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Color name
HEX #457F26

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #457F26 it is the complementary color #BA80D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #457F26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #457F26 shade: #4A7F21, #5B9134, #6CA347, #7DB55A and #8EC76D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #457F26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #457F26 shade: #457F26, #346D13, #235B00, #124900 and #013700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #457F26 shade: #447D25, #5B7D25, #737D25, #7D6F25 and #7D5825

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #457F26 shade: #447D25, #2C7D25, #257D36, #257D4E and #257D65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #457F26 shade matches the following richer shades: #447D25, #408A18 and #3C980B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #457F26 shade: #447D25, #487032, #4C633F, #50564D and #54485A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #457F26 shade: #737D25, #5B7D25, #447D25, #2C7D25 and #257D35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #457F26 shade: #213E12, #325D1C, #447D25, #559D2F and #66BD38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #457F26 shade: #457F26, #257D70 and #7D2567

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #457F26 shade: #457F26, #25447D and #7D2544

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #457F26 shade: #457F26, #257D70, #5E257D and #7D2532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #457F26 shade: #457F26, #25707D, #5E257D and #7D3225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 70 / 50

HEX #457F26

RGB 69 127 38

HSL 99.1, 0.54%, 0.32%

LAB 47.73, -35.61, 40.8

 

Complementary color

CMYK 14 / 41 / 0 / 15

HEX #BA80D9

RGB 186 128 217

HSL 279.1, 0.54%, 0.68%

LAB 62.41, 38.24, -36.99

 

CMYK 42 / 0 / 74 / 50

HEX #4A7F21

RGB 74 127 33

HSL 93.83, 0.59%, 0.31%

LAB 47.94, -34.25, 43.16

 

CMYK 37 / 0 / 64 / 43

HEX #5B9134

RGB 91 145 52

HSL 94.84, 0.47%, 0.39%

LAB 54.79, -34.55, 42.54

 

CMYK 34 / 0 / 56 / 36

HEX #6CA347

RGB 108 163 71

HSL 95.87, 0.39%, 0.46%

LAB 61.51, -34.65, 41.51

 

CMYK 31 / 0 / 50 / 29

HEX #7DB55A

RGB 125 181 90

HSL 96.92, 0.38%, 0.53%

LAB 68.13, -34.64, 40.35

 

CMYK 29 / 0 / 45 / 22

HEX #8EC76D

RGB 142 199 109

HSL 98, 0.45%, 0.6%

LAB 74.64, -34.56, 39.15

 

CMYK 46 / 0 / 70 / 50

HEX #457F26

RGB 69 127 38

HSL 99.1, 0.54%, 0.32%

LAB 47.73, -35.61, 40.8

 

CMYK 52 / 0 / 83 / 57

HEX #346D13

RGB 52 109 19

HSL 98, 0.7%, 0.25%

LAB 40.76, -35.04, 40.95

 

CMYK 62 / 0 / 100 / 64

HEX #235B00

RGB 35 91 0

HSL 96.92, 1%, 0.18%

LAB 33.65, -34, 40.13

 

CMYK 75 / 0 / 100 / 71

HEX #124900

RGB 18 73 0

HSL 105.21, 1%, 0.14%

LAB 26.43, -31.62, 34.04

 

CMYK 98 / 0 / 100 / 78

HEX #013700

RGB 1 55 0

HSL 118.91, 1%, 0.11%

LAB 18.97, -28.78, 26.18

 

CMYK 46 / 0 / 70 / 51

HEX #447D25

RGB 68 125 37

HSL 98.86, 0.54%, 0.32%

LAB 47.01, -35.16, 40.46

 

CMYK 27 / 0 / 70 / 51

HEX #5B7D25

RGB 91 125 37

HSL 83.18, 0.54%, 0.32%

LAB 48.29, -26.41, 42.19

 

CMYK 8 / 0 / 70 / 51

HEX #737D25

RGB 115 125 37

HSL 66.82, 0.54%, 0.32%

LAB 50.03, -16, 44.53

 

CMYK 0 / 11 / 70 / 51

HEX #7D6F25

RGB 125 111 37

HSL 50.45, 0.54%, 0.32%

LAB 46.79, -3.64, 41.51

 

CMYK 0 / 30 / 70 / 51

HEX #7D5825

RGB 125 88 37

HSL 34.77, 0.54%, 0.32%

LAB 40.37, 9.82, 34.72

 

CMYK 46 / 0 / 70 / 51

HEX #447D25

RGB 68 125 37

HSL 98.86, 0.54%, 0.32%

LAB 47.01, -35.16, 40.46

 

CMYK 65 / 0 / 70 / 51

HEX #2C7D25

RGB 44 125 37

HSL 115.23, 0.54%, 0.32%

LAB 46.09, -42.25, 39.2

 

CMYK 70 / 0 / 57 / 51

HEX #257D36

RGB 37 125 54

HSL 131.59, 0.54%, 0.32%

LAB 46.08, -41.71, 30.98

 

CMYK 70 / 0 / 38 / 51

HEX #257D4E

RGB 37 125 78

HSL 147.95, 0.54%, 0.32%

LAB 46.46, -37.41, 18.3

 

CMYK 70 / 0 / 19 / 51

HEX #257D65

RGB 37 125 101

HSL 163.64, 0.54%, 0.32%

LAB 46.97, -31.95, 5.63

 

CMYK 46 / 0 / 70 / 51

HEX #447D25

RGB 68 125 37

HSL 98.86, 0.54%, 0.32%

LAB 47.01, -35.16, 40.46

 

CMYK 54 / 0 / 83 / 46

HEX #408A18

RGB 64 138 24

HSL 98.95, 0.7%, 0.32%

LAB 51.07, -42.77, 49.18

 

CMYK 61 / 0 / 93 / 40

HEX #3C980B

RGB 60 152 11

HSL 99.15, 0.87%, 0.32%

LAB 55.52, -49.68, 56.02

 

CMYK 46 / 0 / 70 / 51

HEX #447D25

RGB 68 125 37

HSL 98.86, 0.54%, 0.32%

LAB 47.01, -35.16, 40.46

 

CMYK 36 / 0 / 55 / 56

HEX #487032

RGB 72 112 50

HSL 98.71, 0.38%, 0.32%

LAB 43.06, -26.3, 29.79

 

CMYK 23 / 0 / 36 / 61

HEX #4C633F

RGB 76 99 63

HSL 98.33, 0.22%, 0.32%

LAB 39.27, -16.07, 17.74

 

CMYK 7 / 0 / 10 / 66

HEX #50564D

RGB 80 86 77

HSL 100, 0.06%, 0.32%

LAB 35.78, -4.31, 4.42

 

CMYK 7 / 20 / 0 / 65

HEX #54485A

RGB 84 72 90

HSL 280, 0.11%, 0.32%

LAB 32.39, 8.89, -8.76

 

CMYK 8 / 0 / 70 / 51

HEX #737D25

RGB 115 125 37

HSL 66.82, 0.54%, 0.32%

LAB 50.03, -16, 44.53

 

CMYK 27 / 0 / 70 / 51

HEX #5B7D25

RGB 91 125 37

HSL 83.18, 0.54%, 0.32%

LAB 48.29, -26.41, 42.19

 

CMYK 46 / 0 / 70 / 51

HEX #447D25

RGB 68 125 37

HSL 98.86, 0.54%, 0.32%

LAB 47.01, -35.16, 40.46

 

CMYK 65 / 0 / 70 / 51

HEX #2C7D25

RGB 44 125 37

HSL 115.23, 0.54%, 0.32%

LAB 46.09, -42.25, 39.2

 

CMYK 70 / 0 / 58 / 51

HEX #257D35

RGB 37 125 53

HSL 130.91, 0.54%, 0.32%

LAB 46.07, -41.85, 31.48

 

CMYK 47 / 0 / 71 / 76

HEX #213E12

RGB 33 62 18

HSL 99.55, 0.55%, 0.16%

LAB 23.04, -20.4, 23.07

 

CMYK 46 / 0 / 70 / 64

HEX #325D1C

RGB 50 93 28

HSL 99.69, 0.54%, 0.24%

LAB 35.18, -27.94, 31.63

 

CMYK 46 / 0 / 70 / 51

HEX #447D25

RGB 68 125 37

HSL 98.86, 0.54%, 0.32%

LAB 47.01, -35.16, 40.46

 

CMYK 46 / 0 / 70 / 38

HEX #559D2F

RGB 85 157 47

HSL 99.27, 0.54%, 0.4%

LAB 58.27, -42.26, 48.34

 

CMYK 46 / 0 / 70 / 26

HEX #66BD38

RGB 102 189 56

HSL 99.25, 0.54%, 0.48%

LAB 69.12, -49.14, 56.27

 

CMYK 46 / 0 / 70 / 50

HEX #457F26

RGB 69 127 38

HSL 99.1, 0.54%, 0.32%

LAB 47.73, -35.61, 40.8

 

CMYK 70 / 0 / 10 / 51

HEX #257D70

RGB 37 125 112

HSL 171.14, 0.54%, 0.32%

LAB 47.28, -28.92, -0.43

 

CMYK 0 / 70 / 18 / 51

HEX #7D2567

RGB 125 37 103

HSL 315, 0.54%, 0.32%

LAB 31.03, 45.08, -18.67

 

CMYK 46 / 0 / 70 / 50

HEX #457F26

RGB 69 127 38

HSL 99.1, 0.54%, 0.32%

LAB 47.73, -35.61, 40.8

 

CMYK 70 / 46 / 0 / 51

HEX #25447D

RGB 37 68 125

HSL 218.86, 0.54%, 0.32%

LAB 29.43, 8.97, -35.77

 

CMYK 0 / 70 / 46 / 51

HEX #7D2544

RGB 125 37 68

HSL 338.86, 0.54%, 0.32%

LAB 29.66, 40.48, 2.16

 

CMYK 46 / 0 / 70 / 50

HEX #457F26

RGB 69 127 38

HSL 99.1, 0.54%, 0.32%

LAB 47.73, -35.61, 40.8

 

CMYK 70 / 0 / 10 / 51

HEX #257D70

RGB 37 125 112

HSL 171.14, 0.54%, 0.32%

LAB 47.28, -28.92, -0.43

 

CMYK 25 / 70 / 0 / 51

HEX #5E257D

RGB 94 37 125

HSL 278.86, 0.54%, 0.32%

LAB 27.25, 41.29, -38.98

 

CMYK 0 / 70 / 60 / 51

HEX #7D2532

RGB 125 37 50

HSL 351.14, 0.54%, 0.32%

LAB 29.19, 38.82, 13.44

 

CMYK 46 / 0 / 70 / 50

HEX #457F26

RGB 69 127 38

HSL 99.1, 0.54%, 0.32%

LAB 47.73, -35.61, 40.8

 

CMYK 70 / 10 / 0 / 51

HEX #25707D

RGB 37 112 125

HSL 188.86, 0.54%, 0.32%

LAB 43.45, -18.2, -13.89

 

CMYK 25 / 70 / 0 / 51

HEX #5E257D

RGB 94 37 125

HSL 278.86, 0.54%, 0.32%

LAB 27.25, 41.29, -38.98

 

CMYK 0 / 60 / 70 / 51

HEX #7D3225

RGB 125 50 37

HSL 8.86, 0.54%, 0.32%

LAB 31.29, 31.68, 24.43

 

Description

Color code: HEX #457F26 | qconv.com Color code: HEX #457F26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 127 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 127 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 70 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 70% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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