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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45FCA3 it is the complementary color #BA035C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45FCA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45FCA3 shade: #4AFC9E, #5BFFB1, #6CFFC4, #7DFFD7 and #8EFFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45FCA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45FCA3 shade: #45FCA3, #34EA90, #23D87D, #12C66A and #01B457

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45FCA3 shade: #45FCA3, #45FC71, #49FC45, #7BFC45 and #ACFC45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45FCA3 shade: #45FCA3, #45FCD4, #45F2FC, #45C1FC and #458FFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45FCA3 shade matches the following richer shades: #45FCA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45FCA3 shade: #45FCA3, #54ECA2, #63DDA2, #72CEA1 and #82BFA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45FCA3 shade: #4BFC45, #45FC6F, #45FCA0, #45FCD1 and #45F6FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45FCA3 shade: #03EB7A, #1CFB8F, #45FCA3, #6DFCB7 and #96FDCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45FCA3 shade: #45FCA3, #457CFC and #FC5745

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45FCA3 shade: #45FCA3, #A045FC and #FCA045

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45FCA3 shade: #45FCA3, #457CFC, #FC45A0 and #FCC545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45FCA3 shade: #45FCA3, #4545FC, #FC45A0 and #FCFC45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 35 / 1

HEX #45FCA3

RGB 69 252 163

HSL 150.82, 0.97%, 0.63%

LAB 88.7, -64.87, 29.87

 

Complementary color

CMYK 0 / 98 / 51 / 27

HEX #BA035C

RGB 186 3 92

HSL 330.82, 0.97%, 0.37%

LAB 40.04, 66.42, 3.11

 

CMYK 71 / 0 / 37 / 1

HEX #4AFC9E

RGB 74 252 158

HSL 148.31, 0.97%, 0.64%

LAB 88.71, -65.1, 32.4

 

CMYK 64 / 0 / 31 / 0

HEX #5BFFB1

RGB 91 255 177

HSL 151.46, 1%, 0.68%

LAB 90.28, -59.92, 25.03

 

CMYK 58 / 0 / 23 / 0

HEX #6CFFC4

RGB 108 255 196

HSL 155.92, 1%, 0.71%

LAB 91.1, -52.92, 16.52

 

CMYK 51 / 0 / 16 / 0

HEX #7DFFD7

RGB 125 255 215

HSL 161.54, 1%, 0.75%

LAB 92.04, -45.31, 8.16

 

CMYK 44 / 0 / 8 / 0

HEX #8EFFEA

RGB 142 255 234

HSL 168.85, 1%, 0.78%

LAB 93.11, -37.2, -0.03

 

CMYK 73 / 0 / 35 / 1

HEX #45FCA3

RGB 69 252 163

HSL 150.82, 0.97%, 0.63%

LAB 88.7, -64.87, 29.87

 

CMYK 78 / 0 / 38 / 8

HEX #34EA90

RGB 52 234 144

HSL 150.33, 0.81%, 0.56%

LAB 82.69, -64.07, 31.38

 

CMYK 84 / 0 / 42 / 15

HEX #23D87D

RGB 35 216 125

HSL 149.83, 0.72%, 0.49%

LAB 76.65, -62.93, 33

 

CMYK 91 / 0 / 46 / 22

HEX #12C66A

RGB 18 198 106

HSL 149.33, 0.83%, 0.42%

LAB 70.56, -61.34, 34.73

 

CMYK 99 / 0 / 52 / 29

HEX #01B457

RGB 1 180 87

HSL 148.83, 0.99%, 0.35%

LAB 64.43, -59.27, 36.54

 

CMYK 73 / 0 / 35 / 1

HEX #45FCA3

RGB 69 252 163

HSL 150.82, 0.97%, 0.63%

LAB 88.7, -64.87, 29.87

 

CMYK 73 / 0 / 55 / 1

HEX #45FC71

RGB 69 252 113

HSL 134.43, 0.97%, 0.63%

LAB 88.01, -72.84, 53.03

 

CMYK 71 / 0 / 73 / 1

HEX #49FC45

RGB 73 252 69

HSL 118.69, 0.97%, 0.63%

LAB 87.71, -76.66, 70.3

 

CMYK 51 / 0 / 73 / 1

HEX #7BFC45

RGB 123 252 69

HSL 102.3, 0.97%, 0.63%

LAB 89.05, -65.84, 72.08

 

CMYK 32 / 0 / 73 / 1

HEX #ACFC45

RGB 172 252 69

HSL 86.23, 0.97%, 0.63%

LAB 91.15, -50.59, 74.87

 

CMYK 73 / 0 / 35 / 1

HEX #45FCA3

RGB 69 252 163

HSL 150.82, 0.97%, 0.63%

LAB 88.7, -64.87, 29.87

 

CMYK 73 / 0 / 16 / 1

HEX #45FCD4

RGB 69 252 212

HSL 166.89, 0.97%, 0.63%

LAB 89.69, -54.25, 6.15

 

CMYK 73 / 4 / 0 / 1

HEX #45F2FC

RGB 69 242 252

HSL 183.28, 0.97%, 0.63%

LAB 87.87, -39.37, -17.39

 

CMYK 73 / 23 / 0 / 1

HEX #45C1FC

RGB 69 193 252

HSL 199.34, 0.97%, 0.63%

LAB 73.83, -15.33, -38.88

 

CMYK 73 / 43 / 0 / 1

HEX #458FFC

RGB 69 143 252

HSL 215.74, 0.97%, 0.63%

LAB 59.83, 12.99, -60.98

 

CMYK 73 / 0 / 35 / 1

HEX #45FCA3

RGB 69 252 163

HSL 150.82, 0.97%, 0.63%

LAB 88.7, -64.87, 29.87

 

CMYK 73 / 0 / 35 / 1

HEX #45FCA3

RGB 69 252 163

HSL 150.82, 0.97%, 0.63%

LAB 88.7, -64.87, 29.87

 

CMYK 64 / 0 / 31 / 7

HEX #54ECA2

RGB 84 236 162

HSL 150.79, 0.8%, 0.63%

LAB 84.22, -56.74, 24.35

 

CMYK 55 / 0 / 27 / 13

HEX #63DDA2

RGB 99 221 162

HSL 150.98, 0.64%, 0.63%

LAB 80.17, -47.71, 18.84

 

CMYK 45 / 0 / 22 / 19

HEX #72CEA1

RGB 114 206 161

HSL 150.65, 0.48%, 0.63%

LAB 76.25, -37.73, 13.97

 

CMYK 32 / 0 / 16 / 25

HEX #82BFA1

RGB 130 191 161

HSL 150.49, 0.32%, 0.63%

LAB 72.61, -26.09, 8.93

 

CMYK 70 / 0 / 73 / 1

HEX #4BFC45

RGB 75 252 69

HSL 118.03, 0.97%, 0.63%

LAB 87.75, -76.33, 70.36

 

CMYK 73 / 0 / 56 / 1

HEX #45FC6F

RGB 69 252 111

HSL 133.77, 0.97%, 0.63%

LAB 87.98, -73.1, 53.9

 

CMYK 73 / 0 / 37 / 1

HEX #45FCA0

RGB 69 252 160

HSL 149.84, 0.97%, 0.63%

LAB 88.65, -65.43, 31.31

 

CMYK 73 / 0 / 17 / 1

HEX #45FCD1

RGB 69 252 209

HSL 165.9, 0.97%, 0.63%

LAB 89.62, -54.97, 7.6

 

CMYK 73 / 2 / 0 / 1

HEX #45F6FC

RGB 69 246 252

HSL 181.97, 0.97%, 0.63%

LAB 89.02, -41.18, -15.66

 

CMYK 99 / 0 / 48 / 8

HEX #03EB7A

RGB 3 235 122

HSL 150.78, 0.97%, 0.47%

LAB 82.29, -71.34, 41.68

 

CMYK 89 / 0 / 43 / 2

HEX #1CFB8F

RGB 28 251 143

HSL 150.94, 0.97%, 0.55%

LAB 87.59, -72.04, 38.26

 

CMYK 73 / 0 / 35 / 1

HEX #45FCA3

RGB 69 252 163

HSL 150.82, 0.97%, 0.63%

LAB 88.7, -64.87, 29.87

 

CMYK 57 / 0 / 27 / 1

HEX #6DFCB7

RGB 109 252 183

HSL 151.05, 0.96%, 0.71%

LAB 89.99, -54.15, 21.65

 

CMYK 41 / 0 / 20 / 1

HEX #96FDCB

RGB 150 253 203

HSL 150.87, 0.96%, 0.79%

LAB 92.15, -40.9, 14.63

 

CMYK 73 / 0 / 35 / 1

HEX #45FCA3

RGB 69 252 163

HSL 150.82, 0.97%, 0.63%

LAB 88.7, -64.87, 29.87

 

CMYK 73 / 51 / 0 / 1

HEX #457CFC

RGB 69 124 252

HSL 221.97, 0.97%, 0.63%

LAB 54.77, 24.58, -69.12

 

CMYK 0 / 65 / 73 / 1

HEX #FC5745

RGB 252 87 69

HSL 5.9, 0.97%, 0.63%

LAB 59.84, 61.74, 44.7

 

CMYK 73 / 0 / 35 / 1

HEX #45FCA3

RGB 69 252 163

HSL 150.82, 0.97%, 0.63%

LAB 88.7, -64.87, 29.87

 

CMYK 37 / 73 / 0 / 1

HEX #A045FC

RGB 160 69 252

HSL 269.84, 0.97%, 0.63%

LAB 50.4, 69.4, -75.89

 

CMYK 0 / 37 / 73 / 1

HEX #FCA045

RGB 252 160 69

HSL 29.84, 0.97%, 0.63%

LAB 73.72, 26.86, 59.53

 

CMYK 73 / 0 / 35 / 1

HEX #45FCA3

RGB 69 252 163

HSL 150.82, 0.97%, 0.63%

LAB 88.7, -64.87, 29.87

 

CMYK 73 / 51 / 0 / 1

HEX #457CFC

RGB 69 124 252

HSL 221.97, 0.97%, 0.63%

LAB 54.77, 24.58, -69.12

 

CMYK 0 / 73 / 37 / 1

HEX #FC45A0

RGB 252 69 160

HSL 330.16, 0.97%, 0.63%

LAB 59.42, 74.77, -8.26

 

CMYK 0 / 22 / 73 / 1

HEX #FCC545

RGB 252 197 69

HSL 41.97, 0.97%, 0.63%

LAB 82.41, 7.54, 68.27

 

CMYK 73 / 0 / 35 / 1

HEX #45FCA3

RGB 69 252 163

HSL 150.82, 0.97%, 0.63%

LAB 88.7, -64.87, 29.87

 

CMYK 73 / 73 / 0 / 1

HEX #4545FC

RGB 69 69 252

HSL 240, 0.97%, 0.63%

LAB 42.08, 57.37, -89.87

 

CMYK 0 / 73 / 37 / 1

HEX #FC45A0

RGB 252 69 160

HSL 330.16, 0.97%, 0.63%

LAB 59.42, 74.77, -8.26

 

CMYK 0 / 0 / 73 / 1

HEX #FCFC45

RGB 252 252 69

HSL 60, 0.97%, 0.63%

LAB 96.31, -19.93, 81.6

 

Description

Color code: HEX #45FCA3 | qconv.com Color code: HEX #45FCA3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 252 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 252 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 35 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 35% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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