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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #461649 it is the complementary color #B9E9B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #461649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #461649 shade: #4B1644, #5C2857, #6D3A6A, #7E4C7D and #8F5E90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #461649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #461649 shade: #461649, #350436, #240023, #130010 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #461649 shade: #47164A, #4A163F, #4A1631, #4A1623 and #4A1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #461649 shade: #47164A, #39164A, #2B164A, #1D164A and #16164A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #461649 shade matches the following richer shades: #47164A, #4E0E52 and #55065A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #461649 shade: #47164A, #401E42, #39253A, #322D33 and #2B352B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #461649 shade: #2B164A, #39164A, #47164A, #4A1640 and #4A1632

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #461649 shade: #0A030B, #290C2A, #47164A, #651F6A and #84298A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #461649 shade: #461649, #4A1D16 and #164A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #461649 shade: #461649, #4A4716 and #164A47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #461649 shade: #461649, #4A1D16, #194A16 and #16434A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #461649 shade: #461649, #4A2C16, #194A16 and #16334A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 70 / 0 / 71

HEX #461649

RGB 70 22 73

HSL 296.47, 0.54%, 0.19%

LAB 17.26, 30.78, -21.01

 

Complementary color

CMYK 21 / 0 / 22 / 9

HEX #B9E9B6

RGB 185 233 182

HSL 116.47, 0.54%, 0.81%

LAB 87.95, -24.98, 19.84

 

CMYK 0 / 71 / 9 / 71

HEX #4B1644

RGB 75 22 68

HSL 307.92, 0.55%, 0.19%

LAB 17.86, 31.27, -16.55

 

CMYK 0 / 57 / 5 / 64

HEX #5C2857

RGB 92 40 87

HSL 305.77, 0.39%, 0.26%

LAB 25.2, 30.91, -17.73

 

CMYK 0 / 47 / 3 / 57

HEX #6D3A6A

RGB 109 58 106

HSL 303.53, 0.31%, 0.33%

LAB 32.52, 30.17, -18.48

 

CMYK 0 / 40 / 1 / 51

HEX #7E4C7D

RGB 126 76 125

HSL 301.2, 0.25%, 0.4%

LAB 39.72, 29.35, -19.03

 

CMYK 1 / 35 / 0 / 44

HEX #8F5E90

RGB 143 94 144

HSL 298.8, 0.21%, 0.47%

LAB 46.79, 28.55, -19.49

 

CMYK 4 / 70 / 0 / 71

HEX #461649

RGB 70 22 73

HSL 296.47, 0.54%, 0.19%

LAB 17.26, 30.78, -21.01

 

CMYK 2 / 93 / 0 / 79

HEX #350436

RGB 53 4 54

HSL 298.8, 0.86%, 0.11%

LAB 9.88, 30.47, -19.51

 

CMYK 0 / 100 / 3 / 86

HEX #240023

RGB 36 0 35

HSL 301.67, 1%, 0.07%

LAB 4.48, 22.39, -13.99

 

CMYK 0 / 100 / 16 / 93

HEX #130010

RGB 19 0 16

HSL 309.47, 1%, 0.04%

LAB 1.59, 7.99, -4.49

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 4 / 70 / 0 / 71

HEX #47164A

RGB 71 22 74

HSL 296.54, 0.54%, 0.19%

LAB 17.5, 31.28, -21.31

 

CMYK 0 / 70 / 15 / 71

HEX #4A163F

RGB 74 22 63

HSL 312.69, 0.54%, 0.19%

LAB 17.41, 30.04, -13.79

 

CMYK 0 / 70 / 34 / 71

HEX #4A1631

RGB 74 22 49

HSL 328.85, 0.54%, 0.19%

LAB 16.75, 27.74, -4.9

 

CMYK 0 / 70 / 53 / 71

HEX #4A1623

RGB 74 22 35

HSL 345, 0.54%, 0.19%

LAB 16.26, 25.92, 4.43

 

CMYK 0 / 70 / 70 / 71

HEX #4A1616

RGB 74 22 22

HSL 0, 0.54%, 0.19%

LAB 15.94, 24.71, 13.32

 

CMYK 4 / 70 / 0 / 71

HEX #47164A

RGB 71 22 74

HSL 296.54, 0.54%, 0.19%

LAB 17.5, 31.28, -21.31

 

CMYK 23 / 70 / 0 / 71

HEX #39164A

RGB 57 22 74

HSL 280.38, 0.54%, 0.19%

LAB 15.16, 27.32, -25.17

 

CMYK 42 / 70 / 0 / 71

HEX #2B164A

RGB 43 22 74

HSL 264.23, 0.54%, 0.19%

LAB 13.12, 23.56, -28.56

 

CMYK 61 / 70 / 0 / 71

HEX #1D164A

RGB 29 22 74

HSL 248.08, 0.54%, 0.19%

LAB 11.48, 20.27, -31.3

 

CMYK 70 / 70 / 0 / 71

HEX #16164A

RGB 22 22 74

HSL 240, 0.54%, 0.19%

LAB 10.84, 18.9, -32.37

 

CMYK 4 / 70 / 0 / 71

HEX #47164A

RGB 71 22 74

HSL 296.54, 0.54%, 0.19%

LAB 17.5, 31.28, -21.31

 

CMYK 5 / 83 / 0 / 68

HEX #4E0E52

RGB 78 14 82

HSL 296.47, 0.71%, 0.19%

LAB 18.11, 38.06, -25.71

 

CMYK 6 / 93 / 0 / 65

HEX #55065A

RGB 85 6 90

HSL 296.43, 0.88%, 0.19%

LAB 19.22, 43.39, -29.25

 

CMYK 4 / 70 / 0 / 71

HEX #47164A

RGB 71 22 74

HSL 296.54, 0.54%, 0.19%

LAB 17.5, 31.28, -21.31

 

CMYK 3 / 55 / 0 / 74

HEX #401E42

RGB 64 30 66

HSL 296.67, 0.38%, 0.19%

LAB 17.52, 22.86, -15.84

 

CMYK 2 / 36 / 0 / 77

HEX #39253A

RGB 57 37 58

HSL 297.14, 0.22%, 0.19%

LAB 17.91, 13.8, -9.75

 

CMYK 2 / 12 / 0 / 80

HEX #322D33

RGB 50 45 51

HSL 290, 0.06%, 0.19%

LAB 19.2, 3.64, -3.03

 

CMYK 19 / 0 / 19 / 79

HEX #2B352B

RGB 43 53 43

HSL 120, 0.1%, 0.19%

LAB 20.96, -6.64, 4.92

 

CMYK 42 / 70 / 0 / 71

HEX #2B164A

RGB 43 22 74

HSL 264.23, 0.54%, 0.19%

LAB 13.12, 23.56, -28.56

 

CMYK 23 / 70 / 0 / 71

HEX #39164A

RGB 57 22 74

HSL 280.38, 0.54%, 0.19%

LAB 15.16, 27.32, -25.17

 

CMYK 4 / 70 / 0 / 71

HEX #47164A

RGB 71 22 74

HSL 296.54, 0.54%, 0.19%

LAB 17.5, 31.28, -21.31

 

CMYK 0 / 70 / 14 / 71

HEX #4A1640

RGB 74 22 64

HSL 311.54, 0.54%, 0.19%

LAB 17.46, 30.22, -14.41

 

CMYK 0 / 70 / 32 / 71

HEX #4A1632

RGB 74 22 50

HSL 327.69, 0.54%, 0.19%

LAB 16.8, 27.89, -5.56

 

CMYK 9 / 73 / 0 / 96

HEX #0A030B

RGB 10 3 11

HSL 292.5, 0.57%, 0.03%

LAB 1.39, 2.95, -2.39

 

CMYK 2 / 71 / 0 / 84

HEX #290C2A

RGB 41 12 42

HSL 298, 0.56%, 0.11%

LAB 8.14, 20.34, -13.56

 

CMYK 4 / 70 / 0 / 71

HEX #47164A

RGB 71 22 74

HSL 296.54, 0.54%, 0.19%

LAB 17.5, 31.28, -21.31

 

CMYK 5 / 71 / 0 / 58

HEX #651F6A

RGB 101 31 106

HSL 296, 0.55%, 0.27%

LAB 26.12, 41.68, -28.6

 

CMYK 4 / 70 / 0 / 46

HEX #84298A

RGB 132 41 138

HSL 296.29, 0.54%, 0.35%

LAB 34.65, 51.24, -34.92

 

CMYK 4 / 70 / 0 / 71

HEX #461649

RGB 70 22 73

HSL 296.47, 0.54%, 0.19%

LAB 17.26, 30.78, -21.01

 

CMYK 0 / 61 / 70 / 71

HEX #4A1D16

RGB 74 29 22

HSL 8.08, 0.54%, 0.19%

LAB 17.43, 20.8, 15.18

 

CMYK 70 / 0 / 32 / 71

HEX #164A32

RGB 22 74 50

HSL 152.31, 0.54%, 0.19%

LAB 27.57, -23.77, 9.4

 

CMYK 4 / 70 / 0 / 71

HEX #461649

RGB 70 22 73

HSL 296.47, 0.54%, 0.19%

LAB 17.26, 30.78, -21.01

 

CMYK 0 / 4 / 70 / 71

HEX #4A4716

RGB 74 71 22

HSL 56.54, 0.54%, 0.19%

LAB 29.46, -5.88, 28.93

 

CMYK 70 / 0 / 4 / 71

HEX #164A47

RGB 22 74 71

HSL 176.54, 0.54%, 0.19%

LAB 28.18, -17.71, -3.27

 

CMYK 4 / 70 / 0 / 71

HEX #461649

RGB 70 22 73

HSL 296.47, 0.54%, 0.19%

LAB 17.26, 30.78, -21.01

 

CMYK 0 / 61 / 70 / 71

HEX #4A1D16

RGB 74 29 22

HSL 8.08, 0.54%, 0.19%

LAB 17.43, 20.8, 15.18

 

CMYK 66 / 0 / 70 / 71

HEX #194A16

RGB 25 74 22

HSL 116.54, 0.54%, 0.19%

LAB 27.19, -28.25, 25.51

 

CMYK 70 / 9 / 0 / 71

HEX #16434A

RGB 22 67 74

HSL 188.08, 0.54%, 0.19%

LAB 25.8, -12.66, -8.78

 

CMYK 4 / 70 / 0 / 71

HEX #461649

RGB 70 22 73

HSL 296.47, 0.54%, 0.19%

LAB 17.26, 30.78, -21.01

 

CMYK 0 / 41 / 70 / 71

HEX #4A2C16

RGB 74 44 22

HSL 25.38, 0.54%, 0.19%

LAB 21.26, 11.38, 19.8

 

CMYK 66 / 0 / 70 / 71

HEX #194A16

RGB 25 74 22

HSL 116.54, 0.54%, 0.19%

LAB 27.19, -28.25, 25.51

 

CMYK 70 / 31 / 0 / 71

HEX #16334A

RGB 22 51 74

HSL 206.54, 0.54%, 0.19%

LAB 20.17, -2.41, -17.44

 

Description

Color code: HEX #461649 | qconv.com Color code: HEX #461649 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 22 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 22 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 70 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 70% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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