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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45B449 it is the complementary color #BA4BB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45B449. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45B449 shade: #4AB444, #5BC657, #6CD86A, #7DEA7D and #8EFC90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45B449. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45B449 shade: #45B449, #34A236, #239023, #127E10 and #016C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45B449 shade: #44B548, #5EB544, #7DB544, #9BB544 and #B5B044

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45B449 shade: #44B548, #44B567, #44B585, #44B5A3 and #44A8B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45B449 shade matches the following richer shades: #44B548, #30C936, #1CDD23 and #08F110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45B449 shade: #44B548, #58A05B, #6D8C6E, #817881 and #956493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45B449 shade: #7CB544, #5EB544, #44B548, #44B566 and #44B584

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45B449 shade: #2E7930, #39973C, #44B548, #60C263 and #7ECE81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45B449 shade: #45B449, #449AB5 and #B5446D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45B449 shade: #45B449, #4844B5 and #B54844

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45B449 shade: #45B449, #449AB5, #B544B1 and #B55E44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45B449 shade: #45B449, #4479B5, #B544B1 and #B58044

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 59 / 29

HEX #45B449

RGB 69 180 73

HSL 122.16, 0.45%, 0.49%

LAB 65.27, -53.02, 44.53

 

Complementary color

CMYK 0 / 60 / 2 / 27

HEX #BA4BB6

RGB 186 75 182

HSL 302.16, 0.45%, 0.51%

LAB 50.51, 58.27, -35.67

 

CMYK 59 / 0 / 62 / 29

HEX #4AB444

RGB 74 180 68

HSL 116.79, 0.45%, 0.49%

LAB 65.37, -52.4, 46.96

 

CMYK 54 / 0 / 56 / 22

HEX #5BC657

RGB 91 198 87

HSL 117.84, 0.49%, 0.56%

LAB 71.76, -52.74, 45.78

 

CMYK 50 / 0 / 51 / 15

HEX #6CD86A

RGB 108 216 106

HSL 118.91, 0.59%, 0.63%

LAB 78.08, -52.87, 44.53

 

CMYK 47 / 0 / 47 / 8

HEX #7DEA7D

RGB 125 234 125

HSL 120, 0.72%, 0.7%

LAB 84.32, -52.85, 43.27

 

CMYK 44 / 0 / 43 / 1

HEX #8EFC90

RGB 142 252 144

HSL 121.09, 0.95%, 0.77%

LAB 90.5, -52.75, 42.03

 

CMYK 62 / 0 / 59 / 29

HEX #45B449

RGB 69 180 73

HSL 122.16, 0.45%, 0.49%

LAB 65.27, -53.02, 44.53

 

CMYK 68 / 0 / 67 / 36

HEX #34A236

RGB 52 162 54

HSL 121.09, 0.51%, 0.42%

LAB 58.82, -52.3, 45.66

 

CMYK 76 / 0 / 76 / 44

HEX #239023

RGB 35 144 35

HSL 120, 0.61%, 0.35%

LAB 52.31, -51.02, 46.38

 

CMYK 86 / 0 / 87 / 51

HEX #127E10

RGB 18 126 16

HSL 118.91, 0.77%, 0.28%

LAB 45.75, -48.86, 46.13

 

CMYK 99 / 0 / 100 / 58

HEX #016C00

RGB 1 108 0

HSL 119.44, 1%, 0.21%

LAB 39.12, -45.69, 44.21

 

CMYK 62 / 0 / 60 / 29

HEX #44B548

RGB 68 181 72

HSL 122.12, 0.45%, 0.49%

LAB 65.55, -53.73, 45.31

 

CMYK 48 / 0 / 62 / 29

HEX #5EB544

RGB 94 181 68

HSL 106.19, 0.45%, 0.49%

LAB 66.4, -47.33, 48.31

 

CMYK 31 / 0 / 62 / 29

HEX #7DB544

RGB 125 181 68

HSL 89.73, 0.45%, 0.49%

LAB 67.89, -36.92, 50.38

 

CMYK 14 / 0 / 62 / 29

HEX #9BB544

RGB 155 181 68

HSL 73.81, 0.45%, 0.49%

LAB 69.78, -25.24, 52.98

 

CMYK 0 / 3 / 62 / 29

HEX #B5B044

RGB 181 176 68

HSL 57.35, 0.45%, 0.49%

LAB 70.38, -11.82, 54.22

 

CMYK 62 / 0 / 60 / 29

HEX #44B548

RGB 68 181 72

HSL 122.12, 0.45%, 0.49%

LAB 65.55, -53.73, 45.31

 

CMYK 62 / 0 / 43 / 29

HEX #44B567

RGB 68 181 103

HSL 138.58, 0.45%, 0.49%

LAB 65.95, -49.25, 30.49

 

CMYK 62 / 0 / 27 / 29

HEX #44B585

RGB 68 181 133

HSL 154.51, 0.45%, 0.49%

LAB 66.5, -43.38, 15.18

 

CMYK 62 / 0 / 10 / 29

HEX #44B5A3

RGB 68 181 163

HSL 170.44, 0.45%, 0.49%

LAB 67.22, -36.14, -0.27

 

CMYK 62 / 7 / 0 / 29

HEX #44A8B5

RGB 68 168 181

HSL 186.9, 0.45%, 0.49%

LAB 63.81, -24.83, -15.34

 

CMYK 62 / 0 / 60 / 29

HEX #44B548

RGB 68 181 72

HSL 122.12, 0.45%, 0.49%

LAB 65.55, -53.73, 45.31

 

CMYK 76 / 0 / 73 / 21

HEX #30C936

RGB 48 201 54

HSL 122.35, 0.61%, 0.49%

LAB 71.33, -65.88, 58.78

 

CMYK 87 / 0 / 84 / 13

HEX #1CDD23

RGB 28 221 35

HSL 122.18, 0.78%, 0.49%

LAB 77.33, -75.07, 69.96

 

CMYK 97 / 0 / 93 / 5

HEX #08F110

RGB 8 241 16

HSL 122.06, 0.94%, 0.49%

LAB 83.44, -82.07, 78.35

 

CMYK 62 / 0 / 60 / 29

HEX #44B548

RGB 68 181 72

HSL 122.12, 0.45%, 0.49%

LAB 65.55, -53.73, 45.31

 

CMYK 45 / 0 / 43 / 37

HEX #58A05B

RGB 88 160 91

HSL 122.5, 0.29%, 0.49%

LAB 59.86, -37.32, 29.08

 

CMYK 22 / 0 / 21 / 45

HEX #6D8C6E

RGB 109 140 110

HSL 121.94, 0.12%, 0.49%

LAB 55.21, -17.17, 12.52

 

CMYK 0 / 7 / 0 / 49

HEX #817881

RGB 129 120 129

HSL 300, 0.04%, 0.49%

LAB 51.48, 5.2, -3.67

 

CMYK 0 / 33 / 1 / 42

HEX #956493

RGB 149 100 147

HSL 302.45, 0.2%, 0.49%

LAB 49.02, 27.75, -17.79

 

CMYK 31 / 0 / 62 / 29

HEX #7CB544

RGB 124 181 68

HSL 90.27, 0.45%, 0.49%

LAB 67.84, -37.29, 50.3

 

CMYK 48 / 0 / 62 / 29

HEX #5EB544

RGB 94 181 68

HSL 106.19, 0.45%, 0.49%

LAB 66.4, -47.33, 48.31

 

CMYK 62 / 0 / 60 / 29

HEX #44B548

RGB 68 181 72

HSL 122.12, 0.45%, 0.49%

LAB 65.55, -53.73, 45.31

 

CMYK 62 / 0 / 44 / 29

HEX #44B566

RGB 68 181 102

HSL 138.05, 0.45%, 0.49%

LAB 65.93, -49.42, 30.99

 

CMYK 62 / 0 / 27 / 29

HEX #44B584

RGB 68 181 132

HSL 153.98, 0.45%, 0.49%

LAB 66.48, -43.59, 15.7

 

CMYK 62 / 0 / 60 / 53

HEX #2E7930

RGB 46 121 48

HSL 121.6, 0.45%, 0.33%

LAB 44.9, -38.92, 32.71

 

CMYK 62 / 0 / 60 / 41

HEX #39973C

RGB 57 151 60

HSL 121.91, 0.45%, 0.41%

LAB 55.41, -46.48, 39.13

 

CMYK 62 / 0 / 60 / 29

HEX #44B548

RGB 68 181 72

HSL 122.12, 0.45%, 0.49%

LAB 65.55, -53.73, 45.31

 

CMYK 51 / 0 / 49 / 24

HEX #60C263

RGB 96 194 99

HSL 121.84, 0.45%, 0.57%

LAB 70.85, -48.26, 38.94

 

CMYK 39 / 0 / 37 / 19

HEX #7ECE81

RGB 126 206 129

HSL 122.25, 0.45%, 0.65%

LAB 76.17, -40.14, 30.79

 

CMYK 62 / 0 / 59 / 29

HEX #45B449

RGB 69 180 73

HSL 122.16, 0.45%, 0.49%

LAB 65.27, -53.02, 44.53

 

CMYK 62 / 15 / 0 / 29

HEX #449AB5

RGB 68 154 181

HSL 194.34, 0.45%, 0.49%

LAB 59.6, -17.55, -21.76

 

CMYK 0 / 62 / 40 / 29

HEX #B5446D

RGB 181 68 109

HSL 338.23, 0.45%, 0.49%

LAB 45.72, 49.49, 0.62

 

CMYK 62 / 0 / 59 / 29

HEX #45B449

RGB 69 180 73

HSL 122.16, 0.45%, 0.49%

LAB 65.27, -53.02, 44.53

 

CMYK 60 / 62 / 0 / 29

HEX #4844B5

RGB 72 68 181

HSL 242.12, 0.45%, 0.49%

LAB 35.69, 35.34, -59.56

 

CMYK 0 / 60 / 62 / 29

HEX #B54844

RGB 181 72 68

HSL 2.12, 0.45%, 0.49%

LAB 45.46, 43.99, 25.25

 

CMYK 62 / 0 / 59 / 29

HEX #45B449

RGB 69 180 73

HSL 122.16, 0.45%, 0.49%

LAB 65.27, -53.02, 44.53

 

CMYK 62 / 15 / 0 / 29

HEX #449AB5

RGB 68 154 181

HSL 194.34, 0.45%, 0.49%

LAB 59.6, -17.55, -21.76

 

CMYK 0 / 62 / 2 / 29

HEX #B544B1

RGB 181 68 177

HSL 302.12, 0.45%, 0.49%

LAB 48.43, 59.14, -36.07

 

CMYK 0 / 48 / 62 / 29

HEX #B55E44

RGB 181 94 68

HSL 13.81, 0.45%, 0.49%

LAB 49.79, 32.88, 30.66

 

CMYK 62 / 0 / 59 / 29

HEX #45B449

RGB 69 180 73

HSL 122.16, 0.45%, 0.49%

LAB 65.27, -53.02, 44.53

 

CMYK 62 / 33 / 0 / 29

HEX #4479B5

RGB 68 121 181

HSL 211.86, 0.45%, 0.49%

LAB 49.79, 1.22, -36.98

 

CMYK 0 / 62 / 2 / 29

HEX #B544B1

RGB 181 68 177

HSL 302.12, 0.45%, 0.49%

LAB 48.43, 59.14, -36.07

 

CMYK 0 / 29 / 62 / 29

HEX #B58044

RGB 181 128 68

HSL 31.86, 0.45%, 0.49%

LAB 57.73, 14.16, 40.13

 

Description

Color code: HEX #45B449 | qconv.com Color code: HEX #45B449 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 180 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 180 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 59 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 59% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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