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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #464B5D it is the complementary color #B9B4A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #464B5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #464B5D shade: #4B4B58, #5C5D6B, #6D6F7E, #7E8191 and #8F93A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #464B5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #464B5D shade: #464B5D, #35394A, #242737, #131524 and #020311

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #464B5D shade: #464B5D, #47465D, #4D465D, #53465D and #59465D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #464B5D shade: #464B5D and #46465D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #464B5D shade matches the following richer shades: #464B5D, #38436A, #2B3C77, #1E3484 and #112D91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #464B5D shade: #464B5D, #53524F, #605A42, #6D6135 and #7A6828

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #464B5D shade: #46575D, #46515D, #464B5D, #46465D and #4D465D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #464B5D shade: #22252D, #343845, #464B5D, #575E74 and #69718C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #464B5D shade: #464B5D, #5C465D and #545D46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #464B5D shade: #464B5D, #5D464B and #4B5D46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #464B5D shade: #464B5D, #5C465D, #5D5746 and #465D46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #464B5D shade: #464B5D, #5D4656, #5D5746 and #465D4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

Complementary color

CMYK 0 / 3 / 12 / 27

HEX #B9B4A2

RGB 185 180 162

HSL 46.96, 0.14%, 0.68%

LAB 73.26, -1.36, 9.81

 

CMYK 15 / 15 / 0 / 65

HEX #4B4B58

RGB 75 75 88

HSL 240, 0.08%, 0.32%

LAB 32.33, 3.03, -7.65

 

CMYK 14 / 13 / 0 / 58

HEX #5C5D6B

RGB 92 93 107

HSL 236, 0.08%, 0.39%

LAB 39.86, 2.76, -8.09

 

CMYK 13 / 12 / 0 / 51

HEX #6D6F7E

RGB 109 111 126

HSL 232.94, 0.07%, 0.46%

LAB 47.14, 2.52, -8.53

 

CMYK 13 / 11 / 0 / 43

HEX #7E8191

RGB 126 129 145

HSL 230.53, 0.08%, 0.53%

LAB 54.22, 2.3, -8.98

 

CMYK 13 / 10 / 0 / 36

HEX #8F93A4

RGB 143 147 164

HSL 228.57, 0.1%, 0.6%

LAB 61.12, 2.09, -9.42

 

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

CMYK 28 / 23 / 0 / 71

HEX #35394A

RGB 53 57 74

HSL 228.57, 0.17%, 0.25%

LAB 24.25, 2.82, -10.97

 

CMYK 35 / 29 / 0 / 78

HEX #242737

RGB 36 39 55

HSL 230.53, 0.21%, 0.18%

LAB 16.01, 3.26, -10.77

 

CMYK 47 / 42 / 0 / 86

HEX #131524

RGB 19 21 36

HSL 232.94, 0.31%, 0.11%

LAB 7.25, 3.8, -10.67

 

CMYK 88 / 82 / 0 / 93

HEX #020311

RGB 2 3 17

HSL 236, 0.79%, 0.04%

LAB 1.07, 1.89, -5.95

 

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

CMYK 24 / 25 / 0 / 64

HEX #47465D

RGB 71 70 93

HSL 242.61, 0.14%, 0.32%

LAB 30.66, 6.06, -13.41

 

CMYK 17 / 25 / 0 / 64

HEX #4D465D

RGB 77 70 93

HSL 258.26, 0.14%, 0.32%

LAB 31.23, 8.25, -12.5

 

CMYK 11 / 25 / 0 / 64

HEX #53465D

RGB 83 70 93

HSL 273.91, 0.14%, 0.32%

LAB 31.83, 10.5, -11.53

 

CMYK 4 / 25 / 0 / 64

HEX #59465D

RGB 89 70 93

HSL 289.57, 0.14%, 0.32%

LAB 32.47, 12.79, -10.5

 

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

CMYK 25 / 25 / 0 / 64

HEX #46465D

RGB 70 70 93

HSL 240, 0.14%, 0.32%

LAB 30.58, 5.71, -13.55

 

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

CMYK 47 / 37 / 0 / 58

HEX #38436A

RGB 56 67 106

HSL 226.8, 0.31%, 0.32%

LAB 29.15, 7.1, -24.16

 

CMYK 64 / 50 / 0 / 53

HEX #2B3C77

RGB 43 60 119

HSL 226.58, 0.47%, 0.32%

LAB 26.95, 13.3, -35.95

 

CMYK 77 / 61 / 0 / 48

HEX #1E3484

RGB 30 52 132

HSL 227.06, 0.63%, 0.32%

LAB 24.95, 21.8, -47.41

 

CMYK 88 / 69 / 0 / 43

HEX #112D91

RGB 17 45 145

HSL 226.88, 0.79%, 0.32%

LAB 23.8, 30.57, -57.39

 

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

CMYK 0 / 1 / 5 / 67

HEX #53524F

RGB 83 82 79

HSL 45, 0.02%, 0.32%

LAB 34.88, -0.22, 1.9

 

CMYK 0 / 6 / 31 / 62

HEX #605A42

RGB 96 90 66

HSL 48, 0.19%, 0.32%

LAB 38.19, -1.82, 14.77

 

CMYK 0 / 11 / 51 / 57

HEX #6D6135

RGB 109 97 53

HSL 47.14, 0.35%, 0.32%

LAB 41.31, -1.71, 26.69

 

CMYK 0 / 15 / 67 / 52

HEX #7A6828

RGB 122 104 40

HSL 46.83, 0.51%, 0.32%

LAB 44.51, -0.84, 37.6

 

CMYK 25 / 6 / 0 / 64

HEX #46575D

RGB 70 87 93

HSL 195.65, 0.14%, 0.32%

LAB 35.81, -5.02, -5.65

 

CMYK 25 / 13 / 0 / 64

HEX #46515D

RGB 70 81 93

HSL 211.3, 0.14%, 0.32%

LAB 33.94, -1.32, -8.45

 

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

CMYK 25 / 25 / 0 / 64

HEX #46465D

RGB 70 70 93

HSL 240, 0.14%, 0.32%

LAB 30.58, 5.71, -13.55

 

CMYK 17 / 25 / 0 / 64

HEX #4D465D

RGB 77 70 93

HSL 258.26, 0.14%, 0.32%

LAB 31.23, 8.25, -12.5

 

CMYK 24 / 18 / 0 / 82

HEX #22252D

RGB 34 37 45

HSL 223.64, 0.14%, 0.15%

LAB 14.69, 0.85, -5.73

 

CMYK 25 / 19 / 0 / 73

HEX #343845

RGB 52 56 69

HSL 225.88, 0.14%, 0.24%

LAB 23.63, 1.7, -8.59

 

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

CMYK 25 / 19 / 0 / 55

HEX #575E74

RGB 87 94 116

HSL 225.52, 0.14%, 0.4%

LAB 40.07, 2.62, -13.34

 

CMYK 25 / 19 / 0 / 45

HEX #69718C

RGB 105 113 140

HSL 226.29, 0.14%, 0.48%

LAB 47.89, 3.34, -15.76

 

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

CMYK 1 / 25 / 0 / 64

HEX #5C465D

RGB 92 70 93

HSL 297.39, 0.14%, 0.32%

LAB 32.8, 13.94, -9.96

 

CMYK 10 / 0 / 25 / 64

HEX #545D46

RGB 84 93 70

HSL 83.48, 0.14%, 0.32%

LAB 38.12, -8.15, 12.07

 

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

CMYK 0 / 25 / 19 / 64

HEX #5D464B

RGB 93 70 75

HSL 346.96, 0.14%, 0.32%

LAB 32.29, 10.73, 0.81

 

CMYK 19 / 0 / 25 / 64

HEX #4B5D46

RGB 75 93 70

HSL 106.96, 0.14%, 0.32%

LAB 37.42, -11.86, 11

 

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

CMYK 1 / 25 / 0 / 64

HEX #5C465D

RGB 92 70 93

HSL 297.39, 0.14%, 0.32%

LAB 32.8, 13.94, -9.96

 

CMYK 0 / 6 / 25 / 64

HEX #5D5746

RGB 93 87 70

HSL 44.35, 0.14%, 0.32%

LAB 37.09, -0.7, 10.77

 

CMYK 25 / 0 / 25 / 64

HEX #465D46

RGB 70 93 70

HSL 120, 0.14%, 0.32%

LAB 37.06, -13.83, 10.45

 

CMYK 25 / 19 / 0 / 64

HEX #464B5D

RGB 70 75 93

HSL 226.96, 0.14%, 0.32%

LAB 32.09, 2.48, -11.25

 

CMYK 0 / 25 / 8 / 64

HEX #5D4656

RGB 93 70 86

HSL 318.26, 0.14%, 0.32%

LAB 32.66, 12.85, -5.7

 

CMYK 0 / 6 / 25 / 64

HEX #5D5746

RGB 93 87 70

HSL 44.35, 0.14%, 0.32%

LAB 37.09, -0.7, 10.77

 

CMYK 25 / 0 / 18 / 64

HEX #465D4C

RGB 70 93 76

HSL 135.65, 0.14%, 0.32%

LAB 37.21, -12.59, 6.97

 

Description

Color code: HEX #464B5D | qconv.com Color code: HEX #464B5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 75 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 75 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 19 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 19% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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