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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45A94D it is the complementary color #BA56B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45A94D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45A94D shade: #4AA948, #5BBB5B, #6CCD6E, #7DDF81 and #8EF194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45A94D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45A94D shade: #45A94D, #34973A, #238527, #127314 and #016101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45A94D shade: #45AA4D, #58AA45, #73AA45, #8EAA45 and #AAAA45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45A94D shade: #45AA4D, #45AA68, #45AA83, #45AA9F and #459AAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45A94D shade matches the following richer shades: #45AA4D, #32BD3D, #1ED02C and #0BE41C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45A94D shade: #45AA4D, #58965D, #6C836E, #7F707E and #935C8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45A94D shade: #74AA45, #59AA45, #45AA4C, #45AA67 and #45AA81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45A94D shade: #2D6F32, #398C40, #45AA4D, #5CBC64 and #79C87F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45A94D shade: #45A94D, #458FAA and #AA4567

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45A94D shade: #45A94D, #4C45AA and #AA4C45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45A94D shade: #45A94D, #458FAA, #AA45A3 and #AA6045

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45A94D shade: #45A94D, #4571AA, #AA45A3 and #AA7E45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 54 / 34

HEX #45A94D

RGB 69 169 77

HSL 124.8, 0.42%, 0.47%

LAB 61.81, -48.34, 38.53

 

Complementary color

CMYK 0 / 54 / 4 / 27

HEX #BA56B2

RGB 186 86 178

HSL 304.8, 0.42%, 0.53%

LAB 52.18, 52.53, -30.72

 

CMYK 56 / 0 / 57 / 34

HEX #4AA948

RGB 74 169 72

HSL 118.76, 0.4%, 0.47%

LAB 61.91, -47.73, 41.12

 

CMYK 51 / 0 / 51 / 27

HEX #5BBB5B

RGB 91 187 91

HSL 120, 0.41%, 0.55%

LAB 68.4, -47.89, 39.83

 

CMYK 47 / 0 / 46 / 20

HEX #6CCD6E

RGB 108 205 110

HSL 121.24, 0.49%, 0.61%

LAB 74.81, -47.88, 38.53

 

CMYK 44 / 0 / 42 / 13

HEX #7DDF81

RGB 125 223 129

HSL 122.45, 0.6%, 0.68%

LAB 81.14, -47.76, 37.25

 

CMYK 41 / 0 / 39 / 5

HEX #8EF194

RGB 142 241 148

HSL 123.64, 0.78%, 0.75%

LAB 87.39, -47.59, 36.03

 

CMYK 59 / 0 / 54 / 34

HEX #45A94D

RGB 69 169 77

HSL 124.8, 0.42%, 0.47%

LAB 61.81, -48.34, 38.53

 

CMYK 66 / 0 / 62 / 41

HEX #34973A

RGB 52 151 58

HSL 123.64, 0.49%, 0.4%

LAB 55.25, -47.86, 39.86

 

CMYK 74 / 0 / 71 / 48

HEX #238527

RGB 35 133 39

HSL 122.45, 0.58%, 0.33%

LAB 48.61, -46.88, 40.96

 

CMYK 84 / 0 / 83 / 55

HEX #127314

RGB 18 115 20

HSL 121.24, 0.73%, 0.26%

LAB 41.91, -45.07, 41.37

 

CMYK 99 / 0 / 99 / 62

HEX #016101

RGB 1 97 1

HSL 120, 0.98%, 0.19%

LAB 35.12, -42.28, 40.68

 

CMYK 59 / 0 / 55 / 33

HEX #45AA4D

RGB 69 170 77

HSL 124.75, 0.42%, 0.47%

LAB 62.13, -48.73, 38.92

 

CMYK 48 / 0 / 59 / 33

HEX #58AA45

RGB 88 170 69

HSL 108.71, 0.42%, 0.47%

LAB 62.72, -44.55, 43.62

 

CMYK 32 / 0 / 59 / 33

HEX #73AA45

RGB 115 170 69

HSL 92.67, 0.42%, 0.47%

LAB 64.02, -35.51, 45.44

 

CMYK 16 / 0 / 59 / 33

HEX #8EAA45

RGB 142 170 69

HSL 76.63, 0.42%, 0.47%

LAB 65.69, -25.06, 47.79

 

CMYK 0 / 0 / 59 / 33

HEX #AAAA45

RGB 170 170 69

HSL 60, 0.42%, 0.47%

LAB 67.82, -13.35, 50.74

 

CMYK 59 / 0 / 55 / 33

HEX #45AA4D

RGB 69 170 77

HSL 124.75, 0.42%, 0.47%

LAB 62.13, -48.73, 38.92

 

CMYK 59 / 0 / 39 / 33

HEX #45AA68

RGB 69 170 104

HSL 140.79, 0.42%, 0.47%

LAB 62.52, -44.42, 25.48

 

CMYK 59 / 0 / 23 / 33

HEX #45AA83

RGB 69 170 131

HSL 156.83, 0.42%, 0.47%

LAB 63.06, -38.84, 11.46

 

CMYK 59 / 0 / 6 / 33

HEX #45AA9F

RGB 69 170 159

HSL 173.47, 0.42%, 0.47%

LAB 63.77, -31.86, -3.11

 

CMYK 59 / 9 / 0 / 33

HEX #459AAA

RGB 69 154 170

HSL 189.5, 0.42%, 0.47%

LAB 59.23, -20.73, -16.08

 

CMYK 59 / 0 / 55 / 33

HEX #45AA4D

RGB 69 170 77

HSL 124.75, 0.42%, 0.47%

LAB 62.13, -48.73, 38.92

 

CMYK 74 / 0 / 68 / 26

HEX #32BD3D

RGB 50 189 61

HSL 124.75, 0.58%, 0.47%

LAB 67.58, -61.13, 52.21

 

CMYK 86 / 0 / 79 / 18

HEX #1ED02C

RGB 30 208 44

HSL 124.72, 0.75%, 0.47%

LAB 73.27, -70.74, 63.86

 

CMYK 95 / 0 / 88 / 11

HEX #0BE41C

RGB 11 228 28

HSL 124.7, 0.91%, 0.47%

LAB 79.41, -78.2, 73.2

 

CMYK 59 / 0 / 55 / 33

HEX #45AA4D

RGB 69 170 77

HSL 124.75, 0.42%, 0.47%

LAB 62.13, -48.73, 38.92

 

CMYK 41 / 0 / 38 / 41

HEX #58965D

RGB 88 150 93

HSL 124.84, 0.26%, 0.47%

LAB 56.76, -32.42, 23.96

 

CMYK 18 / 0 / 16 / 49

HEX #6C836E

RGB 108 131 110

HSL 125.22, 0.1%, 0.47%

LAB 52.45, -12.69, 8.63

 

CMYK 0 / 12 / 1 / 50

HEX #7F707E

RGB 127 112 126

HSL 304, 0.06%, 0.47%

LAB 49.02, 8.54, -5.57

 

CMYK 0 / 37 / 3 / 42

HEX #935C8E

RGB 147 92 142

HSL 305.45, 0.23%, 0.47%

LAB 46.72, 30.66, -18.35

 

CMYK 32 / 0 / 59 / 33

HEX #74AA45

RGB 116 170 69

HSL 92.08, 0.42%, 0.47%

LAB 64.07, -35.15, 45.52

 

CMYK 48 / 0 / 59 / 33

HEX #59AA45

RGB 89 170 69

HSL 108.12, 0.42%, 0.47%

LAB 62.76, -44.25, 43.67

 

CMYK 59 / 0 / 55 / 33

HEX #45AA4C

RGB 69 170 76

HSL 124.16, 0.42%, 0.47%

LAB 62.11, -48.86, 39.39

 

CMYK 59 / 0 / 39 / 33

HEX #45AA67

RGB 69 170 103

HSL 140.2, 0.42%, 0.47%

LAB 62.5, -44.6, 25.99

 

CMYK 59 / 0 / 24 / 33

HEX #45AA81

RGB 69 170 129

HSL 155.64, 0.42%, 0.47%

LAB 63.01, -39.3, 12.51

 

CMYK 59 / 0 / 55 / 56

HEX #2D6F32

RGB 45 111 50

HSL 124.55, 0.42%, 0.31%

LAB 41.46, -34.75, 27.57

 

CMYK 59 / 0 / 54 / 45

HEX #398C40

RGB 57 140 64

HSL 125.06, 0.42%, 0.39%

LAB 51.83, -41.61, 32.91

 

CMYK 59 / 0 / 55 / 33

HEX #45AA4D

RGB 69 170 77

HSL 124.75, 0.42%, 0.47%

LAB 62.13, -48.73, 38.92

 

CMYK 51 / 0 / 47 / 26

HEX #5CBC64

RGB 92 188 100

HSL 125, 0.42%, 0.55%

LAB 68.87, -46.75, 35.92

 

CMYK 40 / 0 / 37 / 22

HEX #79C87F

RGB 121 200 127

HSL 124.56, 0.42%, 0.63%

LAB 74.13, -39.32, 29.09

 

CMYK 59 / 0 / 54 / 34

HEX #45A94D

RGB 69 169 77

HSL 124.8, 0.42%, 0.47%

LAB 61.81, -48.34, 38.53

 

CMYK 59 / 16 / 0 / 33

HEX #458FAA

RGB 69 143 170

HSL 196.04, 0.42%, 0.47%

LAB 55.9, -14.85, -21.16

 

CMYK 0 / 59 / 39 / 33

HEX #AA4567

RGB 170 69 103

HSL 339.8, 0.42%, 0.47%

LAB 43.92, 44.74, 1.46

 

CMYK 59 / 0 / 54 / 34

HEX #45A94D

RGB 69 169 77

HSL 124.8, 0.42%, 0.47%

LAB 61.81, -48.34, 38.53

 

CMYK 55 / 59 / 0 / 33

HEX #4C45AA

RGB 76 69 170

HSL 244.16, 0.42%, 0.47%

LAB 35.39, 31.84, -53.5

 

CMYK 0 / 55 / 59 / 33

HEX #AA4C45

RGB 170 76 69

HSL 4.16, 0.42%, 0.47%

LAB 44.44, 38.05, 22.98

 

CMYK 59 / 0 / 54 / 34

HEX #45A94D

RGB 69 169 77

HSL 124.8, 0.42%, 0.47%

LAB 61.81, -48.34, 38.53

 

CMYK 59 / 16 / 0 / 33

HEX #458FAA

RGB 69 143 170

HSL 196.04, 0.42%, 0.47%

LAB 55.9, -14.85, -21.16

 

CMYK 0 / 59 / 4 / 33

HEX #AA45A3

RGB 170 69 163

HSL 304.16, 0.42%, 0.47%

LAB 46.24, 53.43, -31.37

 

CMYK 0 / 44 / 59 / 33

HEX #AA6045

RGB 170 96 69

HSL 16.04, 0.42%, 0.47%

LAB 48.69, 27.4, 28.37

 

CMYK 59 / 0 / 54 / 34

HEX #45A94D

RGB 69 169 77

HSL 124.8, 0.42%, 0.47%

LAB 61.81, -48.34, 38.53

 

CMYK 59 / 34 / 0 / 33

HEX #4571AA

RGB 69 113 170

HSL 213.86, 0.42%, 0.47%

LAB 46.95, 2.53, -35.06

 

CMYK 0 / 59 / 4 / 33

HEX #AA45A3

RGB 170 69 163

HSL 304.16, 0.42%, 0.47%

LAB 46.24, 53.43, -31.37

 

CMYK 0 / 26 / 59 / 33

HEX #AA7E45

RGB 170 126 69

HSL 33.86, 0.42%, 0.47%

LAB 55.98, 10.56, 37.25

 

Description

Color code: HEX #45A94D | qconv.com Color code: HEX #45A94D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 169 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 169 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 54 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 54% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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