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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45BAD7 it is the complementary color #BA4528. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45BAD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45BAD7 shade: #4ABAD2, #5BCCE5, #6CDEF8, #7DF0FF and #8EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45BAD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45BAD7 shade: #45BAD7, #34A8C4, #2396B1, #12849E and #01728B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45BAD7 shade: #45BAD7, #4593D7, #456CD7, #4645D7 and #6E45D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45BAD7 shade: #45BAD7, #4593D7, #456CD7 and #4545D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45BAD7 shade matches the following richer shades: #45BAD7, #33C5E9 and #21D0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45BAD7 shade: #45BAD7, #58AFC5, #6AA4B3, #7C99A1 and #8E8E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45BAD7 shade: #45D7A4, #45D7CB, #45BCD7, #4596D7 and #456FD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45BAD7 shade: #238DA7, #2AAAC9, #45BAD7, #67C7DE and #89D3E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45BAD7 shade: #45BAD7, #7D45D7 and #D7B845

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45BAD7 shade: #45BAD7, #D745BC and #BCD745

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45BAD7 shade: #45BAD7, #7D45D7, #D76045 and #9FD745

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45BAD7 shade: #45BAD7, #A945D7, #D76045 and #74D745

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

Complementary color

CMYK 0 / 63 / 78 / 27

HEX #BA4528

RGB 186 69 40

HSL 11.92, 0.65%, 0.44%

LAB 45.43, 45.73, 41.28

 

CMYK 65 / 11 / 0 / 18

HEX #4ABAD2

RGB 74 186 210

HSL 190.59, 0.6%, 0.56%

LAB 70.33, -24.24, -21.46

 

CMYK 60 / 11 / 0 / 10

HEX #5BCCE5

RGB 91 204 229

HSL 190.87, 0.73%, 0.63%

LAB 76.72, -24.8, -22.01

 

CMYK 56 / 10 / 0 / 3

HEX #6CDEF8

RGB 108 222 248

HSL 191.14, 0.91%, 0.7%

LAB 83.02, -25.23, -22.51

 

CMYK 51 / 6 / 0 / 0

HEX #7DF0FF

RGB 125 240 255

HSL 186.92, 1%, 0.75%

LAB 88.88, -28.76, -17.3

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

CMYK 73 / 14 / 0 / 23

HEX #34A8C4

RGB 52 168 196

HSL 191.67, 0.58%, 0.49%

LAB 63.93, -22.56, -23.56

 

CMYK 80 / 15 / 0 / 31

HEX #2396B1

RGB 35 150 177

HSL 191.41, 0.67%, 0.42%

LAB 57.41, -21.35, -22.91

 

CMYK 89 / 16 / 0 / 38

HEX #12849E

RGB 18 132 158

HSL 191.14, 0.8%, 0.35%

LAB 50.8, -19.73, -22.16

 

CMYK 99 / 18 / 0 / 45

HEX #01728B

RGB 1 114 139

HSL 190.87, 0.99%, 0.27%

LAB 44.1, -17.69, -21.33

 

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

CMYK 68 / 32 / 0 / 16

HEX #4593D7

RGB 69 147 215

HSL 207.95, 0.65%, 0.56%

LAB 59.01, -2.31, -41.78

 

CMYK 68 / 50 / 0 / 16

HEX #456CD7

RGB 69 108 215

HSL 223.97, 0.65%, 0.56%

LAB 48.13, 21.38, -59.11

 

CMYK 67 / 68 / 0 / 16

HEX #4645D7

RGB 70 69 215

HSL 240.41, 0.65%, 0.56%

LAB 38.66, 45.65, -74.51

 

CMYK 49 / 68 / 0 / 16

HEX #6E45D7

RGB 110 69 215

HSL 256.85, 0.65%, 0.56%

LAB 41.97, 51.58, -68.98

 

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

CMYK 68 / 32 / 0 / 16

HEX #4593D7

RGB 69 147 215

HSL 207.95, 0.65%, 0.56%

LAB 59.01, -2.31, -41.78

 

CMYK 68 / 50 / 0 / 16

HEX #456CD7

RGB 69 108 215

HSL 223.97, 0.65%, 0.56%

LAB 48.13, 21.38, -59.11

 

CMYK 68 / 68 / 0 / 16

HEX #4545D7

RGB 69 69 215

HSL 240, 0.65%, 0.56%

LAB 38.6, 45.53, -74.62

 

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

CMYK 78 / 15 / 0 / 9

HEX #33C5E9

RGB 51 197 233

HSL 191.87, 0.81%, 0.56%

LAB 73.88, -25.52, -28.59

 

CMYK 87 / 17 / 0 / 1

HEX #21D0FC

RGB 33 208 252

HSL 192.05, 0.97%, 0.56%

LAB 77.56, -26.23, -33.15

 

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

CMYK 55 / 11 / 0 / 23

HEX #58AFC5

RGB 88 175 197

HSL 192.11, 0.48%, 0.56%

LAB 67.1, -19.92, -19.19

 

CMYK 41 / 8 / 0 / 30

HEX #6AA4B3

RGB 106 164 179

HSL 192.33, 0.32%, 0.56%

LAB 64.06, -14.94, -13.71

 

CMYK 23 / 5 / 0 / 37

HEX #7C99A1

RGB 124 153 161

HSL 192.97, 0.16%, 0.56%

LAB 61.34, -8.23, -7.54

 

CMYK 1 / 1 / 0 / 44

HEX #8E8E8F

RGB 142 142 143

HSL 240, 0%, 0.56%

LAB 59.05, 0.2, -0.54

 

CMYK 68 / 0 / 24 / 16

HEX #45D7A4

RGB 69 215 164

HSL 159.04, 0.65%, 0.56%

LAB 77.61, -50.44, 14.09

 

CMYK 68 / 0 / 6 / 16

HEX #45D7CB

RGB 69 215 203

HSL 175.07, 0.65%, 0.56%

LAB 78.57, -40.78, -5.34

 

CMYK 68 / 13 / 0 / 16

HEX #45BCD7

RGB 69 188 215

HSL 191.1, 0.65%, 0.56%

LAB 70.97, -24.49, -23.25

 

CMYK 68 / 30 / 0 / 16

HEX #4596D7

RGB 69 150 215

HSL 206.71, 0.65%, 0.56%

LAB 59.87, -4.03, -40.42

 

CMYK 68 / 48 / 0 / 16

HEX #456FD7

RGB 69 111 215

HSL 222.74, 0.65%, 0.56%

LAB 48.93, 19.5, -57.82

 

CMYK 79 / 16 / 0 / 35

HEX #238DA7

RGB 35 141 167

HSL 191.82, 0.65%, 0.4%

LAB 54.24, -19.96, -22.07

 

CMYK 79 / 15 / 0 / 21

HEX #2AAAC9

RGB 42 170 201

HSL 191.7, 0.65%, 0.48%

LAB 64.53, -23.07, -25.44

 

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

CMYK 54 / 10 / 0 / 13

HEX #67C7DE

RGB 103 199 222

HSL 191.6, 0.64%, 0.64%

LAB 75.45, -22.01, -20.12

 

CMYK 40 / 8 / 0 / 10

HEX #89D3E6

RGB 137 211 230

HSL 192.26, 0.65%, 0.72%

LAB 80.53, -18.19, -16.61

 

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

CMYK 42 / 68 / 0 / 16

HEX #7D45D7

RGB 125 69 215

HSL 263.01, 0.65%, 0.56%

LAB 43.54, 54.27, -66.35

 

CMYK 0 / 14 / 68 / 16

HEX #D7B845

RGB 215 184 69

HSL 47.26, 0.65%, 0.56%

LAB 75.55, -1.37, 60.17

 

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

CMYK 0 / 68 / 13 / 16

HEX #D745BC

RGB 215 69 188

HSL 311.1, 0.65%, 0.56%

LAB 54.38, 68.91, -32.77

 

CMYK 13 / 0 / 68 / 16

HEX #BCD745

RGB 188 215 69

HSL 71.1, 0.65%, 0.56%

LAB 81.69, -28.18, 65.76

 

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

CMYK 42 / 68 / 0 / 16

HEX #7D45D7

RGB 125 69 215

HSL 263.01, 0.65%, 0.56%

LAB 43.54, 54.27, -66.35

 

CMYK 0 / 55 / 68 / 16

HEX #D76045

RGB 215 96 69

HSL 11.1, 0.65%, 0.56%

LAB 55.32, 45, 37.95

 

CMYK 26 / 0 / 68 / 16

HEX #9FD745

RGB 159 215 69

HSL 83.01, 0.65%, 0.56%

LAB 79.84, -39.44, 63.29

 

CMYK 68 / 13 / 0 / 16

HEX #45BAD7

RGB 69 186 215

HSL 191.92, 0.65%, 0.56%

LAB 70.38, -23.48, -24.14

 

CMYK 21 / 68 / 0 / 16

HEX #A945D7

RGB 169 69 215

HSL 281.1, 0.65%, 0.56%

LAB 49, 63.08, -57.24

 

CMYK 0 / 55 / 68 / 16

HEX #D76045

RGB 215 96 69

HSL 11.1, 0.65%, 0.56%

LAB 55.32, 45, 37.95

 

CMYK 46 / 0 / 68 / 16

HEX #74D745

RGB 116 215 69

HSL 100.68, 0.65%, 0.56%

LAB 77.72, -54.07, 60.42

 

Description

Color code: HEX #45BAD7 | qconv.com Color code: HEX #45BAD7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 186 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 186 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 13 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 13% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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