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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #459220 it is the complementary color #BA6DDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #459220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #459220 shade: #4A921B, #5BA42E, #6CB641, #7DC854 and #8EDA67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #459220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #459220 shade: #459220, #34800D, #236E00, #125C00 and #014A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #459220 shade: #459220, #649220, #829220, #928320 and #926420

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #459220 shade: #459220, #269220, #209238, #209257 and #209276

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #459220 shade matches the following richer shades: #459220, #40A011 and #3BAF03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #459220 shade: #459220, #4A832E, #4F753D, #54674B and #595859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #459220 shade: #839220, #649220, #469220, #279220 and #209236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #459220 shade: #254E11, #357018, #459220, #55B427 and #66D232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #459220 shade: #459220, #209283 and #922073

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #459220 shade: #459220, #204692 and #922046

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #459220 shade: #459220, #209283, #6C2092 and #92202F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #459220 shade: #459220, #207F92, #6C2092 and #923320

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 78 / 43

HEX #459220

RGB 69 146 32

HSL 100.53, 0.64%, 0.35%

LAB 53.95, -43.93, 49.4

 

Complementary color

CMYK 17 / 51 / 0 / 13

HEX #BA6DDF

RGB 186 109 223

HSL 280.53, 0.64%, 0.65%

LAB 58.7, 49.68, -46.18

 

CMYK 49 / 0 / 82 / 43

HEX #4A921B

RGB 74 146 27

HSL 96.3, 0.69%, 0.34%

LAB 54.13, -42.68, 51.25

 

CMYK 45 / 0 / 72 / 36

HEX #5BA42E

RGB 91 164 46

HSL 97.12, 0.56%, 0.41%

LAB 60.76, -43.28, 51.37

 

CMYK 41 / 0 / 64 / 29

HEX #6CB641

RGB 108 182 65

HSL 97.95, 0.47%, 0.48%

LAB 67.3, -43.59, 50.78

 

CMYK 38 / 0 / 58 / 22

HEX #7DC854

RGB 125 200 84

HSL 98.79, 0.51%, 0.56%

LAB 73.75, -43.73, 49.84

 

CMYK 35 / 0 / 53 / 15

HEX #8EDA67

RGB 142 218 103

HSL 99.65, 0.61%, 0.63%

LAB 80.11, -43.75, 48.75

 

CMYK 53 / 0 / 78 / 43

HEX #459220

RGB 69 146 32

HSL 100.53, 0.64%, 0.35%

LAB 53.95, -43.93, 49.4

 

CMYK 59 / 0 / 90 / 50

HEX #34800D

RGB 52 128 13

HSL 99.65, 0.82%, 0.28%

LAB 47.23, -42.91, 48.47

 

CMYK 68 / 0 / 100 / 57

HEX #236E00

RGB 35 110 0

HSL 100.91, 1%, 0.22%

LAB 40.43, -41.19, 45.49

 

CMYK 80 / 0 / 100 / 64

HEX #125C00

RGB 18 92 0

HSL 108.26, 1%, 0.18%

LAB 33.53, -38.46, 39.83

 

CMYK 99 / 0 / 100 / 71

HEX #014A00

RGB 1 74 0

HSL 119.19, 1%, 0.15%

LAB 26.46, -35.09, 33.94

 

CMYK 53 / 0 / 78 / 43

HEX #459220

RGB 69 146 32

HSL 100.53, 0.64%, 0.35%

LAB 53.95, -43.93, 49.4

 

CMYK 32 / 0 / 78 / 43

HEX #649220

RGB 100 146 32

HSL 84.21, 0.64%, 0.35%

LAB 55.45, -33.09, 51.36

 

CMYK 11 / 0 / 78 / 43

HEX #829220

RGB 130 146 32

HSL 68.42, 0.64%, 0.35%

LAB 57.47, -20.56, 53.97

 

CMYK 0 / 10 / 78 / 43

HEX #928320

RGB 146 131 32

HSL 52.11, 0.64%, 0.35%

LAB 54.5, -5.34, 51.73

 

CMYK 0 / 32 / 78 / 43

HEX #926420

RGB 146 100 32

HSL 35.79, 0.64%, 0.35%

LAB 46.08, 12.29, 43.77

 

CMYK 53 / 0 / 78 / 43

HEX #459220

RGB 69 146 32

HSL 100.53, 0.64%, 0.35%

LAB 53.95, -43.93, 49.4

 

CMYK 74 / 0 / 78 / 43

HEX #269220

RGB 38 146 32

HSL 116.84, 0.64%, 0.35%

LAB 53.03, -51.41, 48.19

 

CMYK 78 / 0 / 62 / 43

HEX #209238

RGB 32 146 56

HSL 132.63, 0.64%, 0.35%

LAB 53.11, -49.97, 38.24

 

CMYK 78 / 0 / 40 / 43

HEX #209257

RGB 32 146 87

HSL 148.95, 0.64%, 0.35%

LAB 53.55, -44.87, 22.68

 

CMYK 78 / 0 / 19 / 43

HEX #209276

RGB 32 146 118

HSL 165.26, 0.64%, 0.35%

LAB 54.21, -37.66, 6.1

 

CMYK 53 / 0 / 78 / 43

HEX #459220

RGB 69 146 32

HSL 100.53, 0.64%, 0.35%

LAB 53.95, -43.93, 49.4

 

CMYK 60 / 0 / 89 / 37

HEX #40A011

RGB 64 160 17

HSL 100.28, 0.81%, 0.35%

LAB 58.29, -51.32, 57.33

 

CMYK 66 / 0 / 98 / 31

HEX #3BAF03

RGB 59 175 3

HSL 100.47, 0.97%, 0.35%

LAB 63.01, -58.01, 63.28

 

CMYK 53 / 0 / 78 / 43

HEX #459220

RGB 69 146 32

HSL 100.53, 0.64%, 0.35%

LAB 53.95, -43.93, 49.4

 

CMYK 44 / 0 / 65 / 49

HEX #4A832E

RGB 74 131 46

HSL 100.24, 0.48%, 0.35%

LAB 49.36, -34.89, 39.05

 

CMYK 32 / 0 / 48 / 54

HEX #4F753D

RGB 79 117 61

HSL 100.71, 0.31%, 0.35%

LAB 45.25, -24.65, 26.62

 

CMYK 18 / 0 / 27 / 60

HEX #54674B

RGB 84 103 75

HSL 100.71, 0.16%, 0.35%

LAB 41.36, -12.99, 13.51

 

CMYK 0 / 1 / 0 / 65

HEX #595859

RGB 89 88 89

HSL 300, 0.01%, 0.35%

LAB 37.53, 0.61, -0.44

 

CMYK 10 / 0 / 78 / 43

HEX #839220

RGB 131 146 32

HSL 67.89, 0.64%, 0.35%

LAB 57.55, -20.12, 54.07

 

CMYK 32 / 0 / 78 / 43

HEX #649220

RGB 100 146 32

HSL 84.21, 0.64%, 0.35%

LAB 55.45, -33.09, 51.36

 

CMYK 52 / 0 / 78 / 43

HEX #469220

RGB 70 146 32

HSL 100, 0.64%, 0.35%

LAB 53.99, -43.63, 49.45

 

CMYK 73 / 0 / 78 / 43

HEX #279220

RGB 39 146 32

HSL 116.32, 0.64%, 0.35%

LAB 53.05, -51.23, 48.21

 

CMYK 78 / 0 / 63 / 43

HEX #209236

RGB 32 146 54

HSL 131.58, 0.64%, 0.35%

LAB 53.09, -50.22, 39.16

 

CMYK 53 / 0 / 78 / 69

HEX #254E11

RGB 37 78 17

HSL 100.33, 0.64%, 0.19%

LAB 29.11, -26.72, 30.09

 

CMYK 53 / 0 / 79 / 56

HEX #357018

RGB 53 112 24

HSL 100.23, 0.65%, 0.27%

LAB 41.86, -35.64, 40.25

 

CMYK 53 / 0 / 78 / 43

HEX #459220

RGB 69 146 32

HSL 100.53, 0.64%, 0.35%

LAB 53.95, -43.93, 49.4

 

CMYK 53 / 0 / 78 / 29

HEX #55B427

RGB 85 180 39

HSL 100.43, 0.64%, 0.43%

LAB 65.53, -51.89, 58.42

 

CMYK 51 / 0 / 76 / 18

HEX #66D232

RGB 102 210 50

HSL 100.5, 0.64%, 0.51%

LAB 75.54, -57.58, 64.77

 

CMYK 53 / 0 / 78 / 43

HEX #459220

RGB 69 146 32

HSL 100.53, 0.64%, 0.35%

LAB 53.95, -43.93, 49.4

 

CMYK 78 / 0 / 10 / 43

HEX #209283

RGB 32 146 131

HSL 172.11, 0.64%, 0.35%

LAB 54.56, -34.1, -0.86

 

CMYK 0 / 78 / 21 / 43

HEX #922073

RGB 146 32 115

HSL 316.32, 0.64%, 0.35%

LAB 34.77, 54.15, -20.21

 

CMYK 53 / 0 / 78 / 43

HEX #459220

RGB 69 146 32

HSL 100.53, 0.64%, 0.35%

LAB 53.95, -43.93, 49.4

 

CMYK 78 / 52 / 0 / 43

HEX #204692

RGB 32 70 146

HSL 220, 0.64%, 0.35%

LAB 31.26, 15.18, -45.82

 

CMYK 0 / 78 / 52 / 43

HEX #922046

RGB 146 32 70

HSL 340, 0.64%, 0.35%

LAB 33.11, 49.06, 6.31

 

CMYK 53 / 0 / 78 / 43

HEX #459220

RGB 69 146 32

HSL 100.53, 0.64%, 0.35%

LAB 53.95, -43.93, 49.4

 

CMYK 78 / 0 / 10 / 43

HEX #209283

RGB 32 146 131

HSL 172.11, 0.64%, 0.35%

LAB 54.56, -34.1, -0.86

 

CMYK 26 / 78 / 0 / 43

HEX #6C2092

RGB 108 32 146

HSL 280, 0.64%, 0.35%

LAB 30.15, 51.14, -47.29

 

CMYK 0 / 78 / 68 / 43

HEX #92202F

RGB 146 32 47

HSL 352.11, 0.64%, 0.35%

LAB 32.59, 47.41, 20.62

 

CMYK 53 / 0 / 78 / 43

HEX #459220

RGB 69 146 32

HSL 100.53, 0.64%, 0.35%

LAB 53.95, -43.93, 49.4

 

CMYK 78 / 13 / 0 / 43

HEX #207F92

RGB 32 127 146

HSL 190, 0.64%, 0.35%

LAB 48.96, -19.94, -17.97

 

CMYK 26 / 78 / 0 / 43

HEX #6C2092

RGB 108 32 146

HSL 280, 0.64%, 0.35%

LAB 30.15, 51.14, -47.29

 

CMYK 0 / 65 / 78 / 43

HEX #923320

RGB 146 51 32

HSL 10, 0.64%, 0.35%

LAB 35.17, 39.02, 32.76

 

Description

Color code: HEX #459220 | qconv.com Color code: HEX #459220 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 146 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 146 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 78 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 78% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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