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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45C731 it is the complementary color #BA38CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45C731. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45C731 shade: #4AC72C, #5BD93F, #6CEB52, #7DFD65 and #8EFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45C731. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45C731 shade: #45C731, #34B51E, #23A30B, #129100 and #017F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45C731 shade: #45C731, #6EC731, #96C731, #BFC731 and #C7A831

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45C731 shade: #45C731, #31C746, #31C76E, #31C797 and #31C7BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45C731 shade matches the following richer shades: #45C731, #37DC1D and #28F009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45C731 shade: #45C731, #54B346, #639F5A, #728B6E and #817782

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45C731 shade: #95C731, #6DC731, #45C731, #31C745 and #31C76D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45C731 shade: #2E8521, #3AA629, #45C731, #61D34F and #7FDB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45C731 shade: #45C731, #31BDC7 and #C73181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45C731 shade: #45C731, #3145C7 and #C73145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45C731 shade: #45C731, #31BDC7, #B331C7 and #C73B31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45C731 shade: #45C731, #3190C7, #B331C7 and #C76831

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

Complementary color

CMYK 10 / 73 / 0 / 19

HEX #BA38CE

RGB 186 56 206

HSL 292, 0.6%, 0.51%

LAB 49.16, 69.87, -51.7

 

CMYK 63 / 0 / 78 / 22

HEX #4AC72C

RGB 74 199 44

HSL 108.39, 0.64%, 0.48%

LAB 71.2, -61.16, 62.17

 

CMYK 58 / 0 / 71 / 15

HEX #5BD93F

RGB 91 217 63

HSL 109.09, 0.67%, 0.55%

LAB 77.41, -62.08, 62.07

 

CMYK 54 / 0 / 65 / 8

HEX #6CEB52

RGB 108 235 82

HSL 109.8, 0.79%, 0.62%

LAB 83.55, -62.67, 61.45

 

CMYK 51 / 0 / 60 / 1

HEX #7DFD65

RGB 125 253 101

HSL 110.53, 0.97%, 0.69%

LAB 89.65, -63.02, 60.55

 

CMYK 44 / 0 / 53 / 0

HEX #8EFF78

RGB 142 255 120

HSL 110.22, 1%, 0.74%

LAB 91.07, -57.04, 54.03

 

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

CMYK 71 / 0 / 83 / 29

HEX #34B51E

RGB 52 181 30

HSL 111.26, 0.72%, 0.41%

LAB 64.86, -60.48, 60.03

 

CMYK 79 / 0 / 93 / 36

HEX #23A30B

RGB 35 163 11

HSL 110.53, 0.87%, 0.34%

LAB 58.58, -58.35, 58.35

 

CMYK 88 / 0 / 100 / 43

HEX #129100

RGB 18 145 0

HSL 112.55, 1%, 0.28%

LAB 52.26, -55.28, 54.8

 

CMYK 99 / 0 / 100 / 50

HEX #017F00

RGB 1 127 0

HSL 119.53, 1%, 0.25%

LAB 45.89, -51.33, 49.63

 

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

CMYK 45 / 0 / 75 / 22

HEX #6EC731

RGB 110 199 49

HSL 95.6, 0.6%, 0.49%

LAB 72.48, -51.07, 62.24

 

CMYK 25 / 0 / 75 / 22

HEX #96C731

RGB 150 199 49

HSL 79.6, 0.6%, 0.49%

LAB 74.54, -36.88, 64.93

 

CMYK 4 / 0 / 75 / 22

HEX #BFC731

RGB 191 199 49

HSL 63.2, 0.6%, 0.49%

LAB 77.37, -20.21, 68.59

 

CMYK 0 / 16 / 75 / 22

HEX #C7A831

RGB 199 168 49

HSL 47.6, 0.6%, 0.49%

LAB 69.73, -0.83, 61.71

 

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

CMYK 75 / 0 / 65 / 22

HEX #31C746

RGB 49 199 70

HSL 128.4, 0.6%, 0.49%

LAB 70.83, -63.62, 52.02

 

CMYK 75 / 0 / 45 / 22

HEX #31C76E

RGB 49 199 110

HSL 144.4, 0.6%, 0.49%

LAB 71.3, -58.06, 33.72

 

CMYK 75 / 0 / 24 / 22

HEX #31C797

RGB 49 199 151

HSL 160.8, 0.6%, 0.49%

LAB 72.05, -49.73, 13.15

 

CMYK 75 / 0 / 4 / 22

HEX #31C7BF

RGB 49 199 191

HSL 176.8, 0.6%, 0.49%

LAB 73.06, -39.37, -7.05

 

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

CMYK 75 / 0 / 87 / 14

HEX #37DC1D

RGB 55 220 29

HSL 111.83, 0.77%, 0.49%

LAB 77.33, -72.04, 71.37

 

CMYK 83 / 0 / 96 / 6

HEX #28F009

RGB 40 240 9

HSL 111.95, 0.93%, 0.49%

LAB 83.33, -80.02, 79.01

 

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

CMYK 53 / 0 / 61 / 30

HEX #54B346

RGB 84 179 70

HSL 112.29, 0.44%, 0.49%

LAB 65.41, -49.2, 46.19

 

CMYK 38 / 0 / 43 / 38

HEX #639F5A

RGB 99 159 90

HSL 112.17, 0.28%, 0.49%

LAB 60.06, -33.5, 29.97

 

CMYK 18 / 0 / 21 / 45

HEX #728B6E

RGB 114 139 110

HSL 111.72, 0.12%, 0.49%

LAB 55.25, -14.81, 12.62

 

CMYK 1 / 8 / 0 / 49

HEX #817782

RGB 129 119 130

HSL 294.55, 0.04%, 0.49%

LAB 51.24, 5.99, -4.62

 

CMYK 25 / 0 / 75 / 22

HEX #95C731

RGB 149 199 49

HSL 80, 0.6%, 0.49%

LAB 74.48, -37.27, 64.85

 

CMYK 45 / 0 / 75 / 22

HEX #6DC731

RGB 109 199 49

HSL 96, 0.6%, 0.49%

LAB 72.44, -51.38, 62.18

 

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

CMYK 75 / 0 / 65 / 22

HEX #31C745

RGB 49 199 69

HSL 128, 0.6%, 0.49%

LAB 70.82, -63.72, 52.43

 

CMYK 75 / 0 / 45 / 22

HEX #31C76D

RGB 49 199 109

HSL 144, 0.6%, 0.49%

LAB 71.29, -58.24, 34.2

 

CMYK 65 / 0 / 75 / 48

HEX #2E8521

RGB 46 133 33

HSL 112.2, 0.6%, 0.33%

LAB 48.84, -45.12, 43.72

 

CMYK 65 / 0 / 75 / 35

HEX #3AA629

RGB 58 166 41

HSL 111.84, 0.6%, 0.41%

LAB 60.19, -53.58, 52.26

 

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

CMYK 54 / 0 / 63 / 17

HEX #61D34F

RGB 97 211 79

HSL 111.82, 0.6%, 0.57%

LAB 75.88, -56.99, 54.15

 

CMYK 42 / 0 / 49 / 14

HEX #7FDB70

RGB 127 219 112

HSL 111.59, 0.6%, 0.65%

LAB 79.81, -47.86, 43.95

 

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

CMYK 75 / 5 / 0 / 22

HEX #31BDC7

RGB 49 189 199

HSL 184, 0.6%, 0.49%

LAB 70.3, -32.39, -15.56

 

CMYK 0 / 75 / 35 / 22

HEX #C73181

RGB 199 49 129

HSL 328, 0.6%, 0.49%

LAB 46.87, 64.1, -9.55

 

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

CMYK 75 / 65 / 0 / 22

HEX #3145C7

RGB 49 69 199

HSL 232, 0.6%, 0.49%

LAB 36.05, 37.84, -69.6

 

CMYK 0 / 75 / 65 / 22

HEX #C73145

RGB 199 49 69

HSL 352, 0.6%, 0.49%

LAB 45.32, 59.14, 25.12

 

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

CMYK 75 / 5 / 0 / 22

HEX #31BDC7

RGB 49 189 199

HSL 184, 0.6%, 0.49%

LAB 70.3, -32.39, -15.56

 

CMYK 10 / 75 / 0 / 22

HEX #B331C7

RGB 179 49 199

HSL 292, 0.6%, 0.49%

LAB 46.85, 69.53, -51.42

 

CMYK 0 / 70 / 75 / 22

HEX #C73B31

RGB 199 59 49

HSL 4, 0.6%, 0.49%

LAB 46.3, 54.67, 38.05

 

CMYK 65 / 0 / 75 / 22

HEX #45C731

RGB 69 199 49

HSL 112, 0.6%, 0.49%

LAB 71.1, -61.92, 60.42

 

CMYK 75 / 28 / 0 / 22

HEX #3190C7

RGB 49 144 199

HSL 202, 0.6%, 0.49%

LAB 56.8, -8.93, -36.29

 

CMYK 10 / 75 / 0 / 22

HEX #B331C7

RGB 179 49 199

HSL 292, 0.6%, 0.49%

LAB 46.85, 69.53, -51.42

 

CMYK 0 / 48 / 75 / 22

HEX #C76831

RGB 199 104 49

HSL 22, 0.6%, 0.49%

LAB 54.31, 33.79, 46.52

 

Description

Color code: HEX #45C731 | qconv.com Color code: HEX #45C731 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 199 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 199 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 75 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 75% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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