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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45DFEC it is the complementary color #BA2013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45DFEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45DFEC shade: #4ADFE7, #5BF1FA, #6CFFFF, #7DFFFF and #8EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45DFEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45DFEC shade: #45DFEC, #34CDD9, #23BBC6, #12A9B3 and #0197A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45DFEC shade: #46DEEB, #46B2EB, #4685EB, #4659EB and #6046EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45DFEC shade: #46DEEB, #46B2EB, #4685EB, #4659EB and #4646EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45DFEC shade matches the following richer shades: #46DEEB and #35ECFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45DFEC shade: #46DEEB, #56D0DB, #67C2CA, #77B4BA and #88A7A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45DFEC shade: #46EB9E, #46EBCA, #46E0EB, #46B4EB and #4688EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45DFEC shade: #15BCCA, #21D8E7, #46DEEB, #6BE5EF and #91EBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45DFEC shade: #45DFEC, #7246EB and #EBB446

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45DFEC shade: #45DFEC, #EB46E0 and #E0EB46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45DFEC shade: #45DFEC, #7246EB, #EB5146 and #BFEB46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45DFEC shade: #45DFEC, #A446EB, #EB5146 and #8DEB46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 6 / 0 / 7

HEX #45DFEC

RGB 69 223 236

HSL 184.67, 0.81%, 0.6%

LAB 81.89, -35.21, -17.97

 

Complementary color

CMYK 0 / 83 / 90 / 27

HEX #BA2013

RGB 186 32 19

HSL 4.67, 0.81%, 0.4%

LAB 40.44, 58.43, 46.95

 

CMYK 68 / 3 / 0 / 9

HEX #4ADFE7

RGB 74 223 231

HSL 183.06, 0.77%, 0.6%

LAB 81.84, -36, -15.38

 

CMYK 64 / 4 / 0 / 2

HEX #5BF1FA

RGB 91 241 250

HSL 183.4, 0.94%, 0.67%

LAB 87.99, -36.61, -16.12

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 71 / 6 / 0 / 7

HEX #45DFEC

RGB 69 223 236

HSL 184.67, 0.81%, 0.6%

LAB 81.89, -35.21, -17.97

 

CMYK 76 / 6 / 0 / 15

HEX #34CDD9

RGB 52 205 217

HSL 184.36, 0.68%, 0.53%

LAB 75.7, -34.27, -17.18

 

CMYK 82 / 6 / 0 / 22

HEX #23BBC6

RGB 35 187 198

HSL 184.05, 0.7%, 0.46%

LAB 69.45, -33.05, -16.3

 

CMYK 90 / 6 / 0 / 30

HEX #12A9B3

RGB 18 169 179

HSL 183.73, 0.82%, 0.39%

LAB 63.14, -31.49, -15.32

 

CMYK 99 / 6 / 0 / 37

HEX #0197A0

RGB 1 151 160

HSL 183.4, 0.99%, 0.32%

LAB 56.76, -29.58, -14.25

 

CMYK 70 / 6 / 0 / 8

HEX #46DEEB

RGB 70 222 235

HSL 184.73, 0.8%, 0.6%

LAB 81.59, -34.9, -17.89

 

CMYK 70 / 24 / 0 / 8

HEX #46B2EB

RGB 70 178 235

HSL 200.73, 0.8%, 0.6%

LAB 68.85, -12.76, -37.41

 

CMYK 70 / 43 / 0 / 8

HEX #4685EB

RGB 70 133 235

HSL 217.09, 0.8%, 0.6%

LAB 56.16, 13.15, -57.45

 

CMYK 70 / 62 / 0 / 8

HEX #4659EB

RGB 70 89 235

HSL 233.09, 0.8%, 0.6%

LAB 44.86, 40.37, -75.74

 

CMYK 59 / 70 / 0 / 8

HEX #6046EB

RGB 96 70 235

HSL 249.45, 0.8%, 0.6%

LAB 42.56, 54.63, -79.45

 

CMYK 70 / 6 / 0 / 8

HEX #46DEEB

RGB 70 222 235

HSL 184.73, 0.8%, 0.6%

LAB 81.59, -34.9, -17.89

 

CMYK 70 / 24 / 0 / 8

HEX #46B2EB

RGB 70 178 235

HSL 200.73, 0.8%, 0.6%

LAB 68.85, -12.76, -37.41

 

CMYK 70 / 43 / 0 / 8

HEX #4685EB

RGB 70 133 235

HSL 217.09, 0.8%, 0.6%

LAB 56.16, 13.15, -57.45

 

CMYK 70 / 62 / 0 / 8

HEX #4659EB

RGB 70 89 235

HSL 233.09, 0.8%, 0.6%

LAB 44.86, 40.37, -75.74

 

CMYK 70 / 70 / 0 / 8

HEX #4646EB

RGB 70 70 235

HSL 240, 0.8%, 0.6%

LAB 40.7, 51.54, -82.56

 

CMYK 70 / 6 / 0 / 8

HEX #46DEEB

RGB 70 222 235

HSL 184.73, 0.8%, 0.6%

LAB 81.59, -34.9, -17.89

 

CMYK 79 / 6 / 0 / 1

HEX #35ECFC

RGB 53 236 252

HSL 184.82, 0.97%, 0.6%

LAB 85.89, -38.19, -20.39

 

CMYK 70 / 6 / 0 / 8

HEX #46DEEB

RGB 70 222 235

HSL 184.73, 0.8%, 0.6%

LAB 81.59, -34.9, -17.89

 

CMYK 61 / 5 / 0 / 14

HEX #56D0DB

RGB 86 208 219

HSL 184.96, 0.65%, 0.6%

LAB 77.4, -30.48, -15.61

 

CMYK 49 / 4 / 0 / 21

HEX #67C2CA

RGB 103 194 202

HSL 184.85, 0.48%, 0.6%

LAB 73.37, -24.98, -12.42

 

CMYK 36 / 3 / 0 / 27

HEX #77B4BA

RGB 119 180 186

HSL 185.37, 0.33%, 0.6%

LAB 69.55, -18.06, -9.3

 

CMYK 20 / 1 / 0 / 34

HEX #88A7A9

RGB 136 167 169

HSL 183.64, 0.16%, 0.6%

LAB 66.32, -10.15, -4.57

 

CMYK 70 / 0 / 33 / 8

HEX #46EB9E

RGB 70 235 158

HSL 152, 0.8%, 0.6%

LAB 83.54, -59.41, 25.44

 

CMYK 70 / 0 / 14 / 8

HEX #46EBCA

RGB 70 235 202

HSL 168, 0.8%, 0.6%

LAB 84.47, -49.56, 3.84

 

CMYK 70 / 5 / 0 / 8

HEX #46E0EB

RGB 70 224 235

HSL 184, 0.8%, 0.6%

LAB 82.17, -35.84, -17.02

 

CMYK 70 / 23 / 0 / 8

HEX #46B4EB

RGB 70 180 235

HSL 200, 0.8%, 0.6%

LAB 69.43, -13.84, -36.52

 

CMYK 70 / 42 / 0 / 8

HEX #4688EB

RGB 70 136 235

HSL 216, 0.8%, 0.6%

LAB 56.99, 11.33, -56.14

 

CMYK 90 / 7 / 0 / 21

HEX #15BCCA

RGB 21 188 202

HSL 184.64, 0.81%, 0.44%

LAB 69.75, -33.17, -18.06

 

CMYK 86 / 6 / 0 / 9

HEX #21D8E7

RGB 33 216 231

HSL 184.55, 0.8%, 0.52%

LAB 79.16, -36.71, -19.49

 

CMYK 70 / 6 / 0 / 8

HEX #46DEEB

RGB 70 222 235

HSL 184.73, 0.8%, 0.6%

LAB 81.59, -34.9, -17.89

 

CMYK 55 / 4 / 0 / 6

HEX #6BE5EF

RGB 107 229 239

HSL 184.55, 0.8%, 0.68%

LAB 84.69, -31.28, -15.25

 

CMYK 40 / 3 / 0 / 5

HEX #91EBF3

RGB 145 235 243

HSL 184.9, 0.8%, 0.76%

LAB 87.92, -24.92, -12.36

 

CMYK 71 / 6 / 0 / 7

HEX #45DFEC

RGB 69 223 236

HSL 184.67, 0.81%, 0.6%

LAB 81.89, -35.21, -17.97

 

CMYK 51 / 70 / 0 / 8

HEX #7246EB

RGB 114 70 235

HSL 256, 0.8%, 0.6%

LAB 44.17, 57.23, -76.74

 

CMYK 0 / 23 / 70 / 8

HEX #EBB446

RGB 235 180 70

HSL 40, 0.8%, 0.6%

LAB 76.53, 9.3, 61.39

 

CMYK 71 / 6 / 0 / 7

HEX #45DFEC

RGB 69 223 236

HSL 184.67, 0.81%, 0.6%

LAB 81.89, -35.21, -17.97

 

CMYK 0 / 70 / 5 / 8

HEX #EB46E0

RGB 235 70 224

HSL 304, 0.8%, 0.6%

LAB 59.37, 78.52, -45.25

 

CMYK 5 / 0 / 70 / 8

HEX #E0EB46

RGB 224 235 70

HSL 64, 0.8%, 0.6%

LAB 89.72, -23.11, 74.24

 

CMYK 71 / 6 / 0 / 7

HEX #45DFEC

RGB 69 223 236

HSL 184.67, 0.81%, 0.6%

LAB 81.89, -35.21, -17.97

 

CMYK 51 / 70 / 0 / 8

HEX #7246EB

RGB 114 70 235

HSL 256, 0.8%, 0.6%

LAB 44.17, 57.23, -76.74

 

CMYK 0 / 66 / 70 / 8

HEX #EB5146

RGB 235 81 70

HSL 4, 0.8%, 0.6%

LAB 56.08, 58.66, 39.11

 

CMYK 19 / 0 / 70 / 8

HEX #BFEB46

RGB 191 235 70

HSL 76, 0.8%, 0.6%

LAB 87.45, -36.2, 71.25

 

CMYK 71 / 6 / 0 / 7

HEX #45DFEC

RGB 69 223 236

HSL 184.67, 0.81%, 0.6%

LAB 81.89, -35.21, -17.97

 

CMYK 30 / 70 / 0 / 8

HEX #A446EB

RGB 164 70 235

HSL 274.18, 0.8%, 0.6%

LAB 49.82, 65.9, -67.29

 

CMYK 0 / 66 / 70 / 8

HEX #EB5146

RGB 235 81 70

HSL 4, 0.8%, 0.6%

LAB 56.08, 58.66, 39.11

 

CMYK 40 / 0 / 70 / 8

HEX #8DEB46

RGB 141 235 70

HSL 94.18, 0.8%, 0.6%

LAB 84.75, -54.05, 67.65

 

Description

Color code: HEX #45DFEC | qconv.com Color code: HEX #45DFEC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 223 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 223 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 6 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 6% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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