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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45662D it is the complementary color #BA99D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45662D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45662D shade: #4A6628, #5B783B, #6C8A4E, #7D9C61 and #8EAE74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45662D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45662D shade: #45662D, #34541A, #234207, #123000 and #011E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45662D shade: #45662D, #54662D, #64662D, #66592D and #66492D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45662D shade: #45662D, #35662D, #2D6633, #2D6643 and #2D6653

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45662D shade matches the following richer shades: #45662D, #437221, #417E15 and #3F8A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45662D shade: #45662D, #475A39, #494E45, #4B4251 and #4C365C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45662D shade: #64662D, #55662D, #46662D, #36662D and #2D6632

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45662D shade: #1E2D13, #324A20, #45662D, #588339 and #6CA046

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45662D shade: #45662D, #2D6659 and #662D5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45662D shade: #45662D, #2D4666 and #662D46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45662D shade: #45662D, #2D6659, #4D2D66 and #662D3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45662D shade: #45662D, #2D6266, #4D2D66 and #66302D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 56 / 60

HEX #45662D

RGB 69 102 45

HSL 94.74, 0.39%, 0.29%

LAB 39.51, -23.11, 28.17

 

Complementary color

CMYK 11 / 27 / 0 / 18

HEX #BA99D2

RGB 186 153 210

HSL 274.74, 0.39%, 0.71%

LAB 67.93, 22.89, -24.56

 

CMYK 27 / 0 / 61 / 60

HEX #4A6628

RGB 74 102 40

HSL 87.1, 0.44%, 0.28%

LAB 39.77, -21.64, 31.18

 

CMYK 24 / 0 / 51 / 53

HEX #5B783B

RGB 91 120 59

HSL 88.52, 0.34%, 0.35%

LAB 46.94, -21.71, 29.96

 

CMYK 22 / 0 / 43 / 46

HEX #6C8A4E

RGB 108 138 78

HSL 90, 0.28%, 0.42%

LAB 53.94, -21.7, 28.69

 

CMYK 20 / 0 / 38 / 39

HEX #7D9C61

RGB 125 156 97

HSL 91.53, 0.23%, 0.5%

LAB 60.78, -21.64, 27.46

 

CMYK 18 / 0 / 33 / 32

HEX #8EAE74

RGB 142 174 116

HSL 93.1, 0.26%, 0.57%

LAB 67.49, -21.55, 26.29

 

CMYK 32 / 0 / 56 / 60

HEX #45662D

RGB 69 102 45

HSL 94.74, 0.39%, 0.29%

LAB 39.51, -23.11, 28.17

 

CMYK 38 / 0 / 69 / 67

HEX #34541A

RGB 52 84 26

HSL 93.1, 0.53%, 0.22%

LAB 32.14, -23.01, 29.32

 

CMYK 47 / 0 / 89 / 74

HEX #234207

RGB 35 66 7

HSL 91.53, 0.81%, 0.14%

LAB 24.54, -22.57, 29.67

 

CMYK 63 / 0 / 100 / 81

HEX #123000

RGB 18 48 0

HSL 97.5, 1%, 0.09%

LAB 16.71, -21.23, 23.61

 

CMYK 97 / 0 / 100 / 88

HEX #011E00

RGB 1 30 0

HSL 118, 1%, 0.06%

LAB 8.44, -16.84, 12.33

 

CMYK 32 / 0 / 56 / 60

HEX #45662D

RGB 69 102 45

HSL 94.74, 0.39%, 0.29%

LAB 39.51, -23.11, 28.17

 

CMYK 18 / 0 / 56 / 60

HEX #54662D

RGB 84 102 45

HSL 78.95, 0.39%, 0.29%

LAB 40.54, -16.8, 29.64

 

CMYK 2 / 0 / 56 / 60

HEX #64662D

RGB 100 102 45

HSL 62.11, 0.39%, 0.29%

LAB 41.85, -9.58, 31.5

 

CMYK 0 / 13 / 56 / 60

HEX #66592D

RGB 102 89 45

HSL 46.32, 0.39%, 0.29%

LAB 38.13, -1.05, 27.16

 

CMYK 0 / 28 / 56 / 60

HEX #66492D

RGB 102 73 45

HSL 29.47, 0.39%, 0.29%

LAB 33.52, 8.7, 21.52

 

CMYK 32 / 0 / 56 / 60

HEX #45662D

RGB 69 102 45

HSL 94.74, 0.39%, 0.29%

LAB 39.51, -23.11, 28.17

 

CMYK 48 / 0 / 56 / 60

HEX #35662D

RGB 53 102 45

HSL 111.58, 0.39%, 0.29%

LAB 38.64, -29.03, 26.91

 

CMYK 56 / 0 / 50 / 60

HEX #2D6633

RGB 45 102 51

HSL 126.32, 0.39%, 0.29%

LAB 38.37, -30.63, 23.19

 

CMYK 56 / 0 / 34 / 60

HEX #2D6643

RGB 45 102 67

HSL 143.16, 0.39%, 0.29%

LAB 38.67, -27.59, 14.25

 

CMYK 56 / 0 / 19 / 60

HEX #2D6653

RGB 45 102 83

HSL 160, 0.39%, 0.29%

LAB 39.05, -23.81, 5.1

 

CMYK 32 / 0 / 56 / 60

HEX #45662D

RGB 69 102 45

HSL 94.74, 0.39%, 0.29%

LAB 39.51, -23.11, 28.17

 

CMYK 41 / 0 / 71 / 55

HEX #437221

RGB 67 114 33

HSL 94.81, 0.55%, 0.29%

LAB 43.27, -30.94, 38.23

 

CMYK 48 / 0 / 83 / 51

HEX #417E15

RGB 65 126 21

HSL 94.86, 0.71%, 0.29%

LAB 47.1, -37.74, 46.43

 

CMYK 54 / 0 / 93 / 46

HEX #3F8A09

RGB 63 138 9

HSL 94.88, 0.88%, 0.29%

LAB 50.98, -43.68, 52.6

 

CMYK 32 / 0 / 56 / 60

HEX #45662D

RGB 69 102 45

HSL 94.74, 0.39%, 0.29%

LAB 39.51, -23.11, 28.17

 

CMYK 21 / 0 / 37 / 65

HEX #475A39

RGB 71 90 57

HSL 94.55, 0.22%, 0.29%

LAB 35.88, -14.12, 16.75

 

CMYK 6 / 0 / 12 / 69

HEX #494E45

RGB 73 78 69

HSL 93.33, 0.06%, 0.29%

LAB 32.47, -3.97, 4.63

 

CMYK 7 / 19 / 0 / 68

HEX #4B4251

RGB 75 66 81

HSL 276, 0.1%, 0.29%

LAB 29.38, 7.13, -7.59

 

CMYK 17 / 41 / 0 / 64

HEX #4C365C

RGB 76 54 92

HSL 274.74, 0.26%, 0.29%

LAB 26.58, 18.06, -19.02

 

CMYK 2 / 0 / 56 / 60

HEX #64662D

RGB 100 102 45

HSL 62.11, 0.39%, 0.29%

LAB 41.85, -9.58, 31.5

 

CMYK 17 / 0 / 56 / 60

HEX #55662D

RGB 85 102 45

HSL 77.89, 0.39%, 0.29%

LAB 40.61, -16.36, 29.74

 

CMYK 31 / 0 / 56 / 60

HEX #46662D

RGB 70 102 45

HSL 93.68, 0.39%, 0.29%

LAB 39.57, -22.71, 28.26

 

CMYK 47 / 0 / 56 / 60

HEX #36662D

RGB 54 102 45

HSL 110.53, 0.39%, 0.29%

LAB 38.68, -28.69, 26.98

 

CMYK 56 / 0 / 51 / 60

HEX #2D6632

RGB 45 102 50

HSL 125.26, 0.39%, 0.29%

LAB 38.36, -30.79, 23.73

 

CMYK 33 / 0 / 58 / 82

HEX #1E2D13

RGB 30 45 19

HSL 94.62, 0.41%, 0.13%

LAB 16.5, -12.19, 14.77

 

CMYK 32 / 0 / 57 / 71

HEX #324A20

RGB 50 74 32

HSL 94.29, 0.4%, 0.21%

LAB 28.59, -17.92, 21.99

 

CMYK 32 / 0 / 56 / 60

HEX #45662D

RGB 69 102 45

HSL 94.74, 0.39%, 0.29%

LAB 39.51, -23.11, 28.17

 

CMYK 33 / 0 / 56 / 49

HEX #588339

RGB 88 131 57

HSL 94.86, 0.39%, 0.37%

LAB 50.22, -28.61, 34.89

 

CMYK 33 / 0 / 56 / 37

HEX #6CA046

RGB 108 160 70

HSL 94.67, 0.39%, 0.45%

LAB 60.58, -33.38, 40.9

 

CMYK 32 / 0 / 56 / 60

HEX #45662D

RGB 69 102 45

HSL 94.74, 0.39%, 0.29%

LAB 39.51, -23.11, 28.17

 

CMYK 56 / 0 / 13 / 60

HEX #2D6659

RGB 45 102 89

HSL 166.32, 0.39%, 0.29%

LAB 39.21, -22.22, 1.68

 

CMYK 0 / 56 / 9 / 60

HEX #662D5D

RGB 102 45 93

HSL 309.47, 0.39%, 0.29%

LAB 28.09, 32.61, -17.05

 

CMYK 32 / 0 / 56 / 60

HEX #45662D

RGB 69 102 45

HSL 94.74, 0.39%, 0.29%

LAB 39.51, -23.11, 28.17

 

CMYK 56 / 31 / 0 / 60

HEX #2D4666

RGB 45 70 102

HSL 213.68, 0.39%, 0.29%

LAB 29.15, 0.75, -21.66

 

CMYK 0 / 56 / 31 / 60

HEX #662D46

RGB 102 45 70

HSL 333.68, 0.39%, 0.29%

LAB 27.14, 28.73, -3.34

 

CMYK 32 / 0 / 56 / 60

HEX #45662D

RGB 69 102 45

HSL 94.74, 0.39%, 0.29%

LAB 39.51, -23.11, 28.17

 

CMYK 56 / 0 / 13 / 60

HEX #2D6659

RGB 45 102 89

HSL 166.32, 0.39%, 0.29%

LAB 39.21, -22.22, 1.68

 

CMYK 25 / 56 / 0 / 60

HEX #4D2D66

RGB 77 45 102

HSL 273.68, 0.39%, 0.29%

LAB 25, 26.68, -28.02

 

CMYK 0 / 56 / 43 / 60

HEX #662D3A

RGB 102 45 58

HSL 346.32, 0.39%, 0.29%

LAB 26.75, 27.09, 4.1

 

CMYK 32 / 0 / 56 / 60

HEX #45662D

RGB 69 102 45

HSL 94.74, 0.39%, 0.29%

LAB 39.51, -23.11, 28.17

 

CMYK 56 / 4 / 0 / 60

HEX #2D6266

RGB 45 98 102

HSL 184.21, 0.39%, 0.29%

LAB 38.29, -16.29, -7.66

 

CMYK 25 / 56 / 0 / 60

HEX #4D2D66

RGB 77 45 102

HSL 273.68, 0.39%, 0.29%

LAB 25, 26.68, -28.02

 

CMYK 0 / 53 / 56 / 60

HEX #66302D

RGB 102 48 45

HSL 3.16, 0.39%, 0.29%

LAB 27.1, 23.92, 13.21

 

Description

Color code: HEX #45662D | qconv.com Color code: HEX #45662D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 102 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 102 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 56 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 56% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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