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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #462C19 it is the complementary color #B9D3E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #462C19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #462C19 shade: #4B2C14, #5C3E27, #6D503A, #7E624D and #8F7460

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #462C19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #462C19 shade: #462C19, #351A06, #240800, #130000 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #462C19 shade: #472C19, #472019 and #471919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #462C19 shade: #472C19, #473919, #474519, #3C4719 and #304719

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #462C19 shade matches the following richer shades: #472C19, #4F2B11, #562A0A and #5E2902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #462C19 shade: #472C19, #3F2E21, #372F29, #2F3031 and #273139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #462C19 shade: #47191E, #472019, #472C19, #473819 and #474419

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #462C19 shade: #0A0603, #28190E, #472C19, #654024 and #83532F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #462C19 shade: #462C19, #2B4719 and #1A1947

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #462C19 shade: #462C19, #19472C and #2C1947

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #462C19 shade: #462C19, #2B4719, #193447 and #351947

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #462C19 shade: #462C19, #1D4719, #193447 and #431947

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 64 / 73

HEX #462C19

RGB 70 44 25

HSL 25.33, 0.47%, 0.19%

LAB 20.73, 9.64, 17.12

 

Complementary color

CMYK 20 / 8 / 0 / 10

HEX #B9D3E6

RGB 185 211 230

HSL 205.33, 0.47%, 0.81%

LAB 83.24, -4.67, -12.26

 

CMYK 0 / 41 / 73 / 71

HEX #4B2C14

RGB 75 44 20

HSL 26.18, 0.58%, 0.19%

LAB 21.39, 11.73, 21.21

 

CMYK 0 / 33 / 58 / 64

HEX #5C3E27

RGB 92 62 39

HSL 26.04, 0.4%, 0.26%

LAB 29.07, 10.21, 19.33

 

CMYK 0 / 27 / 47 / 57

HEX #6D503A

RGB 109 80 58

HSL 25.88, 0.31%, 0.33%

LAB 36.54, 9.08, 17.69

 

CMYK 0 / 22 / 39 / 51

HEX #7E624D

RGB 126 98 77

HSL 25.71, 0.24%, 0.4%

LAB 43.81, 8.2, 16.28

 

CMYK 0 / 19 / 33 / 44

HEX #8F7460

RGB 143 116 96

HSL 25.53, 0.2%, 0.47%

LAB 50.89, 7.5, 15.04

 

CMYK 0 / 37 / 64 / 73

HEX #462C19

RGB 70 44 25

HSL 25.33, 0.47%, 0.19%

LAB 20.73, 9.64, 17.12

 

CMYK 0 / 51 / 89 / 79

HEX #351A06

RGB 53 26 6

HSL 25.53, 0.8%, 0.12%

LAB 12.66, 11.44, 16.61

 

CMYK 0 / 78 / 100 / 86

HEX #240800

RGB 36 8 0

HSL 13.33, 1%, 0.07%

LAB 4.96, 12, 7.64

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 38 / 65 / 72

HEX #472C19

RGB 71 44 25

HSL 24.78, 0.48%, 0.19%

LAB 20.87, 10.14, 17.33

 

CMYK 0 / 55 / 65 / 72

HEX #472019

RGB 71 32 25

HSL 9.13, 0.48%, 0.19%

LAB 17.66, 17.88, 13.3

 

CMYK 0 / 65 / 65 / 72

HEX #471919

RGB 71 25 25

HSL 0, 0.48%, 0.19%

LAB 16.03, 22.07, 11.2

 

CMYK 0 / 38 / 65 / 72

HEX #472C19

RGB 71 44 25

HSL 24.78, 0.48%, 0.19%

LAB 20.87, 10.14, 17.33

 

CMYK 0 / 20 / 65 / 72

HEX #473919

RGB 71 57 25

HSL 41.74, 0.48%, 0.19%

LAB 24.75, 1.63, 21.97

 

CMYK 0 / 3 / 65 / 72

HEX #474519

RGB 71 69 25

HSL 57.39, 0.48%, 0.19%

LAB 28.55, -5.93, 26.3

 

CMYK 15 / 0 / 65 / 72

HEX #3C4719

RGB 60 71 25

HSL 74.35, 0.48%, 0.19%

LAB 28.21, -12.52, 25.64

 

CMYK 32 / 0 / 65 / 72

HEX #304719

RGB 48 71 25

HSL 90, 0.48%, 0.19%

LAB 27.31, -18.03, 24.37

 

CMYK 0 / 38 / 65 / 72

HEX #472C19

RGB 71 44 25

HSL 24.78, 0.48%, 0.19%

LAB 20.87, 10.14, 17.33

 

CMYK 0 / 46 / 78 / 69

HEX #4F2B11

RGB 79 43 17

HSL 25.16, 0.65%, 0.19%

LAB 21.69, 14.16, 23.5

 

CMYK 0 / 51 / 88 / 66

HEX #562A0A

RGB 86 42 10

HSL 25.26, 0.79%, 0.19%

LAB 22.5, 17.84, 28.15

 

CMYK 0 / 56 / 98 / 63

HEX #5E2902

RGB 94 41 2

HSL 25.43, 0.96%, 0.19%

LAB 23.57, 21.88, 32.95

 

CMYK 0 / 38 / 65 / 72

HEX #472C19

RGB 71 44 25

HSL 24.78, 0.48%, 0.19%

LAB 20.87, 10.14, 17.33

 

CMYK 0 / 27 / 48 / 75

HEX #3F2E21

RGB 63 46 33

HSL 26, 0.31%, 0.19%

LAB 20.52, 5.72, 11.39

 

CMYK 0 / 15 / 25 / 78

HEX #372F29

RGB 55 47 41

HSL 25.71, 0.15%, 0.19%

LAB 20.07, 2.43, 5.18

 

CMYK 4 / 2 / 0 / 81

HEX #2F3031

RGB 47 48 49

HSL 210, 0.02%, 0.19%

LAB 19.8, -0.2, -0.8

 

CMYK 32 / 14 / 0 / 78

HEX #273139

RGB 39 49 57

HSL 206.67, 0.19%, 0.19%

LAB 19.73, -1.97, -6.47

 

CMYK 0 / 65 / 58 / 72

HEX #47191E

RGB 71 25 30

HSL 353.48, 0.48%, 0.19%

LAB 16.15, 22.55, 7.79

 

CMYK 0 / 55 / 65 / 72

HEX #472019

RGB 71 32 25

HSL 9.13, 0.48%, 0.19%

LAB 17.66, 17.88, 13.3

 

CMYK 0 / 38 / 65 / 72

HEX #472C19

RGB 71 44 25

HSL 24.78, 0.48%, 0.19%

LAB 20.87, 10.14, 17.33

 

CMYK 0 / 21 / 65 / 72

HEX #473819

RGB 71 56 25

HSL 40.43, 0.48%, 0.19%

LAB 24.44, 2.28, 21.61

 

CMYK 0 / 4 / 65 / 72

HEX #474419

RGB 71 68 25

HSL 56.09, 0.48%, 0.19%

LAB 28.23, -5.31, 25.94

 

CMYK 0 / 40 / 70 / 96

HEX #0A0603

RGB 10 6 3

HSL 25.71, 0.54%, 0.03%

LAB 1.82, 0.63, 1.5

 

CMYK 0 / 38 / 65 / 84

HEX #28190E

RGB 40 25 14

HSL 25.38, 0.48%, 0.11%

LAB 10.39, 5.86, 9.71

 

CMYK 0 / 38 / 65 / 72

HEX #472C19

RGB 71 44 25

HSL 24.78, 0.48%, 0.19%

LAB 20.87, 10.14, 17.33

 

CMYK 0 / 37 / 64 / 60

HEX #654024

RGB 101 64 36

HSL 25.85, 0.47%, 0.27%

LAB 30.79, 12.97, 23.52

 

CMYK 0 / 37 / 64 / 49

HEX #83532F

RGB 131 83 47

HSL 25.71, 0.47%, 0.35%

LAB 39.94, 16.26, 29.03

 

CMYK 0 / 37 / 64 / 73

HEX #462C19

RGB 70 44 25

HSL 25.33, 0.47%, 0.19%

LAB 20.73, 9.64, 17.12

 

CMYK 39 / 0 / 65 / 72

HEX #2B4719

RGB 43 71 25

HSL 96.52, 0.48%, 0.19%

LAB 26.99, -20.15, 23.92

 

CMYK 63 / 65 / 0 / 72

HEX #1A1947

RGB 26 25 71

HSL 241.3, 0.48%, 0.19%

LAB 11.76, 16.32, -28.78

 

CMYK 0 / 37 / 64 / 73

HEX #462C19

RGB 70 44 25

HSL 25.33, 0.47%, 0.19%

LAB 20.73, 9.64, 17.12

 

CMYK 65 / 0 / 38 / 72

HEX #19472C

RGB 25 71 44

HSL 144.78, 0.48%, 0.19%

LAB 26.43, -23, 11.67

 

CMYK 38 / 65 / 0 / 72

HEX #2C1947

RGB 44 25 71

HSL 264.78, 0.48%, 0.19%

LAB 13.74, 20.96, -25.47

 

CMYK 0 / 37 / 64 / 73

HEX #462C19

RGB 70 44 25

HSL 25.33, 0.47%, 0.19%

LAB 20.73, 9.64, 17.12

 

CMYK 39 / 0 / 65 / 72

HEX #2B4719

RGB 43 71 25

HSL 96.52, 0.48%, 0.19%

LAB 26.99, -20.15, 23.92

 

CMYK 65 / 27 / 0 / 72

HEX #193447

RGB 25 52 71

HSL 204.78, 0.48%, 0.19%

LAB 20.51, -3.57, -14.89

 

CMYK 25 / 65 / 0 / 72

HEX #351947

RGB 53 25 71

HSL 276.52, 0.48%, 0.19%

LAB 14.99, 23.6, -23.4

 

CMYK 0 / 37 / 64 / 73

HEX #462C19

RGB 70 44 25

HSL 25.33, 0.47%, 0.19%

LAB 20.73, 9.64, 17.12

 

CMYK 59 / 0 / 65 / 72

HEX #1D4719

RGB 29 71 25

HSL 114.78, 0.48%, 0.19%

LAB 26.27, -25.32, 22.9

 

CMYK 65 / 27 / 0 / 72

HEX #193447

RGB 25 52 71

HSL 204.78, 0.48%, 0.19%

LAB 20.51, -3.57, -14.89

 

CMYK 6 / 65 / 0 / 72

HEX #431947

RGB 67 25 71

HSL 294.78, 0.48%, 0.19%

LAB 17.2, 27.88, -19.77

 

Description

Color code: HEX #462C19 | qconv.com Color code: HEX #462C19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 44 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 44 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 64 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 64% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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