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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45F30B it is the complementary color #BA0CF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45F30B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45F30B shade: #4AF306, #5BFF19, #6CFF2C, #7DFF3F and #8EFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45F30B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45F30B shade: #45F30B, #34E100, #23CF00, #12BD00 and #01AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45F30B shade: #45F30B, #84F30B, #C2F30B, #F3E50B and #F3A70B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45F30B shade: #45F30B, #0BF310, #0BF34E, #0BF38D and #0BF3CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45F30B shade matches the following richer shades: #45F30B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45F30B shade: #45F30B, #4FDE20, #5ACA34, #64B549 and #6EA15D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45F30B shade: #C1F30B, #83F30B, #45F30B, #0BF30F and #0BF34D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45F30B shade: #2FA407, #3ACC09, #45F30B, #63F532 and #81F75A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45F30B shade: #45F30B, #0BF3E7 and #F30BA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45F30B shade: #45F30B, #0B45F3 and #F30B45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45F30B shade: #45F30B, #0BF3E7, #B90BF3 and #F30B17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45F30B shade: #45F30B, #0BB9F3, #B90BF3 and #F3450B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

Complementary color

CMYK 24 / 95 / 0 / 4

HEX #BA0CF4

RGB 186 12 244

HSL 285, 0.91%, 0.5%

LAB 48.55, 85.88, -74.27

 

CMYK 70 / 0 / 98 / 5

HEX #4AF306

RGB 74 243 6

HSL 102.78, 0.95%, 0.49%

LAB 84.78, -76.32, 80.64

 

CMYK 64 / 0 / 90 / 0

HEX #5BFF19

RGB 91 255 25

HSL 102.78, 1%, 0.55%

LAB 88.83, -76.4, 82.15

 

CMYK 58 / 0 / 83 / 0

HEX #6CFF2C

RGB 108 255 44

HSL 101.8, 1%, 0.59%

LAB 89.34, -72.02, 79.25

 

CMYK 51 / 0 / 75 / 0

HEX #7DFF3F

RGB 125 255 63

HSL 100.63, 1%, 0.62%

LAB 89.97, -66.74, 74.93

 

CMYK 44 / 0 / 68 / 0

HEX #8EFF52

RGB 142 255 82

HSL 99.19, 1%, 0.66%

LAB 90.73, -60.64, 69.45

 

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

CMYK 77 / 0 / 100 / 12

HEX #34E100

RGB 52 225 0

HSL 106.13, 1%, 0.44%

LAB 78.8, -74.58, 76.19

 

CMYK 83 / 0 / 100 / 19

HEX #23CF00

RGB 35 207 0

HSL 109.86, 1%, 0.41%

LAB 72.88, -71.5, 71.37

 

CMYK 90 / 0 / 100 / 26

HEX #12BD00

RGB 18 189 0

HSL 114.29, 1%, 0.37%

LAB 66.92, -67.92, 66.53

 

CMYK 99 / 0 / 100 / 33

HEX #01AB00

RGB 1 171 0

HSL 119.65, 1%, 0.34%

LAB 60.9, -63.83, 61.66

 

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

CMYK 46 / 0 / 95 / 5

HEX #84F30B

RGB 132 243 11

HSL 88.71, 0.91%, 0.5%

LAB 86.52, -62.19, 82.36

 

CMYK 20 / 0 / 95 / 5

HEX #C2F30B

RGB 194 243 11

HSL 72.67, 0.91%, 0.5%

LAB 89.67, -40.45, 86.19

 

CMYK 0 / 6 / 95 / 5

HEX #F3E50B

RGB 243 229 11

HSL 56.38, 0.91%, 0.5%

LAB 89.45, -13.91, 87.58

 

CMYK 0 / 31 / 95 / 5

HEX #F3A70B

RGB 243 167 11

HSL 40.34, 0.91%, 0.5%

LAB 74.01, 17.91, 76.41

 

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

CMYK 95 / 0 / 93 / 5

HEX #0BF310

RGB 11 243 16

HSL 121.29, 0.91%, 0.5%

LAB 84.07, -82.5, 78.88

 

CMYK 95 / 0 / 68 / 5

HEX #0BF34E

RGB 11 243 78

HSL 137.33, 0.91%, 0.5%

LAB 84.34, -79.09, 63.37

 

CMYK 95 / 0 / 42 / 5

HEX #0BF38D

RGB 11 243 141

HSL 153.62, 0.91%, 0.5%

LAB 85.05, -70.47, 35.91

 

CMYK 95 / 0 / 16 / 5

HEX #0BF3CB

RGB 11 243 203

HSL 169.66, 0.91%, 0.5%

LAB 86.25, -56.98, 5.79

 

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

CMYK 64 / 0 / 86 / 13

HEX #4FDE20

RGB 79 222 32

HSL 105.16, 0.75%, 0.5%

LAB 78.47, -68.25, 71.95

 

CMYK 55 / 0 / 74 / 21

HEX #5ACA34

RGB 90 202 52

HSL 104.8, 0.59%, 0.5%

LAB 72.67, -57.8, 61.16

 

CMYK 45 / 0 / 60 / 29

HEX #64B549

RGB 100 181 73

HSL 105, 0.43%, 0.5%

LAB 66.7, -44.98, 46.47

 

CMYK 32 / 0 / 42 / 37

HEX #6EA15D

RGB 110 161 93

HSL 105, 0.27%, 0.5%

LAB 61.3, -30.21, 30.09

 

CMYK 21 / 0 / 95 / 5

HEX #C1F30B

RGB 193 243 11

HSL 72.93, 0.91%, 0.5%

LAB 89.61, -40.83, 86.11

 

CMYK 46 / 0 / 95 / 5

HEX #83F30B

RGB 131 243 11

HSL 88.97, 0.91%, 0.5%

LAB 86.48, -62.49, 82.32

 

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

CMYK 95 / 0 / 94 / 5

HEX #0BF30F

RGB 11 243 15

HSL 121.03, 0.91%, 0.5%

LAB 84.07, -82.52, 78.99

 

CMYK 95 / 0 / 68 / 5

HEX #0BF34D

RGB 11 243 77

HSL 137.07, 0.91%, 0.5%

LAB 84.33, -79.18, 63.75

 

CMYK 71 / 0 / 96 / 36

HEX #2FA407

RGB 47 164 7

HSL 104.71, 0.92%, 0.34%

LAB 59.13, -56.76, 59.47

 

CMYK 72 / 0 / 96 / 20

HEX #3ACC09

RGB 58 204 9

HSL 104.92, 0.92%, 0.42%

LAB 72.3, -67.28, 70.11

 

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

CMYK 60 / 0 / 80 / 4

HEX #63F532

RGB 99 245 50

HSL 104.92, 0.91%, 0.58%

LAB 86.1, -70.54, 74.71

 

CMYK 48 / 0 / 64 / 3

HEX #81F75A

RGB 129 247 90

HSL 105.1, 0.91%, 0.66%

LAB 87.93, -60.73, 63.22

 

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

CMYK 95 / 0 / 5 / 5

HEX #0BF3E7

RGB 11 243 231

HSL 176.9, 0.91%, 0.5%

LAB 86.97, -49.53, -7.8

 

CMYK 0 / 95 / 33 / 5

HEX #F30BA2

RGB 243 11 162

HSL 320.95, 0.91%, 0.5%

LAB 53.92, 84.23, -17.88

 

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

CMYK 95 / 72 / 0 / 5

HEX #0B45F3

RGB 11 69 243

HSL 225, 0.91%, 0.5%

LAB 39.24, 51.37, -89.57

 

CMYK 0 / 95 / 72 / 5

HEX #F30B45

RGB 243 11 69

HSL 345, 0.91%, 0.5%

LAB 51.52, 77.8, 34.71

 

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

CMYK 95 / 0 / 5 / 5

HEX #0BF3E7

RGB 11 243 231

HSL 176.9, 0.91%, 0.5%

LAB 86.97, -49.53, -7.8

 

CMYK 24 / 95 / 0 / 5

HEX #B90BF3

RGB 185 11 243

HSL 285, 0.91%, 0.5%

LAB 48.29, 85.66, -74.15

 

CMYK 0 / 95 / 91 / 5

HEX #F30B17

RGB 243 11 23

HSL 356.9, 0.91%, 0.5%

LAB 51.1, 76.63, 58.22

 

CMYK 72 / 0 / 95 / 5

HEX #45F30B

RGB 69 243 11

HSL 105, 0.91%, 0.5%

LAB 84.68, -77.09, 80.12

 

CMYK 95 / 24 / 0 / 5

HEX #0BB9F3

RGB 11 185 243

HSL 195, 0.91%, 0.5%

LAB 70.34, -18.41, -39.51

 

CMYK 24 / 95 / 0 / 5

HEX #B90BF3

RGB 185 11 243

HSL 285, 0.91%, 0.5%

LAB 48.29, 85.66, -74.15

 

CMYK 0 / 72 / 95 / 5

HEX #F3450B

RGB 243 69 11

HSL 15, 0.91%, 0.5%

LAB 55.42, 64.2, 64.4

 

Description

Color code: HEX #45F30B | qconv.com Color code: HEX #45F30B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 243 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 243 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 95 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 95% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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