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Color name
HEX #463D28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #463D28 it is the complementary color #B9C2D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #463D28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #463D28 shade: #4B3D23, #5C4F36, #6D6149, #7E735C and #8F856F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #463D28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #463D28 shade: #463D28, #352B15, #241902, #130700 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #463D28 shade: #473E28, #473528, #472D28 and #472828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #463D28 shade: #473E28, #474628, #3F4728, #374728 and #2F4728

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #463D28 shade matches the following richer shades: #473E28, #50411F, #594516, #62490D and #6B4C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #463D28 shade: #473E28, #3E3A32, #35363B, #2C3344 and #222F4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #463D28 shade: #472E28, #473628, #473E28, #474628 and #404728

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #463D28 shade: #12100A, #2D2719, #473E28, #615538 and #7B6B47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #463D28 shade: #463D28, #2B4728 and #322847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #463D28 shade: #463D28, #28473E and #3E2847

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #463D28 shade: #463D28, #2B4728, #283247 and #442847

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #463D28 shade: #463D28, #28472F, #283247 and #472841

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 43 / 73

HEX #463D28

RGB 70 61 40

HSL 42, 0.27%, 0.22%

LAB 26.14, 0.29, 14.39

 

Complementary color

CMYK 14 / 10 / 0 / 16

HEX #B9C2D7

RGB 185 194 215

HSL 222, 0.27%, 0.78%

LAB 78.35, 1.13, -11.54

 

CMYK 0 / 19 / 53 / 71

HEX #4B3D23

RGB 75 61 35

HSL 39, 0.36%, 0.22%

LAB 26.61, 2.11, 18.25

 

CMYK 0 / 14 / 41 / 64

HEX #5C4F36

RGB 92 79 54

HSL 39.47, 0.26%, 0.29%

LAB 34.26, 1.34, 16.77

 

CMYK 0 / 11 / 33 / 57

HEX #6D6149

RGB 109 97 73

HSL 40, 0.2%, 0.36%

LAB 41.66, 0.78, 15.46

 

CMYK 0 / 9 / 27 / 51

HEX #7E735C

RGB 126 115 92

HSL 40.59, 0.16%, 0.43%

LAB 48.85, 0.35, 14.29

 

CMYK 0 / 7 / 22 / 44

HEX #8F856F

RGB 143 133 111

HSL 41.25, 0.13%, 0.5%

LAB 55.85, -0, 13.23

 

CMYK 0 / 13 / 43 / 73

HEX #463D28

RGB 70 61 40

HSL 42, 0.27%, 0.22%

LAB 26.14, 0.29, 14.39

 

CMYK 0 / 19 / 60 / 79

HEX #352B15

RGB 53 43 21

HSL 41.25, 0.43%, 0.15%

LAB 18.09, 1.1, 15.95

 

CMYK 0 / 31 / 94 / 86

HEX #241902

RGB 36 25 2

HSL 40.59, 0.89%, 0.07%

LAB 9.6, 2.28, 13.58

 

CMYK 0 / 63 / 100 / 93

HEX #130700

RGB 19 7 0

HSL 22.11, 1%, 0.04%

LAB 2.62, 2.81, 3.98

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 13 / 44 / 72

HEX #473E28

RGB 71 62 40

HSL 42.58, 0.28%, 0.22%

LAB 26.56, 0.14, 14.96

 

CMYK 0 / 25 / 44 / 72

HEX #473528

RGB 71 53 40

HSL 25.16, 0.28%, 0.22%

LAB 23.8, 5.98, 11.3

 

CMYK 0 / 37 / 44 / 72

HEX #472D28

RGB 71 45 40

HSL 9.68, 0.28%, 0.22%

LAB 21.47, 11.25, 8.13

 

CMYK 0 / 44 / 44 / 72

HEX #472828

RGB 71 40 40

HSL 0, 0.28%, 0.22%

LAB 20.09, 14.53, 6.21

 

CMYK 0 / 13 / 44 / 72

HEX #473E28

RGB 71 62 40

HSL 42.58, 0.28%, 0.22%

LAB 26.56, 0.14, 14.96

 

CMYK 0 / 1 / 44 / 72

HEX #474628

RGB 71 70 40

HSL 58.06, 0.28%, 0.22%

LAB 29.09, -4.89, 18.23

 

CMYK 11 / 0 / 44 / 72

HEX #3F4728

RGB 63 71 40

HSL 75.48, 0.28%, 0.22%

LAB 28.69, -9.27, 17.57

 

CMYK 23 / 0 / 44 / 72

HEX #374728

RGB 55 71 40

HSL 90.97, 0.28%, 0.22%

LAB 28.04, -12.89, 16.6

 

CMYK 34 / 0 / 44 / 72

HEX #2F4728

RGB 47 71 40

HSL 106.45, 0.28%, 0.22%

LAB 27.47, -16.29, 15.76

 

CMYK 0 / 13 / 44 / 72

HEX #473E28

RGB 71 62 40

HSL 42.58, 0.28%, 0.22%

LAB 26.56, 0.14, 14.96

 

CMYK 0 / 19 / 61 / 69

HEX #50411F

RGB 80 65 31

HSL 41.63, 0.44%, 0.22%

LAB 28.34, 1.64, 22.92

 

CMYK 0 / 22 / 75 / 65

HEX #594516

RGB 89 69 22

HSL 42.09, 0.6%, 0.22%

LAB 30.49, 2.94, 30.52

 

CMYK 0 / 26 / 87 / 62

HEX #62490D

RGB 98 73 13

HSL 42.35, 0.77%, 0.22%

LAB 32.68, 4.55, 36.94

 

CMYK 0 / 29 / 96 / 58

HEX #6B4C04

RGB 107 76 4

HSL 41.94, 0.93%, 0.22%

LAB 34.61, 6.94, 42.01

 

CMYK 0 / 13 / 44 / 72

HEX #473E28

RGB 71 62 40

HSL 42.58, 0.28%, 0.22%

LAB 26.56, 0.14, 14.96

 

CMYK 0 / 6 / 19 / 76

HEX #3E3A32

RGB 62 58 50

HSL 40, 0.11%, 0.22%

LAB 24.58, 0.1, 5.6

 

CMYK 10 / 8 / 0 / 77

HEX #35363B

RGB 53 54 59

HSL 230, 0.05%, 0.22%

LAB 22.69, 0.78, -3.28

 

CMYK 35 / 25 / 0 / 73

HEX #2C3344

RGB 44 51 68

HSL 222.5, 0.21%, 0.22%

LAB 21.28, 1.84, -11.56

 

CMYK 56 / 39 / 0 / 70

HEX #222F4D

RGB 34 47 77

HSL 221.86, 0.39%, 0.22%

LAB 19.68, 4.52, -20.2

 

CMYK 0 / 35 / 44 / 72

HEX #472E28

RGB 71 46 40

HSL 11.61, 0.28%, 0.22%

LAB 21.75, 10.59, 8.52

 

CMYK 0 / 24 / 44 / 72

HEX #473628

RGB 71 54 40

HSL 27.1, 0.28%, 0.22%

LAB 24.1, 5.32, 11.71

 

CMYK 0 / 13 / 44 / 72

HEX #473E28

RGB 71 62 40

HSL 42.58, 0.28%, 0.22%

LAB 26.56, 0.14, 14.96

 

CMYK 0 / 1 / 44 / 72

HEX #474628

RGB 71 70 40

HSL 58.06, 0.28%, 0.22%

LAB 29.09, -4.89, 18.23

 

CMYK 10 / 0 / 44 / 72

HEX #404728

RGB 64 71 40

HSL 73.55, 0.28%, 0.22%

LAB 28.77, -8.8, 17.69

 

CMYK 0 / 11 / 44 / 93

HEX #12100A

RGB 18 16 10

HSL 45, 0.29%, 0.05%

LAB 4.71, -0.24, 2.94

 

CMYK 0 / 13 / 44 / 82

HEX #2D2719

RGB 45 39 25

HSL 42, 0.29%, 0.14%

LAB 15.9, 0.16, 10.28

 

CMYK 0 / 13 / 44 / 72

HEX #473E28

RGB 71 62 40

HSL 42.58, 0.28%, 0.22%

LAB 26.56, 0.14, 14.96

 

CMYK 0 / 12 / 42 / 62

HEX #615538

RGB 97 85 56

HSL 42.44, 0.27%, 0.3%

LAB 36.6, 0.26, 18.73

 

CMYK 0 / 13 / 42 / 52

HEX #7B6B47

RGB 123 107 71

HSL 41.54, 0.27%, 0.38%

LAB 45.88, 0.82, 22.49

 

CMYK 0 / 13 / 43 / 73

HEX #463D28

RGB 70 61 40

HSL 42, 0.27%, 0.22%

LAB 26.14, 0.29, 14.39

 

CMYK 39 / 0 / 44 / 72

HEX #2B4728

RGB 43 71 40

HSL 114.19, 0.28%, 0.22%

LAB 27.22, -17.89, 15.39

 

CMYK 30 / 44 / 0 / 72

HEX #322847

RGB 50 40 71

HSL 259.35, 0.28%, 0.22%

LAB 18.59, 12.56, -17.74

 

CMYK 0 / 13 / 43 / 73

HEX #463D28

RGB 70 61 40

HSL 42, 0.27%, 0.22%

LAB 26.14, 0.29, 14.39

 

CMYK 44 / 0 / 13 / 72

HEX #28473E

RGB 40 71 62

HSL 162.58, 0.28%, 0.22%

LAB 27.59, -13.99, 1.8

 

CMYK 13 / 44 / 0 / 72

HEX #3E2847

RGB 62 40 71

HSL 282.58, 0.28%, 0.22%

LAB 20.03, 16.9, -15.38

 

CMYK 0 / 13 / 43 / 73

HEX #463D28

RGB 70 61 40

HSL 42, 0.27%, 0.22%

LAB 26.14, 0.29, 14.39

 

CMYK 39 / 0 / 44 / 72

HEX #2B4728

RGB 43 71 40

HSL 114.19, 0.28%, 0.22%

LAB 27.22, -17.89, 15.39

 

CMYK 44 / 30 / 0 / 72

HEX #283247

RGB 40 50 71

HSL 220.65, 0.28%, 0.22%

LAB 20.78, 2.13, -14.39

 

CMYK 4 / 44 / 0 / 72

HEX #442847

RGB 68 40 71

HSL 294.19, 0.28%, 0.22%

LAB 20.83, 19.12, -14.07

 

CMYK 0 / 13 / 43 / 73

HEX #463D28

RGB 70 61 40

HSL 42, 0.27%, 0.22%

LAB 26.14, 0.29, 14.39

 

CMYK 44 / 0 / 34 / 72

HEX #28472F

RGB 40 71 47

HSL 133.55, 0.28%, 0.22%

LAB 27.19, -17.62, 10.92

 

CMYK 44 / 30 / 0 / 72

HEX #283247

RGB 40 50 71

HSL 220.65, 0.28%, 0.22%

LAB 20.78, 2.13, -14.39

 

CMYK 0 / 44 / 8 / 72

HEX #472841

RGB 71 40 65

HSL 311.61, 0.28%, 0.22%

LAB 20.98, 18.94, -9.72

 

Description

Color code: HEX #463D28 | qconv.com Color code: HEX #463D28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 61 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 61 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 43 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 43% 73% C M Y K

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Provide designers and agencies with accurate color values.

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