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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45492A it is the complementary color #BAB6D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45492A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45492A shade: #4A4925, #5B5B38, #6C6D4B, #7D7F5E and #8E9171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45492A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45492A shade: #45492A, #343717, #232504, #121300 and #010100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45492A shade: #464A2A, #4A462A, #4A3D2A, #4A342A and #4A2C2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45492A shade: #464A2A, #3D4A2A, #354A2A, #2C4A2A and #2A4A31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45492A shade matches the following richer shades: #464A2A, #4D5321, #545D17, #5B660E and #627004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45492A shade: #464A2A, #3F4034, #38373D, #312E47 and #2A2450

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45492A shade: #4A3D2A, #4A452A, #464A2A, #3E4A2A and #354A2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45492A shade: #14160C, #2D301B, #464A2A, #5F6439 and #777E48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45492A shade: #45492A, #2A4A34 and #412A4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45492A shade: #45492A, #2A464A and #4A2A46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45492A shade: #45492A, #2A4A34, #2E2A4A and #4A2A40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45492A shade: #45492A, #2A4A3E, #2E2A4A and #4A2A36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 42 / 71

HEX #45492A

RGB 69 73 42

HSL 67.74, 0.27%, 0.23%

LAB 29.91, -7.39, 18.01

 

Complementary color

CMYK 13 / 15 / 0 / 16

HEX #BAB6D5

RGB 186 182 213

HSL 247.74, 0.27%, 0.77%

LAB 75.26, 7.51, -15.07

 

CMYK 0 / 1 / 50 / 71

HEX #4A4925

RGB 74 73 37

HSL 58.38, 0.33%, 0.22%

LAB 30.29, -5.66, 21.6

 

CMYK 0 / 0 / 38 / 64

HEX #5B5B38

RGB 91 91 56

HSL 60, 0.24%, 0.29%

LAB 37.83, -6.08, 20.21

 

CMYK 1 / 0 / 31 / 57

HEX #6C6D4B

RGB 108 109 75

HSL 61.76, 0.18%, 0.36%

LAB 45.13, -6.38, 18.92

 

CMYK 2 / 0 / 26 / 50

HEX #7D7F5E

RGB 125 127 94

HSL 63.64, 0.15%, 0.43%

LAB 52.23, -6.59, 17.74

 

CMYK 2 / 0 / 22 / 43

HEX #8E9171

RGB 142 145 113

HSL 65.63, 0.13%, 0.51%

LAB 59.15, -6.76, 16.66

 

CMYK 5 / 0 / 42 / 71

HEX #45492A

RGB 69 73 42

HSL 67.74, 0.27%, 0.23%

LAB 29.91, -7.39, 18.01

 

CMYK 5 / 0 / 58 / 78

HEX #343717

RGB 52 55 23

HSL 65.63, 0.41%, 0.15%

LAB 22.03, -7.03, 19.44

 

CMYK 5 / 0 / 89 / 85

HEX #232504

RGB 35 37 4

HSL 63.64, 0.8%, 0.08%

LAB 13.76, -6.41, 18.46

 

CMYK 5 / 0 / 100 / 93

HEX #121300

RGB 18 19 0

HSL 63.16, 1%, 0.04%

LAB 5.37, -3.38, 7.98

 

CMYK 0 / 0 / 100 / 100

HEX #010100

RGB 1 1 0

HSL 60, 1%, 0%

LAB 0.25, -0.14, 0.38

 

CMYK 5 / 0 / 43 / 71

HEX #464A2A

RGB 70 74 42

HSL 67.5, 0.28%, 0.23%

LAB 30.32, -7.53, 18.56

 

CMYK 0 / 5 / 43 / 71

HEX #4A462A

RGB 74 70 42

HSL 52.5, 0.28%, 0.23%

LAB 29.42, -3.18, 17.49

 

CMYK 0 / 18 / 43 / 71

HEX #4A3D2A

RGB 74 61 42

HSL 35.63, 0.28%, 0.23%

LAB 26.62, 2.51, 13.83

 

CMYK 0 / 30 / 43 / 71

HEX #4A342A

RGB 74 52 42

HSL 18.75, 0.28%, 0.23%

LAB 23.93, 8.36, 10.22

 

CMYK 0 / 41 / 43 / 71

HEX #4A2C2A

RGB 74 44 42

HSL 3.75, 0.28%, 0.23%

LAB 21.67, 13.59, 7.11

 

CMYK 5 / 0 / 43 / 71

HEX #464A2A

RGB 70 74 42

HSL 67.5, 0.28%, 0.23%

LAB 30.32, -7.53, 18.56

 

CMYK 18 / 0 / 43 / 71

HEX #3D4A2A

RGB 61 74 42

HSL 84.38, 0.28%, 0.23%

LAB 29.56, -11.66, 17.43

 

CMYK 28 / 0 / 43 / 71

HEX #354A2A

RGB 53 74 42

HSL 99.38, 0.28%, 0.23%

LAB 28.96, -15.14, 16.54

 

CMYK 41 / 0 / 43 / 71

HEX #2C4A2A

RGB 44 74 42

HSL 116.25, 0.28%, 0.23%

LAB 28.38, -18.76, 15.67

 

CMYK 43 / 0 / 34 / 71

HEX #2A4A31

RGB 42 74 49

HSL 133.13, 0.28%, 0.23%

LAB 28.41, -18.12, 11.32

 

CMYK 5 / 0 / 43 / 71

HEX #464A2A

RGB 70 74 42

HSL 67.5, 0.28%, 0.23%

LAB 30.32, -7.53, 18.56

 

CMYK 7 / 0 / 60 / 67

HEX #4D5321

RGB 77 83 33

HSL 67.2, 0.43%, 0.23%

LAB 33.72, -10.59, 27.98

 

CMYK 10 / 0 / 75 / 64

HEX #545D17

RGB 84 93 23

HSL 67.71, 0.6%, 0.23%

LAB 37.44, -13.74, 36.92

 

CMYK 11 / 0 / 86 / 60

HEX #5B660E

RGB 91 102 14

HSL 67.5, 0.76%, 0.23%

LAB 40.83, -15.84, 43.48

 

CMYK 13 / 0 / 96 / 56

HEX #627004

RGB 98 112 4

HSL 67.78, 0.93%, 0.23%

LAB 44.51, -18.24, 49.18

 

CMYK 5 / 0 / 43 / 71

HEX #464A2A

RGB 70 74 42

HSL 67.5, 0.28%, 0.23%

LAB 30.32, -7.53, 18.56

 

CMYK 2 / 0 / 19 / 75

HEX #3F4034

RGB 63 64 52

HSL 65, 0.1%, 0.23%

LAB 26.65, -2.93, 7.22

 

CMYK 8 / 10 / 0 / 76

HEX #38373D

RGB 56 55 61

HSL 250, 0.05%, 0.23%

LAB 23.37, 1.85, -3.58

 

CMYK 31 / 35 / 0 / 72

HEX #312E47

RGB 49 46 71

HSL 247.2, 0.21%, 0.23%

LAB 20.29, 8.02, -15.09

 

CMYK 48 / 55 / 0 / 69

HEX #2A2450

RGB 42 36 80

HSL 248.18, 0.38%, 0.23%

LAB 17.15, 15.73, -26.2

 

CMYK 0 / 18 / 43 / 71

HEX #4A3D2A

RGB 74 61 42

HSL 35.63, 0.28%, 0.23%

LAB 26.62, 2.51, 13.83

 

CMYK 0 / 7 / 43 / 71

HEX #4A452A

RGB 74 69 42

HSL 50.63, 0.28%, 0.23%

LAB 29.11, -2.56, 17.08

 

CMYK 5 / 0 / 43 / 71

HEX #464A2A

RGB 70 74 42

HSL 67.5, 0.28%, 0.23%

LAB 30.32, -7.53, 18.56

 

CMYK 16 / 0 / 43 / 71

HEX #3E4A2A

RGB 62 74 42

HSL 82.5, 0.28%, 0.23%

LAB 29.64, -11.21, 17.55

 

CMYK 28 / 0 / 43 / 71

HEX #354A2A

RGB 53 74 42

HSL 99.38, 0.28%, 0.23%

LAB 28.96, -15.14, 16.54

 

CMYK 9 / 0 / 45 / 91

HEX #14160C

RGB 20 22 12

HSL 72, 0.29%, 0.07%

LAB 6.77, -2.88, 5.11

 

CMYK 6 / 0 / 44 / 81

HEX #2D301B

RGB 45 48 27

HSL 68.57, 0.28%, 0.15%

LAB 19.02, -5.54, 13.03

 

CMYK 5 / 0 / 43 / 71

HEX #464A2A

RGB 70 74 42

HSL 67.5, 0.28%, 0.23%

LAB 30.32, -7.53, 18.56

 

CMYK 5 / 0 / 43 / 61

HEX #5F6439

RGB 95 100 57

HSL 66.98, 0.27%, 0.31%

LAB 40.96, -9.38, 23.71

 

CMYK 6 / 0 / 43 / 51

HEX #777E48

RGB 119 126 72

HSL 67.78, 0.27%, 0.39%

LAB 51.05, -11.57, 28.47

 

CMYK 5 / 0 / 42 / 71

HEX #45492A

RGB 69 73 42

HSL 67.74, 0.27%, 0.23%

LAB 29.91, -7.39, 18.01

 

CMYK 43 / 0 / 30 / 71

HEX #2A4A34

RGB 42 74 52

HSL 138.75, 0.28%, 0.23%

LAB 28.48, -17.46, 9.52

 

CMYK 12 / 43 / 0 / 71

HEX #412A4A

RGB 65 42 74

HSL 283.13, 0.28%, 0.23%

LAB 21.11, 17.43, -15.7

 

CMYK 5 / 0 / 42 / 71

HEX #45492A

RGB 69 73 42

HSL 67.74, 0.27%, 0.23%

LAB 29.91, -7.39, 18.01

 

CMYK 43 / 5 / 0 / 71

HEX #2A464A

RGB 42 70 74

HSL 187.5, 0.28%, 0.23%

LAB 27.76, -9.33, -5.75

 

CMYK 0 / 43 / 5 / 71

HEX #4A2A46

RGB 74 42 70

HSL 307.5, 0.28%, 0.23%

LAB 22.14, 19.88, -11.31

 

CMYK 5 / 0 / 42 / 71

HEX #45492A

RGB 69 73 42

HSL 67.74, 0.27%, 0.23%

LAB 29.91, -7.39, 18.01

 

CMYK 43 / 0 / 30 / 71

HEX #2A4A34

RGB 42 74 52

HSL 138.75, 0.28%, 0.23%

LAB 28.48, -17.46, 9.52

 

CMYK 38 / 43 / 0 / 71

HEX #2E2A4A

RGB 46 42 74

HSL 247.5, 0.28%, 0.23%

LAB 18.93, 10.72, -19.27

 

CMYK 0 / 43 / 14 / 71

HEX #4A2A40

RGB 74 42 64

HSL 318.75, 0.28%, 0.23%

LAB 21.88, 18.64, -7.63

 

CMYK 5 / 0 / 42 / 71

HEX #45492A

RGB 69 73 42

HSL 67.74, 0.27%, 0.23%

LAB 29.91, -7.39, 18.01

 

CMYK 43 / 0 / 16 / 71

HEX #2A4A3E

RGB 42 74 62

HSL 157.5, 0.28%, 0.23%

LAB 28.74, -15.06, 3.48

 

CMYK 38 / 43 / 0 / 71

HEX #2E2A4A

RGB 46 42 74

HSL 247.5, 0.28%, 0.23%

LAB 18.93, 10.72, -19.27

 

CMYK 0 / 43 / 27 / 71

HEX #4A2A36

RGB 74 42 54

HSL 337.5, 0.28%, 0.23%

LAB 21.5, 16.78, -1.36

 

Description

Color code: HEX #45492A | qconv.com Color code: HEX #45492A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 73 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 73 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 42 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 42% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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