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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45EC9D it is the complementary color #BA1362. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45EC9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45EC9D shade: #4AEC98, #5BFEAB, #6CFFBE, #7DFFD1 and #8EFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45EC9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45EC9D shade: #45EC9D, #34DA8A, #23C877, #12B664 and #01A451

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45EC9D shade: #46EB9D, #46EB70, #48EB46, #74EB46 and #A1EB46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45EC9D shade: #46EB9D, #46EBCA, #46E0EB, #46B4EB and #4687EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45EC9D shade matches the following richer shades: #46EB9D and #35FC9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45EC9D shade: #46EB9D, #56DB9C, #67CA9B, #77BA9A and #88A999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45EC9D shade: #49EB46, #46EB6F, #46EB9B, #46EBC7 and #46E3EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45EC9D shade: #15CA74, #21E789, #46EB9D, #6BEFB1 and #91F3C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45EC9D shade: #45EC9D, #4675EB and #EB5946

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45EC9D shade: #45EC9D, #9B46EB and #EB9B46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45EC9D shade: #45EC9D, #4675EB, #EB4696 and #EBBC46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45EC9D shade: #45EC9D, #4946EB, #EB4696 and #E8EB46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 33 / 7

HEX #45EC9D

RGB 69 236 157

HSL 151.62, 0.81%, 0.6%

LAB 83.8, -60.13, 26.3

 

Complementary color

CMYK 0 / 90 / 47 / 27

HEX #BA1362

RGB 186 19 98

HSL 331.62, 0.81%, 0.4%

LAB 40.88, 65.01, 0.51

 

CMYK 69 / 0 / 36 / 7

HEX #4AEC98

RGB 74 236 152

HSL 148.89, 0.81%, 0.61%

LAB 83.82, -60.33, 28.89

 

CMYK 64 / 0 / 33 / 0

HEX #5BFEAB

RGB 91 254 171

HSL 149.45, 0.99%, 0.68%

LAB 89.88, -60.7, 27.51

 

CMYK 58 / 0 / 25 / 0

HEX #6CFFBE

RGB 108 255 190

HSL 153.47, 1%, 0.71%

LAB 90.97, -54.16, 19.43

 

CMYK 51 / 0 / 18 / 0

HEX #7DFFD1

RGB 125 255 209

HSL 158.77, 1%, 0.75%

LAB 91.9, -46.61, 11.06

 

CMYK 44 / 0 / 11 / 0

HEX #8EFFE4

RGB 142 255 228

HSL 165.66, 1%, 0.78%

LAB 92.96, -38.55, 2.85

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9D

RGB 69 236 157

HSL 151.62, 0.81%, 0.6%

LAB 83.8, -60.13, 26.3

 

CMYK 76 / 0 / 37 / 15

HEX #34DA8A

RGB 52 218 138

HSL 151.08, 0.69%, 0.53%

LAB 77.7, -59.44, 27.78

 

CMYK 83 / 0 / 41 / 22

HEX #23C877

RGB 35 200 119

HSL 150.55, 0.7%, 0.46%

LAB 71.55, -58.41, 29.39

 

CMYK 90 / 0 / 45 / 29

HEX #12B664

RGB 18 182 100

HSL 150, 0.82%, 0.39%

LAB 65.36, -56.92, 31.12

 

CMYK 99 / 0 / 51 / 36

HEX #01A451

RGB 1 164 81

HSL 149.45, 0.99%, 0.32%

LAB 59.11, -54.94, 32.97

 

CMYK 70 / 0 / 33 / 8

HEX #46EB9D

RGB 70 235 157

HSL 151.64, 0.8%, 0.6%

LAB 83.52, -59.6, 25.92

 

CMYK 70 / 0 / 52 / 8

HEX #46EB70

RGB 70 235 112

HSL 135.27, 0.8%, 0.6%

LAB 82.85, -67.17, 47.28

 

CMYK 69 / 0 / 70 / 8

HEX #48EB46

RGB 72 235 70

HSL 119.27, 0.8%, 0.6%

LAB 82.51, -71.45, 64.63

 

CMYK 51 / 0 / 70 / 8

HEX #74EB46

RGB 116 235 70

HSL 103.27, 0.8%, 0.6%

LAB 83.74, -61.53, 66.3

 

CMYK 31 / 0 / 70 / 8

HEX #A1EB46

RGB 161 235 70

HSL 86.91, 0.8%, 0.6%

LAB 85.72, -47.29, 68.95

 

CMYK 70 / 0 / 33 / 8

HEX #46EB9D

RGB 70 235 157

HSL 151.64, 0.8%, 0.6%

LAB 83.52, -59.6, 25.92

 

CMYK 70 / 0 / 14 / 8

HEX #46EBCA

RGB 70 235 202

HSL 168, 0.8%, 0.6%

LAB 84.47, -49.56, 3.84

 

CMYK 70 / 5 / 0 / 8

HEX #46E0EB

RGB 70 224 235

HSL 184, 0.8%, 0.6%

LAB 82.17, -35.84, -17.02

 

CMYK 70 / 23 / 0 / 8

HEX #46B4EB

RGB 70 180 235

HSL 200, 0.8%, 0.6%

LAB 69.43, -13.84, -36.52

 

CMYK 70 / 43 / 0 / 8

HEX #4687EB

RGB 70 135 235

HSL 216.36, 0.8%, 0.6%

LAB 56.71, 11.93, -56.58

 

CMYK 70 / 0 / 33 / 8

HEX #46EB9D

RGB 70 235 157

HSL 151.64, 0.8%, 0.6%

LAB 83.52, -59.6, 25.92

 

CMYK 79 / 0 / 37 / 1

HEX #35FC9E

RGB 53 252 158

HSL 151.66, 0.97%, 0.6%

LAB 88.37, -67.7, 31.9

 

CMYK 70 / 0 / 33 / 8

HEX #46EB9D

RGB 70 235 157

HSL 151.64, 0.8%, 0.6%

LAB 83.52, -59.6, 25.92

 

CMYK 61 / 0 / 29 / 14

HEX #56DB9C

RGB 86 219 156

HSL 151.58, 0.65%, 0.6%

LAB 79.07, -50.8, 20.4

 

CMYK 49 / 0 / 23 / 21

HEX #67CA9B

RGB 103 202 155

HSL 151.52, 0.48%, 0.6%

LAB 74.5, -39.99, 14.67

 

CMYK 36 / 0 / 17 / 27

HEX #77BA9A

RGB 119 186 154

HSL 151.34, 0.33%, 0.6%

LAB 70.44, -28.4, 9.56

 

CMYK 20 / 0 / 9 / 34

HEX #88A999

RGB 136 169 153

HSL 150.91, 0.16%, 0.6%

LAB 66.45, -14.62, 4.53

 

CMYK 69 / 0 / 70 / 8

HEX #49EB46

RGB 73 235 70

HSL 118.91, 0.8%, 0.6%

LAB 82.53, -71.28, 64.66

 

CMYK 70 / 0 / 53 / 8

HEX #46EB6F

RGB 70 235 111

HSL 134.91, 0.8%, 0.6%

LAB 82.84, -67.31, 47.74

 

CMYK 70 / 0 / 34 / 8

HEX #46EB9B

RGB 70 235 155

HSL 150.91, 0.8%, 0.6%

LAB 83.49, -60, 26.9

 

CMYK 70 / 0 / 15 / 8

HEX #46EBC7

RGB 70 235 199

HSL 166.91, 0.8%, 0.6%

LAB 84.4, -50.3, 5.31

 

CMYK 70 / 3 / 0 / 8

HEX #46E3EB

RGB 70 227 235

HSL 182.91, 0.8%, 0.6%

LAB 83.04, -37.23, -15.71

 

CMYK 90 / 0 / 43 / 21

HEX #15CA74

RGB 21 202 116

HSL 151.49, 0.81%, 0.44%

LAB 72, -60.75, 31.5

 

CMYK 86 / 0 / 41 / 9

HEX #21E789

RGB 33 231 137

HSL 151.52, 0.8%, 0.52%

LAB 81.45, -66.07, 33.22

 

CMYK 70 / 0 / 33 / 8

HEX #46EB9D

RGB 70 235 157

HSL 151.64, 0.8%, 0.6%

LAB 83.52, -59.6, 25.92

 

CMYK 55 / 0 / 26 / 6

HEX #6BEFB1

RGB 107 239 177

HSL 151.82, 0.8%, 0.68%

LAB 86.02, -50.44, 19.21

 

CMYK 40 / 0 / 19 / 5

HEX #91F3C4

RGB 145 243 196

HSL 151.22, 0.8%, 0.76%

LAB 88.97, -39.14, 13.72

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9D

RGB 69 236 157

HSL 151.62, 0.81%, 0.6%

LAB 83.8, -60.13, 26.3

 

CMYK 70 / 50 / 0 / 8

HEX #4675EB

RGB 70 117 235

HSL 222.91, 0.8%, 0.6%

LAB 51.86, 23, -64.37

 

CMYK 0 / 62 / 70 / 8

HEX #EB5946

RGB 235 89 70

HSL 6.91, 0.8%, 0.6%

LAB 57.32, 55.33, 40.55

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9D

RGB 69 236 157

HSL 151.62, 0.81%, 0.6%

LAB 83.8, -60.13, 26.3

 

CMYK 34 / 70 / 0 / 8

HEX #9B46EB

RGB 155 70 235

HSL 270.91, 0.8%, 0.6%

LAB 48.69, 64.22, -69.17

 

CMYK 0 / 34 / 70 / 8

HEX #EB9B46

RGB 235 155 70

HSL 30.91, 0.8%, 0.6%

LAB 70.56, 22.54, 55.16

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9D

RGB 69 236 157

HSL 151.62, 0.81%, 0.6%

LAB 83.8, -60.13, 26.3

 

CMYK 70 / 50 / 0 / 8

HEX #4675EB

RGB 70 117 235

HSL 222.91, 0.8%, 0.6%

LAB 51.86, 23, -64.37

 

CMYK 0 / 70 / 36 / 8

HEX #EB4696

RGB 235 70 150

HSL 330.91, 0.8%, 0.6%

LAB 56.33, 68.93, -7.32

 

CMYK 0 / 20 / 70 / 8

HEX #EBBC46

RGB 235 188 70

HSL 42.91, 0.8%, 0.6%

LAB 78.5, 5.11, 63.41

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9D

RGB 69 236 157

HSL 151.62, 0.81%, 0.6%

LAB 83.8, -60.13, 26.3

 

CMYK 69 / 70 / 0 / 8

HEX #4946EB

RGB 73 70 235

HSL 241.09, 0.8%, 0.6%

LAB 40.89, 51.86, -82.25

 

CMYK 0 / 70 / 36 / 8

HEX #EB4696

RGB 235 70 150

HSL 330.91, 0.8%, 0.6%

LAB 56.33, 68.93, -7.32

 

CMYK 1 / 0 / 70 / 8

HEX #E8EB46

RGB 232 235 70

HSL 61.09, 0.8%, 0.6%

LAB 90.33, -19.86, 75.04

 

Description

Color code: HEX #45EC9D | qconv.com Color code: HEX #45EC9D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 236 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 236 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 33 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 33% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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