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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46237B it is the complementary color #B9DC84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46237B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46237B shade: #4B2376, #5C3589, #6D479C, #7E59AF and #8F6BC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46237B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46237B shade: #46237B, #351168, #240055, #130042 and #02002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46237B shade: #45227B, #5D227B, #75227B, #7B2269 and #7B2251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46237B shade: #45227B, #2E227B and #22227B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46237B shade matches the following richer shades: #45227B, #431588 and #400994

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46237B shade: #45227B, #482F6E, #4B3C61, #4D4954 and #505548

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46237B shade: #22307B, #2D227B, #44227B, #5C227B and #73227B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46237B shade: #21103A, #33195B, #45227B, #582B9B and #6A34BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46237B shade: #46237B, #7B2247 and #247B22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46237B shade: #46237B, #7B4422 and #227B44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46237B shade: #46237B, #7B2247, #597B22 and #227B56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46237B shade: #46237B, #7B222D, #597B22 and #227B70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 72 / 0 / 52

HEX #46237B

RGB 70 35 123

HSL 263.86, 0.56%, 0.31%

LAB 23.45, 36.51, -44.02

 

Complementary color

CMYK 16 / 0 / 40 / 14

HEX #B9DC84

RGB 185 220 132

HSL 83.86, 0.56%, 0.69%

LAB 83.53, -26.01, 39.47

 

CMYK 36 / 70 / 0 / 54

HEX #4B2376

RGB 75 35 118

HSL 268.92, 0.54%, 0.3%

LAB 23.69, 36.21, -40.42

 

CMYK 33 / 61 / 0 / 46

HEX #5C3589

RGB 92 53 137

HSL 267.86, 0.44%, 0.37%

LAB 30.94, 35.28, -40.56

 

CMYK 30 / 54 / 0 / 39

HEX #6D479C

RGB 109 71 156

HSL 266.82, 0.37%, 0.45%

LAB 38.12, 34.24, -40.54

 

CMYK 28 / 49 / 0 / 31

HEX #7E59AF

RGB 126 89 175

HSL 265.81, 0.35%, 0.52%

LAB 45.19, 33.24, -40.49

 

CMYK 26 / 45 / 0 / 24

HEX #8F6BC2

RGB 143 107 194

HSL 264.83, 0.42%, 0.59%

LAB 52.12, 32.3, -40.43

 

CMYK 43 / 72 / 0 / 52

HEX #46237B

RGB 70 35 123

HSL 263.86, 0.56%, 0.31%

LAB 23.45, 36.51, -44.02

 

CMYK 49 / 84 / 0 / 59

HEX #351168

RGB 53 17 104

HSL 264.83, 0.72%, 0.24%

LAB 16.29, 37.12, -43.54

 

CMYK 58 / 100 / 0 / 67

HEX #240055

RGB 36 0 85

HSL 265.41, 1%, 0.17%

LAB 9.25, 37.2, -42.51

 

CMYK 71 / 100 / 0 / 74

HEX #130042

RGB 19 0 66

HSL 257.27, 1%, 0.13%

LAB 4.8, 28.41, -36.65

 

CMYK 96 / 100 / 0 / 82

HEX #02002F

RGB 2 0 47

HSL 242.55, 1%, 0.09%

LAB 1.97, 13.55, -27.36

 

CMYK 44 / 72 / 0 / 52

HEX #45227B

RGB 69 34 123

HSL 263.6, 0.57%, 0.31%

LAB 23.13, 36.85, -44.55

 

CMYK 24 / 72 / 0 / 52

HEX #5D227B

RGB 93 34 123

HSL 279.78, 0.57%, 0.31%

LAB 26.45, 42.02, -39.02

 

CMYK 5 / 72 / 0 / 52

HEX #75227B

RGB 117 34 123

HSL 295.96, 0.57%, 0.31%

LAB 30.29, 47.64, -32.65

 

CMYK 0 / 72 / 15 / 52

HEX #7B2269

RGB 123 34 105

HSL 312.13, 0.57%, 0.31%

LAB 30.34, 46.05, -21.05

 

CMYK 0 / 72 / 34 / 52

HEX #7B2251

RGB 123 34 81

HSL 328.31, 0.57%, 0.31%

LAB 29.28, 42.62, -7.04

 

CMYK 44 / 72 / 0 / 52

HEX #45227B

RGB 69 34 123

HSL 263.6, 0.57%, 0.31%

LAB 23.13, 36.85, -44.55

 

CMYK 63 / 72 / 0 / 52

HEX #2E227B

RGB 46 34 123

HSL 248.09, 0.57%, 0.31%

LAB 20.65, 32.72, -48.7

 

CMYK 72 / 72 / 0 / 52

HEX #22227B

RGB 34 34 123

HSL 240, 0.57%, 0.31%

LAB 19.7, 31.04, -50.31

 

CMYK 44 / 72 / 0 / 52

HEX #45227B

RGB 69 34 123

HSL 263.6, 0.57%, 0.31%

LAB 23.13, 36.85, -44.55

 

CMYK 51 / 85 / 0 / 47

HEX #431588

RGB 67 21 136

HSL 264, 0.73%, 0.31%

LAB 21.97, 46.19, -54.67

 

CMYK 57 / 94 / 0 / 42

HEX #400994

RGB 64 9 148

HSL 263.74, 0.89%, 0.31%

LAB 21.67, 52.65, -62.66

 

CMYK 44 / 72 / 0 / 52

HEX #45227B

RGB 69 34 123

HSL 263.6, 0.57%, 0.31%

LAB 23.13, 36.85, -44.55

 

CMYK 35 / 57 / 0 / 57

HEX #482F6E

RGB 72 47 110

HSL 263.81, 0.4%, 0.31%

LAB 25.37, 26.18, -32.61

 

CMYK 23 / 38 / 0 / 62

HEX #4B3C61

RGB 75 60 97

HSL 264.32, 0.24%, 0.31%

LAB 28.36, 15.1, -19.51

 

CMYK 8 / 13 / 0 / 67

HEX #4D4954

RGB 77 73 84

HSL 261.82, 0.07%, 0.31%

LAB 31.77, 4.12, -5.92

 

CMYK 6 / 0 / 15 / 67

HEX #505548

RGB 80 85 72

HSL 83.08, 0.08%, 0.31%

LAB 35.34, -4.7, 6.91

 

CMYK 72 / 61 / 0 / 52

HEX #22307B

RGB 34 48 123

HSL 230.56, 0.57%, 0.31%

LAB 23.28, 21.59, -44.44

 

CMYK 63 / 72 / 0 / 52

HEX #2D227B

RGB 45 34 123

HSL 247.42, 0.57%, 0.31%

LAB 20.56, 32.56, -48.85

 

CMYK 45 / 72 / 0 / 52

HEX #44227B

RGB 68 34 123

HSL 262.92, 0.57%, 0.31%

LAB 23.01, 36.65, -44.76

 

CMYK 25 / 72 / 0 / 52

HEX #5C227B

RGB 92 34 123

HSL 279.1, 0.57%, 0.31%

LAB 26.3, 41.79, -39.27

 

CMYK 7 / 72 / 0 / 52

HEX #73227B

RGB 115 34 123

HSL 294.61, 0.57%, 0.31%

LAB 29.96, 47.16, -33.2

 

CMYK 43 / 72 / 0 / 77

HEX #21103A

RGB 33 16 58

HSL 264.29, 0.57%, 0.15%

LAB 8.99, 19.81, -24.03

 

CMYK 44 / 73 / 0 / 64

HEX #33195B

RGB 51 25 91

HSL 263.64, 0.57%, 0.23%

LAB 16.28, 28.81, -34.95

 

CMYK 44 / 72 / 0 / 52

HEX #45227B

RGB 69 34 123

HSL 263.6, 0.57%, 0.31%

LAB 23.13, 36.85, -44.55

 

CMYK 43 / 72 / 0 / 39

HEX #582B9B

RGB 88 43 155

HSL 264.11, 0.57%, 0.39%

LAB 29.83, 44.65, -53.43

 

CMYK 43 / 72 / 0 / 27

HEX #6A34BB

RGB 106 52 187

HSL 264, 0.56%, 0.47%

LAB 36.19, 51.93, -62.15

 

CMYK 43 / 72 / 0 / 52

HEX #46237B

RGB 70 35 123

HSL 263.86, 0.56%, 0.31%

LAB 23.45, 36.51, -44.02

 

CMYK 0 / 72 / 42 / 52

HEX #7B2247

RGB 123 34 71

HSL 335.06, 0.57%, 0.31%

LAB 28.93, 41.42, -0.95

 

CMYK 71 / 0 / 72 / 52

HEX #247B22

RGB 36 123 34

HSL 118.65, 0.57%, 0.31%

LAB 45.16, -43.6, 39.43

 

CMYK 43 / 72 / 0 / 52

HEX #46237B

RGB 70 35 123

HSL 263.86, 0.56%, 0.31%

LAB 23.45, 36.51, -44.02

 

CMYK 0 / 45 / 72 / 52

HEX #7B4422

RGB 123 68 34

HSL 22.92, 0.57%, 0.31%

LAB 34.92, 20.6, 30.27

 

CMYK 72 / 0 / 45 / 52

HEX #227B44

RGB 34 123 68

HSL 142.92, 0.57%, 0.31%

LAB 45.53, -39.14, 22.72

 

CMYK 43 / 72 / 0 / 52

HEX #46237B

RGB 70 35 123

HSL 263.86, 0.56%, 0.31%

LAB 23.45, 36.51, -44.02

 

CMYK 0 / 72 / 42 / 52

HEX #7B2247

RGB 123 34 71

HSL 335.06, 0.57%, 0.31%

LAB 28.93, 41.42, -0.95

 

CMYK 28 / 0 / 72 / 52

HEX #597B22

RGB 89 123 34

HSL 82.92, 0.57%, 0.31%

LAB 47.5, -26.48, 42.59

 

CMYK 72 / 0 / 30 / 52

HEX #227B56

RGB 34 123 86

HSL 155.06, 0.57%, 0.31%

LAB 45.88, -35.3, 12.87

 

CMYK 43 / 72 / 0 / 52

HEX #46237B

RGB 70 35 123

HSL 263.86, 0.56%, 0.31%

LAB 23.45, 36.51, -44.02

 

CMYK 0 / 72 / 63 / 52

HEX #7B222D

RGB 123 34 45

HSL 352.58, 0.57%, 0.31%

LAB 28.23, 39.03, 15.41

 

CMYK 28 / 0 / 72 / 52

HEX #597B22

RGB 89 123 34

HSL 82.92, 0.57%, 0.31%

LAB 47.5, -26.48, 42.59

 

CMYK 72 / 0 / 9 / 52

HEX #227B70

RGB 34 123 112

HSL 172.58, 0.57%, 0.31%

LAB 46.55, -28.42, -1.5

 

Description

Color code: HEX #46237B | qconv.com Color code: HEX #46237B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 35 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 35 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 72 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 72% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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