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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #461A41 it is the complementary color #B9E5BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #461A41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #461A41 shade: #4B1A3C, #5C2C4F, #6D3E62, #7E5075 and #8F6288

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #461A41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #461A41 shade: #461A41, #35082E, #24001B, #130008 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #461A41 shade: #461A41, #461A35, #461A29, #461A1D and #461A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #461A41 shade: #461A41, #3F1A46, #331A46, #271A46 and #1B1A46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #461A41 shade matches the following richer shades: #461A41, #4E1247, #560A4D and #5E0253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #461A41 shade: #461A41, #3E223B, #372935, #2F312F and #273929

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #461A41 shade: #331A46, #3F1A46, #461A42, #461A36 and #461A2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #461A41 shade: #0A0309, #280F25, #461A41, #64255D and #823079

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #461A41 shade: #461A41, #46271A and #1A4639

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #461A41 shade: #461A41, #42461A and #1A4246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #461A41 shade: #461A41, #46271A, #1A461E and #1A3946

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #461A41 shade: #461A41, #46341A, #1A461E and #1A2B46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 7 / 73

HEX #461A41

RGB 70 26 65

HSL 306.82, 0.46%, 0.19%

LAB 17.56, 27.03, -15

 

Complementary color

CMYK 19 / 0 / 17 / 10

HEX #B9E5BE

RGB 185 229 190

HSL 126.82, 0.46%, 0.81%

LAB 87.03, -21.66, 14.39

 

CMYK 0 / 65 / 20 / 71

HEX #4B1A3C

RGB 75 26 60

HSL 318.37, 0.49%, 0.2%

LAB 18.19, 27.79, -10.47

 

CMYK 0 / 52 / 14 / 64

HEX #5C2C4F

RGB 92 44 79

HSL 316.25, 0.35%, 0.27%

LAB 25.69, 27.12, -11.68

 

CMYK 0 / 43 / 10 / 57

HEX #6D3E62

RGB 109 62 98

HSL 314.04, 0.27%, 0.34%

LAB 33.09, 26.28, -12.51

 

CMYK 0 / 37 / 7 / 51

HEX #7E5075

RGB 126 80 117

HSL 311.74, 0.22%, 0.4%

LAB 40.34, 25.44, -13.17

 

CMYK 0 / 31 / 5 / 44

HEX #8F6288

RGB 143 98 136

HSL 309.33, 0.19%, 0.47%

LAB 47.43, 24.66, -13.73

 

CMYK 0 / 63 / 7 / 73

HEX #461A41

RGB 70 26 65

HSL 306.82, 0.46%, 0.19%

LAB 17.56, 27.03, -15

 

CMYK 0 / 85 / 13 / 79

HEX #35082E

RGB 53 8 46

HSL 309.33, 0.74%, 0.12%

LAB 10.01, 27.01, -13.43

 

CMYK 0 / 100 / 25 / 86

HEX #24001B

RGB 36 0 27

HSL 315, 1%, 0.07%

LAB 4.1, 20.12, -8.26

 

CMYK 0 / 100 / 58 / 93

HEX #130008

RGB 19 0 8

HSL 334.74, 1%, 0.04%

LAB 1.41, 6.72, -1.05

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 63 / 7 / 73

HEX #461A41

RGB 70 26 65

HSL 306.82, 0.46%, 0.19%

LAB 17.56, 27.03, -15

 

CMYK 0 / 63 / 24 / 73

HEX #461A35

RGB 70 26 53

HSL 323.18, 0.46%, 0.19%

LAB 16.98, 24.79, -7.48

 

CMYK 0 / 63 / 41 / 73

HEX #461A29

RGB 70 26 41

HSL 339.55, 0.46%, 0.19%

LAB 16.51, 22.92, 0.37

 

CMYK 0 / 63 / 59 / 73

HEX #461A1D

RGB 70 26 29

HSL 355.91, 0.46%, 0.19%

LAB 16.15, 21.45, 8.48

 

CMYK 0 / 63 / 63 / 73

HEX #461A1A

RGB 70 26 26

HSL 0, 0.46%, 0.19%

LAB 16.08, 21.15, 10.52

 

CMYK 0 / 63 / 7 / 73

HEX #461A41

RGB 70 26 65

HSL 306.82, 0.46%, 0.19%

LAB 17.56, 27.03, -15

 

CMYK 10 / 63 / 0 / 73

HEX #3F1A46

RGB 63 26 70

HSL 290.45, 0.46%, 0.19%

LAB 16.69, 25.84, -19.92

 

CMYK 27 / 63 / 0 / 73

HEX #331A46

RGB 51 26 70

HSL 274.09, 0.46%, 0.19%

LAB 14.87, 22.09, -22.92

 

CMYK 44 / 63 / 0 / 73

HEX #271A46

RGB 39 26 70

HSL 257.73, 0.46%, 0.19%

LAB 13.31, 18.55, -25.51

 

CMYK 61 / 63 / 0 / 73

HEX #1B1A46

RGB 27 26 70

HSL 241.36, 0.46%, 0.19%

LAB 12.05, 15.43, -27.6

 

CMYK 0 / 63 / 7 / 73

HEX #461A41

RGB 70 26 65

HSL 306.82, 0.46%, 0.19%

LAB 17.56, 27.03, -15

 

CMYK 0 / 77 / 9 / 69

HEX #4E1247

RGB 78 18 71

HSL 307, 0.63%, 0.19%

LAB 17.95, 34.48, -18.44

 

CMYK 0 / 88 / 10 / 66

HEX #560A4D

RGB 86 10 77

HSL 307.11, 0.79%, 0.19%

LAB 18.93, 40.27, -20.91

 

CMYK 0 / 98 / 12 / 63

HEX #5E0253

RGB 94 2 83

HSL 307.17, 0.96%, 0.19%

LAB 20.23, 45.09, -22.82

 

CMYK 0 / 63 / 7 / 73

HEX #461A41

RGB 70 26 65

HSL 306.82, 0.46%, 0.19%

LAB 17.56, 27.03, -15

 

CMYK 0 / 45 / 5 / 76

HEX #3E223B

RGB 62 34 59

HSL 306.43, 0.29%, 0.19%

LAB 17.85, 18.02, -10.49

 

CMYK 0 / 25 / 4 / 78

HEX #372935

RGB 55 41 53

HSL 308.57, 0.15%, 0.19%

LAB 18.61, 9.04, -5.24

 

CMYK 4 / 0 / 4 / 81

HEX #2F312F

RGB 47 49 47

HSL 120, 0.02%, 0.19%

LAB 20.07, -1.35, 0.97

 

CMYK 32 / 0 / 28 / 78

HEX #273929

RGB 39 57 41

HSL 126.67, 0.19%, 0.19%

LAB 22.01, -11.27, 7.69

 

CMYK 27 / 63 / 0 / 73

HEX #331A46

RGB 51 26 70

HSL 274.09, 0.46%, 0.19%

LAB 14.87, 22.09, -22.92

 

CMYK 10 / 63 / 0 / 73

HEX #3F1A46

RGB 63 26 70

HSL 290.45, 0.46%, 0.19%

LAB 16.69, 25.84, -19.92

 

CMYK 0 / 63 / 6 / 73

HEX #461A42

RGB 70 26 66

HSL 305.45, 0.46%, 0.19%

LAB 17.62, 27.23, -15.61

 

CMYK 0 / 63 / 23 / 73

HEX #461A36

RGB 70 26 54

HSL 321.82, 0.46%, 0.19%

LAB 17.02, 24.97, -8.12

 

CMYK 0 / 63 / 40 / 73

HEX #461A2A

RGB 70 26 42

HSL 338.18, 0.46%, 0.19%

LAB 16.54, 23.06, -0.29

 

CMYK 0 / 70 / 10 / 96

HEX #0A0309

RGB 10 3 9

HSL 308.57, 0.54%, 0.03%

LAB 1.35, 2.67, -1.63

 

CMYK 0 / 63 / 7 / 84

HEX #280F25

RGB 40 15 37

HSL 307.2, 0.45%, 0.11%

LAB 8.36, 16.96, -9.47

 

CMYK 0 / 63 / 7 / 73

HEX #461A41

RGB 70 26 65

HSL 306.82, 0.46%, 0.19%

LAB 17.56, 27.03, -15

 

CMYK 0 / 63 / 7 / 61

HEX #64255D

RGB 100 37 93

HSL 306.67, 0.46%, 0.27%

LAB 26.22, 36.14, -19.98

 

CMYK 0 / 63 / 7 / 49

HEX #823079

RGB 130 48 121

HSL 306.59, 0.46%, 0.35%

LAB 34.48, 44.67, -24.65

 

CMYK 0 / 63 / 7 / 73

HEX #461A41

RGB 70 26 65

HSL 306.82, 0.46%, 0.19%

LAB 17.56, 27.03, -15

 

CMYK 0 / 44 / 63 / 73

HEX #46271A

RGB 70 39 26

HSL 17.73, 0.46%, 0.19%

LAB 19.34, 13.03, 14.73

 

CMYK 63 / 0 / 19 / 73

HEX #1A4639

RGB 26 70 57

HSL 162.27, 0.46%, 0.19%

LAB 26.43, -18.9, 3.31

 

CMYK 0 / 63 / 7 / 73

HEX #461A41

RGB 70 26 65

HSL 306.82, 0.46%, 0.19%

LAB 17.56, 27.03, -15

 

CMYK 6 / 0 / 63 / 73

HEX #42461A

RGB 66 70 26

HSL 65.45, 0.46%, 0.19%

LAB 28.41, -8.92, 25.47

 

CMYK 63 / 6 / 0 / 73

HEX #1A4246

RGB 26 66 70

HSL 185.45, 0.46%, 0.19%

LAB 25.44, -12.58, -6.68

 

CMYK 0 / 63 / 7 / 73

HEX #461A41

RGB 70 26 65

HSL 306.82, 0.46%, 0.19%

LAB 17.56, 27.03, -15

 

CMYK 0 / 44 / 63 / 73

HEX #46271A

RGB 70 39 26

HSL 17.73, 0.46%, 0.19%

LAB 19.34, 13.03, 14.73

 

CMYK 63 / 0 / 57 / 73

HEX #1A461E

RGB 26 70 30

HSL 125.45, 0.46%, 0.19%

LAB 25.84, -25.02, 19.52

 

CMYK 63 / 19 / 0 / 73

HEX #1A3946

RGB 26 57 70

HSL 197.73, 0.46%, 0.19%

LAB 22.26, -6.99, -11.51

 

CMYK 0 / 63 / 7 / 73

HEX #461A41

RGB 70 26 65

HSL 306.82, 0.46%, 0.19%

LAB 17.56, 27.03, -15

 

CMYK 0 / 26 / 63 / 73

HEX #46341A

RGB 70 52 26

HSL 35.45, 0.46%, 0.19%

LAB 23.11, 4.47, 19.39

 

CMYK 63 / 0 / 57 / 73

HEX #1A461E

RGB 26 70 30

HSL 125.45, 0.46%, 0.19%

LAB 25.84, -25.02, 19.52

 

CMYK 63 / 39 / 0 / 73

HEX #1A2B46

RGB 26 43 70

HSL 216.82, 0.46%, 0.19%

LAB 17.41, 2.58, -19.04

 

Description

Color code: HEX #461A41 | qconv.com Color code: HEX #461A41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 26 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 26 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 7 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 7% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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