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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #456158 it is the complementary color #BA9EA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #456158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #456158 shade: #4A6153, #5B7366, #6C8579, #7D978C and #8EA99F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #456158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #456158 shade: #456158, #344F45, #233D32, #122B1F and #01190C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #456158 shade: #456259, #456251, #456249, #496245 and #516245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #456158 shade: #456259, #456260, #455C62, #455462 and #454C62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #456158 shade matches the following richer shades: #456259, #38705E, #2A7D62, #1C8B67 and #0F986C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #456158 shade: #456259, #535454, #61474F, #6E394A and #7C2B45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #456158 shade: #456249, #456251, #456258, #456260 and #455C62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #456158 shade: #23322D, #344A43, #456259, #567A6F and #689285

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #456158 shade: #456158, #454962 and #624D45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #456158 shade: #456158, #584562 and #625845

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #456158 shade: #456158, #454962, #62454F and #625E45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #456158 shade: #456158, #4A4562, #62454F and #5D6245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 9 / 62

HEX #456158

RGB 69 97 88

HSL 160.71, 0.17%, 0.33%

LAB 38.76, -12.52, 1.79

 

Complementary color

CMYK 0 / 15 / 10 / 27

HEX #BA9EA7

RGB 186 158 167

HSL 340.71, 0.17%, 0.67%

LAB 67.79, 11.83, -0.84

 

CMYK 24 / 0 / 14 / 62

HEX #4A6153

RGB 74 97 83

HSL 143.48, 0.13%, 0.34%

LAB 38.95, -11.86, 5.18

 

CMYK 21 / 0 / 11 / 55

HEX #5B7366

RGB 91 115 102

HSL 147.5, 0.12%, 0.4%

LAB 46.24, -11.69, 4.3

 

CMYK 19 / 0 / 9 / 48

HEX #6C8579

RGB 108 133 121

HSL 151.2, 0.1%, 0.47%

LAB 53.32, -11.55, 3.5

 

CMYK 17 / 0 / 7 / 41

HEX #7D978C

RGB 125 151 140

HSL 154.62, 0.11%, 0.54%

LAB 60.24, -11.45, 2.75

 

CMYK 16 / 0 / 6 / 34

HEX #8EA99F

RGB 142 169 159

HSL 157.78, 0.14%, 0.61%

LAB 67, -11.37, 2.04

 

CMYK 29 / 0 / 9 / 62

HEX #456158

RGB 69 97 88

HSL 160.71, 0.17%, 0.33%

LAB 38.76, -12.52, 1.79

 

CMYK 34 / 0 / 13 / 69

HEX #344F45

RGB 52 79 69

HSL 157.78, 0.21%, 0.26%

LAB 31.23, -12.74, 2.66

 

CMYK 43 / 0 / 18 / 76

HEX #233D32

RGB 35 61 50

HSL 154.62, 0.27%, 0.19%

LAB 23.42, -13.01, 3.66

 

CMYK 58 / 0 / 28 / 83

HEX #122B1F

RGB 18 43 31

HSL 151.2, 0.41%, 0.12%

LAB 15.25, -13.3, 4.87

 

CMYK 96 / 0 / 52 / 90

HEX #01190C

RGB 1 25 12

HSL 147.5, 0.92%, 0.05%

LAB 6.58, -10.88, 4.68

 

CMYK 30 / 0 / 9 / 62

HEX #456259

RGB 69 98 89

HSL 161.38, 0.17%, 0.33%

LAB 39.11, -12.85, 1.68

 

CMYK 30 / 0 / 17 / 62

HEX #456251

RGB 69 98 81

HSL 144.83, 0.17%, 0.33%

LAB 38.89, -14.7, 6.27

 

CMYK 30 / 0 / 26 / 62

HEX #456249

RGB 69 98 73

HSL 128.28, 0.17%, 0.33%

LAB 38.69, -16.4, 10.87

 

CMYK 26 / 0 / 30 / 62

HEX #496245

RGB 73 98 69

HSL 111.72, 0.17%, 0.33%

LAB 38.87, -15.65, 13.57

 

CMYK 17 / 0 / 30 / 62

HEX #516245

RGB 81 98 69

HSL 95.17, 0.17%, 0.33%

LAB 39.44, -12.45, 14.44

 

CMYK 30 / 0 / 9 / 62

HEX #456259

RGB 69 98 89

HSL 161.38, 0.17%, 0.33%

LAB 39.11, -12.85, 1.68

 

CMYK 30 / 0 / 2 / 62

HEX #456260

RGB 69 98 96

HSL 175.86, 0.17%, 0.33%

LAB 39.32, -11.11, -2.31

 

CMYK 30 / 6 / 0 / 62

HEX #455C62

RGB 69 92 98

HSL 192.41, 0.17%, 0.33%

LAB 37.48, -7.06, -6.27

 

CMYK 30 / 14 / 0 / 62

HEX #455462

RGB 69 84 98

HSL 208.97, 0.17%, 0.33%

LAB 34.98, -2.18, -10.03

 

CMYK 30 / 22 / 0 / 62

HEX #454C62

RGB 69 76 98

HSL 225.52, 0.17%, 0.33%

LAB 32.52, 2.86, -13.78

 

CMYK 30 / 0 / 9 / 62

HEX #456259

RGB 69 98 89

HSL 161.38, 0.17%, 0.33%

LAB 39.11, -12.85, 1.68

 

CMYK 50 / 0 / 16 / 56

HEX #38705E

RGB 56 112 94

HSL 160.71, 0.33%, 0.33%

LAB 43.12, -23.23, 4.35

 

CMYK 66 / 0 / 22 / 51

HEX #2A7D62

RGB 42 125 98

HSL 160.48, 0.5%, 0.33%

LAB 47.03, -31.82, 7.49

 

CMYK 80 / 0 / 26 / 45

HEX #1C8B67

RGB 28 139 103

HSL 160.54, 0.66%, 0.33%

LAB 51.49, -38.95, 10.83

 

CMYK 90 / 0 / 29 / 40

HEX #0F986C

RGB 15 152 108

HSL 160.73, 0.82%, 0.33%

LAB 55.73, -44.28, 13.89

 

CMYK 30 / 0 / 9 / 62

HEX #456259

RGB 69 98 89

HSL 161.38, 0.17%, 0.33%

LAB 39.11, -12.85, 1.68

 

CMYK 1 / 0 / 0 / 67

HEX #535454

RGB 83 84 84

HSL 180, 0.01%, 0.33%

LAB 35.63, -0.4, -0.15

 

CMYK 0 / 27 / 19 / 62

HEX #61474F

RGB 97 71 79

HSL 341.54, 0.15%, 0.33%

LAB 33.16, 12.51, -0.42

 

CMYK 0 / 48 / 33 / 57

HEX #6E394A

RGB 110 57 74

HSL 340.75, 0.32%, 0.33%

LAB 31.2, 25.55, 0.14

 

CMYK 0 / 65 / 44 / 51

HEX #7C2B45

RGB 124 43 69

HSL 340.74, 0.49%, 0.33%

LAB 30.5, 37.55, 2.68

 

CMYK 30 / 0 / 26 / 62

HEX #456249

RGB 69 98 73

HSL 128.28, 0.17%, 0.33%

LAB 38.69, -16.4, 10.87

 

CMYK 30 / 0 / 17 / 62

HEX #456251

RGB 69 98 81

HSL 144.83, 0.17%, 0.33%

LAB 38.89, -14.7, 6.27

 

CMYK 30 / 0 / 10 / 62

HEX #456258

RGB 69 98 88

HSL 159.31, 0.17%, 0.33%

LAB 39.08, -13.09, 2.25

 

CMYK 30 / 0 / 2 / 62

HEX #456260

RGB 69 98 96

HSL 175.86, 0.17%, 0.33%

LAB 39.32, -11.11, -2.31

 

CMYK 30 / 6 / 0 / 62

HEX #455C62

RGB 69 92 98

HSL 192.41, 0.17%, 0.33%

LAB 37.48, -7.06, -6.27

 

CMYK 30 / 0 / 10 / 80

HEX #23322D

RGB 35 50 45

HSL 160, 0.18%, 0.17%

LAB 19.34, -7.56, 1.16

 

CMYK 30 / 0 / 9 / 71

HEX #344A43

RGB 52 74 67

HSL 160.91, 0.17%, 0.25%

LAB 29.5, -10.29, 1.42

 

CMYK 30 / 0 / 9 / 62

HEX #456259

RGB 69 98 89

HSL 161.38, 0.17%, 0.33%

LAB 39.11, -12.85, 1.68

 

CMYK 30 / 0 / 9 / 52

HEX #567A6F

RGB 86 122 111

HSL 161.67, 0.17%, 0.41%

LAB 48.32, -15.28, 1.93

 

CMYK 29 / 0 / 9 / 43

HEX #689285

RGB 104 146 133

HSL 161.43, 0.17%, 0.49%

LAB 57.26, -17.31, 2.26

 

CMYK 29 / 0 / 9 / 62

HEX #456158

RGB 69 97 88

HSL 160.71, 0.17%, 0.33%

LAB 38.76, -12.52, 1.79

 

CMYK 30 / 26 / 0 / 62

HEX #454962

RGB 69 73 98

HSL 231.72, 0.17%, 0.33%

LAB 31.61, 4.8, -15.17

 

CMYK 0 / 21 / 30 / 62

HEX #624D45

RGB 98 77 69

HSL 16.55, 0.17%, 0.33%

LAB 34.67, 7.49, 8.1

 

CMYK 29 / 0 / 9 / 62

HEX #456158

RGB 69 97 88

HSL 160.71, 0.17%, 0.33%

LAB 38.76, -12.52, 1.79

 

CMYK 10 / 30 / 0 / 62

HEX #584562

RGB 88 69 98

HSL 279.31, 0.17%, 0.33%

LAB 32.29, 14.21, -13.97

 

CMYK 0 / 10 / 30 / 62

HEX #625845

RGB 98 88 69

HSL 39.31, 0.17%, 0.33%

LAB 37.85, 0.74, 12.52

 

CMYK 29 / 0 / 9 / 62

HEX #456158

RGB 69 97 88

HSL 160.71, 0.17%, 0.33%

LAB 38.76, -12.52, 1.79

 

CMYK 30 / 26 / 0 / 62

HEX #454962

RGB 69 73 98

HSL 231.72, 0.17%, 0.33%

LAB 31.61, 4.8, -15.17

 

CMYK 0 / 30 / 19 / 62

HEX #62454F

RGB 98 69 79

HSL 339.31, 0.17%, 0.33%

LAB 32.74, 14.18, -1.03

 

CMYK 0 / 4 / 30 / 62

HEX #625E45

RGB 98 94 69

HSL 51.72, 0.17%, 0.33%

LAB 39.63, -2.87, 14.95

 

CMYK 29 / 0 / 9 / 62

HEX #456158

RGB 69 97 88

HSL 160.71, 0.17%, 0.33%

LAB 38.76, -12.52, 1.79

 

CMYK 24 / 30 / 0 / 62

HEX #4A4562

RGB 74 69 98

HSL 250.34, 0.17%, 0.33%

LAB 30.86, 9.14, -16.28

 

CMYK 0 / 30 / 19 / 62

HEX #62454F

RGB 98 69 79

HSL 339.31, 0.17%, 0.33%

LAB 32.74, 14.18, -1.03

 

CMYK 5 / 0 / 30 / 62

HEX #5D6245

RGB 93 98 69

HSL 70.34, 0.17%, 0.33%

LAB 40.4, -7.4, 15.9

 

Description

Color code: HEX #456158 | qconv.com Color code: HEX #456158 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 97 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 97 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 9 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 9% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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