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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #462931 it is the complementary color #B9D6CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #462931. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #462931 shade: #4B292C, #5C3B3F, #6D4D52, #7E5F65 and #8F7178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #462931. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #462931 shade: #462931, #35171E, #24050B, #130000 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #462931 shade: #462931, #462929 and #462929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #462931 shade: #462931, #462939, #462941, #442946 and #3C2946

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #462931 shade matches the following richer shades: #462931, #4F202D, #581729, #610E25 and #6A0521

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #462931 shade: #462931, #3D3235, #343B39, #2B443D and #224D41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #462931 shade: #462941, #462939, #462931, #46292A and #463029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #462931 shade: #120A0D, #2C1A1F, #462931, #603843 and #7A4856

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #462931 shade: #462931, #464429 and #293D46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #462931 shade: #462931, #314629 and #293146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #462931 shade: #462931, #464429, #29463E and #292B46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #462931 shade: #462931, #404629, #29463E and #2F2946

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

Complementary color

CMYK 14 / 0 / 4 / 16

HEX #B9D6CE

RGB 185 214 206

HSL 163.45, 0.26%, 0.78%

LAB 83.37, -11.17, 0.7

 

CMYK 0 / 45 / 41 / 71

HEX #4B292C

RGB 75 41 44

HSL 354.71, 0.29%, 0.23%

LAB 21.07, 16.27, 4.92

 

CMYK 0 / 36 / 32 / 64

HEX #5C3B3F

RGB 92 59 63

HSL 352.73, 0.22%, 0.3%

LAB 28.8, 15.2, 3.53

 

CMYK 0 / 29 / 25 / 57

HEX #6D4D52

RGB 109 77 82

HSL 350.63, 0.17%, 0.36%

LAB 36.31, 14.33, 2.42

 

CMYK 0 / 25 / 20 / 51

HEX #7E5F65

RGB 126 95 101

HSL 348.39, 0.14%, 0.43%

LAB 43.59, 13.6, 1.48

 

CMYK 0 / 21 / 16 / 44

HEX #8F7178

RGB 143 113 120

HSL 346, 0.12%, 0.5%

LAB 50.69, 12.98, 0.64

 

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

CMYK 0 / 57 / 43 / 79

HEX #35171E

RGB 53 23 30

HSL 346, 0.39%, 0.15%

LAB 12.37, 15.94, 2.01

 

CMYK 0 / 86 / 69 / 86

HEX #24050B

RGB 36 5 11

HSL 348.39, 0.76%, 0.08%

LAB 4.59, 14.73, 2.61

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

CMYK 0 / 41 / 41 / 73

HEX #462929

RGB 70 41 41

HSL 0, 0.26%, 0.22%

LAB 20.24, 13.56, 5.7

 

CMYK 0 / 41 / 41 / 73

HEX #462929

RGB 70 41 41

HSL 0, 0.26%, 0.22%

LAB 20.24, 13.56, 5.7

 

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

CMYK 0 / 41 / 19 / 73

HEX #462939

RGB 70 41 57

HSL 326.9, 0.26%, 0.22%

LAB 20.76, 16.28, -4.57

 

CMYK 0 / 41 / 7 / 73

HEX #462941

RGB 70 41 65

HSL 310.34, 0.26%, 0.22%

LAB 21.09, 17.9, -9.56

 

CMYK 3 / 41 / 0 / 73

HEX #442946

RGB 68 41 70

HSL 295.86, 0.26%, 0.22%

LAB 21.05, 18.24, -13.06

 

CMYK 14 / 41 / 0 / 73

HEX #3C2946

RGB 60 41 70

HSL 279.31, 0.26%, 0.22%

LAB 20, 15.23, -14.77

 

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

CMYK 0 / 59 / 43 / 69

HEX #4F202D

RGB 79 32 45

HSL 343.4, 0.42%, 0.22%

LAB 19.58, 23.63, 2.18

 

CMYK 0 / 74 / 53 / 65

HEX #581729

RGB 88 23 41

HSL 343.38, 0.59%, 0.22%

LAB 19.42, 31.24, 5.01

 

CMYK 0 / 86 / 62 / 62

HEX #610E25

RGB 97 14 37

HSL 343.37, 0.75%, 0.22%

LAB 20, 37.29, 8.94

 

CMYK 0 / 95 / 69 / 58

HEX #6A0521

RGB 106 5 33

HSL 343.37, 0.91%, 0.22%

LAB 21.14, 41.96, 13.64

 

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

CMYK 0 / 18 / 13 / 76

HEX #3D3235

RGB 61 50 53

HSL 343.64, 0.1%, 0.22%

LAB 22.05, 5.55, -0.06

 

CMYK 12 / 0 / 3 / 77

HEX #343B39

RGB 52 59 57

HSL 162.86, 0.06%, 0.22%

LAB 24.17, -3.42, 0.23

 

CMYK 37 / 0 / 10 / 73

HEX #2B443D

RGB 43 68 61

HSL 163.2, 0.23%, 0.22%

LAB 26.69, -11.47, 1.18

 

CMYK 56 / 0 / 16 / 70

HEX #224D41

RGB 34 77 65

HSL 163.26, 0.39%, 0.22%

LAB 29.49, -18.35, 2.57

 

CMYK 0 / 41 / 7 / 73

HEX #462941

RGB 70 41 65

HSL 310.34, 0.26%, 0.22%

LAB 21.09, 17.9, -9.56

 

CMYK 0 / 41 / 19 / 73

HEX #462939

RGB 70 41 57

HSL 326.9, 0.26%, 0.22%

LAB 20.76, 16.28, -4.57

 

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

CMYK 0 / 41 / 40 / 73

HEX #46292A

RGB 70 41 42

HSL 357.93, 0.26%, 0.22%

LAB 20.26, 13.71, 5.05

 

CMYK 0 / 31 / 41 / 73

HEX #463029

RGB 70 48 41

HSL 14.48, 0.26%, 0.22%

LAB 22.22, 8.94, 8.46

 

CMYK 0 / 44 / 28 / 93

HEX #120A0D

RGB 18 10 13

HSL 337.5, 0.29%, 0.05%

LAB 3.38, 3.05, -0.32

 

CMYK 0 / 41 / 30 / 83

HEX #2C1A1F

RGB 44 26 31

HSL 343.33, 0.26%, 0.14%

LAB 11.78, 9.87, 0.23

 

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

CMYK 0 / 42 / 30 / 62

HEX #603843

RGB 96 56 67

HSL 343.5, 0.26%, 0.3%

LAB 28.7, 19.41, 0.82

 

CMYK 0 / 41 / 30 / 52

HEX #7A4856

RGB 122 72 86

HSL 343.2, 0.26%, 0.38%

LAB 36.83, 23.3, 0.86

 

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

CMYK 0 / 3 / 41 / 73

HEX #464429

RGB 70 68 41

HSL 55.86, 0.26%, 0.22%

LAB 28.37, -3.99, 16.67

 

CMYK 41 / 13 / 0 / 73

HEX #293D46

RGB 41 61 70

HSL 198.62, 0.26%, 0.22%

LAB 24.48, -5.22, -8.04

 

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

CMYK 30 / 0 / 41 / 73

HEX #314629

RGB 49 70 41

HSL 103.45, 0.26%, 0.22%

LAB 27.28, -14.73, 14.91

 

CMYK 41 / 30 / 0 / 73

HEX #293146

RGB 41 49 70

HSL 223.45, 0.26%, 0.22%

LAB 20.48, 2.82, -14.17

 

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

CMYK 0 / 3 / 41 / 73

HEX #464429

RGB 70 68 41

HSL 55.86, 0.26%, 0.22%

LAB 28.37, -3.99, 16.67

 

CMYK 41 / 0 / 11 / 73

HEX #29463E

RGB 41 70 62

HSL 163.45, 0.26%, 0.22%

LAB 27.3, -13.08, 1.39

 

CMYK 41 / 39 / 0 / 73

HEX #292B46

RGB 41 43 70

HSL 235.86, 0.26%, 0.22%

LAB 18.55, 7.04, -17.18

 

CMYK 0 / 41 / 30 / 73

HEX #462931

RGB 70 41 49

HSL 343.45, 0.26%, 0.22%

LAB 20.48, 14.83, 0.53

 

CMYK 9 / 0 / 41 / 73

HEX #404629

RGB 64 70 41

HSL 72.41, 0.26%, 0.22%

LAB 28.46, -8.05, 16.68

 

CMYK 41 / 0 / 11 / 73

HEX #29463E

RGB 41 70 62

HSL 163.45, 0.26%, 0.22%

LAB 27.3, -13.08, 1.39

 

CMYK 33 / 41 / 0 / 73

HEX #2F2946

RGB 47 41 70

HSL 252.41, 0.26%, 0.22%

LAB 18.51, 10.51, -17.2

 

Description

Color code: HEX #462931 | qconv.com Color code: HEX #462931 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 41 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 41 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 30 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 30% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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