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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4591C9 it is the complementary color #BA6E36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4591C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4591C9 shade: #4A91C4, #5BA3D7, #6CB5EA, #7DC7FD and #8ED9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4591C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4591C9 shade: #4591C9, #347FB6, #236DA3, #125B90 and #01497D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4591C9 shade: #4591C9, #456DC9, #454AC9, #6345C9 and #8745C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4591C9 shade: #4591C9, #456DC9, #454AC9 and #4545C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4591C9 shade matches the following richer shades: #4591C9, #3194DC and #1E97EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4591C9 shade: #4591C9, #588EB5, #6C8BA2, #7F888E and #92857B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4591C9 shade: #45C9B9, #45B5C9, #4592C9, #456EC9 and #454BC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4591C9 shade: #2A6591, #337CB1, #4591C9, #65A4D2 and #85B6DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4591C9 shade: #4591C9, #9645C9 and #C6C945

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4591C9 shade: #4591C9, #C94592 and #92C945

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4591C9 shade: #4591C9, #9645C9, #C97C45 and #77C945

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4591C9 shade: #4591C9, #BE45C9, #C97C45 and #50C945

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 28 / 0 / 21

HEX #4591C9

RGB 69 145 201

HSL 205.45, 0.55%, 0.53%

LAB 57.78, -5.9, -35.85

 

Complementary color

CMYK 0 / 41 / 71 / 27

HEX #BA6E36

RGB 186 110 54

HSL 25.45, 0.55%, 0.47%

LAB 53.88, 25.42, 43.07

 

CMYK 62 / 26 / 0 / 23

HEX #4A91C4

RGB 74 145 196

HSL 205.08, 0.51%, 0.53%

LAB 57.74, -6.68, -33.07

 

CMYK 58 / 24 / 0 / 16

HEX #5BA3D7

RGB 91 163 215

HSL 205.16, 0.61%, 0.6%

LAB 64.42, -7.44, -33.26

 

CMYK 54 / 23 / 0 / 8

HEX #6CB5EA

RGB 108 181 234

HSL 205.24, 0.75%, 0.67%

LAB 70.99, -8.05, -33.45

 

CMYK 51 / 21 / 0 / 1

HEX #7DC7FD

RGB 125 199 253

HSL 205.31, 0.97%, 0.74%

LAB 77.46, -8.55, -33.64

 

CMYK 44 / 15 / 0 / 0

HEX #8ED9FF

RGB 142 217 255

HSL 200.18, 1%, 0.78%

LAB 83.23, -13.55, -25.78

 

CMYK 66 / 28 / 0 / 21

HEX #4591C9

RGB 69 145 201

HSL 205.45, 0.55%, 0.53%

LAB 57.78, -5.9, -35.85

 

CMYK 71 / 30 / 0 / 29

HEX #347FB6

RGB 52 127 182

HSL 205.38, 0.56%, 0.46%

LAB 51.02, -4.71, -35.66

 

CMYK 79 / 33 / 0 / 36

HEX #236DA3

RGB 35 109 163

HSL 205.31, 0.65%, 0.39%

LAB 44.15, -3.14, -35.45

 

CMYK 88 / 37 / 0 / 44

HEX #125B90

RGB 18 91 144

HSL 205.24, 0.78%, 0.32%

LAB 37.16, -1.03, -35.18

 

CMYK 99 / 42 / 0 / 51

HEX #01497D

RGB 1 73 125

HSL 205.16, 0.98%, 0.25%

LAB 30.04, 1.7, -34.85

 

CMYK 66 / 28 / 0 / 21

HEX #4591C9

RGB 69 145 201

HSL 205.45, 0.55%, 0.53%

LAB 57.78, -5.9, -35.85

 

CMYK 66 / 46 / 0 / 21

HEX #456DC9

RGB 69 109 201

HSL 221.82, 0.55%, 0.53%

LAB 47.52, 15.79, -52.1

 

CMYK 66 / 63 / 0 / 21

HEX #454AC9

RGB 69 74 201

HSL 237.73, 0.55%, 0.53%

LAB 38.52, 37.87, -66.67

 

CMYK 51 / 66 / 0 / 21

HEX #6345C9

RGB 99 69 201

HSL 253.64, 0.55%, 0.53%

LAB 39.79, 45.67, -64.49

 

CMYK 33 / 66 / 0 / 21

HEX #8745C9

RGB 135 69 201

HSL 270, 0.55%, 0.53%

LAB 43.69, 52.77, -57.99

 

CMYK 66 / 28 / 0 / 21

HEX #4591C9

RGB 69 145 201

HSL 205.45, 0.55%, 0.53%

LAB 57.78, -5.9, -35.85

 

CMYK 66 / 46 / 0 / 21

HEX #456DC9

RGB 69 109 201

HSL 221.82, 0.55%, 0.53%

LAB 47.52, 15.79, -52.1

 

CMYK 66 / 63 / 0 / 21

HEX #454AC9

RGB 69 74 201

HSL 237.73, 0.55%, 0.53%

LAB 38.52, 37.87, -66.67

 

CMYK 66 / 66 / 0 / 21

HEX #4545C9

RGB 69 69 201

HSL 240, 0.55%, 0.53%

LAB 37.37, 40.91, -68.55

 

CMYK 66 / 28 / 0 / 21

HEX #4591C9

RGB 69 145 201

HSL 205.45, 0.55%, 0.53%

LAB 57.78, -5.9, -35.85

 

CMYK 78 / 33 / 0 / 14

HEX #3194DC

RGB 49 148 220

HSL 205.26, 0.71%, 0.53%

LAB 58.97, -3.77, -44.67

 

CMYK 87 / 37 / 0 / 6

HEX #1E97EF

RGB 30 151 239

HSL 205.26, 0.87%, 0.53%

LAB 60.46, -0.16, -52.87

 

CMYK 66 / 28 / 0 / 21

HEX #4591C9

RGB 69 145 201

HSL 205.45, 0.55%, 0.53%

LAB 57.78, -5.9, -35.85

 

CMYK 51 / 22 / 0 / 29

HEX #588EB5

RGB 88 142 181

HSL 205.16, 0.39%, 0.53%

LAB 56.84, -6.78, -25.92

 

CMYK 33 / 14 / 0 / 36

HEX #6C8BA2

RGB 108 139 162

HSL 205.56, 0.23%, 0.53%

LAB 56.35, -5.14, -15.71

 

CMYK 11 / 4 / 0 / 44

HEX #7F888E

RGB 127 136 142

HSL 204, 0.06%, 0.53%

LAB 56.16, -2.02, -4.35

 

CMYK 0 / 9 / 16 / 43

HEX #92857B

RGB 146 133 123

HSL 26.09, 0.1%, 0.53%

LAB 56.4, 3.14, 7.16

 

CMYK 66 / 0 / 8 / 21

HEX #45C9B9

RGB 69 201 185

HSL 172.73, 0.55%, 0.53%

LAB 73.9, -39.29, -2.52

 

CMYK 66 / 10 / 0 / 21

HEX #45B5C9

RGB 69 181 201

HSL 189.09, 0.55%, 0.53%

LAB 68.41, -25.22, -19.47

 

CMYK 66 / 27 / 0 / 21

HEX #4592C9

RGB 69 146 201

HSL 205, 0.55%, 0.53%

LAB 58.08, -6.47, -35.39

 

CMYK 66 / 45 / 0 / 21

HEX #456EC9

RGB 69 110 201

HSL 221.36, 0.55%, 0.53%

LAB 47.8, 15.16, -51.66

 

CMYK 66 / 63 / 0 / 21

HEX #454BC9

RGB 69 75 201

HSL 237.27, 0.55%, 0.53%

LAB 38.75, 37.25, -66.29

 

CMYK 71 / 30 / 0 / 43

HEX #2A6591

RGB 42 101 145

HSL 205.63, 0.55%, 0.37%

LAB 40.97, -3.98, -29.73

 

CMYK 71 / 30 / 0 / 31

HEX #337CB1

RGB 51 124 177

HSL 205.24, 0.55%, 0.45%

LAB 49.85, -4.86, -34.61

 

CMYK 66 / 28 / 0 / 21

HEX #4591C9

RGB 69 145 201

HSL 205.45, 0.55%, 0.53%

LAB 57.78, -5.9, -35.85

 

CMYK 52 / 22 / 0 / 18

HEX #65A4D2

RGB 101 164 210

HSL 205.32, 0.55%, 0.61%

LAB 64.94, -7.41, -29.65

 

CMYK 39 / 17 / 0 / 14

HEX #85B6DB

RGB 133 182 219

HSL 205.81, 0.54%, 0.69%

LAB 71.93, -6.88, -23.73

 

CMYK 66 / 28 / 0 / 21

HEX #4591C9

RGB 69 145 201

HSL 205.45, 0.55%, 0.53%

LAB 57.78, -5.9, -35.85

 

CMYK 25 / 66 / 0 / 21

HEX #9645C9

RGB 150 69 201

HSL 276.82, 0.55%, 0.53%

LAB 45.58, 56, -54.85

 

CMYK 1 / 0 / 66 / 21

HEX #C6C945

RGB 198 201 69

HSL 61.36, 0.55%, 0.53%

LAB 78.58, -17.27, 62.83

 

CMYK 66 / 28 / 0 / 21

HEX #4591C9

RGB 69 145 201

HSL 205.45, 0.55%, 0.53%

LAB 57.78, -5.9, -35.85

 

CMYK 0 / 66 / 27 / 21

HEX #C94592

RGB 201 69 146

HSL 325, 0.55%, 0.53%

LAB 50.39, 59.49, -14.44

 

CMYK 27 / 0 / 66 / 21

HEX #92C945

RGB 146 201 69

HSL 85, 0.55%, 0.53%

LAB 75.02, -38.05, 58.02

 

CMYK 66 / 28 / 0 / 21

HEX #4591C9

RGB 69 145 201

HSL 205.45, 0.55%, 0.53%

LAB 57.78, -5.9, -35.85

 

CMYK 25 / 66 / 0 / 21

HEX #9645C9

RGB 150 69 201

HSL 276.82, 0.55%, 0.53%

LAB 45.58, 56, -54.85

 

CMYK 0 / 38 / 66 / 21

HEX #C97C45

RGB 201 124 69

HSL 25, 0.55%, 0.53%

LAB 59.22, 24.96, 41.97

 

CMYK 41 / 0 / 66 / 21

HEX #77C945

RGB 119 201 69

HSL 97.27, 0.55%, 0.53%

LAB 73.63, -47.53, 56.11

 

CMYK 66 / 28 / 0 / 21

HEX #4591C9

RGB 69 145 201

HSL 205.45, 0.55%, 0.53%

LAB 57.78, -5.9, -35.85

 

CMYK 5 / 66 / 0 / 21

HEX #BE45C9

RGB 190 69 201

HSL 295, 0.55%, 0.53%

LAB 51.18, 65.06, -45.58

 

CMYK 0 / 38 / 66 / 21

HEX #C97C45

RGB 201 124 69

HSL 25, 0.55%, 0.53%

LAB 59.22, 24.96, 41.97

 

CMYK 60 / 0 / 66 / 21

HEX #50C945

RGB 80 201 69

HSL 115, 0.55%, 0.53%

LAB 72.17, -58.53, 54.11

 

Description

Color code: HEX #4591C9 | qconv.com Color code: HEX #4591C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 145 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 145 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 28 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 28% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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