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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4557BA it is the complementary color #BAA845. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4557BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4557BA shade: #4A57B5, #5B69C8, #6C7BDB, #7D8DEE and #8E9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4557BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4557BA shade: #4557BA, #3445A7, #233394, #122181 and #010F6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4557BA shade: #4456BA, #5244BA, #7244BA, #9144BA and #B144BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4557BA shade: #4456BA and #4444BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4557BA shade matches the following richer shades: #4456BA, #3048CE, #1B3AE3 and #062CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4557BA shade: #4456BA, #5965A5, #6E7390, #82817C and #979067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4557BA shade: #4496BA, #4477BA, #4458BA, #5044BA and #6F44BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4557BA shade: #2E3A7D, #39489C, #4456BA, #6272C5 and #818DD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4557BA shade: #4557BA, #BA44B6 and #87BA44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4557BA shade: #4557BA, #BA4458 and #58BA44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4557BA shade: #4557BA, #BA44B6, #BAA644 and #44BA48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4557BA shade: #4557BA, #BA4493, #BAA644 and #44BA6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 53 / 0 / 27

HEX #4557BA

RGB 69 87 186

HSL 230.77, 0.46%, 0.5%

LAB 40.62, 24.5, -54.52

 

Complementary color

CMYK 0 / 10 / 63 / 27

HEX #BAA845

RGB 186 168 69

HSL 50.77, 0.46%, 0.5%

LAB 68.66, -5.42, 52.06

 

CMYK 59 / 52 / 0 / 29

HEX #4A57B5

RGB 74 87 181

HSL 232.71, 0.42%, 0.5%

LAB 40.59, 23.7, -51.62

 

CMYK 55 / 48 / 0 / 22

HEX #5B69C8

RGB 91 105 200

HSL 232.29, 0.5%, 0.57%

LAB 47.62, 22.13, -51.3

 

CMYK 51 / 44 / 0 / 14

HEX #6C7BDB

RGB 108 123 219

HSL 231.89, 0.61%, 0.64%

LAB 54.52, 20.83, -51.01

 

CMYK 47 / 41 / 0 / 7

HEX #7D8DEE

RGB 125 141 238

HSL 231.5, 0.77%, 0.71%

LAB 61.29, 19.73, -50.77

 

CMYK 44 / 38 / 0 / 0

HEX #8E9FFF

RGB 142 159 255

HSL 230.97, 1%, 0.78%

LAB 67.85, 18.22, -49.65

 

CMYK 63 / 53 / 0 / 27

HEX #4557BA

RGB 69 87 186

HSL 230.77, 0.46%, 0.5%

LAB 40.62, 24.5, -54.52

 

CMYK 69 / 59 / 0 / 35

HEX #3445A7

RGB 52 69 167

HSL 231.13, 0.53%, 0.43%

LAB 33.51, 26.64, -54.83

 

CMYK 76 / 66 / 0 / 42

HEX #233394

RGB 35 51 148

HSL 231.5, 0.62%, 0.36%

LAB 26.34, 29.27, -55.05

 

CMYK 86 / 74 / 0 / 49

HEX #122181

RGB 18 33 129

HSL 231.89, 0.76%, 0.29%

LAB 19.23, 32.39, -54.92

 

CMYK 99 / 86 / 0 / 57

HEX #010F6E

RGB 1 15 110

HSL 232.29, 0.98%, 0.22%

LAB 12.44, 35.39, -53.98

 

CMYK 63 / 54 / 0 / 27

HEX #4456BA

RGB 68 86 186

HSL 230.85, 0.46%, 0.5%

LAB 40.29, 24.97, -55.04

 

CMYK 56 / 63 / 0 / 27

HEX #5244BA

RGB 82 68 186

HSL 247.12, 0.46%, 0.5%

LAB 36.88, 38.68, -60.54

 

CMYK 39 / 63 / 0 / 27

HEX #7244BA

RGB 114 68 186

HSL 263.39, 0.46%, 0.5%

LAB 40.01, 45.02, -55.31

 

CMYK 22 / 63 / 0 / 27

HEX #9144BA

RGB 145 68 186

HSL 279.15, 0.46%, 0.5%

LAB 43.8, 52.04, -49.02

 

CMYK 5 / 63 / 0 / 27

HEX #B144BA

RGB 177 68 186

HSL 295.42, 0.46%, 0.5%

LAB 48.29, 59.72, -41.58

 

CMYK 63 / 54 / 0 / 27

HEX #4456BA

RGB 68 86 186

HSL 230.85, 0.46%, 0.5%

LAB 40.29, 24.97, -55.04

 

CMYK 63 / 63 / 0 / 27

HEX #4444BA

RGB 68 68 186

HSL 240, 0.46%, 0.5%

LAB 35.81, 36.37, -62.33

 

CMYK 63 / 54 / 0 / 27

HEX #4456BA

RGB 68 86 186

HSL 230.85, 0.46%, 0.5%

LAB 40.29, 24.97, -55.04

 

CMYK 77 / 65 / 0 / 19

HEX #3048CE

RGB 48 72 206

HSL 230.89, 0.62%, 0.5%

LAB 37.33, 38.36, -71.55

 

CMYK 88 / 74 / 0 / 11

HEX #1B3AE3

RGB 27 58 227

HSL 230.7, 0.79%, 0.5%

LAB 35.61, 52.66, -86.5

 

CMYK 98 / 82 / 0 / 3

HEX #062CF8

RGB 6 44 248

HSL 230.58, 0.95%, 0.5%

LAB 35.24, 65.85, -99.03

 

CMYK 63 / 54 / 0 / 27

HEX #4456BA

RGB 68 86 186

HSL 230.85, 0.46%, 0.5%

LAB 40.29, 24.97, -55.04

 

CMYK 46 / 39 / 0 / 35

HEX #5965A5

RGB 89 101 165

HSL 230.53, 0.3%, 0.5%

LAB 44.44, 13.02, -35.99

 

CMYK 24 / 20 / 0 / 44

HEX #6E7390

RGB 110 115 144

HSL 231.18, 0.13%, 0.5%

LAB 49, 4.81, -16.4

 

CMYK 0 / 1 / 5 / 49

HEX #82817C

RGB 130 129 124

HSL 50, 0.02%, 0.5%

LAB 53.92, -0.59, 2.83

 

CMYK 0 / 5 / 32 / 41

HEX #979067

RGB 151 144 103

HSL 51.25, 0.19%, 0.5%

LAB 59.44, -4.02, 22.77

 

CMYK 63 / 19 / 0 / 27

HEX #4496BA

RGB 68 150 186

HSL 198.31, 0.46%, 0.5%

LAB 58.59, -13.8, -26.13

 

CMYK 63 / 36 / 0 / 27

HEX #4477BA

RGB 68 119 186

HSL 214.07, 0.46%, 0.5%

LAB 49.46, 4.16, -40.39

 

CMYK 63 / 53 / 0 / 27

HEX #4458BA

RGB 68 88 186

HSL 229.83, 0.46%, 0.5%

LAB 40.82, 23.69, -54.19

 

CMYK 57 / 63 / 0 / 27

HEX #5044BA

RGB 80 68 186

HSL 246.1, 0.46%, 0.5%

LAB 36.72, 38.33, -60.81

 

CMYK 40 / 63 / 0 / 27

HEX #6F44BA

RGB 111 68 186

HSL 261.86, 0.46%, 0.5%

LAB 39.68, 44.37, -55.86

 

CMYK 63 / 54 / 0 / 51

HEX #2E3A7D

RGB 46 58 125

HSL 230.89, 0.46%, 0.34%

LAB 26.98, 17.52, -39.68

 

CMYK 63 / 54 / 0 / 39

HEX #39489C

RGB 57 72 156

HSL 230.91, 0.46%, 0.42%

LAB 33.78, 21.5, -47.76

 

CMYK 63 / 54 / 0 / 27

HEX #4456BA

RGB 68 86 186

HSL 230.85, 0.46%, 0.5%

LAB 40.29, 24.97, -55.04

 

CMYK 50 / 42 / 0 / 23

HEX #6272C5

RGB 98 114 197

HSL 230.3, 0.46%, 0.58%

LAB 50.29, 17.17, -45.29

 

CMYK 38 / 32 / 0 / 18

HEX #818DD0

RGB 129 141 208

HSL 230.89, 0.46%, 0.66%

LAB 60.13, 12.14, -35.88

 

CMYK 63 / 53 / 0 / 27

HEX #4557BA

RGB 69 87 186

HSL 230.77, 0.46%, 0.5%

LAB 40.62, 24.5, -54.52

 

CMYK 0 / 63 / 2 / 27

HEX #BA44B6

RGB 186 68 182

HSL 302.03, 0.46%, 0.5%

LAB 49.44, 61.23, -37.36

 

CMYK 27 / 0 / 63 / 27

HEX #87BA44

RGB 135 186 68

HSL 85.93, 0.46%, 0.5%

LAB 69.96, -35.47, 52.81

 

CMYK 63 / 53 / 0 / 27

HEX #4557BA

RGB 69 87 186

HSL 230.77, 0.46%, 0.5%

LAB 40.62, 24.5, -54.52

 

CMYK 0 / 63 / 53 / 27

HEX #BA4458

RGB 186 68 88

HSL 349.83, 0.46%, 0.5%

LAB 46.01, 49.08, 14.02

 

CMYK 53 / 0 / 63 / 27

HEX #58BA44

RGB 88 186 68

HSL 109.83, 0.46%, 0.5%

LAB 67.73, -51.03, 49.73

 

CMYK 63 / 53 / 0 / 27

HEX #4557BA

RGB 69 87 186

HSL 230.77, 0.46%, 0.5%

LAB 40.62, 24.5, -54.52

 

CMYK 0 / 63 / 2 / 27

HEX #BA44B6

RGB 186 68 182

HSL 302.03, 0.46%, 0.5%

LAB 49.44, 61.23, -37.36

 

CMYK 0 / 11 / 63 / 27

HEX #BAA644

RGB 186 166 68

HSL 49.83, 0.46%, 0.5%

LAB 68.12, -4.43, 51.91

 

CMYK 63 / 0 / 61 / 27

HEX #44BA48

RGB 68 186 72

HSL 122.03, 0.46%, 0.5%

LAB 67.14, -55.54, 47.12

 

CMYK 63 / 53 / 0 / 27

HEX #4557BA

RGB 69 87 186

HSL 230.77, 0.46%, 0.5%

LAB 40.62, 24.5, -54.52

 

CMYK 0 / 63 / 21 / 27

HEX #BA4493

RGB 186 68 147

HSL 319.83, 0.46%, 0.5%

LAB 47.85, 55.8, -19.13

 

CMYK 0 / 11 / 63 / 27

HEX #BAA644

RGB 186 166 68

HSL 49.83, 0.46%, 0.5%

LAB 68.12, -4.43, 51.91

 

CMYK 63 / 0 / 42 / 27

HEX #44BA6B

RGB 68 186 107

HSL 139.83, 0.46%, 0.5%

LAB 67.58, -50.52, 30.53

 

Description

Color code: HEX #4557BA | qconv.com Color code: HEX #4557BA | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 87 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 87 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 53 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 53% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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