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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45EB5F it is the complementary color #BA14A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45EB5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45EB5F shade: #4AEB5A, #5BFD6D, #6CFF80, #7DFF93 and #8EFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45EB5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45EB5F shade: #45EB5F, #34D94C, #23C739, #12B526 and #01A313

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45EB5F shade: #46EB60, #59EB46, #85EB46, #B2EB46 and #DEEB46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45EB5F shade: #46EB60, #46EB8C, #46EBB9, #46EBE5 and #46C4EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45EB5F shade matches the following richer shades: #46EB60 and #35FC54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45EB5F shade: #46EB60, #56DB6B, #67CA76, #77BA82 and #88A98D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45EB5F shade: #85EB46, #59EB46, #46EB5F, #46EB8B and #46EBB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45EB5F shade: #15CA31, #21E740, #46EB60, #6BEF80 and #91F3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45EB5F shade: #45EB5F, #46B1EB and #EB466F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45EB5F shade: #45EB5F, #5F46EB and #EB5F46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45EB5F shade: #45EB5F, #46B1EB, #EB46D2 and #EB8046

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45EB5F shade: #45EB5F, #4680EB, #EB46D2 and #EBB146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 60 / 8

HEX #45EB5F

RGB 69 235 95

HSL 129.4, 0.81%, 0.6%

LAB 82.65, -69.49, 54.73

 

Complementary color

CMYK 0 / 89 / 14 / 27

HEX #BA14A0

RGB 186 20 160

HSL 309.4, 0.81%, 0.4%

LAB 43.47, 71.7, -33.73

 

CMYK 69 / 0 / 62 / 8

HEX #4AEB5A

RGB 74 235 90

HSL 125.96, 0.8%, 0.61%

LAB 82.71, -69.21, 56.96

 

CMYK 64 / 0 / 57 / 1

HEX #5BFD6D

RGB 91 253 109

HSL 126.67, 0.98%, 0.67%

LAB 88.72, -69.95, 55.77

 

CMYK 58 / 0 / 50 / 0

HEX #6CFF80

RGB 108 255 128

HSL 128.16, 1%, 0.71%

LAB 89.98, -64.71, 48.76

 

CMYK 51 / 0 / 42 / 0

HEX #7DFF93

RGB 125 255 147

HSL 130.15, 1%, 0.75%

LAB 90.77, -58, 40.8

 

CMYK 44 / 0 / 35 / 0

HEX #8EFFA6

RGB 142 255 166

HSL 132.74, 1%, 0.78%

LAB 91.7, -50.61, 32.74

 

CMYK 71 / 0 / 60 / 8

HEX #45EB5F

RGB 69 235 95

HSL 129.4, 0.81%, 0.6%

LAB 82.65, -69.49, 54.73

 

CMYK 76 / 0 / 65 / 15

HEX #34D94C

RGB 52 217 76

HSL 128.73, 0.68%, 0.53%

LAB 76.6, -68.32, 55.9

 

CMYK 82 / 0 / 71 / 22

HEX #23C739

RGB 35 199 57

HSL 128.05, 0.7%, 0.46%

LAB 70.52, -66.63, 56.8

 

CMYK 90 / 0 / 79 / 29

HEX #12B526

RGB 18 181 38

HSL 127.36, 0.82%, 0.39%

LAB 64.42, -64.23, 57.17

 

CMYK 99 / 0 / 88 / 36

HEX #01A313

RGB 1 163 19

HSL 126.67, 0.99%, 0.32%

LAB 58.27, -61.03, 56.5

 

CMYK 70 / 0 / 59 / 8

HEX #46EB60

RGB 70 235 96

HSL 129.45, 0.8%, 0.6%

LAB 82.68, -69.21, 54.33

 

CMYK 62 / 0 / 70 / 8

HEX #59EB46

RGB 89 235 70

HSL 113.09, 0.8%, 0.6%

LAB 82.9, -68.16, 65.17

 

CMYK 43 / 0 / 70 / 8

HEX #85EB46

RGB 133 235 70

HSL 97.09, 0.8%, 0.6%

LAB 84.4, -56.57, 67.18

 

CMYK 24 / 0 / 70 / 8

HEX #B2EB46

RGB 178 235 70

HSL 80.73, 0.8%, 0.6%

LAB 86.66, -41.13, 70.2

 

CMYK 6 / 0 / 70 / 8

HEX #DEEB46

RGB 222 235 70

HSL 64.73, 0.8%, 0.6%

LAB 89.57, -23.92, 74.05

 

CMYK 70 / 0 / 59 / 8

HEX #46EB60

RGB 70 235 96

HSL 129.45, 0.8%, 0.6%

LAB 82.68, -69.21, 54.33

 

CMYK 70 / 0 / 40 / 8

HEX #46EB8C

RGB 70 235 140

HSL 145.45, 0.8%, 0.6%

LAB 83.24, -62.77, 34.16

 

CMYK 70 / 0 / 21 / 8

HEX #46EBB9

RGB 70 235 185

HSL 161.82, 0.8%, 0.6%

LAB 84.08, -53.62, 12.18

 

CMYK 70 / 0 / 3 / 8

HEX #46EBE5

RGB 70 235 229

HSL 177.82, 0.8%, 0.6%

LAB 85.19, -42.52, -9.33

 

CMYK 70 / 17 / 0 / 8

HEX #46C4EB

RGB 70 196 235

HSL 194.18, 0.8%, 0.6%

LAB 74.05, -22.2, -29.38

 

CMYK 70 / 0 / 59 / 8

HEX #46EB60

RGB 70 235 96

HSL 129.45, 0.8%, 0.6%

LAB 82.68, -69.21, 54.33

 

CMYK 79 / 0 / 67 / 1

HEX #35FC54

RGB 53 252 84

HSL 129.35, 0.97%, 0.6%

LAB 87.49, -78.14, 64.56

 

CMYK 70 / 0 / 59 / 8

HEX #46EB60

RGB 70 235 96

HSL 129.45, 0.8%, 0.6%

LAB 82.68, -69.21, 54.33

 

CMYK 61 / 0 / 51 / 14

HEX #56DB6B

RGB 86 219 107

HSL 129.47, 0.65%, 0.6%

LAB 78.29, -59.22, 44.15

 

CMYK 49 / 0 / 42 / 21

HEX #67CA76

RGB 103 202 118

HSL 129.09, 0.48%, 0.6%

LAB 73.83, -46.81, 33.19

 

CMYK 36 / 0 / 30 / 27

HEX #77BA82

RGB 119 186 130

HSL 129.85, 0.33%, 0.6%

LAB 69.93, -33.03, 21.85

 

CMYK 20 / 0 / 17 / 34

HEX #88A98D

RGB 136 169 141

HSL 129.09, 0.16%, 0.6%

LAB 66.16, -16.96, 10.77

 

CMYK 43 / 0 / 70 / 8

HEX #85EB46

RGB 133 235 70

HSL 97.09, 0.8%, 0.6%

LAB 84.4, -56.57, 67.18

 

CMYK 62 / 0 / 70 / 8

HEX #59EB46

RGB 89 235 70

HSL 113.09, 0.8%, 0.6%

LAB 82.9, -68.16, 65.17

 

CMYK 70 / 0 / 60 / 8

HEX #46EB5F

RGB 70 235 95

HSL 129.09, 0.8%, 0.6%

LAB 82.67, -69.33, 54.76

 

CMYK 70 / 0 / 41 / 8

HEX #46EB8B

RGB 70 235 139

HSL 145.09, 0.8%, 0.6%

LAB 83.22, -62.95, 34.64

 

CMYK 70 / 0 / 22 / 8

HEX #46EBB7

RGB 70 235 183

HSL 161.09, 0.8%, 0.6%

LAB 84.04, -54.08, 13.17

 

CMYK 90 / 0 / 76 / 21

HEX #15CA31

RGB 21 202 49

HSL 129.28, 0.81%, 0.44%

LAB 71.3, -69.36, 60.36

 

CMYK 86 / 0 / 72 / 9

HEX #21E740

RGB 33 231 64

HSL 129.39, 0.8%, 0.52%

LAB 80.65, -75.69, 64.68

 

CMYK 70 / 0 / 59 / 8

HEX #46EB60

RGB 70 235 96

HSL 129.45, 0.8%, 0.6%

LAB 82.68, -69.21, 54.33

 

CMYK 55 / 0 / 46 / 6

HEX #6BEF80

RGB 107 239 128

HSL 129.55, 0.8%, 0.68%

LAB 85.21, -58.99, 42.8

 

CMYK 40 / 0 / 34 / 5

HEX #91F3A0

RGB 145 243 160

HSL 129.18, 0.8%, 0.76%

LAB 88.28, -45.68, 31.22

 

CMYK 71 / 0 / 60 / 8

HEX #45EB5F

RGB 69 235 95

HSL 129.4, 0.81%, 0.6%

LAB 82.65, -69.49, 54.73

 

CMYK 70 / 25 / 0 / 8

HEX #46B1EB

RGB 70 177 235

HSL 201.09, 0.8%, 0.6%

LAB 68.57, -12.22, -37.86

 

CMYK 0 / 70 / 53 / 8

HEX #EB466F

RGB 235 70 111

HSL 345.09, 0.8%, 0.6%

LAB 55.27, 65.37, 14.25

 

CMYK 71 / 0 / 60 / 8

HEX #45EB5F

RGB 69 235 95

HSL 129.4, 0.81%, 0.6%

LAB 82.65, -69.49, 54.73

 

CMYK 60 / 70 / 0 / 8

HEX #5F46EB

RGB 95 70 235

HSL 249.09, 0.8%, 0.6%

LAB 42.48, 54.49, -79.58

 

CMYK 0 / 60 / 70 / 8

HEX #EB5F46

RGB 235 95 70

HSL 9.09, 0.8%, 0.6%

LAB 58.31, 52.69, 41.69

 

CMYK 71 / 0 / 60 / 8

HEX #45EB5F

RGB 69 235 95

HSL 129.4, 0.81%, 0.6%

LAB 82.65, -69.49, 54.73

 

CMYK 70 / 25 / 0 / 8

HEX #46B1EB

RGB 70 177 235

HSL 201.09, 0.8%, 0.6%

LAB 68.57, -12.22, -37.86

 

CMYK 0 / 70 / 11 / 8

HEX #EB46D2

RGB 235 70 210

HSL 309.09, 0.8%, 0.6%

LAB 58.69, 76.46, -38.4

 

CMYK 0 / 46 / 70 / 8

HEX #EB8046

RGB 235 128 70

HSL 21.09, 0.8%, 0.6%

LAB 64.6, 36.69, 48.73

 

CMYK 71 / 0 / 60 / 8

HEX #45EB5F

RGB 69 235 95

HSL 129.4, 0.81%, 0.6%

LAB 82.65, -69.49, 54.73

 

CMYK 70 / 46 / 0 / 8

HEX #4680EB

RGB 70 128 235

HSL 218.91, 0.8%, 0.6%

LAB 54.8, 16.2, -59.63

 

CMYK 0 / 70 / 11 / 8

HEX #EB46D2

RGB 235 70 210

HSL 309.09, 0.8%, 0.6%

LAB 58.69, 76.46, -38.4

 

CMYK 0 / 25 / 70 / 8

HEX #EBB146

RGB 235 177 70

HSL 38.91, 0.8%, 0.6%

LAB 75.79, 10.88, 60.63

 

Description

Color code: HEX #45EB5F | qconv.com Color code: HEX #45EB5F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 235 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 235 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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