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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45AB1B it is the complementary color #BA54E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45AB1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45AB1B shade: #4AAB16, #5BBD29, #6CCF3C, #7DE14F and #8EF362

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45AB1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45AB1B shade: #45AB1B, #349908, #238700, #127500 and #016300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45AB1B shade: #45AC1A, #6CAC1A, #93AC1A, #AC9D1A and #AC761A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45AB1B shade: #45AC1A, #1EAC1A, #1AAC3E, #1AAC65 and #1AAC8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45AB1B shade matches the following richer shades: #45AC1A and #3EBC0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45AB1B shade: #45AC1A, #4B9B2A, #528B3B, #597B4B and #606B5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45AB1B shade: #93AC1A, #6DAC1A, #46AC1A, #1FAC1A and #1AAC3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45AB1B shade: #28640F, #368815, #45AC1A, #53CF20 and #69E039

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45AB1B shade: #45AB1B, #1AAC9D and #AC1A80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45AB1B shade: #45AB1B, #1A46AC and #AC1A46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45AB1B shade: #45AB1B, #1AAC9D, #801AAC and #AC1A29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45AB1B shade: #45AB1B, #1A8FAC, #801AAC and #AC371A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 84 / 33

HEX #45AB1B

RGB 69 171 27

HSL 102.5, 0.73%, 0.39%

LAB 62.06, -53.56, 58.43

 

Complementary color

CMYK 18 / 63 / 0 / 11

HEX #BA54E4

RGB 186 84 228

HSL 282.5, 0.73%, 0.61%

LAB 54.43, 62.9, -55.78

 

CMYK 57 / 0 / 87 / 33

HEX #4AAB16

RGB 74 171 22

HSL 99.06, 0.77%, 0.38%

LAB 62.2, -52.46, 59.8

 

CMYK 52 / 0 / 78 / 26

HEX #5BBD29

RGB 91 189 41

HSL 99.73, 0.64%, 0.45%

LAB 68.59, -53.44, 60.79

 

CMYK 48 / 0 / 71 / 19

HEX #6CCF3C

RGB 108 207 60

HSL 100.41, 0.6%, 0.52%

LAB 74.91, -54.05, 60.8

 

CMYK 44 / 0 / 65 / 12

HEX #7DE14F

RGB 125 225 79

HSL 101.1, 0.71%, 0.6%

LAB 81.17, -54.42, 60.25

 

CMYK 42 / 0 / 60 / 5

HEX #8EF362

RGB 142 243 98

HSL 101.79, 0.86%, 0.67%

LAB 87.36, -54.62, 59.41

 

CMYK 60 / 0 / 84 / 33

HEX #45AB1B

RGB 69 171 27

HSL 102.5, 0.73%, 0.39%

LAB 62.06, -53.56, 58.43

 

CMYK 66 / 0 / 95 / 40

HEX #349908

RGB 52 153 8

HSL 101.79, 0.9%, 0.32%

LAB 55.61, -52.05, 56.47

 

CMYK 74 / 0 / 100 / 47

HEX #238700

RGB 35 135 0

HSL 104.44, 1%, 0.26%

LAB 49.11, -49.78, 52.39

 

CMYK 85 / 0 / 100 / 54

HEX #127500

RGB 18 117 0

HSL 110.77, 1%, 0.23%

LAB 42.54, -46.7, 47.02

 

CMYK 99 / 0 / 100 / 61

HEX #016300

RGB 1 99 0

HSL 119.39, 1%, 0.19%

LAB 35.85, -42.95, 41.58

 

CMYK 60 / 0 / 85 / 33

HEX #45AC1A

RGB 69 172 26

HSL 102.33, 0.74%, 0.39%

LAB 62.38, -53.96, 58.96

 

CMYK 37 / 0 / 85 / 33

HEX #6CAC1A

RGB 108 172 26

HSL 86.3, 0.74%, 0.39%

LAB 63.97, -41.85, 60.99

 

CMYK 15 / 0 / 85 / 33

HEX #93AC1A

RGB 147 172 26

HSL 70.27, 0.74%, 0.39%

LAB 66.35, -26.4, 63.97

 

CMYK 0 / 9 / 85 / 33

HEX #AC9D1A

RGB 172 157 26

HSL 53.84, 0.74%, 0.39%

LAB 64.13, -7.78, 62.91

 

CMYK 0 / 31 / 85 / 33

HEX #AC761A

RGB 172 118 26

HSL 37.81, 0.74%, 0.39%

LAB 53.82, 13.68, 54.24

 

CMYK 60 / 0 / 85 / 33

HEX #45AC1A

RGB 69 172 26

HSL 102.33, 0.74%, 0.39%

LAB 62.38, -53.96, 58.96

 

CMYK 83 / 0 / 85 / 33

HEX #1EAC1A

RGB 30 172 26

HSL 118.36, 0.74%, 0.39%

LAB 61.53, -61.16, 57.89

 

CMYK 85 / 0 / 64 / 33

HEX #1AAC3E

RGB 26 172 62

HSL 134.79, 0.74%, 0.39%

LAB 61.72, -58.63, 45.24

 

CMYK 85 / 0 / 41 / 33

HEX #1AAC65

RGB 26 172 101

HSL 150.82, 0.74%, 0.39%

LAB 62.22, -52.57, 26.53

 

CMYK 85 / 0 / 18 / 33

HEX #1AAC8D

RGB 26 172 141

HSL 167.26, 0.74%, 0.39%

LAB 63.05, -43.41, 5.79

 

CMYK 60 / 0 / 85 / 33

HEX #45AC1A

RGB 69 172 26

HSL 102.33, 0.74%, 0.39%

LAB 62.38, -53.96, 58.96

 

CMYK 67 / 0 / 95 / 26

HEX #3EBC0A

RGB 62 188 10

HSL 102.47, 0.9%, 0.39%

LAB 67.29, -61.48, 65.93

 

CMYK 60 / 0 / 85 / 33

HEX #45AC1A

RGB 69 172 26

HSL 102.33, 0.74%, 0.39%

LAB 62.38, -53.96, 58.96

 

CMYK 52 / 0 / 73 / 39

HEX #4B9B2A

RGB 75 155 42

HSL 102.48, 0.57%, 0.39%

LAB 57.18, -44.98, 49.05

 

CMYK 41 / 0 / 58 / 45

HEX #528B3B

RGB 82 139 59

HSL 102.75, 0.4%, 0.39%

LAB 52.48, -34.29, 36.46

 

CMYK 28 / 0 / 39 / 52

HEX #597B4B

RGB 89 123 75

HSL 102.5, 0.24%, 0.39%

LAB 48, -21.8, 22.46

 

CMYK 10 / 0 / 15 / 58

HEX #606B5B

RGB 96 107 91

HSL 101.25, 0.08%, 0.39%

LAB 43.88, -7.49, 7.57

 

CMYK 15 / 0 / 85 / 33

HEX #93AC1A

RGB 147 172 26

HSL 70.27, 0.74%, 0.39%

LAB 66.35, -26.4, 63.97

 

CMYK 37 / 0 / 85 / 33

HEX #6DAC1A

RGB 109 172 26

HSL 85.89, 0.74%, 0.39%

LAB 64.02, -41.48, 61.05

 

CMYK 59 / 0 / 85 / 33

HEX #46AC1A

RGB 70 172 26

HSL 101.92, 0.74%, 0.39%

LAB 62.41, -53.71, 59

 

CMYK 82 / 0 / 85 / 33

HEX #1FAC1A

RGB 31 172 26

HSL 117.95, 0.74%, 0.39%

LAB 61.54, -61.04, 57.9

 

CMYK 85 / 0 / 65 / 33

HEX #1AAC3C

RGB 26 172 60

HSL 133.97, 0.74%, 0.39%

LAB 61.7, -58.86, 46.1

 

CMYK 60 / 0 / 85 / 61

HEX #28640F

RGB 40 100 15

HSL 102.35, 0.74%, 0.23%

LAB 37.11, -35.33, 38.68

 

CMYK 60 / 0 / 85 / 47

HEX #368815

RGB 54 136 21

HSL 102.78, 0.73%, 0.31%

LAB 50.03, -45.01, 48.96

 

CMYK 60 / 0 / 85 / 33

HEX #45AC1A

RGB 69 172 26

HSL 102.33, 0.74%, 0.39%

LAB 62.38, -53.96, 58.96

 

CMYK 60 / 0 / 85 / 19

HEX #53CF20

RGB 83 207 32

HSL 102.51, 0.73%, 0.47%

LAB 73.91, -62.4, 67.97

 

CMYK 53 / 0 / 75 / 12

HEX #69E039

RGB 105 224 57

HSL 102.75, 0.73%, 0.55%

LAB 79.96, -61.42, 66.85

 

CMYK 60 / 0 / 84 / 33

HEX #45AB1B

RGB 69 171 27

HSL 102.5, 0.73%, 0.39%

LAB 62.06, -53.56, 58.43

 

CMYK 85 / 0 / 9 / 33

HEX #1AAC9D

RGB 26 172 157

HSL 173.84, 0.74%, 0.39%

LAB 63.47, -39.03, -2.52

 

CMYK 0 / 85 / 26 / 33

HEX #AC1A80

RGB 172 26 128

HSL 318.08, 0.74%, 0.39%

LAB 39.69, 63.54, -20.32

 

CMYK 60 / 0 / 84 / 33

HEX #45AB1B

RGB 69 171 27

HSL 102.5, 0.73%, 0.39%

LAB 62.06, -53.56, 58.43

 

CMYK 85 / 59 / 0 / 33

HEX #1A46AC

RGB 26 70 172

HSL 221.92, 0.74%, 0.39%

LAB 33.09, 24.94, -58.56

 

CMYK 0 / 85 / 59 / 33

HEX #AC1A46

RGB 172 26 70

HSL 341.92, 0.74%, 0.39%

LAB 37.76, 58, 13.56

 

CMYK 60 / 0 / 84 / 33

HEX #45AB1B

RGB 69 171 27

HSL 102.5, 0.73%, 0.39%

LAB 62.06, -53.56, 58.43

 

CMYK 85 / 0 / 9 / 33

HEX #1AAC9D

RGB 26 172 157

HSL 173.84, 0.74%, 0.39%

LAB 63.47, -39.03, -2.52

 

CMYK 26 / 85 / 0 / 33

HEX #801AAC

RGB 128 26 172

HSL 281.92, 0.74%, 0.39%

LAB 34.61, 61.99, -55.68

 

CMYK 0 / 85 / 76 / 33

HEX #AC1A29

RGB 172 26 41

HSL 353.84, 0.74%, 0.39%

LAB 37.24, 56.48, 31.21

 

CMYK 60 / 0 / 84 / 33

HEX #45AB1B

RGB 69 171 27

HSL 102.5, 0.73%, 0.39%

LAB 62.06, -53.56, 58.43

 

CMYK 85 / 17 / 0 / 33

HEX #1A8FAC

RGB 26 143 172

HSL 191.92, 0.74%, 0.39%

LAB 54.91, -20.15, -23.91

 

CMYK 26 / 85 / 0 / 33

HEX #801AAC

RGB 128 26 172

HSL 281.92, 0.74%, 0.39%

LAB 34.61, 61.99, -55.68

 

CMYK 0 / 68 / 85 / 33

HEX #AC371A

RGB 172 55 26

HSL 11.92, 0.74%, 0.39%

LAB 40.54, 46.42, 42.73

 

Description

Color code: HEX #45AB1B | qconv.com Color code: HEX #45AB1B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 171 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 171 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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