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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #457D9A it is the complementary color #BA8265. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #457D9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #457D9A shade: #4A7D95, #5B8FA8, #6CA1BB, #7DB3CE and #8EC5E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #457D9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #457D9A shade: #457D9A, #346B87, #235974, #124761 and #01354E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #457D9A shade: #457D9A, #45669A, #454F9A, #52459A and #69459A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #457D9A shade: #457D9A, #45669A, #454F9A and #45459A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #457D9A shade matches the following richer shades: #457D9A, #3383AC, #2189BF and #0F8FD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #457D9A shade: #457D9A, #577788, #697276, #7C6C64 and #8E6652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #457D9A shade: #459A89, #45959A, #457E9A, #45679A and #45509A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #457D9A shade: #2B4F61, #38667E, #457D9A, #5693B3 and #72A5C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #457D9A shade: #457D9A, #73459A and #9A9545

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #457D9A shade: #457D9A, #9A457E and #7E9A45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #457D9A shade: #457D9A, #73459A, #9A6145 and #6D9A45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #457D9A shade: #457D9A, #8C459A, #9A6145 and #539A45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 19 / 0 / 40

HEX #457D9A

RGB 69 125 154

HSL 200.47, 0.38%, 0.44%

LAB 49.82, -9.81, -21.24

 

Complementary color

CMYK 0 / 30 / 46 / 27

HEX #BA8265

RGB 186 130 101

HSL 20.47, 0.38%, 0.56%

LAB 59.29, 18.09, 24.32

 

CMYK 50 / 16 / 0 / 42

HEX #4A7D95

RGB 74 125 149

HSL 199.2, 0.34%, 0.44%

LAB 49.85, -10.18, -18.24

 

CMYK 46 / 15 / 0 / 34

HEX #5B8FA8

RGB 91 143 168

HSL 199.48, 0.31%, 0.51%

LAB 56.78, -10.45, -18.58

 

CMYK 42 / 14 / 0 / 27

HEX #6CA1BB

RGB 108 161 187

HSL 199.75, 0.37%, 0.58%

LAB 63.56, -10.65, -18.93

 

CMYK 39 / 13 / 0 / 19

HEX #7DB3CE

RGB 125 179 206

HSL 200, 0.45%, 0.65%

LAB 70.22, -10.8, -19.27

 

CMYK 37 / 12 / 0 / 12

HEX #8EC5E1

RGB 142 197 225

HSL 200.24, 0.58%, 0.72%

LAB 76.75, -10.93, -19.61

 

CMYK 55 / 19 / 0 / 40

HEX #457D9A

RGB 69 125 154

HSL 200.47, 0.38%, 0.44%

LAB 49.82, -9.81, -21.24

 

CMYK 61 / 21 / 0 / 47

HEX #346B87

RGB 52 107 135

HSL 200.24, 0.44%, 0.37%

LAB 42.76, -9.25, -20.92

 

CMYK 70 / 23 / 0 / 55

HEX #235974

RGB 35 89 116

HSL 200, 0.54%, 0.3%

LAB 35.52, -8.41, -20.57

 

CMYK 81 / 27 / 0 / 62

HEX #124761

RGB 18 71 97

HSL 199.75, 0.69%, 0.23%

LAB 28.11, -7.12, -20.17

 

CMYK 99 / 32 / 0 / 69

HEX #01354E

RGB 1 53 78

HSL 199.48, 0.97%, 0.15%

LAB 20.45, -5.3, -19.74

 

CMYK 55 / 19 / 0 / 40

HEX #457D9A

RGB 69 125 154

HSL 200.47, 0.38%, 0.44%

LAB 49.82, -9.81, -21.24

 

CMYK 55 / 34 / 0 / 40

HEX #45669A

RGB 69 102 154

HSL 216.71, 0.38%, 0.44%

LAB 42.92, 3.92, -31.96

 

CMYK 55 / 49 / 0 / 40

HEX #454F9A

RGB 69 79 154

HSL 232.94, 0.38%, 0.44%

LAB 36.35, 18.63, -42.39

 

CMYK 47 / 55 / 0 / 40

HEX #52459A

RGB 82 69 154

HSL 249.18, 0.38%, 0.44%

LAB 34.77, 28.04, -44.87

 

CMYK 32 / 55 / 0 / 40

HEX #69459A

RGB 105 69 154

HSL 265.41, 0.38%, 0.44%

LAB 37.1, 33.83, -41

 

CMYK 55 / 19 / 0 / 40

HEX #457D9A

RGB 69 125 154

HSL 200.47, 0.38%, 0.44%

LAB 49.82, -9.81, -21.24

 

CMYK 55 / 34 / 0 / 40

HEX #45669A

RGB 69 102 154

HSL 216.71, 0.38%, 0.44%

LAB 42.92, 3.92, -31.96

 

CMYK 55 / 49 / 0 / 40

HEX #454F9A

RGB 69 79 154

HSL 232.94, 0.38%, 0.44%

LAB 36.35, 18.63, -42.39

 

CMYK 55 / 55 / 0 / 40

HEX #45459A

RGB 69 69 154

HSL 240, 0.38%, 0.44%

LAB 33.68, 25.13, -46.68

 

CMYK 55 / 19 / 0 / 40

HEX #457D9A

RGB 69 125 154

HSL 200.47, 0.38%, 0.44%

LAB 49.82, -9.81, -21.24

 

CMYK 70 / 24 / 0 / 33

HEX #3383AC

RGB 51 131 172

HSL 200.33, 0.54%, 0.44%

LAB 51.74, -10.67, -28.77

 

CMYK 83 / 28 / 0 / 25

HEX #2189BF

RGB 33 137 191

HSL 200.51, 0.71%, 0.44%

LAB 54, -9.5, -36.17

 

CMYK 93 / 32 / 0 / 18

HEX #0F8FD1

RGB 15 143 209

HSL 200.41, 0.87%, 0.44%

LAB 56.44, -7.44, -42.54

 

CMYK 55 / 19 / 0 / 40

HEX #457D9A

RGB 69 125 154

HSL 200.47, 0.38%, 0.44%

LAB 49.82, -9.81, -21.24

 

CMYK 36 / 13 / 0 / 47

HEX #577788

RGB 87 119 136

HSL 200.82, 0.22%, 0.44%

LAB 48.26, -6.94, -12.95

 

CMYK 11 / 3 / 0 / 54

HEX #697276

RGB 105 114 118

HSL 198.46, 0.06%, 0.44%

LAB 47.43, -2.51, -3.38

 

CMYK 0 / 13 / 19 / 51

HEX #7C6C64

RGB 124 108 100

HSL 20, 0.11%, 0.44%

LAB 46.88, 4.89, 6.78

 

CMYK 0 / 28 / 42 / 44

HEX #8E6652

RGB 142 102 82

HSL 20, 0.27%, 0.44%

LAB 46.79, 13.4, 17.65

 

CMYK 55 / 0 / 11 / 40

HEX #459A89

RGB 69 154 137

HSL 168, 0.38%, 0.44%

LAB 58.21, -29.97, 1.15

 

CMYK 55 / 3 / 0 / 40

HEX #45959A

RGB 69 149 154

HSL 183.53, 0.38%, 0.44%

LAB 57.17, -22.84, -10.08

 

CMYK 55 / 18 / 0 / 40

HEX #457E9A

RGB 69 126 154

HSL 199.76, 0.38%, 0.44%

LAB 50.12, -10.38, -20.77

 

CMYK 55 / 33 / 0 / 40

HEX #45679A

RGB 69 103 154

HSL 216, 0.38%, 0.44%

LAB 43.21, 3.3, -31.5

 

CMYK 55 / 48 / 0 / 40

HEX #45509A

RGB 69 80 154

HSL 232.24, 0.38%, 0.44%

LAB 36.62, 17.98, -41.95

 

CMYK 56 / 19 / 0 / 62

HEX #2B4F61

RGB 43 79 97

HSL 200, 0.39%, 0.27%

LAB 31.74, -7.23, -14.49

 

CMYK 56 / 19 / 0 / 51

HEX #38667E

RGB 56 102 126

HSL 200.57, 0.38%, 0.36%

LAB 40.98, -8.39, -18.21

 

CMYK 55 / 19 / 0 / 40

HEX #457D9A

RGB 69 125 154

HSL 200.47, 0.38%, 0.44%

LAB 49.82, -9.81, -21.24

 

CMYK 52 / 18 / 0 / 30

HEX #5693B3

RGB 86 147 179

HSL 200.65, 0.38%, 0.52%

LAB 58.13, -10.65, -22.8

 

CMYK 41 / 14 / 0 / 25

HEX #72A5C0

RGB 114 165 192

HSL 200.77, 0.38%, 0.6%

LAB 65.19, -9.89, -19.21

 

CMYK 55 / 19 / 0 / 40

HEX #457D9A

RGB 69 125 154

HSL 200.47, 0.38%, 0.44%

LAB 49.82, -9.81, -21.24

 

CMYK 25 / 55 / 0 / 40

HEX #73459A

RGB 115 69 154

HSL 272.47, 0.38%, 0.44%

LAB 38.26, 36.51, -39.08

 

CMYK 0 / 3 / 55 / 40

HEX #9A9545

RGB 154 149 69

HSL 56.47, 0.38%, 0.44%

LAB 60.6, -9.18, 42.25

 

CMYK 55 / 19 / 0 / 40

HEX #457D9A

RGB 69 125 154

HSL 200.47, 0.38%, 0.44%

LAB 49.82, -9.81, -21.24

 

CMYK 0 / 55 / 18 / 40

HEX #9A457E

RGB 154 69 126

HSL 319.76, 0.38%, 0.44%

LAB 42.2, 42.6, -15.5

 

CMYK 18 / 0 / 55 / 40

HEX #7E9A45

RGB 126 154 69

HSL 79.76, 0.38%, 0.44%

LAB 59.87, -23.63, 40.84

 

CMYK 55 / 19 / 0 / 40

HEX #457D9A

RGB 69 125 154

HSL 200.47, 0.38%, 0.44%

LAB 49.82, -9.81, -21.24

 

CMYK 25 / 55 / 0 / 40

HEX #73459A

RGB 115 69 154

HSL 272.47, 0.38%, 0.44%

LAB 38.26, 36.51, -39.08

 

CMYK 0 / 37 / 55 / 40

HEX #9A6145

RGB 154 97 69

HSL 19.76, 0.38%, 0.44%

LAB 46.78, 20.09, 25.51

 

CMYK 29 / 0 / 55 / 40

HEX #6D9A45

RGB 109 154 69

HSL 91.76, 0.38%, 0.44%

LAB 58.78, -30.31, 39.29

 

CMYK 55 / 19 / 0 / 40

HEX #457D9A

RGB 69 125 154

HSL 200.47, 0.38%, 0.44%

LAB 49.82, -9.81, -21.24

 

CMYK 9 / 55 / 0 / 40

HEX #8C459A

RGB 140 69 154

HSL 290.12, 0.38%, 0.44%

LAB 41.48, 43.46, -33.78

 

CMYK 0 / 37 / 55 / 40

HEX #9A6145

RGB 154 97 69

HSL 19.76, 0.38%, 0.44%

LAB 46.78, 20.09, 25.51

 

CMYK 46 / 0 / 55 / 40

HEX #539A45

RGB 83 154 69

HSL 110.12, 0.38%, 0.44%

LAB 57.44, -39.36, 37.38

 

Description

Color code: HEX #457D9A | qconv.com Color code: HEX #457D9A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 125 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 125 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 19 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 19% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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