEX #2F3129

RGB 47 49 41

HSL 75, 0.09%, 0.18%

LAB 19.89, -2.68, 4.81

 

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

CMYK 4 / 0 / 16 / 63

HEX #5A5E4F

RGB 90 94 79

HSL 76, 0.09%, 0.34%

LAB 39.15, -4.6, 8.08

 

CMYK 4 / 0 / 17 / 54

HEX #707561

RGB 112 117 97

HSL 75, 0.09%, 0.42%

LAB 48.3, -5.74, 10.41

 

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

CMYK 17 / 0 / 10 / 72

HEX #3C4841

RGB 60 72 65

HSL 145, 0.09%, 0.26%

LAB 29.35, -6.48, 2.58

 

CMYK 3 / 17 / 0 / 72

HEX #463C48

RGB 70 60 72

HSL 290, 0.09%, 0.26%

LAB 26.74, 6.94, -5.72

 

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

CMYK 17 / 4 / 0 / 72

HEX #3C4548

RGB 60 69 72

HSL 195, 0.09%, 0.26%

LAB 28.6, -2.91, -3.05

 

CMYK 0 / 17 / 4 / 72

HEX #483C45

RGB 72 60 69

HSL 315, 0.09%, 0.26%

LAB 26.85, 7.09, -3.57

 

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

CMYK 17 / 0 / 10 / 72

HEX #3C4841

RGB 60 72 65

HSL 145, 0.09%, 0.26%

LAB 29.35, -6.48, 2.58

 

CMYK 13 / 17 / 0 / 72

HEX #3F3C48

RGB 63 60 72

HSL 255, 0.09%, 0.26%

LAB 26.03, 4.11, -6.86

 

CMYK 0 / 17 / 8 / 72

HEX #483C42

RGB 72 60 66

HSL 330, 0.09%, 0.26%

LAB 26.74, 6.45, -1.74

 

CMYK 4 / 0 / 17 / 72

HEX #45483C

RGB 69 72 60

HSL 75, 0.09%, 0.26%

LAB 29.98, -3.76, 6.79

 

CMYK 17 / 0 / 4 / 72

HEX #3C4845

RGB 60 72 69

HSL 165, 0.09%, 0.26%

LAB 29.48, -5.54, 0.18

 

CMYK 13 / 17 / 0 / 72

HEX #3F3C48

RGB 63 60 72

HSL 255, 0.09%, 0.26%

LAB 26.03, 4.11, -6.86

 

CMYK 0 / 17 / 13 / 72

HEX #483C3F

RGB 72 60 63

HSL 345, 0.09%, 0.26%

LAB 26.64, 5.82, 0.1

 

Description

Color code: HEX #45483C | qconv.com Color code: HEX #45483C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 72 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 72 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 17 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 17% 72% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - Real Estate Flyers a...
Link: http://snapflyers.com

38% - PANAMA MUSIC - Studi...
Link: http://www.panamamusic.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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