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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #461CAF it is the complementary color #B9E350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #461CAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #461CAF shade: #4B1CAA, #5C2EBD, #6D40D0, #7E52E3 and #8F64F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #461CAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #461CAF shade: #461CAF, #350A9C, #240089, #130076 and #020063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #461CAF shade: #461CAF, #6E1CAF, #951CAF, #AF1CA1 and #AF1C79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #461CAF shade: #461CAF, #1E1CAF and #1C1CAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #461CAF shade matches the following richer shades: #461CAF and #3F0CBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #461CAF shade: #461CAF, #4D2D9E, #543D8E, #5B4E7D and #625E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #461CAF shade: #1C41AF, #1F1CAF, #461CAF, #6D1CAF and #941CAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #461CAF shade: #291168, #38168B, #461CAF, #5422D2 and #6C3EDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #461CAF shade: #461CAF, #AF1C68 and #2DAF1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #461CAF shade: #461CAF, #AF461C and #1CAF46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #461CAF shade: #461CAF, #AF1C68, #85AF1C and #1CAF63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #461CAF shade: #461CAF, #AF1C3C, #85AF1C and #1CAF8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

Complementary color

CMYK 19 / 0 / 65 / 11

HEX #B9E350

RGB 185 227 80

HSL 77.14, 0.72%, 0.6%

LAB 84.91, -34.25, 64.79

 

CMYK 56 / 84 / 0 / 33

HEX #4B1CAA

RGB 75 28 170

HSL 259.86, 0.72%, 0.39%

LAB 27.38, 53.5, -66.62

 

CMYK 51 / 76 / 0 / 26

HEX #5C2EBD

RGB 92 46 189

HSL 259.3, 0.61%, 0.46%

LAB 33.78, 53.06, -67.33

 

CMYK 48 / 69 / 0 / 18

HEX #6D40D0

RGB 109 64 208

HSL 258.75, 0.61%, 0.53%

LAB 40.36, 52.07, -67.57

 

CMYK 44 / 64 / 0 / 11

HEX #7E52E3

RGB 126 82 227

HSL 258.21, 0.72%, 0.61%

LAB 47, 50.89, -67.56

 

CMYK 42 / 59 / 0 / 4

HEX #8F64F6

RGB 143 100 246

HSL 257.67, 0.89%, 0.68%

LAB 53.61, 49.67, -67.44

 

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

CMYK 66 / 94 / 0 / 39

HEX #350A9C

RGB 53 10 156

HSL 257.67, 0.88%, 0.33%

LAB 21.48, 53.62, -67.93

 

CMYK 74 / 100 / 0 / 46

HEX #240089

RGB 36 0 137

HSL 255.77, 1%, 0.27%

LAB 16.41, 50.63, -64.62

 

CMYK 84 / 100 / 0 / 54

HEX #130076

RGB 19 0 118

HSL 249.66, 1%, 0.23%

LAB 12.26, 45.13, -59.45

 

CMYK 98 / 100 / 0 / 61

HEX #020063

RGB 2 0 99

HSL 241.21, 1%, 0.19%

LAB 8.25, 39.61, -53.7

 

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

CMYK 37 / 84 / 0 / 31

HEX #6E1CAF

RGB 110 28 175

HSL 273.47, 0.72%, 0.4%

LAB 32.35, 59.28, -61.28

 

CMYK 15 / 84 / 0 / 31

HEX #951CAF

RGB 149 28 175

HSL 289.39, 0.72%, 0.4%

LAB 38.4, 65.59, -51.17

 

CMYK 0 / 84 / 8 / 31

HEX #AF1CA1

RGB 175 28 161

HSL 305.71, 0.72%, 0.4%

LAB 42.03, 68.21, -36.75

 

CMYK 0 / 84 / 31 / 31

HEX #AF1C79

RGB 175 28 121

HSL 322.04, 0.72%, 0.4%

LAB 40.12, 62.96, -15.27

 

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

CMYK 83 / 84 / 0 / 31

HEX #1E1CAF

RGB 30 28 175

HSL 240.82, 0.72%, 0.4%

LAB 24.33, 51.41, -74.79

 

CMYK 84 / 84 / 0 / 31

HEX #1C1CAF

RGB 28 28 175

HSL 240, 0.72%, 0.4%

LAB 24.23, 51.33, -74.95

 

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

CMYK 67 / 94 / 0 / 25

HEX #3F0CBF

RGB 63 12 191

HSL 257.09, 0.88%, 0.4%

LAB 26.97, 62.72, -79.87

 

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

CMYK 51 / 72 / 0 / 38

HEX #4D2D9E

RGB 77 45 158

HSL 256.99, 0.56%, 0.4%

LAB 29.22, 42.47, -56.32

 

CMYK 41 / 57 / 0 / 44

HEX #543D8E

RGB 84 61 142

HSL 257.04, 0.4%, 0.4%

LAB 32.2, 29.89, -41.66

 

CMYK 27 / 38 / 0 / 51

HEX #5B4E7D

RGB 91 78 125

HSL 256.6, 0.23%, 0.4%

LAB 36.28, 16.39, -24.69

 

CMYK 10 / 14 / 0 / 57

HEX #625E6D

RGB 98 94 109

HSL 256, 0.07%, 0.4%

LAB 40.75, 4.84, -7.93

 

CMYK 84 / 63 / 0 / 31

HEX #1C41AF

RGB 28 65 175

HSL 224.9, 0.72%, 0.4%

LAB 32.08, 29.62, -61.99

 

CMYK 82 / 84 / 0 / 31

HEX #1F1CAF

RGB 31 28 175

HSL 241.22, 0.72%, 0.4%

LAB 24.38, 51.46, -74.71

 

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

CMYK 38 / 84 / 0 / 31

HEX #6D1CAF

RGB 109 28 175

HSL 273.06, 0.72%, 0.4%

LAB 32.21, 59.13, -61.52

 

CMYK 15 / 84 / 0 / 31

HEX #941CAF

RGB 148 28 175

HSL 288.98, 0.72%, 0.4%

LAB 38.24, 65.42, -51.45

 

CMYK 61 / 84 / 0 / 59

HEX #291168

RGB 41 17 104

HSL 256.55, 0.72%, 0.24%

LAB 14.8, 35.37, -46.05

 

CMYK 60 / 84 / 0 / 45

HEX #38168B

RGB 56 22 139

HSL 257.44, 0.73%, 0.32%

LAB 21.13, 45.25, -57.98

 

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

CMYK 60 / 84 / 0 / 18

HEX #5422D2

RGB 84 34 210

HSL 257.05, 0.72%, 0.48%

LAB 33.31, 62.73, -80.41

 

CMYK 52 / 72 / 0 / 13

HEX #6C3EDF

RGB 108 62 223

HSL 257.14, 0.72%, 0.56%

LAB 41.15, 57, -74.89

 

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

CMYK 0 / 84 / 41 / 31

HEX #AF1C68

RGB 175 28 104

HSL 328.98, 0.72%, 0.4%

LAB 39.49, 61.14, -5.58

 

CMYK 74 / 0 / 84 / 31

HEX #2DAF1C

RGB 45 175 28

HSL 113.06, 0.72%, 0.4%

LAB 62.76, -59.88, 58.59

 

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

CMYK 0 / 60 / 84 / 31

HEX #AF461C

RGB 175 70 28

HSL 17.14, 0.72%, 0.4%

LAB 43.62, 40.8, 44.76

 

CMYK 84 / 0 / 60 / 31

HEX #1CAF46

RGB 28 175 70

HSL 137.14, 0.72%, 0.4%

LAB 62.8, -58.42, 42.85

 

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

CMYK 0 / 84 / 41 / 31

HEX #AF1C68

RGB 175 28 104

HSL 328.98, 0.72%, 0.4%

LAB 39.49, 61.14, -5.58

 

CMYK 24 / 0 / 84 / 31

HEX #85AF1C

RGB 133 175 28

HSL 77.14, 0.72%, 0.4%

LAB 66.31, -33.53, 63.09

 

CMYK 84 / 0 / 43 / 31

HEX #1CAF63

RGB 28 175 99

HSL 148.98, 0.72%, 0.4%

LAB 63.18, -53.85, 28.85

 

CMYK 60 / 84 / 0 / 31

HEX #461CAF

RGB 70 28 175

HSL 257.14, 0.72%, 0.4%

LAB 27.37, 54.31, -69.65

 

CMYK 0 / 84 / 66 / 31

HEX #AF1C3C

RGB 175 28 60

HSL 346.94, 0.72%, 0.4%

LAB 38.32, 57.74, 20.82

 

CMYK 24 / 0 / 84 / 31

HEX #85AF1C

RGB 133 175 28

HSL 77.14, 0.72%, 0.4%

LAB 66.31, -33.53, 63.09

 

CMYK 84 / 0 / 18 / 31

HEX #1CAF8F

RGB 28 175 143

HSL 166.94, 0.72%, 0.4%

LAB 64.07, -43.99, 6.14

 

Description

Color code: HEX #461CAF | qconv.com Color code: HEX #461CAF | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 28 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 28 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 84 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 84% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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