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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #454C19 it is the complementary color #BAB3E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #454C19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #454C19 shade: #4A4C14, #5B5E27, #6C703A, #7D824D and #8E9460

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #454C19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #454C19 shade: #454C19, #343A06, #232800, #121600 and #010400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #454C19 shade: #454C19, #4C4519, #4C3719, #4C2A19 and #4C1C19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #454C19 shade: #454C19, #374C19, #294C19, #1C4C19 and #194C24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #454C19 shade matches the following richer shades: #454C19, #4B5411, #515D08 and #576500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #454C19 shade: #454C19, #3F4421, #393B2A, #333332 and #2D2B3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #454C19 shade: #4C3819, #4C4519, #454C19, #384C19 and #2A4C19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #454C19 shade: #0D0E04, #292D0F, #454C19, #616B23 and #7D8A2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #454C19 shade: #454C19, #194C2A and #3E194C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #454C19 shade: #454C19, #19454C and #4C1945

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #454C19 shade: #454C19, #194C2A, #20194C and #4C193B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #454C19 shade: #454C19, #194C39, #20194C and #4C192C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

Complementary color

CMYK 19 / 22 / 0 / 10

HEX #BAB3E6

RGB 186 179 230

HSL 248.24, 0.5%, 0.8%

LAB 75.07, 12.83, -24.6

 

CMYK 3 / 0 / 74 / 70

HEX #4A4C14

RGB 74 76 20

HSL 62.14, 0.58%, 0.19%

LAB 31.06, -9.03, 31.55

 

CMYK 3 / 0 / 59 / 63

HEX #5B5E27

RGB 91 94 39

HSL 63.27, 0.41%, 0.26%

LAB 38.51, -9.76, 30.6

 

CMYK 4 / 0 / 48 / 56

HEX #6C703A

RGB 108 112 58

HSL 64.44, 0.32%, 0.33%

LAB 45.75, -10.25, 29.34

 

CMYK 4 / 0 / 41 / 49

HEX #7D824D

RGB 125 130 77

HSL 65.66, 0.26%, 0.41%

LAB 52.8, -10.58, 28.05

 

CMYK 4 / 0 / 35 / 42

HEX #8E9460

RGB 142 148 96

HSL 66.92, 0.21%, 0.48%

LAB 59.69, -10.83, 26.81

 

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

CMYK 10 / 0 / 90 / 77

HEX #343A06

RGB 52 58 6

HSL 66.92, 0.81%, 0.13%

LAB 22.89, -10.3, 28.83

 

CMYK 13 / 0 / 100 / 84

HEX #232800

RGB 35 40 0

HSL 67.5, 1%, 0.08%

LAB 14.82, -8.77, 21.46

 

CMYK 18 / 0 / 100 / 91

HEX #121600

RGB 18 22 0

HSL 70.91, 1%, 0.04%

LAB 6.34, -5.38, 9.4

 

CMYK 75 / 0 / 100 / 98

HEX #010400

RGB 1 4 0

HSL 105, 1%, 0.01%

LAB 0.84, -1.34, 1.24

 

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

CMYK 0 / 9 / 67 / 70

HEX #4C4519

RGB 76 69 25

HSL 51.76, 0.5%, 0.2%

LAB 29.06, -3.41, 27.01

 

CMYK 0 / 28 / 67 / 70

HEX #4C3719

RGB 76 55 25

HSL 35.29, 0.5%, 0.2%

LAB 24.76, 5.48, 22.13

 

CMYK 0 / 45 / 67 / 70

HEX #4C2A19

RGB 76 42 25

HSL 20, 0.5%, 0.2%

LAB 21.07, 13.92, 17.74

 

CMYK 0 / 63 / 67 / 70

HEX #4C1C19

RGB 76 28 25

HSL 3.53, 0.5%, 0.2%

LAB 17.63, 22.5, 13.46

 

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

CMYK 28 / 0 / 67 / 70

HEX #374C19

RGB 55 76 25

HSL 84.71, 0.5%, 0.2%

LAB 29.54, -17.65, 27.02

 

CMYK 46 / 0 / 67 / 70

HEX #294C19

RGB 41 76 25

HSL 101.18, 0.5%, 0.2%

LAB 28.67, -23.48, 25.8

 

CMYK 63 / 0 / 67 / 70

HEX #1C4C19

RGB 28 76 25

HSL 116.47, 0.5%, 0.2%

LAB 28.08, -27.88, 24.97

 

CMYK 67 / 0 / 53 / 70

HEX #194C24

RGB 25 76 36

HSL 132.94, 0.5%, 0.2%

LAB 28.12, -27, 18.8

 

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

CMYK 11 / 0 / 80 / 67

HEX #4B5411

RGB 75 84 17

HSL 68.06, 0.66%, 0.2%

LAB 33.73, -13.35, 35.5

 

CMYK 13 / 0 / 91 / 64

HEX #515D08

RGB 81 93 8

HSL 68.47, 0.84%, 0.2%

LAB 37.11, -15.87, 41.63

 

CMYK 14 / 0 / 100 / 60

HEX #576500

RGB 87 101 0

HSL 68.32, 1%, 0.2%

LAB 40.14, -17.64, 46.46

 

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

CMYK 7 / 0 / 51 / 73

HEX #3F4421

RGB 63 68 33

HSL 68.57, 0.35%, 0.2%

LAB 27.58, -8.41, 20.41

 

CMYK 3 / 0 / 29 / 77

HEX #393B2A

RGB 57 59 42

HSL 67.06, 0.17%, 0.2%

LAB 24.21, -4.33, 10.29

 

CMYK 0 / 0 / 2 / 80

HEX #333332

RGB 51 51 50

HSL 60, 0.01%, 0.2%

LAB 21.21, -0.23, 0.63

 

CMYK 22 / 26 / 0 / 77

HEX #2D2B3A

RGB 45 43 58

HSL 248, 0.15%, 0.2%

LAB 18.33, 4.79, -9.24

 

CMYK 0 / 26 / 67 / 70

HEX #4C3819

RGB 76 56 25

HSL 36.47, 0.5%, 0.2%

LAB 25.06, 4.83, 22.48

 

CMYK 0 / 9 / 67 / 70

HEX #4C4519

RGB 76 69 25

HSL 51.76, 0.5%, 0.2%

LAB 29.06, -3.41, 27.01

 

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

CMYK 26 / 0 / 67 / 70

HEX #384C19

RGB 56 76 25

HSL 83.53, 0.5%, 0.2%

LAB 29.61, -17.2, 27.12

 

CMYK 45 / 0 / 67 / 70

HEX #2A4C19

RGB 42 76 25

HSL 100, 0.5%, 0.2%

LAB 28.72, -23.1, 25.88

 

CMYK 7 / 0 / 71 / 95

HEX #0D0E04

RGB 13 14 4

HSL 66, 0.56%, 0.04%

LAB 3.69, -1.77, 3.85

 

CMYK 9 / 0 / 67 / 82

HEX #292D0F

RGB 41 45 15

HSL 68, 0.5%, 0.12%

LAB 17.38, -7.26, 18.38

 

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

CMYK 9 / 0 / 67 / 58

HEX #616B23

RGB 97 107 35

HSL 68.33, 0.51%, 0.28%

LAB 43.03, -14.6, 37.7

 

CMYK 9 / 0 / 67 / 46

HEX #7D8A2E

RGB 125 138 46

HSL 68.48, 0.5%, 0.36%

LAB 54.8, -17.82, 45.86

 

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

CMYK 67 / 0 / 45 / 70

HEX #194C2A

RGB 25 76 42

HSL 140, 0.5%, 0.2%

LAB 28.23, -25.84, 15.31

 

CMYK 18 / 67 / 0 / 70

HEX #3E194C

RGB 62 25 76

HSL 283.53, 0.5%, 0.2%

LAB 16.71, 27.54, -24.03

 

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

CMYK 67 / 9 / 0 / 70

HEX #19454C

RGB 25 69 76

HSL 188.24, 0.5%, 0.2%

LAB 26.69, -12.54, -8.73

 

CMYK 0 / 67 / 9 / 70

HEX #4C1945

RGB 76 25 69

HSL 308.24, 0.5%, 0.2%

LAB 18.63, 30.28, -16.02

 

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

CMYK 67 / 0 / 45 / 70

HEX #194C2A

RGB 25 76 42

HSL 140, 0.5%, 0.2%

LAB 28.23, -25.84, 15.31

 

CMYK 58 / 67 / 0 / 70

HEX #20194C

RGB 32 25 76

HSL 248.24, 0.5%, 0.2%

LAB 12.76, 19.55, -30.58

 

CMYK 0 / 67 / 22 / 70

HEX #4C193B

RGB 76 25 59

HSL 320, 0.5%, 0.2%

LAB 18.13, 28.48, -9.85

 

CMYK 9 / 0 / 67 / 70

HEX #454C19

RGB 69 76 25

HSL 68.24, 0.5%, 0.2%

LAB 30.65, -11.1, 28.55

 

CMYK 67 / 0 / 25 / 70

HEX #194C39

RGB 25 76 57

HSL 157.65, 0.5%, 0.2%

LAB 28.57, -22.28, 6.34

 

CMYK 58 / 67 / 0 / 70

HEX #20194C

RGB 32 25 76

HSL 248.24, 0.5%, 0.2%

LAB 12.76, 19.55, -30.58

 

CMYK 0 / 67 / 42 / 70

HEX #4C192C

RGB 76 25 44

HSL 337.65, 0.5%, 0.2%

LAB 17.52, 26.21, -0.16

 

Description

Color code: HEX #454C19 | qconv.com Color code: HEX #454C19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 76 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 76 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 67 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 67% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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