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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45C4D2 it is the complementary color #BA3B2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45C4D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45C4D2 shade: #4AC4CD, #5BD6E0, #6CE8F3, #7DFAFF and #8EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45C4D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45C4D2 shade: #45C4D2, #34B2BF, #23A0AC, #128E99 and #017C86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45C4D2 shade: #46C4D2, #469ED2, #4678D2, #4653D2 and #5F46D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45C4D2 shade: #46C4D2, #469ED2, #4678D2, #4653D2 and #4646D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45C4D2 shade matches the following richer shades: #46C4D2, #33D3E4 and #21E2F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45C4D2 shade: #46C4D2, #58B5BF, #6BA6AD, #7D979A and #908887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45C4D2 shade: #46D293, #46D2B8, #46C6D2, #46A1D2 and #467BD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45C4D2 shade: #26939F, #2EB2C0, #46C4D2, #67CEDA and #88D9E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45C4D2 shade: #45C4D2, #6D46D2 and #D2A546

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45C4D2 shade: #45C4D2, #D246C6 and #C6D246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45C4D2 shade: #45C4D2, #6D46D2, #D25146 and #AAD246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45C4D2 shade: #45C4D2, #9746D2, #D25146 and #80D246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 7 / 0 / 18

HEX #45C4D2

RGB 69 196 210

HSL 185.96, 0.61%, 0.55%

LAB 73.15, -29.95, -17.2

 

Complementary color

CMYK 0 / 68 / 76 / 27

HEX #BA3B2D

RGB 186 59 45

HSL 5.96, 0.61%, 0.45%

LAB 43.88, 50.22, 36.96

 

CMYK 64 / 4 / 0 / 20

HEX #4AC4CD

RGB 74 196 205

HSL 184.12, 0.57%, 0.55%

LAB 73.12, -30.65, -14.53

 

CMYK 59 / 4 / 0 / 12

HEX #5BD6E0

RGB 91 214 224

HSL 184.51, 0.68%, 0.62%

LAB 79.44, -31.11, -15.21

 

CMYK 56 / 5 / 0 / 5

HEX #6CE8F3

RGB 108 232 243

HSL 184.89, 0.85%, 0.69%

LAB 85.69, -31.45, -15.85

 

CMYK 51 / 2 / 0 / 0

HEX #7DFAFF

RGB 125 250 255

HSL 182.31, 1%, 0.75%

LAB 91.66, -33.5, -13.12

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 67 / 7 / 0 / 18

HEX #45C4D2

RGB 69 196 210

HSL 185.96, 0.61%, 0.55%

LAB 73.15, -29.95, -17.2

 

CMYK 73 / 7 / 0 / 25

HEX #34B2BF

RGB 52 178 191

HSL 185.61, 0.57%, 0.48%

LAB 66.77, -29.15, -16.47

 

CMYK 80 / 7 / 0 / 33

HEX #23A0AC

RGB 35 160 172

HSL 185.26, 0.66%, 0.41%

LAB 60.32, -28.08, -15.65

 

CMYK 88 / 7 / 0 / 40

HEX #128E99

RGB 18 142 153

HSL 184.89, 0.79%, 0.34%

LAB 53.79, -26.63, -14.71

 

CMYK 99 / 7 / 0 / 47

HEX #017C86

RGB 1 124 134

HSL 184.51, 0.99%, 0.26%

LAB 47.16, -24.78, -13.67

 

CMYK 67 / 7 / 0 / 18

HEX #46C4D2

RGB 70 196 210

HSL 186, 0.61%, 0.55%

LAB 73.18, -29.8, -17.16

 

CMYK 67 / 25 / 0 / 18

HEX #469ED2

RGB 70 158 210

HSL 202.29, 0.61%, 0.55%

LAB 62.01, -10.06, -34.3

 

CMYK 67 / 43 / 0 / 18

HEX #4678D2

RGB 70 120 210

HSL 218.57, 0.61%, 0.55%

LAB 51.14, 12.28, -51.44

 

CMYK 67 / 60 / 0 / 18

HEX #4653D2

RGB 70 83 210

HSL 234.43, 0.61%, 0.55%

LAB 41.44, 35.51, -67.1

 

CMYK 55 / 67 / 0 / 18

HEX #5F46D2

RGB 95 70 210

HSL 250.71, 0.61%, 0.55%

LAB 40.36, 47.08, -68.79

 

CMYK 67 / 7 / 0 / 18

HEX #46C4D2

RGB 70 196 210

HSL 186, 0.61%, 0.55%

LAB 73.18, -29.8, -17.16

 

CMYK 67 / 25 / 0 / 18

HEX #469ED2

RGB 70 158 210

HSL 202.29, 0.61%, 0.55%

LAB 62.01, -10.06, -34.3

 

CMYK 67 / 43 / 0 / 18

HEX #4678D2

RGB 70 120 210

HSL 218.57, 0.61%, 0.55%

LAB 51.14, 12.28, -51.44

 

CMYK 67 / 60 / 0 / 18

HEX #4653D2

RGB 70 83 210

HSL 234.43, 0.61%, 0.55%

LAB 41.44, 35.51, -67.1

 

CMYK 67 / 67 / 0 / 18

HEX #4646D2

RGB 70 70 210

HSL 240, 0.61%, 0.55%

LAB 38.44, 43.42, -72.01

 

CMYK 67 / 7 / 0 / 18

HEX #46C4D2

RGB 70 196 210

HSL 186, 0.61%, 0.55%

LAB 73.18, -29.8, -17.16

 

CMYK 78 / 7 / 0 / 11

HEX #33D3E4

RGB 51 211 228

HSL 185.76, 0.77%, 0.55%

LAB 77.81, -33.89, -19.9

 

CMYK 87 / 9 / 0 / 3

HEX #21E2F7

RGB 33 226 247

HSL 185.89, 0.93%, 0.55%

LAB 82.61, -36.47, -22.76

 

CMYK 67 / 7 / 0 / 18

HEX #46C4D2

RGB 70 196 210

HSL 186, 0.61%, 0.55%

LAB 73.18, -29.8, -17.16

 

CMYK 54 / 5 / 0 / 25

HEX #58B5BF

RGB 88 181 191

HSL 185.83, 0.45%, 0.55%

LAB 68.67, -24.69, -13.51

 

CMYK 38 / 4 / 0 / 32

HEX #6BA6AD

RGB 107 166 173

HSL 186.36, 0.29%, 0.55%

LAB 64.5, -17.3, -9.69

 

CMYK 19 / 2 / 0 / 40

HEX #7D979A

RGB 125 151 154

HSL 186.21, 0.13%, 0.55%

LAB 60.63, -8.42, -4.62

 

CMYK 0 / 6 / 6 / 44

HEX #908887

RGB 144 136 135

HSL 6.67, 0.04%, 0.55%

LAB 57.35, 2.8, 1.6

 

CMYK 67 / 0 / 30 / 18

HEX #46D293

RGB 70 210 147

HSL 153, 0.61%, 0.55%

LAB 75.76, -51.95, 20.52

 

CMYK 67 / 0 / 12 / 18

HEX #46D2B8

RGB 70 210 184

HSL 168.86, 0.61%, 0.55%

LAB 76.59, -43.39, 1.96

 

CMYK 67 / 6 / 0 / 18

HEX #46C6D2

RGB 70 198 210

HSL 185.14, 0.61%, 0.55%

LAB 73.77, -30.77, -16.27

 

CMYK 67 / 23 / 0 / 18

HEX #46A1D2

RGB 70 161 210

HSL 201, 0.61%, 0.55%

LAB 62.88, -11.71, -32.94

 

CMYK 67 / 41 / 0 / 18

HEX #467BD2

RGB 70 123 210

HSL 217.29, 0.61%, 0.55%

LAB 51.97, 10.44, -50.11

 

CMYK 76 / 8 / 0 / 38

HEX #26939F

RGB 38 147 159

HSL 185.95, 0.61%, 0.39%

LAB 55.87, -25.38, -14.98

 

CMYK 76 / 7 / 0 / 25

HEX #2EB2C0

RGB 46 178 192

HSL 185.75, 0.61%, 0.47%

LAB 66.69, -29.54, -17.15

 

CMYK 67 / 7 / 0 / 18

HEX #46C4D2

RGB 70 196 210

HSL 186, 0.61%, 0.55%

LAB 73.18, -29.8, -17.16

 

CMYK 53 / 6 / 0 / 15

HEX #67CEDA

RGB 103 206 218

HSL 186.26, 0.61%, 0.63%

LAB 77.33, -26.61, -15.13

 

CMYK 40 / 4 / 0 / 11

HEX #88D9E2

RGB 136 217 226

HSL 186, 0.61%, 0.71%

LAB 82.03, -22.46, -12.23

 

CMYK 67 / 7 / 0 / 18

HEX #45C4D2

RGB 69 196 210

HSL 185.96, 0.61%, 0.55%

LAB 73.15, -29.95, -17.2

 

CMYK 48 / 67 / 0 / 18

HEX #6D46D2

RGB 109 70 210

HSL 256.71, 0.61%, 0.55%

LAB 41.67, 49.48, -66.6

 

CMYK 0 / 21 / 67 / 18

HEX #D2A546

RGB 210 165 70

HSL 40.71, 0.61%, 0.55%

LAB 70.21, 6.61, 53.97

 

CMYK 67 / 7 / 0 / 18

HEX #45C4D2

RGB 69 196 210

HSL 185.96, 0.61%, 0.55%

LAB 73.15, -29.95, -17.2

 

CMYK 0 / 67 / 6 / 18

HEX #D246C6

RGB 210 70 198

HSL 305.14, 0.61%, 0.55%

LAB 54.2, 68.86, -38.88

 

CMYK 6 / 0 / 67 / 18

HEX #C6D246

RGB 198 210 70

HSL 65.14, 0.61%, 0.55%

LAB 81.04, -21.65, 64.96

 

CMYK 67 / 7 / 0 / 18

HEX #45C4D2

RGB 69 196 210

HSL 185.96, 0.61%, 0.55%

LAB 73.15, -29.95, -17.2

 

CMYK 48 / 67 / 0 / 18

HEX #6D46D2

RGB 109 70 210

HSL 256.71, 0.61%, 0.55%

LAB 41.67, 49.48, -66.6

 

CMYK 0 / 61 / 67 / 18

HEX #D25146

RGB 210 81 70

HSL 4.71, 0.61%, 0.55%

LAB 51.87, 50.24, 33.09

 

CMYK 19 / 0 / 67 / 18

HEX #AAD246

RGB 170 210 70

HSL 77.14, 0.61%, 0.55%

LAB 79.09, -32.9, 62.33

 

CMYK 67 / 7 / 0 / 18

HEX #45C4D2

RGB 69 196 210

HSL 185.96, 0.61%, 0.55%

LAB 73.15, -29.95, -17.2

 

CMYK 28 / 67 / 0 / 18

HEX #9746D2

RGB 151 70 210

HSL 274.71, 0.61%, 0.55%

LAB 46.46, 57.76, -58.6

 

CMYK 0 / 61 / 67 / 18

HEX #D25146

RGB 210 81 70

HSL 4.71, 0.61%, 0.55%

LAB 51.87, 50.24, 33.09

 

CMYK 39 / 0 / 67 / 18

HEX #80D246

RGB 128 210 70

HSL 95.14, 0.61%, 0.55%

LAB 76.75, -48.19, 59.17

 

Description

Color code: HEX #45C4D2 | qconv.com Color code: HEX #45C4D2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 196 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 196 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 7 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 7% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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