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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #455029 it is the complementary color #BAAFD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #455029. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #455029 shade: #4A5024, #5B6237, #6C744A, #7D865D and #8E9870

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #455029. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #455029 shade: #455029, #343E16, #232C03, #121A00 and #010800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #455029 shade: #455029, #505029, #504629, #503C29 and #503129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #455029 shade: #455029, #3B5029, #305029, #29502D and #295037

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #455029 shade matches the following richer shades: #455029, #4A5A1F, #4E6415, #526E0B and #577802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #455029 shade: #455029, #414633, #3D3C3D, #383347 and #342951

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #455029 shade: #504629, #505029, #465029, #3B5029 and #315029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #455029 shade: #161A0D, #2E351B, #455029, #5D6C37 and #748745

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #455029 shade: #455029, #29503B and #4B2950

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #455029 shade: #455029, #294650 and #502946

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #455029 shade: #455029, #29503B, #342950 and #50293E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #455029 shade: #455029, #295047, #342950 and #502932

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

Complementary color

CMYK 13 / 18 / 0 / 16

HEX #BAAFD6

RGB 186 175 214

HSL 256.92, 0.32%, 0.76%

LAB 73.52, 11.55, -18.25

 

CMYK 7 / 0 / 55 / 69

HEX #4A5024

RGB 74 80 36

HSL 68.18, 0.38%, 0.23%

LAB 32.53, -9.95, 24.88

 

CMYK 7 / 0 / 44 / 62

HEX #5B6237

RGB 91 98 55

HSL 69.77, 0.28%, 0.3%

LAB 39.97, -10.28, 23.53

 

CMYK 7 / 0 / 36 / 55

HEX #6C744A

RGB 108 116 74

HSL 71.43, 0.22%, 0.37%

LAB 47.2, -10.48, 22.23

 

CMYK 7 / 0 / 31 / 47

HEX #7D865D

RGB 125 134 93

HSL 73.17, 0.18%, 0.45%

LAB 54.24, -10.61, 21.02

 

CMYK 7 / 0 / 26 / 40

HEX #8E9870

RGB 142 152 112

HSL 75, 0.16%, 0.52%

LAB 61.11, -10.71, 19.9

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 16 / 0 / 65 / 76

HEX #343E16

RGB 52 62 22

HSL 75, 0.48%, 0.16%

LAB 24.43, -11.41, 22.81

 

CMYK 20 / 0 / 93 / 83

HEX #232C03

RGB 35 44 3

HSL 73.17, 0.87%, 0.09%

LAB 16.33, -10.94, 22.16

 

CMYK 31 / 0 / 100 / 90

HEX #121A00

RGB 18 26 0

HSL 78.46, 1%, 0.05%

LAB 7.84, -8.42, 11.58

 

CMYK 88 / 0 / 100 / 97

HEX #010800

RGB 1 8 0

HSL 112.5, 1%, 0.02%

LAB 1.63, -2.94, 2.38

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 0 / 0 / 49 / 69

HEX #505029

RGB 80 80 41

HSL 60, 0.32%, 0.24%

LAB 33.14, -6.54, 22.89

 

CMYK 0 / 13 / 49 / 69

HEX #504629

RGB 80 70 41

HSL 44.62, 0.32%, 0.24%

LAB 30.02, -0.42, 19

 

CMYK 0 / 25 / 49 / 69

HEX #503C29

RGB 80 60 41

HSL 29.23, 0.32%, 0.24%

LAB 27.01, 5.93, 15.11

 

CMYK 0 / 39 / 49 / 69

HEX #503129

RGB 80 49 41

HSL 12.31, 0.32%, 0.24%

LAB 23.88, 13.02, 10.95

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 26 / 0 / 49 / 69

HEX #3B5029

RGB 59 80 41

HSL 92.31, 0.32%, 0.24%

LAB 31.41, -16.11, 20.36

 

CMYK 40 / 0 / 49 / 69

HEX #305029

RGB 48 80 41

HSL 109.23, 0.32%, 0.24%

LAB 30.7, -20.58, 19.31

 

CMYK 49 / 0 / 44 / 69

HEX #29502D

RGB 41 80 45

HSL 126.15, 0.32%, 0.24%

LAB 30.4, -22.42, 16.44

 

CMYK 49 / 0 / 31 / 69

HEX #295037

RGB 41 80 55

HSL 141.54, 0.32%, 0.24%

LAB 30.6, -20.36, 10.54

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 18 / 0 / 66 / 65

HEX #4A5A1F

RGB 74 90 31

HSL 76.27, 0.49%, 0.24%

LAB 35.73, -16.13, 31.2

 

CMYK 22 / 0 / 79 / 61

HEX #4E6415

RGB 78 100 21

HSL 76.71, 0.65%, 0.24%

LAB 39.22, -20.42, 39.3

 

CMYK 25 / 0 / 90 / 57

HEX #526E0B

RGB 82 110 11

HSL 76.97, 0.82%, 0.24%

LAB 42.72, -24.22, 45.64

 

CMYK 28 / 0 / 98 / 53

HEX #577802

RGB 87 120 2

HSL 76.78, 0.97%, 0.24%

LAB 46.26, -27.26, 50.65

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 7 / 0 / 27 / 73

HEX #414633

RGB 65 70 51

HSL 75.79, 0.16%, 0.24%

LAB 28.75, -5.97, 10.8

 

CMYK 0 / 2 / 0 / 76

HEX #3D3C3D

RGB 61 60 61

HSL 300, 0.01%, 0.24%

LAB 25.44, 0.65, -0.47

 

CMYK 21 / 28 / 0 / 72

HEX #383347

RGB 56 51 71

HSL 255, 0.16%, 0.24%

LAB 22.53, 7.16, -11.58

 

CMYK 36 / 49 / 0 / 68

HEX #342951

RGB 52 41 81

HSL 256.5, 0.33%, 0.24%

LAB 19.68, 15.58, -22.78

 

CMYK 0 / 13 / 49 / 69

HEX #504629

RGB 80 70 41

HSL 44.62, 0.32%, 0.24%

LAB 30.02, -0.42, 19

 

CMYK 0 / 0 / 49 / 69

HEX #505029

RGB 80 80 41

HSL 60, 0.32%, 0.24%

LAB 33.14, -6.54, 22.89

 

CMYK 13 / 0 / 49 / 69

HEX #465029

RGB 70 80 41

HSL 75.38, 0.32%, 0.24%

LAB 32.26, -11.21, 21.6

 

CMYK 26 / 0 / 49 / 69

HEX #3B5029

RGB 59 80 41

HSL 92.31, 0.32%, 0.24%

LAB 31.41, -16.11, 20.36

 

CMYK 39 / 0 / 49 / 69

HEX #315029

RGB 49 80 41

HSL 107.69, 0.32%, 0.24%

LAB 30.76, -20.2, 19.4

 

CMYK 15 / 0 / 50 / 90

HEX #161A0D

RGB 22 26 13

HSL 78.46, 0.33%, 0.08%

LAB 8.47, -4.84, 7.14

 

CMYK 13 / 0 / 49 / 79

HEX #2E351B

RGB 46 53 27

HSL 76.15, 0.33%, 0.16%

LAB 20.85, -8.23, 15.39

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 14 / 0 / 49 / 58

HEX #5D6C37

RGB 93 108 55

HSL 76.98, 0.33%, 0.32%

LAB 43.25, -14.99, 27.65

 

CMYK 14 / 0 / 49 / 47

HEX #748745

RGB 116 135 69

HSL 77.27, 0.32%, 0.4%

LAB 53.46, -18.02, 33.02

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 49 / 0 / 26 / 69

HEX #29503B

RGB 41 80 59

HSL 147.69, 0.32%, 0.24%

LAB 30.7, -19.44, 8.16

 

CMYK 6 / 49 / 0 / 69

HEX #4B2950

RGB 75 41 80

HSL 292.31, 0.32%, 0.24%

LAB 22.52, 23.09, -17.45

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 49 / 13 / 0 / 69

HEX #294650

RGB 41 70 80

HSL 195.38, 0.32%, 0.24%

LAB 27.93, -7.76, -9.39

 

CMYK 0 / 49 / 13 / 69

HEX #502946

RGB 80 41 70

HSL 315.38, 0.32%, 0.24%

LAB 22.77, 22.78, -10.27

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 49 / 0 / 26 / 69

HEX #29503B

RGB 41 80 59

HSL 147.69, 0.32%, 0.24%

LAB 30.7, -19.44, 8.16

 

CMYK 35 / 49 / 0 / 69

HEX #342950

RGB 52 41 80

HSL 256.92, 0.32%, 0.24%

LAB 19.62, 15.27, -22.2

 

CMYK 0 / 49 / 23 / 69

HEX #50293E

RGB 80 41 62

HSL 327.69, 0.32%, 0.24%

LAB 22.44, 21.29, -5.33

 

CMYK 14 / 0 / 49 / 69

HEX #455029

RGB 69 80 41

HSL 76.92, 0.32%, 0.24%

LAB 32.17, -11.67, 21.48

 

CMYK 49 / 0 / 11 / 69

HEX #295047

RGB 41 80 71

HSL 166.15, 0.32%, 0.24%

LAB 31.03, -16.36, 1.01

 

CMYK 35 / 49 / 0 / 69

HEX #342950

RGB 52 41 80

HSL 256.92, 0.32%, 0.24%

LAB 19.62, 15.27, -22.2

 

CMYK 0 / 49 / 38 / 69

HEX #502932

RGB 80 41 50

HSL 346.15, 0.32%, 0.24%

LAB 22.02, 19.33, 2.26

 

Description

Color code: HEX #455029 | qconv.com Color code: HEX #455029 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 80 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 80 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 49 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 49% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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