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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #456477 it is the complementary color #BA9B88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #456477. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #456477 shade: #4A6472, #5B7685, #6C8898, #7D9AAB and #8EACBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #456477. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #456477 shade: #456477, #345264, #234051, #122E3E and #011C2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #456477 shade: #446477, #445677, #444877, #4E4477 and #5C4477

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #456477 shade: #446477, #445677, #444877 and #444477

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #456477 shade matches the following richer shades: #446477, #356887, #266B96, #176FA5 and #0773B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #456477 shade: #446477, #546068, #635D59, #72594A and #81553A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #456477 shade: #44776F, #447277, #446577, #445777 and #444977

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #456477 shade: #263843, #354E5D, #446477, #537A92 and #678FA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #456477 shade: #456477, #614477 and #777644

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #456477 shade: #456477, #774465 and #657744

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #456477 shade: #456477, #614477, #775744 and #5A7744

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #456477 shade: #456477, #714477, #775744 and #4B7744

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 16 / 0 / 53

HEX #456477

RGB 69 100 119

HSL 202.8, 0.27%, 0.37%

LAB 40.75, -5.93, -14.24

 

Complementary color

CMYK 0 / 17 / 27 / 27

HEX #BA9B88

RGB 186 155 136

HSL 22.8, 0.27%, 0.63%

LAB 66.26, 8.58, 14.26

 

CMYK 35 / 12 / 0 / 55

HEX #4A6472

RGB 74 100 114

HSL 201, 0.21%, 0.37%

LAB 40.87, -5.85, -10.98

 

CMYK 32 / 11 / 0 / 48

HEX #5B7685

RGB 91 118 133

HSL 201.43, 0.19%, 0.44%

LAB 48.1, -5.94, -11.38

 

CMYK 29 / 11 / 0 / 40

HEX #6C8898

RGB 108 136 152

HSL 201.82, 0.18%, 0.51%

LAB 55.14, -6.02, -11.79

 

CMYK 27 / 10 / 0 / 33

HEX #7D9AAB

RGB 125 154 171

HSL 202.17, 0.21%, 0.58%

LAB 62.01, -6.09, -12.19

 

CMYK 25 / 9 / 0 / 25

HEX #8EACBE

RGB 142 172 190

HSL 202.5, 0.27%, 0.65%

LAB 68.73, -6.15, -12.59

 

CMYK 42 / 16 / 0 / 53

HEX #456477

RGB 69 100 119

HSL 202.8, 0.27%, 0.37%

LAB 40.75, -5.93, -14.24

 

CMYK 48 / 18 / 0 / 61

HEX #345264

RGB 52 82 100

HSL 202.5, 0.32%, 0.3%

LAB 33.32, -5.68, -13.92

 

CMYK 57 / 21 / 0 / 68

HEX #234051

RGB 35 64 81

HSL 202.17, 0.4%, 0.23%

LAB 25.62, -5.3, -13.6

 

CMYK 71 / 26 / 0 / 76

HEX #122E3E

RGB 18 46 62

HSL 201.82, 0.55%, 0.16%

LAB 17.6, -4.62, -13.28

 

CMYK 98 / 35 / 0 / 83

HEX #011C2B

RGB 1 28 43

HSL 201.43, 0.95%, 0.09%

LAB 9.09, -3.79, -13.1

 

CMYK 43 / 16 / 0 / 53

HEX #446477

RGB 68 100 119

HSL 202.35, 0.27%, 0.37%

LAB 40.7, -6.22, -14.33

 

CMYK 43 / 28 / 0 / 53

HEX #445677

RGB 68 86 119

HSL 218.82, 0.27%, 0.37%

LAB 36.4, 2.39, -20.94

 

CMYK 43 / 39 / 0 / 53

HEX #444877

RGB 68 72 119

HSL 235.29, 0.27%, 0.37%

LAB 32.25, 11.44, -27.42

 

CMYK 34 / 43 / 0 / 53

HEX #4E4477

RGB 78 68 119

HSL 251.76, 0.27%, 0.37%

LAB 32, 17.03, -27.75

 

CMYK 23 / 43 / 0 / 53

HEX #5C4477

RGB 92 68 119

HSL 268.24, 0.27%, 0.37%

LAB 33.44, 21.45, -25.39

 

CMYK 43 / 16 / 0 / 53

HEX #446477

RGB 68 100 119

HSL 202.35, 0.27%, 0.37%

LAB 40.7, -6.22, -14.33

 

CMYK 43 / 28 / 0 / 53

HEX #445677

RGB 68 86 119

HSL 218.82, 0.27%, 0.37%

LAB 36.4, 2.39, -20.94

 

CMYK 43 / 39 / 0 / 53

HEX #444877

RGB 68 72 119

HSL 235.29, 0.27%, 0.37%

LAB 32.25, 11.44, -27.42

 

CMYK 43 / 43 / 0 / 53

HEX #444477

RGB 68 68 119

HSL 240, 0.27%, 0.37%

LAB 31.1, 14.07, -29.23

 

CMYK 43 / 16 / 0 / 53

HEX #446477

RGB 68 100 119

HSL 202.35, 0.27%, 0.37%

LAB 40.7, -6.22, -14.33

 

CMYK 61 / 23 / 0 / 47

HEX #356887

RGB 53 104 135

HSL 202.68, 0.44%, 0.37%

LAB 41.86, -7.26, -22.3

 

CMYK 75 / 29 / 0 / 41

HEX #266B96

RGB 38 107 150

HSL 203.04, 0.6%, 0.37%

LAB 42.96, -6.38, -29.61

 

CMYK 86 / 33 / 0 / 35

HEX #176FA5

RGB 23 111 165

HSL 202.82, 0.76%, 0.37%

LAB 44.61, -4.79, -35.9

 

CMYK 96 / 36 / 0 / 29

HEX #0773B4

RGB 7 115 180

HSL 202.54, 0.93%, 0.37%

LAB 46.45, -2.27, -41.78

 

CMYK 43 / 16 / 0 / 53

HEX #446477

RGB 68 100 119

HSL 202.35, 0.27%, 0.37%

LAB 40.7, -6.22, -14.33

 

CMYK 19 / 8 / 0 / 59

HEX #546068

RGB 84 96 104

HSL 204, 0.11%, 0.37%

LAB 40, -2.7, -6.11

 

CMYK 0 / 6 / 10 / 61

HEX #635D59

RGB 99 93 89

HSL 24, 0.05%, 0.37%

LAB 39.92, 1.61, 3.15

 

CMYK 0 / 22 / 35 / 55

HEX #72594A

RGB 114 89 74

HSL 22.5, 0.21%, 0.37%

LAB 39.94, 7.93, 12.6

 

CMYK 0 / 34 / 55 / 49

HEX #81553A

RGB 129 85 58

HSL 22.82, 0.38%, 0.37%

LAB 40.36, 15.11, 23.12

 

CMYK 43 / 0 / 7 / 53

HEX #44776F

RGB 68 119 111

HSL 170.59, 0.27%, 0.37%

LAB 46.41, -19.21, -0.98

 

CMYK 43 / 4 / 0 / 53

HEX #447277

RGB 68 114 119

HSL 185.88, 0.27%, 0.37%

LAB 45.08, -14.31, -7.72

 

CMYK 43 / 15 / 0 / 53

HEX #446577

RGB 68 101 119

HSL 201.18, 0.27%, 0.37%

LAB 41.01, -6.82, -13.86

 

CMYK 43 / 27 / 0 / 53

HEX #445777

RGB 68 87 119

HSL 217.65, 0.27%, 0.37%

LAB 36.7, 1.76, -20.47

 

CMYK 43 / 39 / 0 / 53

HEX #444977

RGB 68 73 119

HSL 234.12, 0.27%, 0.37%

LAB 32.54, 10.78, -26.97

 

CMYK 43 / 16 / 0 / 74

HEX #263843

RGB 38 56 67

HSL 202.76, 0.28%, 0.21%

LAB 22.46, -3.89, -9.12

 

CMYK 43 / 16 / 0 / 64

HEX #354E5D

RGB 53 78 93

HSL 202.5, 0.27%, 0.29%

LAB 31.8, -5.09, -11.8

 

CMYK 43 / 16 / 0 / 53

HEX #446477

RGB 68 100 119

HSL 202.35, 0.27%, 0.37%

LAB 40.7, -6.22, -14.33

 

CMYK 43 / 16 / 0 / 43

HEX #537A92

RGB 83 122 146

HSL 202.86, 0.28%, 0.45%

LAB 49.29, -7.01, -17.29

 

CMYK 38 / 14 / 0 / 35

HEX #678FA7

RGB 103 143 167

HSL 202.5, 0.27%, 0.53%

LAB 57.38, -7.51, -17.03

 

CMYK 42 / 16 / 0 / 53

HEX #456477

RGB 69 100 119

HSL 202.8, 0.27%, 0.37%

LAB 40.75, -5.93, -14.24

 

CMYK 18 / 43 / 0 / 53

HEX #614477

RGB 97 68 119

HSL 274.12, 0.27%, 0.37%

LAB 34, 23.07, -24.48

 

CMYK 0 / 1 / 43 / 53

HEX #777644

RGB 119 118 68

HSL 58.82, 0.27%, 0.37%

LAB 48.63, -7.6, 27.63

 

CMYK 42 / 16 / 0 / 53

HEX #456477

RGB 69 100 119

HSL 202.8, 0.27%, 0.37%

LAB 40.75, -5.93, -14.24

 

CMYK 0 / 43 / 15 / 53

HEX #774465

RGB 119 68 101

HSL 321.18, 0.27%, 0.37%

LAB 35.98, 26.96, -9.9

 

CMYK 15 / 0 / 43 / 53

HEX #657744

RGB 101 119 68

HSL 81.18, 0.27%, 0.37%

LAB 47.47, -15.9, 25.85

 

CMYK 42 / 16 / 0 / 53

HEX #456477

RGB 69 100 119

HSL 202.8, 0.27%, 0.37%

LAB 40.75, -5.93, -14.24

 

CMYK 18 / 43 / 0 / 53

HEX #614477

RGB 97 68 119

HSL 274.12, 0.27%, 0.37%

LAB 34, 23.07, -24.48

 

CMYK 0 / 27 / 43 / 53

HEX #775744

RGB 119 87 68

HSL 22.35, 0.27%, 0.37%

LAB 39.84, 10.55, 16.21

 

CMYK 24 / 0 / 43 / 53

HEX #5A7744

RGB 90 119 68

HSL 94.12, 0.27%, 0.37%

LAB 46.69, -20.39, 24.7

 

CMYK 42 / 16 / 0 / 53

HEX #456477

RGB 69 100 119

HSL 202.8, 0.27%, 0.37%

LAB 40.75, -5.93, -14.24

 

CMYK 5 / 43 / 0 / 53

HEX #714477

RGB 113 68 119

HSL 292.94, 0.27%, 0.37%

LAB 35.94, 28.39, -21.31

 

CMYK 0 / 27 / 43 / 53

HEX #775744

RGB 119 87 68

HSL 22.35, 0.27%, 0.37%

LAB 39.84, 10.55, 16.21

 

CMYK 37 / 0 / 43 / 53

HEX #4B7744

RGB 75 119 68

HSL 111.76, 0.27%, 0.37%

LAB 45.78, -26.06, 23.35

 

Description

Color code: HEX #456477 | qconv.com Color code: HEX #456477 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 100 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 100 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 16 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 16% 0% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

83% - Fernando Cividanis -...
Link: http://www.fernandocividanis.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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