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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46331E it is the complementary color #B9CCE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46331E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46331E shade: #4B3319, #5C452C, #6D573F, #7E6952 and #8F7B65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46331E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46331E shade: #46331E, #35210B, #240F00, #130000 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46331E shade: #47341E, #47291E and #471E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46331E shade: #47341E, #473F1E, #44471E, #39471E and #2E471E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46331E shade matches the following richer shades: #47341E, #4F3416, #57340E and #603505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46331E shade: #47341E, #3F3326, #36332F, #2E3237 and #26323F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46331E shade: #471E1F, #47281E, #47331E, #473E1E and #45471E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46331E shade: #0D0905, #2A1E12, #47341E, #64492A and #815E37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46331E shade: #46331E, #2A471E and #231E47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46331E shade: #46331E, #1E4733 and #331E47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46331E shade: #46331E, #2A471E, #1E3247 and #3B1E47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46331E shade: #46331E, #1E471F, #1E3247 and #471E46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 57 / 73

HEX #46331E

RGB 70 51 30

HSL 31.5, 0.4%, 0.2%

LAB 22.87, 5.54, 16.58

 

Complementary color

CMYK 18 / 9 / 0 / 12

HEX #B9CCE1

RGB 185 204 225

HSL 211.5, 0.4%, 0.8%

LAB 81.26, -2.07, -12.56

 

CMYK 0 / 32 / 67 / 71

HEX #4B3319

RGB 75 51 25

HSL 31.2, 0.5%, 0.2%

LAB 23.45, 7.57, 20.57

 

CMYK 0 / 25 / 52 / 64

HEX #5C452C

RGB 92 69 44

HSL 31.25, 0.35%, 0.27%

LAB 31.15, 6.33, 18.87

 

CMYK 0 / 20 / 42 / 57

HEX #6D573F

RGB 109 87 63

HSL 31.3, 0.27%, 0.34%

LAB 38.6, 5.43, 17.37

 

CMYK 0 / 17 / 35 / 51

HEX #7E6952

RGB 126 105 82

HSL 31.36, 0.21%, 0.41%

LAB 45.84, 4.74, 16.06

 

CMYK 0 / 14 / 29 / 44

HEX #8F7B65

RGB 143 123 101

HSL 31.43, 0.17%, 0.48%

LAB 52.89, 4.18, 14.89

 

CMYK 0 / 27 / 57 / 73

HEX #46331E

RGB 70 51 30

HSL 31.5, 0.4%, 0.2%

LAB 22.87, 5.54, 16.58

 

CMYK 0 / 38 / 79 / 79

HEX #35210B

RGB 53 33 11

HSL 31.43, 0.66%, 0.13%

LAB 14.78, 7, 17.36

 

CMYK 0 / 58 / 100 / 86

HEX #240F00

RGB 36 15 0

HSL 25, 1%, 0.07%

LAB 6.47, 8.85, 9.86

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 27 / 58 / 72

HEX #47341E

RGB 71 52 30

HSL 32.2, 0.41%, 0.2%

LAB 23.3, 5.39, 17.15

 

CMYK 0 / 42 / 58 / 72

HEX #47291E

RGB 71 41 30

HSL 16.1, 0.41%, 0.2%

LAB 20.12, 12.62, 13.09

 

CMYK 0 / 58 / 58 / 72

HEX #471E1E

RGB 71 30 30

HSL 0, 0.41%, 0.2%

LAB 17.28, 19.61, 9.33

 

CMYK 0 / 27 / 58 / 72

HEX #47341E

RGB 71 52 30

HSL 32.2, 0.41%, 0.2%

LAB 23.3, 5.39, 17.15

 

CMYK 0 / 11 / 58 / 72

HEX #473F1E

RGB 71 63 30

HSL 48.29, 0.41%, 0.2%

LAB 26.7, -1.71, 21.31

 

CMYK 4 / 0 / 58 / 72

HEX #44471E

RGB 68 71 30

HSL 64.39, 0.41%, 0.2%

LAB 28.98, -8.14, 23.94

 

CMYK 20 / 0 / 58 / 72

HEX #39471E

RGB 57 71 30

HSL 80.49, 0.41%, 0.2%

LAB 28.03, -13.39, 22.59

 

CMYK 35 / 0 / 58 / 72

HEX #2E471E

RGB 46 71 30

HSL 96.59, 0.41%, 0.2%

LAB 27.24, -18.26, 21.46

 

CMYK 0 / 27 / 58 / 72

HEX #47341E

RGB 71 52 30

HSL 32.2, 0.41%, 0.2%

LAB 23.3, 5.39, 17.15

 

CMYK 0 / 34 / 72 / 69

HEX #4F3416

RGB 79 52 22

HSL 31.58, 0.56%, 0.2%

LAB 24.25, 8.7, 23.41

 

CMYK 0 / 40 / 84 / 66

HEX #57340E

RGB 87 52 14

HSL 31.23, 0.72%, 0.2%

LAB 25.3, 12.24, 29.18

 

CMYK 0 / 45 / 95 / 62

HEX #603505

RGB 96 53 5

HSL 31.65, 0.9%, 0.2%

LAB 26.86, 15.71, 34.95

 

CMYK 0 / 27 / 58 / 72

HEX #47341E

RGB 71 52 30

HSL 32.2, 0.41%, 0.2%

LAB 23.3, 5.39, 17.15

 

CMYK 0 / 19 / 40 / 75

HEX #3F3326

RGB 63 51 38

HSL 31.2, 0.25%, 0.2%

LAB 22.18, 3.11, 10.27

 

CMYK 0 / 6 / 13 / 79

HEX #36332F

RGB 54 51 47

HSL 34.29, 0.07%, 0.2%

LAB 21.42, 0.46, 3.01

 

CMYK 16 / 9 / 0 / 78

HEX #2E3237

RGB 46 50 55

HSL 213.33, 0.09%, 0.2%

LAB 20.59, -0.45, -3.76

 

CMYK 40 / 21 / 0 / 75

HEX #26323F

RGB 38 50 63

HSL 211.2, 0.25%, 0.2%

LAB 20.25, -1.15, -9.79

 

CMYK 0 / 58 / 56 / 72

HEX #471E1F

RGB 71 30 31

HSL 358.54, 0.41%, 0.2%

LAB 17.31, 19.72, 8.66

 

CMYK 0 / 44 / 58 / 72

HEX #47281E

RGB 71 40 30

HSL 14.63, 0.41%, 0.2%

LAB 19.85, 13.28, 12.73

 

CMYK 0 / 28 / 58 / 72

HEX #47331E

RGB 71 51 30

HSL 30.73, 0.41%, 0.2%

LAB 23, 6.05, 16.77

 

CMYK 0 / 13 / 58 / 72

HEX #473E1E

RGB 71 62 30

HSL 46.83, 0.41%, 0.2%

LAB 26.39, -1.08, 20.93

 

CMYK 3 / 0 / 58 / 72

HEX #45471E

RGB 69 71 30

HSL 62.93, 0.41%, 0.2%

LAB 29.07, -7.65, 24.07

 

CMYK 0 / 31 / 62 / 95

HEX #0D0905

RGB 13 9 5

HSL 30, 0.44%, 0.04%

LAB 2.64, 0.56, 1.91

 

CMYK 0 / 29 / 57 / 84

HEX #2A1E12

RGB 42 30 18

HSL 30, 0.4%, 0.12%

LAB 12.38, 3.87, 10.27

 

CMYK 0 / 27 / 58 / 72

HEX #47341E

RGB 71 52 30

HSL 32.2, 0.41%, 0.2%

LAB 23.3, 5.39, 17.15

 

CMYK 0 / 27 / 58 / 61

HEX #64492A

RGB 100 73 42

HSL 32.07, 0.41%, 0.28%

LAB 33.22, 7.46, 22.89

 

CMYK 0 / 27 / 57 / 49

HEX #815E37

RGB 129 94 55

HSL 31.62, 0.4%, 0.36%

LAB 42.69, 9.49, 27.75

 

CMYK 0 / 27 / 57 / 73

HEX #46331E

RGB 70 51 30

HSL 31.5, 0.4%, 0.2%

LAB 22.87, 5.54, 16.58

 

CMYK 41 / 0 / 58 / 72

HEX #2A471E

RGB 42 71 30

HSL 102.44, 0.41%, 0.2%

LAB 27, -19.9, 21.1

 

CMYK 51 / 58 / 0 / 72

HEX #231E47

RGB 35 30 71

HSL 247.32, 0.41%, 0.2%

LAB 14.06, 14.93, -25.01

 

CMYK 0 / 27 / 57 / 73

HEX #46331E

RGB 70 51 30

HSL 31.5, 0.4%, 0.2%

LAB 22.87, 5.54, 16.58

 

CMYK 58 / 0 / 28 / 72

HEX #1E4733

RGB 30 71 51

HSL 150.73, 0.41%, 0.2%

LAB 26.8, -19.94, 7.73

 

CMYK 28 / 58 / 0 / 72

HEX #331E47

RGB 51 30 71

HSL 270.73, 0.41%, 0.2%

LAB 15.94, 19.76, -21.91

 

CMYK 0 / 27 / 57 / 73

HEX #46331E

RGB 70 51 30

HSL 31.5, 0.4%, 0.2%

LAB 22.87, 5.54, 16.58

 

CMYK 41 / 0 / 58 / 72

HEX #2A471E

RGB 42 71 30

HSL 102.44, 0.41%, 0.2%

LAB 27, -19.9, 21.1

 

CMYK 58 / 30 / 0 / 72

HEX #1E3247

RGB 30 50 71

HSL 210.73, 0.41%, 0.2%

LAB 20.09, -0.9, -15.51

 

CMYK 17 / 58 / 0 / 72

HEX #3B1E47

RGB 59 30 71

HSL 282.44, 0.41%, 0.2%

LAB 17.05, 22.36, -20.07

 

CMYK 0 / 27 / 57 / 73

HEX #46331E

RGB 70 51 30

HSL 31.5, 0.4%, 0.2%

LAB 22.87, 5.54, 16.58

 

CMYK 58 / 0 / 56 / 72

HEX #1E471F

RGB 30 71 31

HSL 121.46, 0.41%, 0.2%

LAB 26.39, -24.09, 19.64

 

CMYK 58 / 30 / 0 / 72

HEX #1E3247

RGB 30 50 71

HSL 210.73, 0.41%, 0.2%

LAB 20.09, -0.9, -15.51

 

CMYK 0 / 58 / 1 / 72

HEX #471E46

RGB 71 30 70

HSL 301.46, 0.41%, 0.2%

LAB 18.84, 26.13, -16.44

 

Description

Color code: HEX #46331E | qconv.com Color code: HEX #46331E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 51 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 51 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 57 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 57% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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