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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #455CB9 it is the complementary color #BAA346. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #455CB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #455CB9 shade: #4A5CB4, #5B6EC7, #6C80DA, #7D92ED and #8EA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #455CB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #455CB9 shade: #455CB9, #344AA6, #233893, #122680 and #01146D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #455CB9 shade: #445CBA, #4D44BA, #6C44BA, #8C44BA and #AC44BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #455CB9 shade: #445CBA and #4444BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #455CB9 shade matches the following richer shades: #445CBA, #304FCE, #1B43E3 and #0636F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #455CB9 shade: #445CBA, #5968A5, #6E7590, #82817C and #978D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #455CB9 shade: #449ABA, #447BBA, #445CBA, #4C44BA and #6B44BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #455CB9 shade: #2E3E7D, #394D9C, #445CBA, #6276C5 and #8190D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #455CB9 shade: #455CB9, #BA44BA and #8BBA44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #455CB9 shade: #455CB9, #BA445C and #5CBA44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #455CB9 shade: #455CB9, #BA44BA, #BAA244 and #44BA44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #455CB9 shade: #455CB9, #BA4496, #BAA244 and #44BA68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 50 / 0 / 27

HEX #455CB9

RGB 69 92 185

HSL 228.1, 0.46%, 0.5%

LAB 41.88, 20.95, -51.9

 

Complementary color

CMYK 0 / 12 / 62 / 27

HEX #BAA346

RGB 186 163 70

HSL 48.1, 0.46%, 0.5%

LAB 67.33, -2.69, 50.15

 

CMYK 59 / 49 / 0 / 29

HEX #4A5CB4

RGB 74 92 180

HSL 229.81, 0.42%, 0.5%

LAB 41.85, 20.17, -49

 

CMYK 54 / 45 / 0 / 22

HEX #5B6EC7

RGB 91 110 199

HSL 229.44, 0.49%, 0.57%

LAB 48.88, 18.71, -48.7

 

CMYK 50 / 41 / 0 / 15

HEX #6C80DA

RGB 108 128 218

HSL 229.09, 0.6%, 0.64%

LAB 55.77, 17.51, -48.45

 

CMYK 47 / 38 / 0 / 7

HEX #7D92ED

RGB 125 146 237

HSL 228.75, 0.76%, 0.71%

LAB 62.53, 16.5, -48.26

 

CMYK 44 / 36 / 0 / 0

HEX #8EA4FF

RGB 142 164 255

HSL 228.32, 1%, 0.78%

LAB 69.13, 15.36, -47.63

 

CMYK 63 / 50 / 0 / 27

HEX #455CB9

RGB 69 92 185

HSL 228.1, 0.46%, 0.5%

LAB 41.88, 20.95, -51.9

 

CMYK 69 / 55 / 0 / 35

HEX #344AA6

RGB 52 74 166

HSL 228.42, 0.52%, 0.43%

LAB 34.76, 22.98, -52.2

 

CMYK 76 / 62 / 0 / 42

HEX #233893

RGB 35 56 147

HSL 228.75, 0.62%, 0.36%

LAB 27.55, 25.53, -52.45

 

CMYK 86 / 70 / 0 / 50

HEX #122680

RGB 18 38 128

HSL 229.09, 0.75%, 0.29%

LAB 20.34, 28.7, -52.47

 

CMYK 99 / 82 / 0 / 57

HEX #01146D

RGB 1 20 109

HSL 229.44, 0.98%, 0.22%

LAB 13.3, 32.14, -51.9

 

CMYK 63 / 51 / 0 / 27

HEX #445CBA

RGB 68 92 186

HSL 227.8, 0.46%, 0.5%

LAB 41.89, 21.12, -52.47

 

CMYK 59 / 63 / 0 / 27

HEX #4D44BA

RGB 77 68 186

HSL 244.58, 0.46%, 0.5%

LAB 36.47, 37.81, -61.21

 

CMYK 42 / 63 / 0 / 27

HEX #6C44BA

RGB 108 68 186

HSL 260.34, 0.46%, 0.5%

LAB 39.36, 43.74, -56.4

 

CMYK 25 / 63 / 0 / 27

HEX #8C44BA

RGB 140 68 186

HSL 276.61, 0.46%, 0.5%

LAB 43.14, 50.87, -50.1

 

CMYK 8 / 63 / 0 / 27

HEX #AC44BA

RGB 172 68 186

HSL 292.88, 0.46%, 0.5%

LAB 47.56, 58.5, -42.8

 

CMYK 63 / 51 / 0 / 27

HEX #445CBA

RGB 68 92 186

HSL 227.8, 0.46%, 0.5%

LAB 41.89, 21.12, -52.47

 

CMYK 63 / 63 / 0 / 27

HEX #4444BA

RGB 68 68 186

HSL 240, 0.46%, 0.5%

LAB 35.81, 36.37, -62.33

 

CMYK 63 / 51 / 0 / 27

HEX #445CBA

RGB 68 92 186

HSL 227.8, 0.46%, 0.5%

LAB 41.89, 21.12, -52.47

 

CMYK 77 / 62 / 0 / 19

HEX #304FCE

RGB 48 79 206

HSL 228.23, 0.62%, 0.5%

LAB 39.03, 33.93, -68.77

 

CMYK 88 / 70 / 0 / 11

HEX #1B43E3

RGB 27 67 227

HSL 228, 0.79%, 0.5%

LAB 37.47, 47.46, -83.42

 

CMYK 98 / 78 / 0 / 3

HEX #0636F8

RGB 6 54 248

HSL 228.1, 0.95%, 0.5%

LAB 36.84, 61.14, -96.35

 

CMYK 63 / 51 / 0 / 27

HEX #445CBA

RGB 68 92 186

HSL 227.8, 0.46%, 0.5%

LAB 41.89, 21.12, -52.47

 

CMYK 46 / 37 / 0 / 35

HEX #5968A5

RGB 89 104 165

HSL 228.16, 0.3%, 0.5%

LAB 45.28, 11.15, -34.67

 

CMYK 24 / 19 / 0 / 44

HEX #6E7590

RGB 110 117 144

HSL 227.65, 0.13%, 0.5%

LAB 49.56, 3.62, -15.54

 

CMYK 0 / 1 / 5 / 49

HEX #82817C

RGB 130 129 124

HSL 50, 0.02%, 0.5%

LAB 53.92, -0.59, 2.83

 

CMYK 0 / 7 / 32 / 41

HEX #978D67

RGB 151 141 103

HSL 47.5, 0.19%, 0.5%

LAB 58.61, -2.37, 21.66

 

CMYK 63 / 17 / 0 / 27

HEX #449ABA

RGB 68 154 186

HSL 196.27, 0.46%, 0.5%

LAB 59.78, -15.98, -24.29

 

CMYK 63 / 34 / 0 / 27

HEX #447BBA

RGB 68 123 186

HSL 212.03, 0.46%, 0.5%

LAB 50.62, 1.73, -38.56

 

CMYK 63 / 51 / 0 / 27

HEX #445CBA

RGB 68 92 186

HSL 227.8, 0.46%, 0.5%

LAB 41.89, 21.12, -52.47

 

CMYK 59 / 63 / 0 / 27

HEX #4C44BA

RGB 76 68 186

HSL 244.07, 0.46%, 0.5%

LAB 36.4, 37.65, -61.35

 

CMYK 42 / 63 / 0 / 27

HEX #6B44BA

RGB 107 68 186

HSL 259.83, 0.46%, 0.5%

LAB 39.25, 43.53, -56.58

 

CMYK 63 / 50 / 0 / 51

HEX #2E3E7D

RGB 46 62 125

HSL 227.85, 0.46%, 0.34%

LAB 28.13, 14.78, -37.83

 

CMYK 63 / 51 / 0 / 39

HEX #394D9C

RGB 57 77 156

HSL 227.88, 0.46%, 0.42%

LAB 35.16, 18.19, -45.54

 

CMYK 63 / 51 / 0 / 27

HEX #445CBA

RGB 68 92 186

HSL 227.8, 0.46%, 0.5%

LAB 41.89, 21.12, -52.47

 

CMYK 50 / 40 / 0 / 23

HEX #6276C5

RGB 98 118 197

HSL 227.88, 0.46%, 0.58%

LAB 51.36, 14.73, -43.58

 

CMYK 38 / 31 / 0 / 18

HEX #8190D0

RGB 129 144 208

HSL 228.61, 0.46%, 0.66%

LAB 60.93, 10.39, -34.64

 

CMYK 63 / 50 / 0 / 27

HEX #455CB9

RGB 69 92 185

HSL 228.1, 0.46%, 0.5%

LAB 41.88, 20.95, -51.9

 

CMYK 0 / 63 / 0 / 27

HEX #BA44BA

RGB 186 68 186

HSL 300, 0.46%, 0.5%

LAB 49.64, 61.91, -39.37

 

CMYK 25 / 0 / 63 / 27

HEX #8BBA44

RGB 139 186 68

HSL 83.9, 0.46%, 0.5%

LAB 70.19, -33.95, 53.13

 

CMYK 63 / 50 / 0 / 27

HEX #455CB9

RGB 69 92 185

HSL 228.1, 0.46%, 0.5%

LAB 41.88, 20.95, -51.9

 

CMYK 0 / 63 / 51 / 27

HEX #BA445C

RGB 186 68 92

HSL 347.8, 0.46%, 0.5%

LAB 46.1, 49.42, 11.7

 

CMYK 51 / 0 / 63 / 27

HEX #5CBA44

RGB 92 186 68

HSL 107.8, 0.46%, 0.5%

LAB 67.88, -49.91, 49.94

 

CMYK 63 / 50 / 0 / 27

HEX #455CB9

RGB 69 92 185

HSL 228.1, 0.46%, 0.5%

LAB 41.88, 20.95, -51.9

 

CMYK 0 / 63 / 0 / 27

HEX #BA44BA

RGB 186 68 186

HSL 300, 0.46%, 0.5%

LAB 49.64, 61.91, -39.37

 

CMYK 0 / 13 / 63 / 27

HEX #BAA244

RGB 186 162 68

HSL 47.8, 0.46%, 0.5%

LAB 67.05, -2.29, 50.75

 

CMYK 63 / 0 / 63 / 27

HEX #44BA44

RGB 68 186 68

HSL 120, 0.46%, 0.5%

LAB 67.1, -55.98, 48.85

 

CMYK 63 / 50 / 0 / 27

HEX #455CB9

RGB 69 92 185

HSL 228.1, 0.46%, 0.5%

LAB 41.88, 20.95, -51.9

 

CMYK 0 / 63 / 19 / 27

HEX #BA4496

RGB 186 68 150

HSL 318.31, 0.46%, 0.5%

LAB 47.98, 56.23, -20.74

 

CMYK 0 / 13 / 63 / 27

HEX #BAA244

RGB 186 162 68

HSL 47.8, 0.46%, 0.5%

LAB 67.05, -2.29, 50.75

 

CMYK 63 / 0 / 44 / 27

HEX #44BA68

RGB 68 186 104

HSL 138.31, 0.46%, 0.5%

LAB 67.54, -51.03, 32.03

 

Description

Color code: HEX #455CB9 | qconv.com Color code: HEX #455CB9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 92 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 92 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 50 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 50% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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