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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45E8BD it is the complementary color #BA1742. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45E8BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45E8BD shade: #4AE8B8, #5BFACB, #6CFFDE, #7DFFF1 and #8EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45E8BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45E8BD shade: #45E8BD, #34D6AA, #23C497, #12B284 and #01A071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45E8BD shade: #44E7BC, #44E790, #44E765, #50E744 and #7CE744

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45E8BD shade: #44E7BC, #44E7E7, #44BBE7, #448FE7 and #4463E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45E8BD shade matches the following richer shades: #44E7BC and #33F8C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45E8BD shade: #44E7BC, #55D7B4, #66C6AC, #77B5A4 and #88A49D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45E8BD shade: #44E765, #44E791, #44E7BC, #44E7E7 and #44BCE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45E8BD shade: #18C295, #20E3AF, #44E7BC, #69ECC9 and #8EF1D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45E8BD shade: #45E8BD, #444FE7 and #E77B44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45E8BD shade: #45E8BD, #BC44E7 and #E7BC44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45E8BD shade: #45E8BD, #444FE7, #E74470 and #E7DD44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45E8BD shade: #45E8BD, #6A44E7, #E74470 and #C1E744

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 19 / 9

HEX #45E8BD

RGB 69 232 189

HSL 164.17, 0.78%, 0.59%

LAB 83.26, -51.6, 8.91

 

Complementary color

CMYK 0 / 88 / 65 / 27

HEX #BA1742

RGB 186 23 66

HSL 344.17, 0.78%, 0.41%

LAB 40.32, 62.08, 20.04

 

CMYK 68 / 0 / 21 / 9

HEX #4AE8B8

RGB 74 232 184

HSL 161.77, 0.77%, 0.6%

LAB 83.25, -52.06, 11.54

 

CMYK 64 / 0 / 19 / 2

HEX #5BFACB

RGB 91 250 203

HSL 162.26, 0.94%, 0.67%

LAB 89.35, -52.41, 10.38

 

CMYK 58 / 0 / 13 / 0

HEX #6CFFDE

RGB 108 255 222

HSL 166.53, 1%, 0.71%

LAB 91.68, -47.14, 3.95

 

CMYK 51 / 0 / 5 / 0

HEX #7DFFF1

RGB 125 255 241

HSL 173.54, 1%, 0.75%

LAB 92.68, -39.29, -4.35

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 70 / 0 / 19 / 9

HEX #45E8BD

RGB 69 232 189

HSL 164.17, 0.78%, 0.59%

LAB 83.26, -51.6, 8.91

 

CMYK 76 / 0 / 21 / 16

HEX #34D6AA

RGB 52 214 170

HSL 163.7, 0.66%, 0.52%

LAB 77.12, -50.94, 10.16

 

CMYK 82 / 0 / 23 / 23

HEX #23C497

RGB 35 196 151

HSL 163.23, 0.7%, 0.45%

LAB 70.92, -50, 11.53

 

CMYK 90 / 0 / 26 / 30

HEX #12B284

RGB 18 178 132

HSL 162.75, 0.82%, 0.38%

LAB 64.67, -48.68, 13.05

 

CMYK 99 / 0 / 29 / 37

HEX #01A071

RGB 1 160 113

HSL 162.26, 0.99%, 0.32%

LAB 58.36, -46.97, 14.73

 

CMYK 71 / 0 / 19 / 9

HEX #44E7BC

RGB 68 231 188

HSL 164.17, 0.77%, 0.59%

LAB 82.92, -51.57, 8.95

 

CMYK 71 / 0 / 38 / 9

HEX #44E790

RGB 68 231 144

HSL 147.98, 0.77%, 0.59%

LAB 82.05, -60.9, 30.57

 

CMYK 71 / 0 / 56 / 9

HEX #44E765

RGB 68 231 101

HSL 132.15, 0.77%, 0.59%

LAB 81.47, -67.6, 50.68

 

CMYK 65 / 0 / 71 / 9

HEX #50E744

RGB 80 231 68

HSL 115.58, 0.77%, 0.59%

LAB 81.44, -68.85, 64.31

 

CMYK 46 / 0 / 71 / 9

HEX #7CE744

RGB 124 231 68

HSL 99.39, 0.77%, 0.59%

LAB 82.84, -57.9, 66.18

 

CMYK 71 / 0 / 19 / 9

HEX #44E7BC

RGB 68 231 188

HSL 164.17, 0.77%, 0.59%

LAB 82.92, -51.57, 8.95

 

CMYK 71 / 0 / 0 / 9

HEX #44E7E7

RGB 68 231 231

HSL 180, 0.77%, 0.59%

LAB 84.04, -40.42, -12.09

 

CMYK 71 / 19 / 0 / 9

HEX #44BBE7

RGB 68 187 231

HSL 196.2, 0.77%, 0.59%

LAB 71.24, -19.1, -31.54

 

CMYK 71 / 38 / 0 / 9

HEX #448FE7

RGB 68 143 231

HSL 212.39, 0.77%, 0.59%

LAB 58.64, 5.44, -51.28

 

CMYK 71 / 57 / 0 / 9

HEX #4463E7

RGB 68 99 231

HSL 228.59, 0.77%, 0.59%

LAB 46.87, 32.56, -70.21

 

CMYK 71 / 0 / 19 / 9

HEX #44E7BC

RGB 68 231 188

HSL 164.17, 0.77%, 0.59%

LAB 82.92, -51.57, 8.95

 

CMYK 79 / 0 / 21 / 3

HEX #33F8C4

RGB 51 248 196

HSL 164.16, 0.93%, 0.59%

LAB 87.88, -58.38, 11.82

 

CMYK 71 / 0 / 19 / 9

HEX #44E7BC

RGB 68 231 188

HSL 164.17, 0.77%, 0.59%

LAB 82.92, -51.57, 8.95

 

CMYK 60 / 0 / 16 / 16

HEX #55D7B4

RGB 85 215 180

HSL 163.85, 0.62%, 0.59%

LAB 78.36, -44.01, 6.7

 

CMYK 48 / 0 / 13 / 22

HEX #66C6AC

RGB 102 198 172

HSL 163.75, 0.46%, 0.59%

LAB 73.67, -34.66, 4.31

 

CMYK 34 / 0 / 9 / 29

HEX #77B5A4

RGB 119 181 164

HSL 163.55, 0.3%, 0.59%

LAB 69.22, -23.77, 2.33

 

CMYK 17 / 0 / 4 / 36

HEX #88A49D

RGB 136 164 157

HSL 165, 0.13%, 0.59%

LAB 65.14, -11.14, 0.39

 

CMYK 71 / 0 / 56 / 9

HEX #44E765

RGB 68 231 101

HSL 132.15, 0.77%, 0.59%

LAB 81.47, -67.6, 50.68

 

CMYK 71 / 0 / 37 / 9

HEX #44E791

RGB 68 231 145

HSL 148.34, 0.77%, 0.59%

LAB 82.07, -60.71, 30.09

 

CMYK 71 / 0 / 19 / 9

HEX #44E7BC

RGB 68 231 188

HSL 164.17, 0.77%, 0.59%

LAB 82.92, -51.57, 8.95

 

CMYK 71 / 0 / 0 / 9

HEX #44E7E7

RGB 68 231 231

HSL 180, 0.77%, 0.59%

LAB 84.04, -40.42, -12.09

 

CMYK 71 / 19 / 0 / 9

HEX #44BCE7

RGB 68 188 231

HSL 195.83, 0.77%, 0.59%

LAB 71.53, -19.62, -31.09

 

CMYK 88 / 0 / 23 / 24

HEX #18C295

RGB 24 194 149

HSL 164.12, 0.78%, 0.43%

LAB 70.14, -50.53, 11.49

 

CMYK 86 / 0 / 23 / 11

HEX #20E3AF

RGB 32 227 175

HSL 164, 0.78%, 0.51%

LAB 80.93, -56.69, 12.89

 

CMYK 71 / 0 / 19 / 9

HEX #44E7BC

RGB 68 231 188

HSL 164.17, 0.77%, 0.59%

LAB 82.92, -51.57, 8.95

 

CMYK 56 / 0 / 15 / 7

HEX #69ECC9

RGB 105 236 201

HSL 163.97, 0.78%, 0.67%

LAB 85.61, -44.38, 6.11

 

CMYK 41 / 0 / 11 / 5

HEX #8EF1D7

RGB 142 241 215

HSL 164.24, 0.78%, 0.75%

LAB 88.72, -35.03, 3.45

 

CMYK 70 / 0 / 19 / 9

HEX #45E8BD

RGB 69 232 189

HSL 164.17, 0.78%, 0.59%

LAB 83.26, -51.6, 8.91

 

CMYK 71 / 66 / 0 / 9

HEX #444FE7

RGB 68 79 231

HSL 235.95, 0.77%, 0.59%

LAB 42.14, 44.82, -77.94

 

CMYK 0 / 47 / 71 / 9

HEX #E77B44

RGB 231 123 68

HSL 20.25, 0.77%, 0.59%

LAB 62.99, 37.58, 47.8

 

CMYK 70 / 0 / 19 / 9

HEX #45E8BD

RGB 69 232 189

HSL 164.17, 0.78%, 0.59%

LAB 83.26, -51.6, 8.91

 

CMYK 19 / 71 / 0 / 9

HEX #BC44E7

RGB 188 68 231

HSL 284.17, 0.77%, 0.59%

LAB 52.5, 70.56, -60.55

 

CMYK 0 / 19 / 71 / 9

HEX #E7BC44

RGB 231 188 68

HSL 44.17, 0.77%, 0.59%

LAB 78.09, 3.31, 63.67

 

CMYK 70 / 0 / 19 / 9

HEX #45E8BD

RGB 69 232 189

HSL 164.17, 0.78%, 0.59%

LAB 83.26, -51.6, 8.91

 

CMYK 71 / 66 / 0 / 9

HEX #444FE7

RGB 68 79 231

HSL 235.95, 0.77%, 0.59%

LAB 42.14, 44.82, -77.94

 

CMYK 0 / 71 / 52 / 9

HEX #E74470

RGB 231 68 112

HSL 343.8, 0.77%, 0.59%

LAB 54.34, 65, 12.26

 

CMYK 0 / 4 / 71 / 9

HEX #E7DD44

RGB 231 221 68

HSL 56.32, 0.77%, 0.59%

LAB 86.56, -13.51, 72.06

 

CMYK 70 / 0 / 19 / 9

HEX #45E8BD

RGB 69 232 189

HSL 164.17, 0.78%, 0.59%

LAB 83.26, -51.6, 8.91

 

CMYK 54 / 71 / 0 / 9

HEX #6A44E7

RGB 106 68 231

HSL 253.99, 0.77%, 0.59%

LAB 42.71, 55.92, -76.89

 

CMYK 0 / 71 / 52 / 9

HEX #E74470

RGB 231 68 112

HSL 343.8, 0.77%, 0.59%

LAB 54.34, 65, 12.26

 

CMYK 16 / 0 / 71 / 9

HEX #C1E744

RGB 193 231 68

HSL 73.99, 0.77%, 0.59%

LAB 86.46, -33.71, 71

 

Description

Color code: HEX #45E8BD | qconv.com Color code: HEX #45E8BD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 232 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 232 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 19% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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