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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #462210 it is the complementary color #B9DDEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #462210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #462210 shade: #4B220B, #5C341E, #6D4631, #7E5844 and #8F6A57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #462210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #462210 shade: #462210, #351000, #240000, #130000 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #462210 shade: #462210, #461310 and #461010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #462210 shade: #462210, #463010, #463F10, #3E4610 and #304610

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #462210 shade matches the following richer shades: #462210, #4D1F09 and #541D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #462210 shade: #462210, #3F2417, #38261E, #312925 and #2A2B2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #462210 shade: #46101A, #461310, #462210, #463010 and #463F10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #462210 shade: #030100, #251108, #462210, #683217 and #89421F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #462210 shade: #462210, #294610 and #101346

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #462210 shade: #462210, #104622 and #221046

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #462210 shade: #462210, #294610, #103446 and #2D1046

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #462210 shade: #462210, #194610, #103446 and #3D1046

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

Complementary color

CMYK 23 / 8 / 0 / 6

HEX #B9DDEF

RGB 185 221 239

HSL 200, 0.63%, 0.83%

LAB 86.14, -7.91, -12.71

 

CMYK 0 / 55 / 85 / 71

HEX #4B220B

RGB 75 34 11

HSL 21.56, 0.74%, 0.17%

LAB 18.64, 17.55, 22.93

 

CMYK 0 / 43 / 67 / 64

HEX #5C341E

RGB 92 52 30

HSL 21.29, 0.51%, 0.24%

LAB 26.23, 15.68, 21.4

 

CMYK 0 / 36 / 55 / 57

HEX #6D4631

RGB 109 70 49

HSL 21, 0.38%, 0.31%

LAB 33.68, 14.21, 19.47

 

CMYK 0 / 30 / 46 / 51

HEX #7E5844

RGB 126 88 68

HSL 20.69, 0.3%, 0.38%

LAB 40.95, 13.05, 17.84

 

CMYK 0 / 26 / 39 / 44

HEX #8F6A57

RGB 143 106 87

HSL 20.36, 0.24%, 0.45%

LAB 48.05, 12.11, 16.43

 

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

CMYK 0 / 70 / 100 / 79

HEX #351000

RGB 53 16 0

HSL 18.11, 1%, 0.1%

LAB 10.01, 17.44, 15.39

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

CMYK 0 / 73 / 77 / 73

HEX #461310

RGB 70 19 16

HSL 3.33, 0.63%, 0.17%

LAB 14.43, 24.21, 15.03

 

CMYK 0 / 77 / 77 / 73

HEX #461010

RGB 70 16 16

HSL 0, 0.63%, 0.17%

LAB 13.89, 25.69, 14.32

 

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

CMYK 0 / 31 / 77 / 73

HEX #463010

RGB 70 48 16

HSL 35.56, 0.63%, 0.17%

LAB 21.78, 6.27, 23.77

 

CMYK 0 / 10 / 77 / 73

HEX #463F10

RGB 70 63 16

HSL 52.22, 0.63%, 0.17%

LAB 26.43, -3.41, 28.61

 

CMYK 11 / 0 / 77 / 73

HEX #3E4610

RGB 62 70 16

HSL 68.89, 0.63%, 0.17%

LAB 27.96, -11.73, 29.9

 

CMYK 31 / 0 / 77 / 73

HEX #304610

RGB 48 70 16

HSL 84.44, 0.63%, 0.17%

LAB 26.87, -18.38, 28.44

 

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

CMYK 0 / 60 / 88 / 70

HEX #4D1F09

RGB 77 31 9

HSL 19.41, 0.79%, 0.17%

LAB 18.27, 20.22, 23.39

 

CMYK 0 / 65 / 98 / 67

HEX #541D02

RGB 84 29 2

HSL 19.76, 0.95%, 0.17%

LAB 19.09, 24.2, 27.55

 

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

CMYK 0 / 43 / 63 / 75

HEX #3F2417

RGB 63 36 23

HSL 19.5, 0.47%, 0.17%

LAB 17.37, 11.24, 14.03

 

CMYK 0 / 32 / 46 / 78

HEX #38261E

RGB 56 38 30

HSL 18.46, 0.3%, 0.17%

LAB 17.09, 7.23, 8.67

 

CMYK 0 / 16 / 24 / 81

HEX #312925

RGB 49 41 37

HSL 20, 0.14%, 0.17%

LAB 17.33, 2.88, 3.99

 

CMYK 5 / 2 / 0 / 83

HEX #2A2B2C

RGB 42 43 44

HSL 210, 0.02%, 0.17%

LAB 17.47, -0.2, -0.81

 

CMYK 0 / 77 / 63 / 73

HEX #46101A

RGB 70 16 26

HSL 348.89, 0.63%, 0.17%

LAB 14.1, 26.45, 7.87

 

CMYK 0 / 73 / 77 / 73

HEX #461310

RGB 70 19 16

HSL 3.33, 0.63%, 0.17%

LAB 14.43, 24.21, 15.03

 

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

CMYK 0 / 31 / 77 / 73

HEX #463010

RGB 70 48 16

HSL 35.56, 0.63%, 0.17%

LAB 21.78, 6.27, 23.77

 

CMYK 0 / 10 / 77 / 73

HEX #463F10

RGB 70 63 16

HSL 52.22, 0.63%, 0.17%

LAB 26.43, -3.41, 28.61

 

CMYK 0 / 67 / 100 / 99

HEX #030100

RGB 3 1 0

HSL 20, 1%, 0.01%

LAB 0.37, 0.38, 0.56

 

CMYK 0 / 54 / 78 / 85

HEX #251108

RGB 37 17 8

HSL 18.62, 0.64%, 0.09%

LAB 7.33, 9.25, 7.87

 

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

CMYK 0 / 52 / 78 / 59

HEX #683217

RGB 104 50 23

HSL 20, 0.64%, 0.25%

LAB 27.53, 21.97, 27.53

 

CMYK 0 / 52 / 77 / 46

HEX #89421F

RGB 137 66 31

HSL 19.81, 0.63%, 0.33%

LAB 36.58, 27.71, 34.31

 

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

CMYK 41 / 0 / 77 / 73

HEX #294610

RGB 41 70 16

HSL 92.22, 0.63%, 0.17%

LAB 26.42, -21.41, 27.83

 

CMYK 77 / 73 / 0 / 73

HEX #101346

RGB 16 19 70

HSL 236.67, 0.63%, 0.17%

LAB 9.14, 18.48, -32.37

 

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

CMYK 77 / 0 / 51 / 73

HEX #104622

RGB 16 70 34

HSL 140, 0.63%, 0.17%

LAB 25.58, -26.81, 16.72

 

CMYK 51 / 77 / 0 / 73

HEX #221046

RGB 34 16 70

HSL 260, 0.63%, 0.17%

LAB 10.2, 23.94, -30.56

 

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

CMYK 41 / 0 / 77 / 73

HEX #294610

RGB 41 70 16

HSL 92.22, 0.63%, 0.17%

LAB 26.42, -21.41, 27.83

 

CMYK 77 / 26 / 0 / 73

HEX #103446

RGB 16 52 70

HSL 200, 0.63%, 0.17%

LAB 20.08, -5.88, -14.91

 

CMYK 36 / 77 / 0 / 73

HEX #2D1046

RGB 45 16 70

HSL 272.22, 0.63%, 0.17%

LAB 11.76, 26.48, -27.96

 

CMYK 0 / 51 / 77 / 73

HEX #462210

RGB 70 34 16

HSL 20, 0.63%, 0.17%

LAB 17.84, 15.43, 19.3

 

CMYK 64 / 0 / 77 / 73

HEX #194610

RGB 25 70 16

HSL 110, 0.63%, 0.17%

LAB 25.64, -27.2, 26.77

 

CMYK 77 / 26 / 0 / 73

HEX #103446

RGB 16 52 70

HSL 200, 0.63%, 0.17%

LAB 20.08, -5.88, -14.91

 

CMYK 13 / 77 / 0 / 73

HEX #3D1046

RGB 61 16 70

HSL 290, 0.63%, 0.17%

LAB 14.43, 30.55, -23.53

 

Description

Color code: HEX #462210 | qconv.com Color code: HEX #462210 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 34 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 34 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 77 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 77% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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