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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #456307 it is the complementary color #BA9CF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #456307. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #456307 shade: #4A6302, #5B7515, #6C8728, #7D993B and #8EAB4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #456307. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #456307 shade: #456307, #345100, #233F00, #122D00 and #011B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #456307 shade: #456406, #5E6406, #645006, #643706 and #641E06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #456307 shade: #456406, #2C6406, #136406, #066413 and #06642C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #456307 shade matches the following richer shades: #456406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #456307 shade: #456406, #425B0F, #3F5218, #3C4A20 and #394129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #456307 shade: #644F06, #5F6406, #466406, #2D6406 and #146406

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #456307 shade: #101601, #2A3D04, #456406, #608A09 and #7BB10C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #456307 shade: #456307, #066437 and #5C0664

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #456307 shade: #456307, #064664 and #640646

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #456307 shade: #456307, #066437, #240664 and #640633

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #456307 shade: #456307, #066453, #240664 and #640618

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 93 / 61

HEX #456307

RGB 69 99 7

HSL 79.57, 0.87%, 0.21%

LAB 38.21, -24.52, 42.47

 

Complementary color

CMYK 25 / 37 / 0 / 3

HEX #BA9CF8

RGB 186 156 248

HSL 259.57, 0.87%, 0.79%

LAB 70.17, 29.71, -41.96

 

CMYK 25 / 0 / 98 / 61

HEX #4A6302

RGB 74 99 2

HSL 75.46, 0.96%, 0.2%

LAB 38.52, -22.51, 44.24

 

CMYK 22 / 0 / 82 / 54

HEX #5B7515

RGB 91 117 21

HSL 76.25, 0.7%, 0.27%

LAB 45.64, -23.41, 45.63

 

CMYK 20 / 0 / 70 / 47

HEX #6C8728

RGB 108 135 40

HSL 77.05, 0.54%, 0.34%

LAB 52.59, -24.04, 45.72

 

CMYK 18 / 0 / 61 / 40

HEX #7D993B

RGB 125 153 59

HSL 77.87, 0.44%, 0.42%

LAB 59.4, -24.46, 45.02

 

CMYK 17 / 0 / 54 / 33

HEX #8EAB4E

RGB 142 171 78

HSL 78.71, 0.37%, 0.49%

LAB 66.08, -24.73, 44.01

 

CMYK 30 / 0 / 93 / 61

HEX #456307

RGB 69 99 7

HSL 79.57, 0.87%, 0.21%

LAB 38.21, -24.52, 42.47

 

CMYK 36 / 0 / 100 / 68

HEX #345100

RGB 52 81 0

HSL 81.48, 1%, 0.16%

LAB 30.91, -23.25, 38.35

 

CMYK 44 / 0 / 100 / 75

HEX #233F00

RGB 35 63 0

HSL 86.67, 1%, 0.12%

LAB 23.38, -21.63, 31.37

 

CMYK 60 / 0 / 100 / 82

HEX #122D00

RGB 18 45 0

HSL 96, 1%, 0.09%

LAB 15.52, -19.81, 22.11

 

CMYK 96 / 0 / 100 / 89

HEX #011B00

RGB 1 27 0

HSL 117.78, 1%, 0.05%

LAB 7.14, -14.2, 10.43

 

CMYK 31 / 0 / 94 / 61

HEX #456406

RGB 69 100 6

HSL 79.79, 0.89%, 0.21%

LAB 38.54, -25.05, 43.02

 

CMYK 6 / 0 / 94 / 61

HEX #5E6406

RGB 94 100 6

HSL 63.83, 0.89%, 0.21%

LAB 40.42, -13.57, 45.33

 

CMYK 0 / 20 / 94 / 61

HEX #645006

RGB 100 80 6

HSL 47.23, 0.89%, 0.21%

LAB 34.92, 1.05, 41.22

 

CMYK 0 / 45 / 94 / 61

HEX #643706

RGB 100 55 6

HSL 31.28, 0.89%, 0.21%

LAB 27.99, 16.45, 35.76

 

CMYK 0 / 70 / 94 / 61

HEX #641E06

RGB 100 30 6

HSL 15.32, 0.89%, 0.21%

LAB 22.48, 30.44, 30.56

 

CMYK 31 / 0 / 94 / 61

HEX #456406

RGB 69 100 6

HSL 79.79, 0.89%, 0.21%

LAB 38.54, -25.05, 43.02

 

CMYK 56 / 0 / 94 / 61

HEX #2C6406

RGB 44 100 6

HSL 95.74, 0.89%, 0.21%

LAB 37.23, -34.55, 41.39

 

CMYK 81 / 0 / 94 / 61

HEX #136406

RGB 19 100 6

HSL 111.7, 0.89%, 0.21%

LAB 36.49, -40.69, 40.47

 

CMYK 94 / 0 / 81 / 61

HEX #066413

RGB 6 100 19

HSL 128.3, 0.89%, 0.21%

LAB 36.37, -41.55, 36.3

 

CMYK 94 / 0 / 56 / 61

HEX #06642C

RGB 6 100 44

HSL 144.26, 0.89%, 0.21%

LAB 36.62, -38.39, 24.71

 

CMYK 31 / 0 / 94 / 61

HEX #456406

RGB 69 100 6

HSL 79.79, 0.89%, 0.21%

LAB 38.54, -25.05, 43.02

 

CMYK 31 / 0 / 94 / 61

HEX #456406

RGB 69 100 6

HSL 79.79, 0.89%, 0.21%

LAB 38.54, -25.05, 43.02

 

CMYK 27 / 0 / 84 / 64

HEX #425B0F

RGB 66 91 15

HSL 79.74, 0.72%, 0.21%

LAB 35.35, -21.44, 37.53

 

CMYK 23 / 0 / 71 / 68

HEX #3F5218

RGB 63 82 24

HSL 79.66, 0.55%, 0.21%

LAB 32.16, -17.39, 30.53

 

CMYK 19 / 0 / 57 / 71

HEX #3C4A20

RGB 60 74 32

HSL 80, 0.4%, 0.21%

LAB 29.32, -13.48, 23.04

 

CMYK 12 / 0 / 37 / 75

HEX #394129

RGB 57 65 41

HSL 80, 0.23%, 0.21%

LAB 26.19, -8.25, 13.59

 

CMYK 0 / 21 / 94 / 61

HEX #644F06

RGB 100 79 6

HSL 46.6, 0.89%, 0.21%

LAB 34.63, 1.66, 40.99

 

CMYK 5 / 0 / 94 / 61

HEX #5F6406

RGB 95 100 6

HSL 63.19, 0.89%, 0.21%

LAB 40.51, -13.09, 45.44

 

CMYK 30 / 0 / 94 / 61

HEX #466406

RGB 70 100 6

HSL 79.15, 0.89%, 0.21%

LAB 38.6, -24.62, 43.1

 

CMYK 55 / 0 / 94 / 61

HEX #2D6406

RGB 45 100 6

HSL 95.11, 0.89%, 0.21%

LAB 37.27, -34.23, 41.44

 

CMYK 80 / 0 / 94 / 61

HEX #146406

RGB 20 100 6

HSL 111.06, 0.89%, 0.21%

LAB 36.51, -40.52, 40.49

 

CMYK 27 / 0 / 95 / 91

HEX #101601

RGB 16 22 1

HSL 77.14, 0.91%, 0.05%

LAB 6.2, -5.99, 8.76

 

CMYK 31 / 0 / 93 / 76

HEX #2A3D04

RGB 42 61 4

HSL 80, 0.88%, 0.13%

LAB 23.13, -17.14, 29.63

 

CMYK 31 / 0 / 94 / 61

HEX #456406

RGB 69 100 6

HSL 79.79, 0.89%, 0.21%

LAB 38.54, -25.05, 43.02

 

CMYK 30 / 0 / 93 / 46

HEX #608A09

RGB 96 138 9

HSL 79.53, 0.88%, 0.29%

LAB 52.6, -31.88, 54.6

 

CMYK 31 / 0 / 93 / 31

HEX #7BB10C

RGB 123 177 12

HSL 79.64, 0.87%, 0.37%

LAB 66.28, -38.8, 65.86

 

CMYK 30 / 0 / 93 / 61

HEX #456307

RGB 69 99 7

HSL 79.57, 0.87%, 0.21%

LAB 38.21, -24.52, 42.47

 

CMYK 94 / 0 / 45 / 61

HEX #066437

RGB 6 100 55

HSL 151.28, 0.89%, 0.21%

LAB 36.8, -36.29, 18.68

 

CMYK 8 / 94 / 0 / 61

HEX #5C0664

RGB 92 6 100

HSL 294.89, 0.89%, 0.21%

LAB 21.3, 46.56, -32.47

 

CMYK 30 / 0 / 93 / 61

HEX #456307

RGB 69 99 7

HSL 79.57, 0.87%, 0.21%

LAB 38.21, -24.52, 42.47

 

CMYK 94 / 30 / 0 / 61

HEX #064664

RGB 6 70 100

HSL 199.15, 0.89%, 0.21%

LAB 27.68, -6.52, -22.78

 

CMYK 0 / 94 / 30 / 61

HEX #640646

RGB 100 6 70

HSL 319.15, 0.89%, 0.21%

LAB 21.14, 43.61, -12.45

 

CMYK 30 / 0 / 93 / 61

HEX #456307

RGB 69 99 7

HSL 79.57, 0.87%, 0.21%

LAB 38.21, -24.52, 42.47

 

CMYK 94 / 0 / 45 / 61

HEX #066437

RGB 6 100 55

HSL 151.28, 0.89%, 0.21%

LAB 36.8, -36.29, 18.68

 

CMYK 64 / 94 / 0 / 61

HEX #240664

RGB 36 6 100

HSL 259.15, 0.89%, 0.21%

LAB 12.13, 38.4, -47.84

 

CMYK 0 / 94 / 49 / 61

HEX #640633

RGB 100 6 51

HSL 331.28, 0.89%, 0.21%

LAB 20.36, 41.47, -0.39

 

CMYK 30 / 0 / 93 / 61

HEX #456307

RGB 69 99 7

HSL 79.57, 0.87%, 0.21%

LAB 38.21, -24.52, 42.47

 

CMYK 94 / 0 / 17 / 61

HEX #066453

RGB 6 100 83

HSL 169.15, 0.89%, 0.21%

LAB 37.44, -29.14, 2.68

 

CMYK 64 / 94 / 0 / 61

HEX #240664

RGB 36 6 100

HSL 259.15, 0.89%, 0.21%

LAB 12.13, 38.4, -47.84

 

CMYK 0 / 94 / 76 / 61

HEX #640618

RGB 100 6 24

HSL 348.51, 0.89%, 0.21%

LAB 19.66, 39.51, 17.79

 

Description

Color code: HEX #456307 | qconv.com Color code: HEX #456307 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 99 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 99 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 93 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 93% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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