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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #461749 it is the complementary color #B9E8B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #461749. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #461749 shade: #4B1744, #5C2957, #6D3B6A, #7E4D7D and #8F5F90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #461749. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #461749 shade: #461749, #350536, #240023, #130010 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #461749 shade: #461749, #49173F, #491731, #491723 and #491717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #461749 shade: #461749, #391749, #2B1749, #1D1749 and #171749

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #461749 shade matches the following richer shades: #461749, #4D0F51 and #540759

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #461749 shade: #461749, #3F1F41, #382639, #312E32 and #2B362A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #461749 shade: #2B1749, #381749, #461749, #49173F and #491732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #461749 shade: #0A030A, #280D2A, #461749, #642169 and #822B88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #461749 shade: #461749, #491D17 and #174932

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #461749 shade: #461749, #494617 and #174946

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #461749 shade: #461749, #491D17, #1A4917 and #174249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #461749 shade: #461749, #492D17, #1A4917 and #173349

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

Complementary color

CMYK 20 / 0 / 22 / 9

HEX #B9E8B6

RGB 185 232 182

HSL 116.4, 0.52%, 0.81%

LAB 87.68, -24.5, 19.46

 

CMYK 0 / 69 / 9 / 71

HEX #4B1744

RGB 75 23 68

HSL 308.08, 0.53%, 0.19%

LAB 18.04, 30.78, -16.28

 

CMYK 0 / 55 / 5 / 64

HEX #5C2957

RGB 92 41 87

HSL 305.88, 0.38%, 0.26%

LAB 25.41, 30.36, -17.4

 

CMYK 0 / 46 / 3 / 57

HEX #6D3B6A

RGB 109 59 106

HSL 303.6, 0.3%, 0.33%

LAB 32.74, 29.6, -18.13

 

CMYK 0 / 39 / 1 / 51

HEX #7E4D7D

RGB 126 77 125

HSL 301.22, 0.24%, 0.4%

LAB 39.96, 28.77, -18.67

 

CMYK 1 / 34 / 0 / 44

HEX #8F5F90

RGB 143 95 144

HSL 298.78, 0.21%, 0.47%

LAB 47.02, 27.97, -19.13

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 2 / 91 / 0 / 79

HEX #350536

RGB 53 5 54

HSL 298.78, 0.83%, 0.12%

LAB 10.04, 29.98, -19.25

 

CMYK 0 / 100 / 3 / 86

HEX #240023

RGB 36 0 35

HSL 301.67, 1%, 0.07%

LAB 4.48, 22.39, -13.99

 

CMYK 0 / 100 / 16 / 93

HEX #130010

RGB 19 0 16

HSL 309.47, 1%, 0.04%

LAB 1.59, 7.99, -4.49

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 0 / 68 / 14 / 71

HEX #49173F

RGB 73 23 63

HSL 312, 0.52%, 0.19%

LAB 17.4, 29.22, -13.81

 

CMYK 0 / 68 / 33 / 71

HEX #491731

RGB 73 23 49

HSL 328.8, 0.52%, 0.19%

LAB 16.75, 26.87, -4.93

 

CMYK 0 / 68 / 52 / 71

HEX #491723

RGB 73 23 35

HSL 345.6, 0.52%, 0.19%

LAB 16.26, 25.01, 4.4

 

CMYK 0 / 68 / 68 / 71

HEX #491717

RGB 73 23 23

HSL 0, 0.52%, 0.19%

LAB 15.96, 23.85, 12.6

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 22 / 68 / 0 / 71

HEX #391749

RGB 57 23 73

HSL 280.8, 0.52%, 0.19%

LAB 15.3, 26.49, -24.26

 

CMYK 41 / 68 / 0 / 71

HEX #2B1749

RGB 43 23 73

HSL 264, 0.52%, 0.19%

LAB 13.28, 22.62, -27.62

 

CMYK 60 / 68 / 0 / 71

HEX #1D1749

RGB 29 23 73

HSL 247.2, 0.52%, 0.19%

LAB 11.66, 19.2, -30.32

 

CMYK 68 / 68 / 0 / 71

HEX #171749

RGB 23 23 73

HSL 240, 0.52%, 0.19%

LAB 11.11, 17.96, -31.23

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 5 / 81 / 0 / 68

HEX #4D0F51

RGB 77 15 81

HSL 296.36, 0.69%, 0.19%

LAB 17.98, 37.27, -25.26

 

CMYK 6 / 92 / 0 / 65

HEX #540759

RGB 84 7 89

HSL 296.34, 0.85%, 0.19%

LAB 19.05, 42.74, -28.87

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 3 / 52 / 0 / 75

HEX #3F1F41

RGB 63 31 65

HSL 296.47, 0.35%, 0.19%

LAB 17.55, 21.66, -15.11

 

CMYK 2 / 33 / 0 / 78

HEX #382639

RGB 56 38 57

HSL 296.84, 0.2%, 0.19%

LAB 18.02, 12.47, -8.9

 

CMYK 2 / 8 / 0 / 80

HEX #312E32

RGB 49 46 50

HSL 285, 0.04%, 0.19%

LAB 19.38, 2.28, -2.08

 

CMYK 20 / 0 / 22 / 79

HEX #2B362A

RGB 43 54 42

HSL 115, 0.13%, 0.19%

LAB 21.28, -7.5, 6.05

 

CMYK 41 / 68 / 0 / 71

HEX #2B1749

RGB 43 23 73

HSL 264, 0.52%, 0.19%

LAB 13.28, 22.62, -27.62

 

CMYK 23 / 68 / 0 / 71

HEX #381749

RGB 56 23 73

HSL 279.6, 0.52%, 0.19%

LAB 15.14, 26.21, -24.52

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 0 / 68 / 14 / 71

HEX #49173F

RGB 73 23 63

HSL 312, 0.52%, 0.19%

LAB 17.4, 29.22, -13.81

 

CMYK 0 / 68 / 32 / 71

HEX #491732

RGB 73 23 50

HSL 327.6, 0.52%, 0.19%

LAB 16.79, 27.02, -5.58

 

CMYK 0 / 70 / 0 / 96

HEX #0A030A

RGB 10 3 10

HSL 300, 0.54%, 0.03%

LAB 1.37, 2.8, -2.01

 

CMYK 5 / 69 / 0 / 84

HEX #280D2A

RGB 40 13 42

HSL 295.86, 0.53%, 0.11%

LAB 8.18, 19.39, -13.51

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 5 / 69 / 0 / 59

HEX #642169

RGB 100 33 105

HSL 295.83, 0.52%, 0.27%

LAB 26.21, 40.34, -27.82

 

CMYK 4 / 68 / 0 / 47

HEX #822B88

RGB 130 43 136

HSL 296.13, 0.52%, 0.35%

LAB 34.5, 49.57, -33.94

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 0 / 60 / 68 / 71

HEX #491D17

RGB 73 29 23

HSL 7.2, 0.52%, 0.19%

LAB 17.26, 20.44, 14.25

 

CMYK 68 / 0 / 32 / 71

HEX #174932

RGB 23 73 50

HSL 152.4, 0.52%, 0.19%

LAB 27.23, -23.05, 8.94

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 0 / 4 / 68 / 71

HEX #494617

RGB 73 70 23

HSL 56.4, 0.52%, 0.19%

LAB 29.05, -5.7, 27.96

 

CMYK 68 / 0 / 4 / 71

HEX #174946

RGB 23 73 70

HSL 176.4, 0.52%, 0.19%

LAB 27.82, -17.28, -3.15

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 0 / 60 / 68 / 71

HEX #491D17

RGB 73 29 23

HSL 7.2, 0.52%, 0.19%

LAB 17.26, 20.44, 14.25

 

CMYK 64 / 0 / 68 / 71

HEX #1A4917

RGB 26 73 23

HSL 116.4, 0.52%, 0.19%

LAB 26.87, -27.41, 24.63

 

CMYK 68 / 10 / 0 / 71

HEX #174249

RGB 23 66 73

HSL 188.4, 0.52%, 0.19%

LAB 25.44, -12.21, -8.66

 

CMYK 4 / 68 / 0 / 71

HEX #461749

RGB 70 23 73

HSL 296.4, 0.52%, 0.19%

LAB 17.44, 30.28, -20.72

 

CMYK 0 / 38 / 68 / 71

HEX #492D17

RGB 73 45 23

HSL 26.4, 0.52%, 0.19%

LAB 21.41, 10.31, 19.32

 

CMYK 64 / 0 / 68 / 71

HEX #1A4917

RGB 26 73 23

HSL 116.4, 0.52%, 0.19%

LAB 26.87, -27.41, 24.63

 

CMYK 68 / 30 / 0 / 71

HEX #173349

RGB 23 51 73

HSL 206.4, 0.52%, 0.19%

LAB 20.17, -2.59, -16.77

 

Description

Color code: HEX #461749 | qconv.com Color code: HEX #461749 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 23 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 23 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 68 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 68% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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