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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45F2EE it is the complementary color #BA0D11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45F2EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45F2EE shade: #4AF2E9, #5BFFFC, #6CFFFF, #7DFFFF and #8EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45F2EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45F2EE shade: #45F2EE, #34E0DB, #23CEC8, #12BCB5 and #01AAA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45F2EE shade: #45F2EE, #45F2BF, #45F290, #45F262 and #56F245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45F2EE shade: #45F2EE, #45C7F2, #4598F2, #456AF2 and #4545F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45F2EE shade matches the following richer shades: #45F2EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45F2EE shade: #45F2EE, #55E1DE, #65D1CF, #75C1C0 and #85B1B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45F2EE shade: #45F290, #45F2BE, #45F2EC, #45C9F2 and #459BF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45F2EE shade: #0ED5D1, #1EEFEA, #45F2EE, #6BF4F1 and #92F7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45F2EE shade: #45F2EE, #6145F2 and #F2A745

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45F2EE shade: #45F2EE, #EC45F2 and #F2EC45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45F2EE shade: #45F2EE, #6145F2, #F2454A and #D5F245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45F2EE shade: #45F2EE, #9545F2, #F2454A and #A1F245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 2 / 5

HEX #45F2EE

RGB 69 242 238

HSL 178.61, 0.87%, 0.61%

LAB 87.46, -43.28, -10.68

 

Complementary color

CMYK 0 / 93 / 91 / 27

HEX #BA0D11

RGB 186 13 17

HSL 358.61, 0.87%, 0.39%

LAB 39.19, 61.96, 46.9

 

CMYK 69 / 0 / 4 / 5

HEX #4AF2E9

RGB 74 242 233

HSL 176.79, 0.87%, 0.62%

LAB 87.41, -44.04, -8.12

 

CMYK 64 / 0 / 1 / 0

HEX #5BFFFC

RGB 91 255 252

HSL 178.9, 1%, 0.68%

LAB 92.03, -42.42, -11.11

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 71 / 0 / 2 / 5

HEX #45F2EE

RGB 69 242 238

HSL 178.61, 0.87%, 0.61%

LAB 87.46, -43.28, -10.68

 

CMYK 77 / 0 / 2 / 12

HEX #34E0DB

RGB 52 224 219

HSL 178.26, 0.74%, 0.54%

LAB 81.38, -42.37, -9.74

 

CMYK 83 / 0 / 3 / 19

HEX #23CEC8

RGB 35 206 200

HSL 177.89, 0.71%, 0.47%

LAB 75.25, -41.21, -8.71

 

CMYK 90 / 0 / 4 / 26

HEX #12BCB5

RGB 18 188 181

HSL 177.53, 0.83%, 0.4%

LAB 69.06, -39.71, -7.57

 

CMYK 99 / 0 / 5 / 33

HEX #01AAA2

RGB 1 170 162

HSL 177.16, 0.99%, 0.34%

LAB 62.81, -37.88, -6.31

 

CMYK 71 / 0 / 2 / 5

HEX #45F2EE

RGB 69 242 238

HSL 178.61, 0.87%, 0.61%

LAB 87.46, -43.28, -10.68

 

CMYK 71 / 0 / 21 / 5

HEX #45F2BF

RGB 69 242 191

HSL 162.31, 0.87%, 0.61%

LAB 86.27, -55.18, 12.16

 

CMYK 71 / 0 / 40 / 5

HEX #45F290

RGB 69 242 144

HSL 146.01, 0.87%, 0.61%

LAB 85.39, -64.74, 34.99

 

CMYK 71 / 0 / 60 / 5

HEX #45F262

RGB 69 242 98

HSL 130.06, 0.87%, 0.61%

LAB 84.82, -71.43, 55.92

 

CMYK 64 / 0 / 71 / 5

HEX #56F245

RGB 86 242 69

HSL 114.1, 0.87%, 0.61%

LAB 84.95, -71.16, 67.6

 

CMYK 71 / 0 / 2 / 5

HEX #45F2EE

RGB 69 242 238

HSL 178.61, 0.87%, 0.61%

LAB 87.46, -43.28, -10.68

 

CMYK 71 / 18 / 0 / 5

HEX #45C7F2

RGB 69 199 242

HSL 194.91, 0.87%, 0.61%

LAB 75.15, -21.66, -31.45

 

CMYK 71 / 37 / 0 / 5

HEX #4598F2

RGB 69 152 242

HSL 211.21, 0.87%, 0.61%

LAB 61.77, 4.12, -52.39

 

CMYK 71 / 56 / 0 / 5

HEX #456AF2

RGB 69 106 242

HSL 227.17, 0.87%, 0.61%

LAB 49.48, 32.19, -72.15

 

CMYK 71 / 71 / 0 / 5

HEX #4545F2

RGB 69 69 242

HSL 240, 0.87%, 0.61%

LAB 41.11, 54.23, -85.85

 

CMYK 71 / 0 / 2 / 5

HEX #45F2EE

RGB 69 242 238

HSL 178.61, 0.87%, 0.61%

LAB 87.46, -43.28, -10.68

 

CMYK 71 / 0 / 2 / 5

HEX #45F2EE

RGB 69 242 238

HSL 178.61, 0.87%, 0.61%

LAB 87.46, -43.28, -10.68

 

CMYK 62 / 0 / 1 / 12

HEX #55E1DE

RGB 85 225 222

HSL 178.71, 0.7%, 0.61%

LAB 82.41, -37.81, -9.73

 

CMYK 52 / 0 / 1 / 18

HEX #65D1CF

RGB 101 209 207

HSL 178.89, 0.54%, 0.61%

LAB 77.8, -31.4, -8.52

 

CMYK 39 / 0 / 1 / 24

HEX #75C1C0

RGB 117 193 192

HSL 179.21, 0.38%, 0.61%

LAB 73.37, -23.71, -6.92

 

CMYK 25 / 0 / 1 / 31

HEX #85B1B0

RGB 133 177 176

HSL 178.64, 0.22%, 0.61%

LAB 69.16, -14.82, -4.28

 

CMYK 71 / 0 / 40 / 5

HEX #45F290

RGB 69 242 144

HSL 146.01, 0.87%, 0.61%

LAB 85.39, -64.74, 34.99

 

CMYK 71 / 0 / 21 / 5

HEX #45F2BE

RGB 69 242 190

HSL 161.97, 0.87%, 0.61%

LAB 86.25, -55.41, 12.65

 

CMYK 71 / 0 / 2 / 5

HEX #45F2EC

RGB 69 242 236

HSL 177.92, 0.87%, 0.61%

LAB 87.4, -43.83, -9.72

 

CMYK 71 / 17 / 0 / 5

HEX #45C9F2

RGB 69 201 242

HSL 194.22, 0.87%, 0.61%

LAB 75.73, -22.68, -30.56

 

CMYK 71 / 36 / 0 / 5

HEX #459BF2

RGB 69 155 242

HSL 210.17, 0.87%, 0.61%

LAB 62.61, 2.37, -51.06

 

CMYK 93 / 0 / 2 / 16

HEX #0ED5D1

RGB 14 213 209

HSL 178.79, 0.88%, 0.45%

LAB 77.45, -42.78, -10.29

 

CMYK 87 / 0 / 2 / 6

HEX #1EEFEA

RGB 30 239 234

HSL 178.56, 0.87%, 0.53%

LAB 85.98, -46.29, -10.83

 

CMYK 71 / 0 / 2 / 5

HEX #45F2EE

RGB 69 242 238

HSL 178.61, 0.87%, 0.61%

LAB 87.46, -43.28, -10.68

 

CMYK 56 / 0 / 1 / 4

HEX #6BF4F1

RGB 107 244 241

HSL 178.69, 0.86%, 0.69%

LAB 89.01, -37.76, -9.85

 

CMYK 41 / 0 / 1 / 3

HEX #92F7F5

RGB 146 247 245

HSL 178.81, 0.86%, 0.77%

LAB 91.34, -29.97, -8.32

 

CMYK 71 / 0 / 2 / 5

HEX #45F2EE

RGB 69 242 238

HSL 178.61, 0.87%, 0.61%

LAB 87.46, -43.28, -10.68

 

CMYK 60 / 71 / 0 / 5

HEX #6145F2

RGB 97 69 242

HSL 249.71, 0.87%, 0.61%

LAB 43.08, 57.32, -82.54

 

CMYK 0 / 31 / 71 / 5

HEX #F2A745

RGB 242 167 69

HSL 33.99, 0.87%, 0.61%

LAB 74.15, 19.06, 59.61

 

CMYK 71 / 0 / 2 / 5

HEX #45F2EE

RGB 69 242 238

HSL 178.61, 0.87%, 0.61%

LAB 87.46, -43.28, -10.68

 

CMYK 2 / 71 / 0 / 5

HEX #EC45F2

RGB 236 69 242

HSL 297.92, 0.87%, 0.61%

LAB 60.34, 81.85, -53.78

 

CMYK 0 / 2 / 71 / 5

HEX #F2EC45

RGB 242 236 69

HSL 57.92, 0.87%, 0.61%

LAB 91.37, -16.29, 76.65

 

CMYK 71 / 0 / 2 / 5

HEX #45F2EE

RGB 69 242 238

HSL 178.61, 0.87%, 0.61%

LAB 87.46, -43.28, -10.68

 

CMYK 60 / 71 / 0 / 5

HEX #6145F2

RGB 97 69 242

HSL 249.71, 0.87%, 0.61%

LAB 43.08, 57.32, -82.54

 

CMYK 0 / 71 / 69 / 5

HEX #F2454A

RGB 242 69 74

HSL 358.27, 0.87%, 0.61%

LAB 55.71, 65.53, 36.74

 

CMYK 12 / 0 / 71 / 5

HEX #D5F245

RGB 213 242 69

HSL 70.06, 0.87%, 0.61%

LAB 90.82, -30.86, 75.37

 

CMYK 71 / 0 / 2 / 5

HEX #45F2EE

RGB 69 242 238

HSL 178.61, 0.87%, 0.61%

LAB 87.46, -43.28, -10.68

 

CMYK 38 / 71 / 0 / 5

HEX #9545F2

RGB 149 69 242

HSL 267.75, 0.87%, 0.61%

LAB 48.33, 65.21, -73.73

 

CMYK 0 / 71 / 69 / 5

HEX #F2454A

RGB 242 69 74

HSL 358.27, 0.87%, 0.61%

LAB 55.71, 65.53, 36.74

 

CMYK 33 / 0 / 71 / 5

HEX #A1F245

RGB 161 242 69

HSL 88.09, 0.87%, 0.61%

LAB 87.73, -50.27, 71.31

 

Description

Color code: HEX #45F2EE | qconv.com Color code: HEX #45F2EE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 242 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 242 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 2 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 2% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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