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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45A3A4 it is the complementary color #BA5C5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45A3A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45A3A4 shade: #4AA39F, #5BB5B2, #6CC7C5, #7DD9D8 and #8EEBEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45A3A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45A3A4 shade: #45A3A4, #349191, #237F7E, #126D6B and #015B58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45A3A4 shade: #45A4A5, #458AA5, #4570A5, #4556A5 and #4D45A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45A3A4 shade: #45A4A5, #458AA5, #4570A5, #4556A5 and #4545A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45A3A4 shade matches the following richer shades: #45A4A5, #32B6B8, #1FC9CB and #0CDCDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45A3A4 shade: #45A4A5, #589192, #6B7F7F, #7E6C6C and #915A59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45A3A4 shade: #45A572, #45A58B, #45A5A5, #458BA5 and #4572A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45A3A4 shade: #2C6A6B, #398788, #45A4A5, #59B8B9 and #77C5C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45A3A4 shade: #45A3A4, #5845A5 and #A57E45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45A3A4 shade: #45A3A4, #A545A5 and #A5A545

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45A3A4 shade: #45A3A4, #5845A5, #A54545 and #92A545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45A3A4 shade: #45A3A4, #7545A5, #A54545 and #75A545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 1 / 0 / 36

HEX #45A3A4

RGB 69 163 164

HSL 180.63, 0.41%, 0.46%

LAB 61.77, -27.07, -8.87

 

Complementary color

CMYK 0 / 51 / 51 / 27

HEX #BA5C5B

RGB 186 92 91

HSL 0.63, 0.41%, 0.54%

LAB 50.51, 37.75, 18.34

 

CMYK 55 / 0 / 2 / 36

HEX #4AA39F

RGB 74 163 159

HSL 177.3, 0.38%, 0.46%

LAB 61.79, -27.46, -6.02

 

CMYK 50 / 0 / 2 / 29

HEX #5BB5B2

RGB 91 181 178

HSL 178, 0.38%, 0.53%

LAB 68.38, -27.58, -6.76

 

CMYK 46 / 0 / 1 / 22

HEX #6CC7C5

RGB 108 199 197

HSL 178.68, 0.45%, 0.6%

LAB 74.87, -27.62, -7.45

 

CMYK 42 / 0 / 0 / 15

HEX #7DD9D8

RGB 125 217 216

HSL 179.35, 0.55%, 0.67%

LAB 81.26, -27.62, -8.1

 

CMYK 40 / 0 / 0 / 8

HEX #8EEBEB

RGB 142 235 235

HSL 180, 0.7%, 0.74%

LAB 87.57, -27.59, -8.71

 

CMYK 58 / 1 / 0 / 36

HEX #45A3A4

RGB 69 163 164

HSL 180.63, 0.41%, 0.46%

LAB 61.77, -27.07, -8.87

 

CMYK 64 / 0 / 0 / 43

HEX #349191

RGB 52 145 145

HSL 180, 0.47%, 0.39%

LAB 55.1, -26.68, -8.07

 

CMYK 72 / 0 / 1 / 50

HEX #237F7E

RGB 35 127 126

HSL 179.35, 0.57%, 0.32%

LAB 48.31, -26.04, -7.17

 

CMYK 83 / 0 / 2 / 57

HEX #126D6B

RGB 18 109 107

HSL 178.68, 0.72%, 0.25%

LAB 41.42, -25.02, -6.12

 

CMYK 99 / 0 / 3 / 64

HEX #015B58

RGB 1 91 88

HSL 178, 0.98%, 0.18%

LAB 34.38, -23.59, -4.92

 

CMYK 58 / 1 / 0 / 35

HEX #45A4A5

RGB 69 164 165

HSL 180.63, 0.41%, 0.46%

LAB 62.11, -27.29, -8.93

 

CMYK 58 / 16 / 0 / 35

HEX #458AA5

RGB 69 138 165

HSL 196.88, 0.41%, 0.46%

LAB 54.2, -13.67, -20.9

 

CMYK 58 / 32 / 0 / 35

HEX #4570A5

RGB 69 112 165

HSL 213.13, 0.41%, 0.46%

LAB 46.41, 1.45, -32.98

 

CMYK 58 / 48 / 0 / 35

HEX #4556A5

RGB 69 86 165

HSL 229.38, 0.41%, 0.46%

LAB 38.96, 17.86, -44.79

 

CMYK 53 / 58 / 0 / 35

HEX #4D45A5

RGB 77 69 165

HSL 245, 0.41%, 0.46%

LAB 35.1, 30.42, -50.97

 

CMYK 58 / 1 / 0 / 35

HEX #45A4A5

RGB 69 164 165

HSL 180.63, 0.41%, 0.46%

LAB 62.11, -27.29, -8.93

 

CMYK 58 / 16 / 0 / 35

HEX #458AA5

RGB 69 138 165

HSL 196.88, 0.41%, 0.46%

LAB 54.2, -13.67, -20.9

 

CMYK 58 / 32 / 0 / 35

HEX #4570A5

RGB 69 112 165

HSL 213.13, 0.41%, 0.46%

LAB 46.41, 1.45, -32.98

 

CMYK 58 / 48 / 0 / 35

HEX #4556A5

RGB 69 86 165

HSL 229.38, 0.41%, 0.46%

LAB 38.96, 17.86, -44.79

 

CMYK 58 / 58 / 0 / 35

HEX #4545A5

RGB 69 69 165

HSL 240, 0.41%, 0.46%

LAB 34.47, 28.83, -52.02

 

CMYK 58 / 1 / 0 / 35

HEX #45A4A5

RGB 69 164 165

HSL 180.63, 0.41%, 0.46%

LAB 62.11, -27.29, -8.93

 

CMYK 73 / 1 / 0 / 28

HEX #32B6B8

RGB 50 182 184

HSL 180.9, 0.57%, 0.46%

LAB 67.72, -33.42, -11.18

 

CMYK 85 / 1 / 0 / 20

HEX #1FC9CB

RGB 31 201 203

HSL 180.7, 0.74%, 0.46%

LAB 73.79, -38.35, -12.51

 

CMYK 95 / 1 / 0 / 13

HEX #0CDCDE

RGB 12 220 222

HSL 180.57, 0.9%, 0.46%

LAB 79.92, -42.12, -13.55

 

CMYK 58 / 1 / 0 / 35

HEX #45A4A5

RGB 69 164 165

HSL 180.63, 0.41%, 0.46%

LAB 62.11, -27.29, -8.93

 

CMYK 40 / 1 / 0 / 43

HEX #589192

RGB 88 145 146

HSL 181.03, 0.25%, 0.46%

LAB 56.49, -18.37, -6.43

 

CMYK 16 / 0 / 0 / 50

HEX #6B7F7F

RGB 107 127 127

HSL 180, 0.09%, 0.46%

LAB 51.65, -7.25, -2.45

 

CMYK 0 / 14 / 14 / 51

HEX #7E6C6C

RGB 126 108 108

HSL 0, 0.08%, 0.46%

LAB 47.29, 7.09, 2.62

 

CMYK 0 / 38 / 39 / 43

HEX #915A59

RGB 145 90 89

HSL 1.07, 0.24%, 0.46%

LAB 44.31, 22.51, 10.1

 

CMYK 58 / 0 / 31 / 35

HEX #45A572

RGB 69 165 114

HSL 148.13, 0.41%, 0.46%

LAB 61.12, -40.35, 18.17

 

CMYK 58 / 0 / 16 / 35

HEX #45A58B

RGB 69 165 139

HSL 163.75, 0.41%, 0.46%

LAB 61.69, -34.67, 5.06

 

CMYK 58 / 0 / 0 / 35

HEX #45A5A5

RGB 69 165 165

HSL 180, 0.41%, 0.46%

LAB 62.42, -27.78, -8.47

 

CMYK 58 / 16 / 0 / 35

HEX #458BA5

RGB 69 139 165

HSL 196.25, 0.41%, 0.46%

LAB 54.5, -14.22, -20.43

 

CMYK 58 / 31 / 0 / 35

HEX #4572A5

RGB 69 114 165

HSL 211.88, 0.41%, 0.46%

LAB 47, 0.24, -32.05

 

CMYK 59 / 1 / 0 / 58

HEX #2C6A6B

RGB 44 106 107

HSL 180.95, 0.42%, 0.3%

LAB 41.06, -19.37, -6.58

 

CMYK 58 / 1 / 0 / 47

HEX #398788

RGB 57 135 136

HSL 180.76, 0.41%, 0.38%

LAB 51.81, -23.32, -7.75

 

CMYK 58 / 1 / 0 / 35

HEX #45A4A5

RGB 69 164 165

HSL 180.63, 0.41%, 0.46%

LAB 62.11, -27.29, -8.93

 

CMYK 52 / 1 / 0 / 27

HEX #59B8B9

RGB 89 184 185

HSL 180.63, 0.41%, 0.54%

LAB 69.4, -27.62, -9.1

 

CMYK 40 / 1 / 0 / 22

HEX #77C5C6

RGB 119 197 198

HSL 180.76, 0.41%, 0.62%

LAB 74.78, -23.71, -8.07

 

CMYK 58 / 1 / 0 / 36

HEX #45A3A4

RGB 69 163 164

HSL 180.63, 0.41%, 0.46%

LAB 61.77, -27.07, -8.87

 

CMYK 47 / 58 / 0 / 35

HEX #5845A5

RGB 88 69 165

HSL 251.88, 0.41%, 0.46%

LAB 36.08, 32.78, -49.35

 

CMYK 0 / 24 / 58 / 35

HEX #A57E45

RGB 165 126 69

HSL 35.63, 0.41%, 0.46%

LAB 55.43, 8.36, 36.46

 

CMYK 58 / 1 / 0 / 36

HEX #45A3A4

RGB 69 163 164

HSL 180.63, 0.41%, 0.46%

LAB 61.77, -27.07, -8.87

 

CMYK 0 / 58 / 0 / 35

HEX #A545A5

RGB 165 69 165

HSL 300, 0.41%, 0.46%

LAB 45.6, 52.43, -33.62

 

CMYK 0 / 0 / 58 / 35

HEX #A5A545

RGB 165 165 69

HSL 60, 0.41%, 0.46%

LAB 66.01, -12.89, 48.63

 

CMYK 58 / 1 / 0 / 36

HEX #45A3A4

RGB 69 163 164

HSL 180.63, 0.41%, 0.46%

LAB 61.77, -27.07, -8.87

 

CMYK 47 / 58 / 0 / 35

HEX #5845A5

RGB 88 69 165

HSL 251.88, 0.41%, 0.46%

LAB 36.08, 32.78, -49.35

 

CMYK 0 / 58 / 58 / 35

HEX #A54545

RGB 165 69 69

HSL 0, 0.41%, 0.46%

LAB 42.29, 39.68, 20.02

 

CMYK 12 / 0 / 58 / 35

HEX #92A545

RGB 146 165 69

HSL 71.88, 0.41%, 0.46%

LAB 64.52, -20.93, 46.55

 

CMYK 58 / 1 / 0 / 36

HEX #45A3A4

RGB 69 163 164

HSL 180.63, 0.41%, 0.46%

LAB 61.77, -27.07, -8.87

 

CMYK 29 / 58 / 0 / 35

HEX #7545A5

RGB 117 69 165

HSL 270, 0.41%, 0.46%

LAB 39.16, 39.76, -44.22

 

CMYK 0 / 58 / 58 / 35

HEX #A54545

RGB 165 69 69

HSL 0, 0.41%, 0.46%

LAB 42.29, 39.68, 20.02

 

CMYK 29 / 0 / 58 / 35

HEX #75A545

RGB 117 165 69

HSL 90, 0.41%, 0.46%

LAB 62.61, -32.47, 43.86

 

Description

Color code: HEX #45A3A4 | qconv.com Color code: HEX #45A3A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 163 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 163 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 1 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 1% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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