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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #456D1C it is the complementary color #BA92E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #456D1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #456D1C shade: #4A6D17, #5B7F2A, #6C913D, #7DA350 and #8EB563

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #456D1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #456D1C shade: #456D1C, #345B09, #234900, #123700 and #012500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #456D1C shade: #456D1C, #5B6D1C, #6D691C, #6D531C and #6D3D1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #456D1C shade: #456D1C, #2F6D1C, #1C6D1E, #1C6D34 and #1C6D4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #456D1C shade matches the following richer shades: #456D1C, #457811 and #458305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #456D1C shade: #456D1C, #456227, #455732, #444C3D and #444048

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #456D1C shade: #6D691C, #5B6D1C, #466D1C, #306D1C and #1C6D1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #456D1C shade: #1B2B0B, #304C13, #456D1C, #5A8E24 and #6EAF2D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #456D1C shade: #456D1C, #1C6D53 and #6D1C66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #456D1C shade: #456D1C, #1C466D and #6D1C46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #456D1C shade: #456D1C, #1C6D53, #431C6D and #6D1C35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #456D1C shade: #456D1C, #1C6D6C, #431C6D and #6D1C1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 74 / 57

HEX #456D1C

RGB 69 109 28

HSL 89.63, 0.59%, 0.27%

LAB 41.67, -28.24, 38.74

 

Complementary color

CMYK 18 / 36 / 0 / 11

HEX #BA92E3

RGB 186 146 227

HSL 269.63, 0.59%, 0.73%

LAB 66.93, 30.47, -35.5

 

CMYK 32 / 0 / 79 / 57

HEX #4A6D17

RGB 74 109 23

HSL 84.42, 0.65%, 0.26%

LAB 41.93, -26.57, 41.06

 

CMYK 28 / 0 / 67 / 50

HEX #5B7F2A

RGB 91 127 42

HSL 85.41, 0.5%, 0.33%

LAB 48.97, -26.99, 40.72

 

CMYK 26 / 0 / 58 / 43

HEX #6C913D

RGB 108 145 61

HSL 86.43, 0.41%, 0.4%

LAB 55.86, -27.2, 39.79

 

CMYK 23 / 0 / 51 / 36

HEX #7DA350

RGB 125 163 80

HSL 87.47, 0.34%, 0.48%

LAB 62.62, -27.29, 38.64

 

CMYK 22 / 0 / 45 / 29

HEX #8EB563

RGB 142 181 99

HSL 88.54, 0.36%, 0.55%

LAB 69.25, -27.31, 37.45

 

CMYK 37 / 0 / 74 / 57

HEX #456D1C

RGB 69 109 28

HSL 89.63, 0.59%, 0.27%

LAB 41.67, -28.24, 38.74

 

CMYK 43 / 0 / 90 / 64

HEX #345B09

RGB 52 91 9

HSL 88.54, 0.82%, 0.2%

LAB 34.46, -27.61, 38.29

 

CMYK 52 / 0 / 100 / 71

HEX #234900

RGB 35 73 0

HSL 91.23, 1%, 0.14%

LAB 27.08, -26.36, 34.87

 

CMYK 67 / 0 / 100 / 78

HEX #123700

RGB 18 55 0

HSL 100.36, 1%, 0.11%

LAB 19.48, -24.36, 26.9

 

CMYK 97 / 0 / 100 / 85

HEX #012500

RGB 1 37 0

HSL 118.38, 1%, 0.07%

LAB 11.48, -21.87, 16.63

 

CMYK 37 / 0 / 74 / 57

HEX #456D1C

RGB 69 109 28

HSL 89.63, 0.59%, 0.27%

LAB 41.67, -28.24, 38.74

 

CMYK 17 / 0 / 74 / 57

HEX #5B6D1C

RGB 91 109 28

HSL 73.33, 0.59%, 0.27%

LAB 43.13, -18.89, 40.69

 

CMYK 0 / 4 / 74 / 57

HEX #6D691C

RGB 109 105 28

HSL 57.04, 0.59%, 0.27%

LAB 43.42, -8.32, 41.48

 

CMYK 0 / 24 / 74 / 57

HEX #6D531C

RGB 109 83 28

HSL 40.74, 0.59%, 0.27%

LAB 36.97, 4.61, 35.02

 

CMYK 0 / 44 / 74 / 57

HEX #6D3D1C

RGB 109 61 28

HSL 24.44, 0.59%, 0.27%

LAB 31.05, 18, 28.75

 

CMYK 37 / 0 / 74 / 57

HEX #456D1C

RGB 69 109 28

HSL 89.63, 0.59%, 0.27%

LAB 41.67, -28.24, 38.74

 

CMYK 57 / 0 / 74 / 57

HEX #2F6D1C

RGB 47 109 28

HSL 105.93, 0.59%, 0.27%

LAB 40.61, -35.95, 37.33

 

CMYK 74 / 0 / 72 / 57

HEX #1C6D1E

RGB 28 109 30

HSL 121.48, 0.59%, 0.27%

LAB 40.04, -40.49, 35.69

 

CMYK 74 / 0 / 52 / 57

HEX #1C6D34

RGB 28 109 52

HSL 137.78, 0.59%, 0.27%

LAB 40.3, -37.49, 24.93

 

CMYK 74 / 0 / 32 / 57

HEX #1C6D4A

RGB 28 109 74

HSL 154.07, 0.59%, 0.27%

LAB 40.7, -33, 12.77

 

CMYK 37 / 0 / 74 / 57

HEX #456D1C

RGB 69 109 28

HSL 89.63, 0.59%, 0.27%

LAB 41.67, -28.24, 38.74

 

CMYK 43 / 0 / 86 / 53

HEX #457811

RGB 69 120 17

HSL 89.71, 0.75%, 0.27%

LAB 45.27, -33.94, 46.01

 

CMYK 47 / 0 / 96 / 49

HEX #458305

RGB 69 131 5

HSL 89.52, 0.93%, 0.27%

LAB 48.89, -39.06, 51.72

 

CMYK 37 / 0 / 74 / 57

HEX #456D1C

RGB 69 109 28

HSL 89.63, 0.59%, 0.27%

LAB 41.67, -28.24, 38.74

 

CMYK 30 / 0 / 60 / 62

HEX #456227

RGB 69 98 39

HSL 89.49, 0.43%, 0.27%

LAB 38.11, -21.77, 29.7

 

CMYK 21 / 0 / 43 / 66

HEX #455732

RGB 69 87 50

HSL 89.19, 0.27%, 0.27%

LAB 34.62, -14.39, 19.27

 

CMYK 11 / 0 / 20 / 70

HEX #444C3D

RGB 68 76 61

HSL 92, 0.11%, 0.27%

LAB 31.2, -6.46, 7.85

 

CMYK 6 / 11 / 0 / 72

HEX #444048

RGB 68 64 72

HSL 270, 0.06%, 0.27%

LAB 27.75, 3.5, -4.24

 

CMYK 0 / 4 / 74 / 57

HEX #6D691C

RGB 109 105 28

HSL 57.04, 0.59%, 0.27%

LAB 43.42, -8.32, 41.48

 

CMYK 17 / 0 / 74 / 57

HEX #5B6D1C

RGB 91 109 28

HSL 73.33, 0.59%, 0.27%

LAB 43.13, -18.89, 40.69

 

CMYK 36 / 0 / 74 / 57

HEX #466D1C

RGB 70 109 28

HSL 88.89, 0.59%, 0.27%

LAB 41.73, -27.85, 38.82

 

CMYK 56 / 0 / 74 / 57

HEX #306D1C

RGB 48 109 28

HSL 105.19, 0.59%, 0.27%

LAB 40.65, -35.64, 37.38

 

CMYK 74 / 0 / 73 / 57

HEX #1C6D1D

RGB 28 109 29

HSL 120.74, 0.59%, 0.27%

LAB 40.04, -40.59, 36.12

 

CMYK 37 / 0 / 74 / 83

HEX #1B2B0B

RGB 27 43 11

HSL 90, 0.59%, 0.11%

LAB 15.41, -13.51, 17.59

 

CMYK 37 / 0 / 75 / 70

HEX #304C13

RGB 48 76 19

HSL 89.47, 0.6%, 0.19%

LAB 29.02, -21.27, 29.27

 

CMYK 37 / 0 / 74 / 57

HEX #456D1C

RGB 69 109 28

HSL 89.63, 0.59%, 0.27%

LAB 41.67, -28.24, 38.74

 

CMYK 37 / 0 / 75 / 44

HEX #5A8E24

RGB 90 142 36

HSL 89.43, 0.6%, 0.35%

LAB 53.65, -34.86, 48

 

CMYK 37 / 0 / 74 / 31

HEX #6EAF2D

RGB 110 175 45

HSL 90, 0.59%, 0.43%

LAB 65.09, -41.46, 56.38

 

CMYK 37 / 0 / 74 / 57

HEX #456D1C

RGB 69 109 28

HSL 89.63, 0.59%, 0.27%

LAB 41.67, -28.24, 38.74

 

CMYK 74 / 0 / 24 / 57

HEX #1C6D53

RGB 28 109 83

HSL 160.74, 0.59%, 0.27%

LAB 40.91, -30.76, 7.68

 

CMYK 0 / 74 / 6 / 57

HEX #6D1C66

RGB 109 28 102

HSL 305.19, 0.59%, 0.27%

LAB 26.85, 44.2, -24.76

 

CMYK 37 / 0 / 74 / 57

HEX #456D1C

RGB 69 109 28

HSL 89.63, 0.59%, 0.27%

LAB 41.67, -28.24, 38.74

 

CMYK 74 / 36 / 0 / 57

HEX #1C466D

RGB 28 70 109

HSL 208.89, 0.59%, 0.27%

LAB 28.72, -0.21, -26.84

 

CMYK 0 / 74 / 36 / 57

HEX #6D1C46

RGB 109 28 70

HSL 328.89, 0.59%, 0.27%

LAB 25.33, 39.38, -5.91

 

CMYK 37 / 0 / 74 / 57

HEX #456D1C

RGB 69 109 28

HSL 89.63, 0.59%, 0.27%

LAB 41.67, -28.24, 38.74

 

CMYK 74 / 0 / 24 / 57

HEX #1C6D53

RGB 28 109 83

HSL 160.74, 0.59%, 0.27%

LAB 40.91, -30.76, 7.68

 

CMYK 39 / 74 / 0 / 57

HEX #431C6D

RGB 67 28 109

HSL 268.89, 0.59%, 0.27%

LAB 20.55, 35.74, -39.78

 

CMYK 0 / 74 / 51 / 57

HEX #6D1C35

RGB 109 28 53

HSL 341.48, 0.59%, 0.27%

LAB 24.76, 37.47, 4.82

 

CMYK 37 / 0 / 74 / 57

HEX #456D1C

RGB 69 109 28

HSL 89.63, 0.59%, 0.27%

LAB 41.67, -28.24, 38.74

 

CMYK 74 / 0 / 1 / 57

HEX #1C6D6C

RGB 28 109 108

HSL 179.26, 0.59%, 0.27%

LAB 41.64, -23.5, -6.38

 

CMYK 39 / 74 / 0 / 57

HEX #431C6D

RGB 67 28 109

HSL 268.89, 0.59%, 0.27%

LAB 20.55, 35.74, -39.78

 

CMYK 0 / 74 / 73 / 57

HEX #6D1C1D

RGB 109 28 29

HSL 359.26, 0.59%, 0.27%

LAB 24.23, 35.63, 20.36

 

Description

Color code: HEX #456D1C | qconv.com Color code: HEX #456D1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 109 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 109 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 74 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 74% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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