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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #458DEC it is the complementary color #BA7213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #458DEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #458DEC shade: #4A8DE7, #5B9FFA, #6CB1FF, #7DC3FF and #8ED5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #458DEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #458DEC shade: #458DEC, #347BD9, #2369C6, #1257B3 and #0145A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #458DEC shade: #468DEB, #4661EB, #5846EB, #8446EB and #B146EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #458DEC shade: #468DEB, #4661EB and #4646EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #458DEC shade matches the following richer shades: #468DEB and #358BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #458DEC shade: #468DEB, #568FDB, #6792CA, #7794BA and #8896A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #458DEC shade: #46E6EB, #46BAEB, #468DEB, #4661EB and #5646EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #458DEC shade: #1563CA, #2176E7, #468DEB, #6BA4EF and #91BBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #458DEC shade: #458DEC, #C546EB and #D0EB46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #458DEC shade: #458DEC, #EB468D and #8DEB46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #458DEC shade: #458DEC, #C546EB, #EBA446 and #6CEB46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #458DEC shade: #458DEC, #EB46E0, #EBA446 and #46EB51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 40 / 0 / 7

HEX #458DEC

RGB 69 141 236

HSL 214.13, 0.81%, 0.6%

LAB 58.39, 8.53, -54.46

 

Complementary color

CMYK 0 / 39 / 90 / 27

HEX #BA7213

RGB 186 114 19

HSL 34.13, 0.81%, 0.4%

LAB 54.58, 21.96, 57.65

 

CMYK 68 / 39 / 0 / 9

HEX #4A8DE7

RGB 74 141 231

HSL 214.39, 0.77%, 0.6%

LAB 58.3, 7.51, -51.82

 

CMYK 64 / 36 / 0 / 2

HEX #5B9FFA

RGB 91 159 250

HSL 214.34, 0.94%, 0.67%

LAB 64.9, 6.11, -51.76

 

CMYK 58 / 31 / 0 / 0

HEX #6CB1FF

RGB 108 177 255

HSL 211.84, 1%, 0.71%

LAB 70.77, 0.55, -45.18

 

CMYK 51 / 24 / 0 / 0

HEX #7DC3FF

RGB 125 195 255

HSL 207.69, 1%, 0.75%

LAB 76.44, -5.83, -36.28

 

CMYK 44 / 16 / 0 / 0

HEX #8ED5FF

RGB 142 213 255

HSL 202.3, 1%, 0.78%

LAB 82.14, -11.48, -27.44

 

CMYK 71 / 40 / 0 / 7

HEX #458DEC

RGB 69 141 236

HSL 214.13, 0.81%, 0.6%

LAB 58.39, 8.53, -54.46

 

CMYK 76 / 43 / 0 / 15

HEX #347BD9

RGB 52 123 217

HSL 214.18, 0.68%, 0.53%

LAB 51.73, 10.44, -54.5

 

CMYK 82 / 47 / 0 / 22

HEX #2369C6

RGB 35 105 198

HSL 214.23, 0.7%, 0.46%

LAB 44.99, 12.81, -54.5

 

CMYK 90 / 51 / 0 / 30

HEX #1257B3

RGB 18 87 179

HSL 214.29, 0.82%, 0.39%

LAB 38.2, 15.78, -54.41

 

CMYK 99 / 57 / 0 / 37

HEX #0145A0

RGB 1 69 160

HSL 214.34, 0.99%, 0.32%

LAB 31.35, 19.38, -54.21

 

CMYK 70 / 40 / 0 / 8

HEX #468DEB

RGB 70 141 235

HSL 214.18, 0.8%, 0.6%

LAB 58.37, 8.32, -53.93

 

CMYK 70 / 59 / 0 / 8

HEX #4661EB

RGB 70 97 235

HSL 230.18, 0.8%, 0.6%

LAB 46.78, 35.45, -72.62

 

CMYK 63 / 70 / 0 / 8

HEX #5846EB

RGB 88 70 235

HSL 246.55, 0.8%, 0.6%

LAB 41.93, 53.59, -80.51

 

CMYK 44 / 70 / 0 / 8

HEX #8446EB

RGB 132 70 235

HSL 262.55, 0.8%, 0.6%

LAB 46.02, 60.14, -73.64

 

CMYK 25 / 70 / 0 / 8

HEX #B146EB

RGB 177 70 235

HSL 278.91, 0.8%, 0.6%

LAB 51.53, 68.4, -64.45

 

CMYK 70 / 40 / 0 / 8

HEX #468DEB

RGB 70 141 235

HSL 214.18, 0.8%, 0.6%

LAB 58.37, 8.32, -53.93

 

CMYK 70 / 59 / 0 / 8

HEX #4661EB

RGB 70 97 235

HSL 230.18, 0.8%, 0.6%

LAB 46.78, 35.45, -72.62

 

CMYK 70 / 70 / 0 / 8

HEX #4646EB

RGB 70 70 235

HSL 240, 0.8%, 0.6%

LAB 40.7, 51.54, -82.56

 

CMYK 70 / 40 / 0 / 8

HEX #468DEB

RGB 70 141 235

HSL 214.18, 0.8%, 0.6%

LAB 58.37, 8.32, -53.93

 

CMYK 79 / 45 / 0 / 1

HEX #358BFC

RGB 53 139 252

HSL 214.07, 0.97%, 0.6%

LAB 58.27, 13.62, -63.5

 

CMYK 70 / 40 / 0 / 8

HEX #468DEB

RGB 70 141 235

HSL 214.18, 0.8%, 0.6%

LAB 58.37, 8.32, -53.93

 

CMYK 61 / 35 / 0 / 14

HEX #568FDB

RGB 86 143 219

HSL 214.29, 0.65%, 0.6%

LAB 58.73, 4.31, -44.41

 

CMYK 49 / 28 / 0 / 21

HEX #6792CA

RGB 103 146 202

HSL 213.94, 0.48%, 0.6%

LAB 59.62, 0.82, -33.43

 

CMYK 36 / 20 / 0 / 27

HEX #7794BA

RGB 119 148 186

HSL 214.03, 0.33%, 0.6%

LAB 60.47, -0.68, -23.03

 

CMYK 20 / 11 / 0 / 34

HEX #8896A9

RGB 136 150 169

HSL 214.55, 0.16%, 0.6%

LAB 61.58, -0.82, -11.63

 

CMYK 70 / 2 / 0 / 8

HEX #46E6EB

RGB 70 230 235

HSL 181.82, 0.8%, 0.6%

LAB 83.91, -38.6, -14.4

 

CMYK 70 / 21 / 0 / 8

HEX #46BAEB

RGB 70 186 235

HSL 197.82, 0.8%, 0.6%

LAB 71.16, -17.03, -33.84

 

CMYK 70 / 40 / 0 / 8

HEX #468DEB

RGB 70 141 235

HSL 214.18, 0.8%, 0.6%

LAB 58.37, 8.32, -53.93

 

CMYK 70 / 59 / 0 / 8

HEX #4661EB

RGB 70 97 235

HSL 230.18, 0.8%, 0.6%

LAB 46.78, 35.45, -72.62

 

CMYK 63 / 70 / 0 / 8

HEX #5646EB

RGB 86 70 235

HSL 245.82, 0.8%, 0.6%

LAB 41.78, 53.34, -80.76

 

CMYK 90 / 51 / 0 / 21

HEX #1563CA

RGB 21 99 202

HSL 214.14, 0.81%, 0.44%

LAB 43.28, 17.24, -59.58

 

CMYK 86 / 49 / 0 / 9

HEX #2176E7

RGB 33 118 231

HSL 214.24, 0.8%, 0.52%

LAB 50.75, 17.1, -63.99

 

CMYK 70 / 40 / 0 / 8

HEX #468DEB

RGB 70 141 235

HSL 214.18, 0.8%, 0.6%

LAB 58.37, 8.32, -53.93

 

CMYK 55 / 31 / 0 / 6

HEX #6BA4EF

RGB 107 164 239

HSL 214.09, 0.8%, 0.68%

LAB 66.45, 2.72, -43.26

 

CMYK 40 / 23 / 0 / 5

HEX #91BBF3

RGB 145 187 243

HSL 214.29, 0.8%, 0.76%

LAB 74.84, -0.08, -32.22

 

CMYK 71 / 40 / 0 / 7

HEX #458DEC

RGB 69 141 236

HSL 214.13, 0.81%, 0.6%

LAB 58.39, 8.53, -54.46

 

CMYK 16 / 70 / 0 / 8

HEX #C546EB

RGB 197 70 235

HSL 286.18, 0.8%, 0.6%

LAB 54.29, 72.38, -59.86

 

CMYK 11 / 0 / 70 / 8

HEX #D0EB46

RGB 208 235 70

HSL 69.82, 0.8%, 0.6%

LAB 88.58, -29.54, 72.73

 

CMYK 71 / 40 / 0 / 7

HEX #458DEC

RGB 69 141 236

HSL 214.13, 0.81%, 0.6%

LAB 58.39, 8.53, -54.46

 

CMYK 0 / 70 / 40 / 8

HEX #EB468D

RGB 235 70 141

HSL 334.18, 0.8%, 0.6%

LAB 56.05, 68.01, -2.42

 

CMYK 40 / 0 / 70 / 8

HEX #8DEB46

RGB 141 235 70

HSL 94.18, 0.8%, 0.6%

LAB 84.75, -54.05, 67.65

 

CMYK 71 / 40 / 0 / 7

HEX #458DEC

RGB 69 141 236

HSL 214.13, 0.81%, 0.6%

LAB 58.39, 8.53, -54.46

 

CMYK 16 / 70 / 0 / 8

HEX #C546EB

RGB 197 70 235

HSL 286.18, 0.8%, 0.6%

LAB 54.29, 72.38, -59.86

 

CMYK 0 / 30 / 70 / 8

HEX #EBA446

RGB 235 164 70

HSL 34.18, 0.8%, 0.6%

LAB 72.66, 17.77, 57.38

 

CMYK 54 / 0 / 70 / 8

HEX #6CEB46

RGB 108 235 70

HSL 106.18, 0.8%, 0.6%

LAB 83.47, -63.66, 65.93

 

CMYK 71 / 40 / 0 / 7

HEX #458DEC

RGB 69 141 236

HSL 214.13, 0.81%, 0.6%

LAB 58.39, 8.53, -54.46

 

CMYK 0 / 70 / 5 / 8

HEX #EB46E0

RGB 235 70 224

HSL 304, 0.8%, 0.6%

LAB 59.37, 78.52, -45.25

 

CMYK 0 / 30 / 70 / 8

HEX #EBA446

RGB 235 164 70

HSL 34.18, 0.8%, 0.6%

LAB 72.66, 17.77, 57.38

 

CMYK 70 / 0 / 66 / 8

HEX #46EB51

RGB 70 235 81

HSL 124, 0.8%, 0.6%

LAB 82.55, -70.81, 60.46

 

Description

Color code: HEX #458DEC | qconv.com Color code: HEX #458DEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 141 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 141 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 40 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 40% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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