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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #454911 it is the complementary color #BAB6EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #454911. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #454911 shade: #4A490C, #5B5B1F, #6C6D32, #7D7F45 and #8E9158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #454911. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #454911 shade: #454911, #343700, #232500, #121300 and #010100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #454911 shade: #464A11, #4A3F11, #4A2F11, #4A2011 and #4A1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #454911 shade: #464A11, #364A11, #274A11, #184A11 and #114A19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #454911 shade matches the following richer shades: #464A11, #4C510A and #535902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #454911 shade: #464A11, #3F4218, #393B20, #333427 and #2C2C2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #454911 shade: #4A2F11, #4A3E11, #464A11, #374A11 and #284A11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #454911 shade: #070701, #262809, #464A11, #656B19 and #858D21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #454911 shade: #454911, #114A20 and #37114A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #454911 shade: #454911, #11464A and #4A1146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #454911 shade: #454911, #114A20, #15114A and #4A113B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #454911 shade: #454911, #114A31, #15114A and #4A112A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 77 / 71

HEX #454911

RGB 69 73 17

HSL 64.29, 0.62%, 0.18%

LAB 29.59, -9.94, 31.29

 

Complementary color

CMYK 22 / 24 / 0 / 7

HEX #BAB6EE

RGB 186 182 238

HSL 244.29, 0.62%, 0.82%

LAB 76.11, 12.98, -27.34

 

CMYK 0 / 1 / 84 / 71

HEX #4A490C

RGB 74 73 12

HSL 59.03, 0.72%, 0.17%

LAB 30.03, -7.7, 33.93

 

CMYK 0 / 0 / 66 / 64

HEX #5B5B1F

RGB 91 91 31

HSL 60, 0.49%, 0.24%

LAB 37.49, -8.71, 33.54

 

CMYK 1 / 0 / 54 / 57

HEX #6C6D32

RGB 108 109 50

HSL 61.02, 0.37%, 0.31%

LAB 44.74, -9.39, 32.42

 

CMYK 2 / 0 / 46 / 50

HEX #7D7F45

RGB 125 127 69

HSL 62.07, 0.3%, 0.38%

LAB 51.8, -9.87, 31.15

 

CMYK 2 / 0 / 39 / 43

HEX #8E9158

RGB 142 145 88

HSL 63.16, 0.24%, 0.46%

LAB 58.7, -10.22, 29.88

 

CMYK 5 / 0 / 77 / 71

HEX #454911

RGB 69 73 17

HSL 64.29, 0.62%, 0.18%

LAB 29.59, -9.94, 31.29

 

CMYK 5 / 0 / 100 / 78

HEX #343700

RGB 52 55 0

HSL 63.27, 1%, 0.11%

LAB 21.81, -8.87, 30.14

 

CMYK 5 / 0 / 100 / 85

HEX #232500

RGB 35 37 0

HSL 63.24, 1%, 0.07%

LAB 13.71, -6.84, 20.02

 

CMYK 5 / 0 / 100 / 93

HEX #121300

RGB 18 19 0

HSL 63.16, 1%, 0.04%

LAB 5.37, -3.38, 7.98

 

CMYK 0 / 0 / 100 / 100

HEX #010100

RGB 1 1 0

HSL 60, 1%, 0%

LAB 0.25, -0.14, 0.38

 

CMYK 5 / 0 / 77 / 71

HEX #464A11

RGB 70 74 17

HSL 64.21, 0.63%, 0.18%

LAB 30.01, -10.03, 31.73

 

CMYK 0 / 15 / 77 / 71

HEX #4A3F11

RGB 74 63 17

HSL 48.42, 0.63%, 0.18%

LAB 26.88, -1.27, 28.72

 

CMYK 0 / 36 / 77 / 71

HEX #4A2F11

RGB 74 47 17

HSL 31.58, 0.63%, 0.18%

LAB 22.05, 9.06, 23.67

 

CMYK 0 / 57 / 77 / 71

HEX #4A2011

RGB 74 32 17

HSL 15.79, 0.63%, 0.18%

LAB 18.05, 18.65, 19.15

 

CMYK 0 / 77 / 77 / 71

HEX #4A1111

RGB 74 17 17

HSL 0, 0.63%, 0.18%

LAB 14.94, 26.84, 15.29

 

CMYK 5 / 0 / 77 / 71

HEX #464A11

RGB 70 74 17

HSL 64.21, 0.63%, 0.18%

LAB 30.01, -10.03, 31.73

 

CMYK 27 / 0 / 77 / 71

HEX #364A11

RGB 54 74 17

HSL 81.05, 0.63%, 0.18%

LAB 28.7, -17.73, 29.99

 

CMYK 47 / 0 / 77 / 71

HEX #274A11

RGB 39 74 17

HSL 96.84, 0.63%, 0.18%

LAB 27.76, -24.1, 28.73

 

CMYK 68 / 0 / 77 / 71

HEX #184A11

RGB 24 74 17

HSL 112.63, 0.63%, 0.18%

LAB 27.11, -29.09, 27.84

 

CMYK 77 / 0 / 66 / 71

HEX #114A19

RGB 17 74 25

HSL 128.42, 0.63%, 0.18%

LAB 26.98, -29.83, 23.62

 

CMYK 5 / 0 / 77 / 71

HEX #464A11

RGB 70 74 17

HSL 64.21, 0.63%, 0.18%

LAB 30.01, -10.03, 31.73

 

CMYK 6 / 0 / 88 / 68

HEX #4C510A

RGB 76 81 10

HSL 64.23, 0.78%, 0.18%

LAB 32.8, -11.49, 37.18

 

CMYK 7 / 0 / 98 / 65

HEX #535902

RGB 83 89 2

HSL 64.14, 0.96%, 0.18%

LAB 35.96, -12.9, 42.56

 

CMYK 5 / 0 / 77 / 71

HEX #464A11

RGB 70 74 17

HSL 64.21, 0.63%, 0.18%

LAB 30.01, -10.03, 31.73

 

CMYK 5 / 0 / 64 / 74

HEX #3F4218

RGB 63 66 24

HSL 64.29, 0.47%, 0.18%

LAB 26.79, -8.19, 24.65

 

CMYK 3 / 0 / 46 / 77

HEX #393B20

RGB 57 59 32

HSL 64.44, 0.3%, 0.18%

LAB 24.01, -5.9, 16.44

 

CMYK 2 / 0 / 25 / 80

HEX #333427

RGB 51 52 39

HSL 64.62, 0.14%, 0.18%

LAB 21.23, -3.18, 8.1

 

CMYK 6 / 6 / 0 / 82

HEX #2C2C2F

RGB 44 44 47

HSL 240, 0.03%, 0.18%

LAB 18.11, 0.73, -1.94

 

CMYK 0 / 36 / 77 / 71

HEX #4A2F11

RGB 74 47 17

HSL 31.58, 0.63%, 0.18%

LAB 22.05, 9.06, 23.67

 

CMYK 0 / 16 / 77 / 71

HEX #4A3E11

RGB 74 62 17

HSL 47.37, 0.63%, 0.18%

LAB 26.57, -0.64, 28.41

 

CMYK 5 / 0 / 77 / 71

HEX #464A11

RGB 70 74 17

HSL 64.21, 0.63%, 0.18%

LAB 30.01, -10.03, 31.73

 

CMYK 26 / 0 / 77 / 71

HEX #374A11

RGB 55 74 17

HSL 80, 0.63%, 0.18%

LAB 28.77, -17.27, 30.09

 

CMYK 46 / 0 / 77 / 71

HEX #284A11

RGB 40 74 17

HSL 95.79, 0.63%, 0.18%

LAB 27.82, -23.71, 28.8

 

CMYK 0 / 0 / 86 / 97

HEX #070701

RGB 7 7 1

HSL 60, 0.75%, 0.02%

LAB 1.8, -0.83, 2.27

 

CMYK 5 / 0 / 78 / 84

HEX #262809

RGB 38 40 9

HSL 63.87, 0.63%, 0.1%

LAB 15.22, -6.22, 18.37

 

CMYK 5 / 0 / 77 / 71

HEX #464A11

RGB 70 74 17

HSL 64.21, 0.63%, 0.18%

LAB 30.01, -10.03, 31.73

 

CMYK 6 / 0 / 77 / 58

HEX #656B19

RGB 101 107 25

HSL 64.39, 0.62%, 0.26%

LAB 43.29, -13.38, 42.31

 

CMYK 6 / 0 / 77 / 45

HEX #858D21

RGB 133 141 33

HSL 64.44, 0.62%, 0.34%

LAB 56.23, -16.6, 52.57

 

CMYK 5 / 0 / 77 / 71

HEX #454911

RGB 69 73 17

HSL 64.29, 0.62%, 0.18%

LAB 29.59, -9.94, 31.29

 

CMYK 77 / 0 / 57 / 71

HEX #114A20

RGB 17 74 32

HSL 135.79, 0.63%, 0.18%

LAB 27.08, -28.71, 19.8

 

CMYK 26 / 77 / 0 / 71

HEX #37114A

RGB 55 17 74

HSL 280, 0.63%, 0.18%

LAB 13.87, 29.47, -27.26

 

CMYK 5 / 0 / 77 / 71

HEX #454911

RGB 69 73 17

HSL 64.29, 0.62%, 0.18%

LAB 29.59, -9.94, 31.29

 

CMYK 77 / 5 / 0 / 71

HEX #11464A

RGB 17 70 74

HSL 184.21, 0.63%, 0.18%

LAB 26.72, -15.32, -7.41

 

CMYK 0 / 77 / 5 / 71

HEX #4A1146

RGB 74 17 70

HSL 304.21, 0.63%, 0.18%

LAB 16.98, 33.61, -19.33

 

CMYK 5 / 0 / 77 / 71

HEX #454911

RGB 69 73 17

HSL 64.29, 0.62%, 0.18%

LAB 29.59, -9.94, 31.29

 

CMYK 77 / 0 / 57 / 71

HEX #114A20

RGB 17 74 32

HSL 135.79, 0.63%, 0.18%

LAB 27.08, -28.71, 19.8

 

CMYK 72 / 77 / 0 / 71

HEX #15114A

RGB 21 17 74

HSL 244.21, 0.63%, 0.18%

LAB 9.44, 22.27, -34.66

 

CMYK 0 / 77 / 20 / 71

HEX #4A113B

RGB 74 17 59

HSL 315.79, 0.63%, 0.18%

LAB 16.37, 31.66, -12.6

 

CMYK 5 / 0 / 77 / 71

HEX #454911

RGB 69 73 17

HSL 64.29, 0.62%, 0.18%

LAB 29.59, -9.94, 31.29

 

CMYK 77 / 0 / 34 / 71

HEX #114A31

RGB 17 74 49

HSL 153.68, 0.63%, 0.18%

LAB 27.4, -25.06, 9.78

 

CMYK 72 / 77 / 0 / 71

HEX #15114A

RGB 21 17 74

HSL 244.21, 0.63%, 0.18%

LAB 9.44, 22.27, -34.66

 

CMYK 0 / 77 / 43 / 71

HEX #4A112A

RGB 74 17 42

HSL 333.68, 0.63%, 0.18%

LAB 15.61, 29.17, -1.57

 

Description

Color code: HEX #454911 | qconv.com Color code: HEX #454911 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 73 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 73 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 77 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 77% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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