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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46413E it is the complementary color #B9BEC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46413E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46413E shade: #4B4139, #5C534C, #6D655F, #7E7772 and #8F8985

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46413E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46413E shade: #46413E, #352F2B, #241D18, #130B05 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46413E shade: #46413E, #463F3E and #463E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46413E shade: #46413E, #46433E, #46453E, #44463E and #42463E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46413E shade matches the following richer shades: #46413E, #513E33, #5B3B28, #66391E and #713613

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46413E shade: #46413E, #3B4349, #304653, #26495E and #1B4C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46413E shade: #463E3F, #463F3E, #46413E, #46433E and #46453E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46413E shade: #1A1817, #302C2A, #46413E, #5C5551 and #726965

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46413E shade: #46413E, #41463E and #3E3E46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46413E shade: #46413E, #3E4641 and #413E46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46413E shade: #46413E, #41463E, #3E4346 and #423E46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46413E shade: #46413E, #3F463E, #3E4346 and #453E46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

Complementary color

CMYK 4 / 2 / 0 / 24

HEX #B9BEC1

RGB 185 190 193

HSL 202.5, 0.06%, 0.74%

LAB 76.67, -1.15, -2.12

 

CMYK 0 / 13 / 24 / 71

HEX #4B4139

RGB 75 65 57

HSL 26.67, 0.14%, 0.26%

LAB 28.31, 2.78, 6.46

 

CMYK 0 / 10 / 17 / 64

HEX #5C534C

RGB 92 83 76

HSL 26.25, 0.1%, 0.33%

LAB 35.95, 2.36, 5.43

 

CMYK 0 / 7 / 13 / 57

HEX #6D655F

RGB 109 101 95

HSL 25.71, 0.07%, 0.4%

LAB 43.34, 2.02, 4.53

 

CMYK 0 / 6 / 10 / 51

HEX #7E7772

RGB 126 119 114

HSL 25, 0.05%, 0.47%

LAB 50.5, 1.74, 3.7

 

CMYK 0 / 4 / 7 / 44

HEX #8F8985

RGB 143 137 133

HSL 24, 0.04%, 0.54%

LAB 57.49, 1.49, 2.93

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 0 / 11 / 19 / 79

HEX #352F2B

RGB 53 47 43

HSL 24, 0.1%, 0.19%

LAB 19.9, 1.87, 3.55

 

CMYK 0 / 19 / 33 / 86

HEX #241D18

RGB 36 29 24

HSL 25, 0.2%, 0.12%

LAB 11.41, 2.38, 4.71

 

CMYK 0 / 42 / 74 / 93

HEX #130B05

RGB 19 11 5

HSL 25.71, 0.58%, 0.05%

LAB 3.51, 1.89, 3.24

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 0 / 10 / 11 / 73

HEX #463F3E

RGB 70 63 62

HSL 7.5, 0.06%, 0.26%

LAB 27.31, 2.8, 1.7

 

CMYK 0 / 11 / 11 / 73

HEX #463E3E

RGB 70 62 62

HSL 0, 0.06%, 0.26%

LAB 27, 3.45, 1.25

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 0 / 4 / 11 / 73

HEX #46433E

RGB 70 67 62

HSL 37.5, 0.06%, 0.26%

LAB 28.55, 0.22, 3.48

 

CMYK 0 / 1 / 11 / 73

HEX #46453E

RGB 70 69 62

HSL 52.5, 0.06%, 0.26%

LAB 29.17, -1.05, 4.38

 

CMYK 3 / 0 / 11 / 73

HEX #44463E

RGB 68 70 62

HSL 75, 0.06%, 0.26%

LAB 29.3, -2.54, 4.54

 

CMYK 6 / 0 / 11 / 73

HEX #42463E

RGB 66 70 62

HSL 90, 0.06%, 0.26%

LAB 29.12, -3.4, 4.26

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 0 / 23 / 37 / 68

HEX #513E33

RGB 81 62 51

HSL 22, 0.23%, 0.26%

LAB 27.94, 6.49, 9.94

 

CMYK 0 / 35 / 56 / 64

HEX #5B3B28

RGB 91 59 40

HSL 22.35, 0.39%, 0.26%

LAB 28.13, 11.73, 17.47

 

CMYK 0 / 44 / 71 / 60

HEX #66391E

RGB 102 57 30

HSL 22.5, 0.55%, 0.26%

LAB 29.02, 17.29, 25.04

 

CMYK 0 / 52 / 83 / 56

HEX #713613

RGB 113 54 19

HSL 22.34, 0.71%, 0.26%

LAB 29.9, 23.5, 32.54

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 19 / 8 / 0 / 71

HEX #3B4349

RGB 59 67 73

HSL 205.71, 0.11%, 0.26%

LAB 27.91, -1.77, -4.74

 

CMYK 42 / 16 / 0 / 67

HEX #304653

RGB 48 70 83

HSL 202.29, 0.27%, 0.26%

LAB 28.47, -4.69, -10.48

 

CMYK 60 / 22 / 0 / 63

HEX #26495E

RGB 38 73 94

HSL 202.5, 0.42%, 0.26%

LAB 29.38, -5.74, -16.23

 

CMYK 74 / 28 / 0 / 59

HEX #1B4C69

RGB 27 76 105

HSL 202.31, 0.59%, 0.26%

LAB 30.45, -5.83, -21.59

 

CMYK 0 / 11 / 10 / 73

HEX #463E3F

RGB 70 62 63

HSL 352.5, 0.06%, 0.26%

LAB 27.04, 3.65, 0.64

 

CMYK 0 / 10 / 11 / 73

HEX #463F3E

RGB 70 63 62

HSL 7.5, 0.06%, 0.26%

LAB 27.31, 2.8, 1.7

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 0 / 4 / 11 / 73

HEX #46433E

RGB 70 67 62

HSL 37.5, 0.06%, 0.26%

LAB 28.55, 0.22, 3.48

 

CMYK 0 / 1 / 11 / 73

HEX #46453E

RGB 70 69 62

HSL 52.5, 0.06%, 0.26%

LAB 29.17, -1.05, 4.38

 

CMYK 0 / 8 / 12 / 90

HEX #1A1817

RGB 26 24 23

HSL 20, 0.06%, 0.1%

LAB 8.44, 0.74, 1.05

 

CMYK 0 / 8 / 13 / 81

HEX #302C2A

RGB 48 44 42

HSL 20, 0.07%, 0.18%

LAB 18.35, 1.37, 1.95

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 0 / 8 / 12 / 64

HEX #5C5551

RGB 92 85 81

HSL 21.82, 0.06%, 0.34%

LAB 36.68, 2.06, 3.35

 

CMYK 0 / 8 / 11 / 55

HEX #726965

RGB 114 105 101

HSL 18.46, 0.06%, 0.42%

LAB 45.11, 2.78, 3.52

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 7 / 0 / 11 / 73

HEX #41463E

RGB 65 70 62

HSL 97.5, 0.06%, 0.26%

LAB 29.04, -3.83, 4.12

 

CMYK 11 / 11 / 0 / 73

HEX #3E3E46

RGB 62 62 70

HSL 240, 0.06%, 0.26%

LAB 26.48, 1.89, -4.88

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 11 / 0 / 7 / 73

HEX #3E4641

RGB 62 70 65

HSL 142.5, 0.06%, 0.26%

LAB 28.87, -4.42, 1.9

 

CMYK 7 / 11 / 0 / 73

HEX #413E46

RGB 65 62 70

HSL 262.5, 0.06%, 0.26%

LAB 26.77, 3.11, -4.42

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 7 / 0 / 11 / 73

HEX #41463E

RGB 65 70 62

HSL 97.5, 0.06%, 0.26%

LAB 29.04, -3.83, 4.12

 

CMYK 11 / 4 / 0 / 73

HEX #3E4346

RGB 62 67 70

HSL 202.5, 0.06%, 0.26%

LAB 28.06, -1.35, -2.53

 

CMYK 6 / 11 / 0 / 73

HEX #423E46

RGB 66 62 70

HSL 270, 0.06%, 0.26%

LAB 26.86, 3.52, -4.26

 

CMYK 0 / 7 / 11 / 73

HEX #46413E

RGB 70 65 62

HSL 22.5, 0.06%, 0.26%

LAB 27.93, 1.51, 2.59

 

CMYK 10 / 0 / 11 / 73

HEX #3F463E

RGB 63 70 62

HSL 112.5, 0.06%, 0.26%

LAB 28.86, -4.67, 3.85

 

CMYK 11 / 4 / 0 / 73

HEX #3E4346

RGB 62 67 70

HSL 202.5, 0.06%, 0.26%

LAB 28.06, -1.35, -2.53

 

CMYK 1 / 11 / 0 / 73

HEX #453E46

RGB 69 62 70

HSL 292.5, 0.06%, 0.26%

LAB 27.17, 4.75, -3.78

 

Description

Color code: HEX #46413E | qconv.com Color code: HEX #46413E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 65 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 65 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 11 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 11% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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